Posts Tagged ‘paste the paper’

Acquario Fish Swimming Through a West Houston Powder Room

October 5, 2018

I hung this paper for this client in her previous home in Spring Branch (Houston). Two years later, the family is moving to a new construction home in the Briar Park neighborhood, and she wants the same pattern in her new, larger, powder room.

In a house where practically everything else is all white, it’s an unexpected jolt of fun when you open the door to the powder room and are hit with – not just bold color, but these cheeky fish swimming in both directions across the walls.

This pattern is called “Acquario,” and is by the British company Cole & Son, in their Fornasetti line. I’ve hung it several times, in a couple of different colors. It is printed on a non-woven backing, and is intended to be hung using the paste-the-wall method. I find the paste-the-paper method to be superior.

For one thing, the paper expands when it gets wet with the paste. (Non-wovens are not supposed to do this.) It’s best to let the paper absorb moisture and expand while on your work table (instead of on the wall), as this will help prevent “pouched” seams on the wall.

Also, pasting the paper makes it more soft and pliable, which makes it easier to manipulate into position of the walls.

Advertisements

Birds for the Bold of Heart

August 18, 2018


A lot of clients tell me they love birds, and are seeking wallpaper patterns with foliage and birds. (Do a Search here (upper right corner) on the word “birds.”) Most of those are what you would call sweet patterns. This design, on the other hand, can only be called BOLD.

The homeowner, also in the Houston Heights, is the sister to the guy mentioned in yesterday’s post. As you can see, they share an adventurous taste in decorating!

Although the pattern has a lot going on, it doesn’t feel busy, even in a powder room, partly because of the fairly homogenous color scheme, and also because of the all-over placement of the design elements. Besides, who can resist those intense faces? My favorite is the owl-like bird staring you dead in the eye.

The walls in this new home were heavily textured, so I had to smooth them first (see top photos) and then prime with a penetrating sealer called Gardz.

This wallpaper pattern is by Clarke & Clarke, a British company. As are many British products, it is printed on a non-woven substrate and is quite durable. It can be dry-hung using the paste-the-wall method – but I prefer to paste the paper. It was a little easier to work with than yesterday’s paper, being thinner and softer and less prone to creasing.

This was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Wild, Wonderful Chintz Wallpaper in a Montrose Entry

August 8, 2018


This newish townhome in the Montrose neighborhood of Houston is fairly traditional in style. But the new owner loves color, and she’s not afraid to be a bit daring! She had the ho-hum tan travertine tile floor taken out and replaced with this large, vibrant black & white checkerboard.

Next she woke up the walls with this vivid chintz floral wallpaper pattern. Chintz is an old and classic design – but there is nothing stuffy or old fashioned about these wild colors!

I love the “in progress” shots (2nd photo) because they show the stark contrast between the original white walls and the drama starting to transform them.

This wallpaper is by Eijffinger, a European manufacturer. It is a non-woven material, and is intended to be a hung using the paste-the-wall method – but I prefer the results when I paste the paper.

Wild Wallpaper In Frames That Will Be Hung On The Wall

July 31, 2018



Here’s some really cool, custom-made wallpaper that, expectedly, costs a ton. The homeowners wanted to accentuate two rooms (dining room, master bedroom) with these patterns, but, considering the investment, wanted to be able to take it with them, should they move.

After much deliberation and investigation of backings, weight, sturdiness, etc., it was decided to mount each mural on plywood, wrap each of those with a wooden frame, and then mount them on the walls with brackets that attach invisibly to the back.

The largest one, which already has its frame attached, and which you see in the top photo, measures about 7′ x 7′, and weights 80 pounds. Imagine getting that thing up two flights of stairs!

The top photo shows the large mural finished. It consists of two panels spliced in the middle. It was trimmed in place to fit inside the good frame you see around it.

The second photo shows the smaller mural being laid out. It will be applied to the board you seeing lying on the floor in the third photo. The plywood board has been sealed with KILZ, to prevent knotholes from bleeding through, sanded smooth, and then primed with a wallpaper-specific primer. I used Roman’s Pro 977 Ultra Prime.

These wallpaper panels are custom-made to fit the project’s dimensions, and have a few extra inches “bleed” area on each side to allow for trimming and adjusting for wonky walls. The bordering silver area will be trimmed off, as will an inch or so of the printed area on each side of the mural.

On the smaller, dark mural, someone forgot to add an extra inch for the top and bottom, so the mural was centered as perfectly as possible, but a little bit of the white plywood peeked out on both the top and bottom. Don’t worry – a black frame will be constructed to cover the edges of the plywood, and it will have a lip (rabbet) that will cover this teeny gap.

The last photo shows one page of the instruction sheets, which includes drawings from the manufacturer detailing the layout and dimensions of each mural. The large mural came in two panels, which had to be overlapped in the center, carefully matching the pattern, and then double cut, or spliced.

Double cutting involves overlapping the edges of the two strips of wallpaper, while carefully matching the pattern. Then you take a straight edge and a brand new, very sharp razor blade and cut through both layers of paper. This paper was very thick, so I had to press really hard to get through both layers in one sweep. You want to avoid making multiple cuts if possible.

To keep from scoring into the plywood below (and it’s even more important if you are cutting on a wall made of drywall and / or many layers of paint and primer), I put a strip of polystyrene plastic on the plywood surface to keep the razor blade from cutting into the bottom surface. Once the double cut is made, the excess wallpaper, as well as the polystyrene strip, are removed, and the two edges of wallpaper smoothed into place. This makes for a very perfect seam.

All this takes a lot of time. It would be really cumbersome in a larger or more complicated room. But protecting the subsurface is important, because, once the wallpaper starts drying, it shrinks a little and pulls taught, and if the surface below is not intact (due to a cut from a razor blade, or from something else like dust on the surface or layers of incompatible materials such as old oil based paint covered with latex paint), these layers can come apart (delaminate), and the wallpaper seams will pull apart. This is not the paper “coming loose,” and it cannot be “glued back.” It is actually layers of the wall delaminating.

Anyway, back to today’s project, and, sorry, a little out of sequential order, but all important information. These panels were to be hung on the walls, but had not been hung yet. This allowed me to do them flat on the floor, which I think was easier. The instructions said to paste the paper, but that was extremely difficult because they were much wider than my work table. I didn’t want to crease or damage the material. Most non-woven products can be hung by pasting the wall, so that’s what I opted to do. Except, in this instance, they were laid out on the floor. 🙂

The material was a thick non-woven on a mylar plastic, and was very thick and somewhat difficult to work with. In addition, the panels were much wider than normal wallpaper, and hard for me to manipulate. I was glad that the interior designer was hanging around and was game for helping me position these pieces.

As I said, the material was thick and stiff, and no matter how hard I pushed or what extreme tool I used (metal plate), it would not press tightly into the corners of the gold frame enough for me to get a satisfactory cut – meaning that there was a slight (1/16″ – 1/8″ gap between the material and the frame. No matter… The interior designer was easy going, and said she will add a small piece of molding to the inside of the gold frame, to cover any gap, as well as to prevent the thick material from curling up. On the smaller, dark mural, the black frame to be constructed will include a lip (rabbet) that will cover the open edge and help hold it down, as well as cover the outside edge of the plywood panel.

This gutsy wallpaper is made by Calico, a husband-and-wife team out of New York City that is just a few years old – not many people have this stuff – and even fewer have the balls to put it on their walls!

The interior designer for the project is Elizabeth Maciel, and the location is a newish home in the Montrose neighborhood of Houston.

Foresty Flair for a Bare Powder Room

July 18, 2018


Covered with beige paint, this powder room in a new home in the Rice Village / Medical Center area of Houston didn’t have much going for it. And despite it’s large foot print and 12′ high ceilings, it felt close and claustrophobic.

This lively pattern helped a lot, by visually opening the space. All those swirling tree branches add a lot of movement. Yet the paper does not feel busy, because of the monochromatic color scheme.

To reach the high ceiling, I had to bring in my 8′ stepladder. Working with it is always a challenge, especially in tight quarters like a powder room.

This wallpaper pattern is by York, in their Dwell Studios line, and reminds me a lot of “Daintree,” by Thibaut. https://wallpaperlady.wordpress.com/2017/03/19/wild-whimsical-wallpaper/

This paper is on a non-woven substrate, and could be hung using the paste-the-wall method, or the paste-the-paper method; I chose to paste the paper.

This was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

MC Escher-ish Wallpaper Pattern in a Mid Century Modern Home

July 7, 2018


This couple scored a cool, mint-condition authentic Mid-Century Modern home in the Reliant Stadium / Medical Center area of Houston. They have some wonderful authentic period furnishings, and wanted to add a little “pop” as an accent, but not so much as to overwhelm the home. Well, you’ve gotta admit – this pattern really delivers!

This design is in the feel of the artist MC Escher, who bent minds back in in the Art Deco and Modern periods (’20’s-’50’s) with his “never ending stairways” type drawings. It’s by York, and is a non-woven material, and can be installed by either paste-the-wall or paste-the-paper (I prefer the paste-the-paper method). It is dimensionally-stable (doesn’t expand when it gets wet with paste), and is designed to strip off the wall easily when it’s time to redecorate.

It was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

The ceiling in this entryway was way off-level, so I knew that the motif I placed at the top of the wall would start going off-track as it moved across the wall. So I started in the middle of the wall, so that any pattern distortion would be visually lessened by being split across the width of the wall evenly from the center. In the second photo, I’m using my laser level to get a plumb starting point for my first strip.

The blue you see at the top of the second photo is plastic tape I use to keep paste off the ceiling.  It can be used around woodwork and other surfaces, too.   You can also see how the bottom section of the strip of paper is “booked” (folded back on itself).  This shortens the strip of paper, thus making it easier to handle, and also keeps the pasted side from bumping against the wall, which could cause paste stains and also make the paper stick to the wall where I don’t want it to.

And, most important, with standard papers that need to absorb moisture from the paste, then expand and relax before hanging, booking helps keep the paper from drying out.  Note:  This is a non-woven material, so no waiting period is required, but I still booked the paper to make it easier to handle.)

Manipulating a Thick, Stiff Paper Around a Curved Wall

July 2, 2018


Curved walls like this pose a problem when wallpapering, because it’s virtually impossible for the framers and drywall guys to get the walls perfectly smooth and straight without bows or dips or humps. You may not see these imperfections when looking at the wall. But they can cause difficulties when hanging wallpaper.

Wallpaper wants to hang straight, and must have a straight edge for the next strip to butt up against. Walls that are not perfect can throw paper off-kilter, and can create wrinkles, bubbles, or an un-straight edge that will show gaps or overlaps when the next strip is butted against it.

Some papers are more pliable and malleable than others, and can be tweaked and twisted into compliance. In contrast, the non-woven material I am working with here is thick and stiff, and unwilling to conform to anything other than flat wall. As you can see in the second photo, by the time three strips were up on this curved wall, some wrinkles had inevitably formed in the last strip.

Non-woven goods have the installation option of pasting the wall. But I preferred to paste the paper, for several reasons, but mostly because that would give the paper a bit more softness and flexibility.

Because the paper had become soft and flexible, I was able to work those wrinkles out. It took time and finessing, but the paper ended up flat and smooth against the wall, and the seams were butted without gaps or overlaps.

This wallpaper pattern has a thick gesso-like texture on a metallic silver background – Quietly glamorous, really. It is by York in their Candice Olson line, and was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Sassy, Shimmery Update On A Classic Damask

June 14, 2018


Here’s a fun twist on a classic pattern for an under-the-stairs powder room in the Rice Military / Camp Logan neighborhood of Houston. A damask is a well-loved, traditional design. But this navy blue color, along with the very shiny silver Mylar material, bring it into the Modern Age.

This was a non-woven material, and the instructions said you could install it using either the paste-the-paper or paste-the-wall method. I chose to paste the paper, because it makes the material more pliable. It was also nice that the sink / vanity was not in the room yet, so it was much easier to cover that wall, and eliminated the chance of creasing or scratching the delicate Mylar surface.

The material did expand in width a bit (1/4″), which is unusual for a non-woven. One of the selling points of these newish substrates is that they are supposed to be dimensionally stable and are not supposed to absorb moisture from the paste. Pasting the material gave it a chance to expand before I got it to the wall, which is good. If I had instead pasted the wall and hung the dry paper onto the pasted wall, it might have expanded and caused pouched or overlapped seams.

This wallpaper pattern is by Exclusive Wallcoverings, a British company, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Large Gold Damask on a Bedroom Accent Wall

May 26, 2018


This young couple is in a brand new, very contemporary home in the eastern edge of the Houston Heights. Just about every surface in the home is white. WHITE. The over-scaled refurbished tufted leather headboard (along with a few other dark wood furniture pieces (not shown) in the master bedroom make a handsomely bold contrast.

But, still, the room SCREAMED for relief from all that white.

This gold-on-aqua damask wallpaper pattern came to the rescue! The soft aqua color softens the feel of the stark-white room – but doesn’t jar with the white theme. The shiny gold in the design adds a contemporary feel with just a touch of glam – but doesn’t upstage the fabulous headboard.

As the wallpaper went up, I noticed a difference in color between the right edge of one strip and the left edge of the next strip. (This is called shading.) The photos show it a little, but it was more pronounced when seen in person. I didn’t think it looked good, so I followed the 3-strip rule and put up three strips, then went to get the homeowner for approval.

She thought the wall looked gorgeous. In fact, even when I put my hand on the medallions with different shades on either side of the seam, she said she couldn’t see anything. She loves it, and that’s what counts!

Once the bed gets pushed back against the wall, the large medallions will be a little more in perspective. They are a good size for the scale of the wall and the headboard.

This wallpaper is in the “Designer Series” by York. It’s a non-woven product, and can be hung by paste-the-wall or paste-the-paper. I pasted the wall, but I think that pasting the paper would have worked a little better (It makes the paper more pliable.).

The homeowners bought this paper on-line from Arhaus.com. Arhaus also has a couple of showrooms / retail stores in Houston. The homeowners bought their paper before our initial consultation (I like to measure before they buy, so they get the proper amount). I was thrilled that – for once! – the proper amount of wallpaper was purchased.

The homeowner loves her master bedroom accent wall so much, she is now thinking of papering their powder room. 🙂

Stacks of Blocks in a Bellaire Powder Room

May 25, 2018



This 30-year old home was flooded last August during Hurricane Harvey, and today is just a couple of weeks from being finished with the rebuild. This gold-on-black stacked-block pattern was chosen to help bring a more contemporary look to the home, as well as pump up the drama factor – a stunning gold-on-black console-style vanity and a huge, jaw-dropping crystal chandelier will be installed next week. I hope they send me photos!

Keeping this very rigid pattern plumb and level was a bit of a challenge, especially since all the walls were out of plumb. At the top of the second photo you see my horizontal line marking where I wanted the top gold line to fall. This line helped me keep the pattern perfectly aligned all the way around the room.

This paper is by York Wall, in their Sure Strip line. It is a non-woven material, but is thin and soft and pliable, and was a delight to work with. You could paste the wall to install, but I chose to paste the paper, because it makes the material more flexible and easier to work with and easier to keep clean. I wouldn’t mind hanging this product every day!

The wallpaper was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

The interior designer for this home is Wes Satterwhite, of Silver Oak Consulting, here in Houston. He’s been overseeing much of the selections of finishes, paint colors, hardware, cabinets, flooring, drapes, etc., from the very beginning.