Posts Tagged ‘paste the paper’

Timorous Beasties “Indie Wood” Wallpaper in a Dining Room

April 21, 2019


This is some novel stuff!

This wallpaper pattern is something like a mural, but with a little more brain-bending. It is one continuous design, with no element or motif repeating or showing up more than once in the 33′ length of each bolt.

It’s a good thing that no one was living in the house, and that furniture had not been moved in yet. Because I needed a LOT of floor space to roll out and study each bolt.

I had to compare the height of the walls and the length of each strip that I needed, to the placement of various animals in the design. This enabled me to plot where on the wall any given critter would appear, and to get as many creatures as possible on each strip, all while accommodating the homeowner’s preference for a few special ones.

I rolled the entire 33′ long bolt out on the floor, took measurements, and used blue tape to indicate the tops and bottoms of each strip. This enabled me to fiddle with various layouts and animal positions, and I could make changes if needed.

We needed 22 strips, and I was getting 5 strips out of each double roll bolt. So after I cut five strips from the first bolt, I moved on to the second bolt.

To give a more random look, I wanted the same animals (the squirrels, for instance) to be placed at different heights moving around the room. So when I started plotting my strips and cuts from the second bolt, I made sure that the creatures landed at different heights from the first bolt. That first bolt and the animals’ positions I called “A” and the second bolt and positions were “B”. I only got four strips out of the “B” bolt.

This meant that any given motif would appear at the same height on the wall only every 9th strip. This would give a pleasing, random look.

The plan was to hang all the strips taken in order from the “A” bolt first, followed by strips taken sequentially from the “B” bolt. Repeat with another “A” and another “B”, and then back to an “A” bolt again.

To be sure, I measured and marked and double-checked everything carefully before I cut anything. Then each strip was labeled … (“2A,” “4B,” etc.)

Working around the doors and windows, the room was divided into four sections. The next step was to get all those strips of paper placed in proper sequential order, standing in queue all around the room – all while figuring the center point of each of those four spaces and plotting which strips would be placed flanking the middle of that wall.

Some cool features of this pattern is that it was placed smack down the middle of the 20.5″ wide strip, which made it a lot easier to center and balance the design than if it had been placed off-center. Also, the design did not reach across any seams, so (other than plotting the height where each critter would fall) there was no pattern match. This made it a lot easier to accommodate crooked walls and un-level ceiling and wainscoting.

The dimensions of the room were also amazingly in sync with those of the wallpaper pattern. Vertically, the 82″ height of each wall / strip worked with the placement of animals on the paper, so virtually all animals were kept intact. There was only one bird who got cut in half at the wainscoting, and that happened only every 9th strip (twice in the whole room).

Horizontally the pattern worked out just as incredibly. The width of all of the walls worked out to be within an inch or two of a multiple of the width of the paper. So centering the strips / pattern on each wall resulted in a look as if the design were “framed” by the door and window moldings. Sorry, no pics.

The downside was, just by happenstance, I ended up with an extraordinary number 1″-2″ strips that had to be squeezed in. Time-consuming and PITA.

I centered the pattern on each of these four wall spaces. But that meant that the rhythm of the pattern would get screwed up as it passed over the door to the butler’s pantry, two windows, and the 12′ wide entry to the hallway.

Here again, the dimensions worked amazingly well, and so did the very accommodating pattern. In the short 10″ high areas over these doors, I was able to “fudge” the pattern by slicing strips vertically along a tree trunk, for instance, and then overlapping the two sections an inch or two, to “shrink” the strip’s width. Making an inch of width disappear from each of seven strips is barely noticeable, and maintains the rhythm that the viewer’s eye wants to see as it travels around the room. Again, sorry, no pictures.

The walls had been primed a few days before; just laying out and hanging the paper took me 12 hours.

I hung this “Indie Wood” pattern by Timorous Beasties on the top 5′ above paneled wainscoting in a new home in the Woodland Heights neighborhood of Houston. It’s made of non-woven material, and can be hung by paste-the-wall or paste-the-paper (which was what I opted to do). Non-wovens are strong and have a high fiber-glass content. They are designed to strip off the wall easily when it’s time to redecorate. Additionally, they are dimensionally-stable – they do not expand when wet with paste. This makes it much easier to plot placement of strips and motifs.

The interior designer for this job is Stacie Cokinos of Cokinos Design.

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Turbulent Intertwined Arboreals

March 16, 2019


I love this pattern. It’s swirly and ominous and woodsy and fun all at the same time. I hung it in the black and white colorway not long ago. It’s very similar to “Daintree” by Thibaut – As I like to say, for every cool pattern, there is someone making a knock-off.

This one is by York, one of my favorite brands, and is in their Dwell Studios line. It is a non-woven material, and can be hung by the paste-the-wall method or the paste-the-paper method (I used the latter). Non-woven does not expand, and can be hung immediately after pasting (as opposed to having to sit booked for a few minutes). I colored the edges of the paper with chalk before pasting, so the white backing would not show at the seams.

This went in the powder room of the same MidCentury Modern house as my three previous posts. The walls were equally unplumb, and the ceiling off-level, so it’s good that the pattern was forgiving.

David Hicks’s “Hexagon” in a Master Bathroom – Note the Freestanding Bathtub

March 15, 2019


David Hicks’s “Hexagon” pattern by Cole & Son is a well-loved design. I’ve hung it a number of times. Here it is in a large master bathroom in a very Mid-Century Modern home in the Piney Point (Villages) neighborhood of Houston.

Just this bathtub alcove, along with two small mirror walls over the his-and-hers vanities, received wallpaper.

Just the tub alcove by itself took me over six hours to hang (six single rolls). The complicating issues were unplumb walls, unlevel ceiling and soffit, a geometric pattern that the eye wants to see marching evenly across the walls, thick stiff paper that is hard to manipulate, ink that wants to crack and flake off the paper, complicated room lay-out, and … squeezing behind that tub to put wallpaper on the walls around it!

There are some spots where the pattern match is off a bit, and some areas where the crookedness of the walls is very evident (meaning that the pattern goes off-kilter). But overall, the room turned out great.

The design is called “Hexagon,” and is by David Hicks, designer for Cole & Son, a British company who has been manufacturing wallpaper for way more than a hundred years.

It’s a non-woven material that can be hung by the paste-the-wall method, but I chose to paste the paper, which made it more pliable, and which made it easier to get paste where it needed to be when going around the window areas and behind the tub.

Birds on Black Wallpaper by Witch and Watchman

March 2, 2019


This very cool wallpaper pattern looks almost photographic. The design has depth, and look at those eyes! – you feel like you are being drawn into the jungle.

The paper was pricy, so, to cut down on the number of rolls needed, the homeowner ran chair rail around the middle of the room, and had the paper applied to the top 5′ only. She painted the bottom an almost-black purple (it’s way darker than the photo shows), and the ceiling got the same paint, too.

The room will be finished with a sort of mosaic, three-dimensional, leaded-glass mirror – that lights up!

Tucked into a large powder room, this is a bold, gutsy look that not every home is ready for. But it’s perfectly suites to this Montrose (Houston) couple!

My second black paper in two days, I again used artist’s chalk pastels to color the edges, so the white substrate would not show at the seams. I tried different install methods, but this non-woven material worked better and had less shrinking when I pasted the wall (rather than the paper).

This is a perfect example of “If you love it, nothing else will do, so find a way to make it happen.” The homeowner saw this pattern and went nuts over it – then went nuts when she learned the price. I suggested that she search for similar patterns by other companies … but nothing grabbed her like this one. After a few months, she came back to her original choice. Eliminating the bottom portion of the room helped bring the price down.

The paper is by Witch & Watchman, and is called “Folia.” It comes in other colorways, but nothing is nearly as dramatic as this “Dark” option. Their patterns are pretty cool. I’ve hung a similar jungle-themed design, but it had cute furry animals on it in addition to the birds – with the same piercing, luring eyes. https://wallpaperlady.wordpress.com/2016/08/21/how-many-birds-in-the-forest/

Bright and Fun Powder Room in West U.

January 27, 2019

Originally, this under-the-stairs powder room in a home in West University Place was papered in a very dark, very traditional pattern. The homeowner lived with it for 18 years, and finally made the change yesterday to this bright pattern with lots of movement and cheer. The countertop is also new, and adds to the lightness and modern feel of the room.

The wallpaper is by Baker Lifestyle, and is a non-woven material, which is designed to strip off the wall easily when it’s time to redecorate. It is also a little more resistant to water splashes and stains than a paper. Non-wovens can be hung using the paste-the-wall method, but I prefer to paste the paper, which gives more pliability and also ensures that there will be paste holding the paper to the wall in that narrow space behind the toilet!

The interior designer for this job is Gisette Leathers, of http://www.theleathers.com/

Acquario Fish Swimming Through a West Houston Powder Room

October 5, 2018

I hung this paper for this client in her previous home in Spring Branch (Houston). Two years later, the family is moving to a new construction home in the Briar Park neighborhood, and she wants the same pattern in her new, larger, powder room.

In a house where practically everything else is all white, it’s an unexpected jolt of fun when you open the door to the powder room and are hit with – not just bold color, but these cheeky fish swimming in both directions across the walls.

This pattern is called “Acquario,” and is by the British company Cole & Son, in their Fornasetti line. I’ve hung it several times, in a couple of different colors. It is printed on a non-woven backing, and is intended to be hung using the paste-the-wall method. I find the paste-the-paper method to be superior.

For one thing, the paper expands when it gets wet with the paste. (Non-wovens are not supposed to do this.) It’s best to let the paper absorb moisture and expand while on your work table (instead of on the wall), as this will help prevent “pouched” seams on the wall.

Also, pasting the paper makes it more soft and pliable, which makes it easier to manipulate into position of the walls.

Birds for the Bold of Heart

August 18, 2018


A lot of clients tell me they love birds, and are seeking wallpaper patterns with foliage and birds. (Do a Search here (upper right corner) on the word “birds.”) Most of those are what you would call sweet patterns. This design, on the other hand, can only be called BOLD.

The homeowner, also in the Houston Heights, is the sister to the guy mentioned in yesterday’s post. As you can see, they share an adventurous taste in decorating!

Although the pattern has a lot going on, it doesn’t feel busy, even in a powder room, partly because of the fairly homogenous color scheme, and also because of the all-over placement of the design elements. Besides, who can resist those intense faces? My favorite is the owl-like bird staring you dead in the eye.

The walls in this new home were heavily textured, so I had to smooth them first (see top photos) and then prime with a penetrating sealer called Gardz.

This wallpaper pattern is by Clarke & Clarke, a British company. As are many British products, it is printed on a non-woven substrate and is quite durable. It can be dry-hung using the paste-the-wall method – but I prefer to paste the paper. It was a little easier to work with than yesterday’s paper, being thinner and softer and less prone to creasing.

This was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Wild, Wonderful Chintz Wallpaper in a Montrose Entry

August 8, 2018


This newish townhome in the Montrose neighborhood of Houston is fairly traditional in style. But the new owner loves color, and she’s not afraid to be a bit daring! She had the ho-hum tan travertine tile floor taken out and replaced with this large, vibrant black & white checkerboard.

Next she woke up the walls with this vivid chintz floral wallpaper pattern. Chintz is an old and classic design – but there is nothing stuffy or old fashioned about these wild colors!

I love the “in progress” shots (2nd photo) because they show the stark contrast between the original white walls and the drama starting to transform them.

This wallpaper is by Eijffinger, a European manufacturer. It is a non-woven material, and is intended to be a hung using the paste-the-wall method – but I prefer the results when I paste the paper.

Wild Wallpaper In Frames That Will Be Hung On The Wall

July 31, 2018



Here’s some really cool, custom-made wallpaper that, expectedly, costs a ton. The homeowners wanted to accentuate two rooms (dining room, master bedroom) with these patterns, but, considering the investment, wanted to be able to take it with them, should they move.

After much deliberation and investigation of backings, weight, sturdiness, etc., it was decided to mount each mural on plywood, wrap each of those with a wooden frame, and then mount them on the walls with brackets that attach invisibly to the back.

The largest one, which already has its frame attached, and which you see in the top photo, measures about 7′ x 7′, and weights 80 pounds. Imagine getting that thing up two flights of stairs!

The top photo shows the large mural finished. It consists of two panels spliced in the middle. It was trimmed in place to fit inside the good frame you see around it.

The second photo shows the smaller mural being laid out. It will be applied to the board you seeing lying on the floor in the third photo. The plywood board has been sealed with KILZ, to prevent knotholes from bleeding through, sanded smooth, and then primed with a wallpaper-specific primer. I used Roman’s Pro 977 Ultra Prime.

These wallpaper panels are custom-made to fit the project’s dimensions, and have a few extra inches “bleed” area on each side to allow for trimming and adjusting for wonky walls. The bordering silver area will be trimmed off, as will an inch or so of the printed area on each side of the mural.

On the smaller, dark mural, someone forgot to add an extra inch for the top and bottom, so the mural was centered as perfectly as possible, but a little bit of the white plywood peeked out on both the top and bottom. Don’t worry – a black frame will be constructed to cover the edges of the plywood, and it will have a lip (rabbet) that will cover this teeny gap.

The last photo shows one page of the instruction sheets, which includes drawings from the manufacturer detailing the layout and dimensions of each mural. The large mural came in two panels, which had to be overlapped in the center, carefully matching the pattern, and then double cut, or spliced.

Double cutting involves overlapping the edges of the two strips of wallpaper, while carefully matching the pattern. Then you take a straight edge and a brand new, very sharp razor blade and cut through both layers of paper. This paper was very thick, so I had to press really hard to get through both layers in one sweep. You want to avoid making multiple cuts if possible.

To keep from scoring into the plywood below (and it’s even more important if you are cutting on a wall made of drywall and / or many layers of paint and primer), I put a strip of polystyrene plastic on the plywood surface to keep the razor blade from cutting into the bottom surface. Once the double cut is made, the excess wallpaper, as well as the polystyrene strip, are removed, and the two edges of wallpaper smoothed into place. This makes for a very perfect seam.

All this takes a lot of time. It would be really cumbersome in a larger or more complicated room. But protecting the subsurface is important, because, once the wallpaper starts drying, it shrinks a little and pulls taught, and if the surface below is not intact (due to a cut from a razor blade, or from something else like dust on the surface or layers of incompatible materials such as old oil based paint covered with latex paint), these layers can come apart (delaminate), and the wallpaper seams will pull apart. This is not the paper “coming loose,” and it cannot be “glued back.” It is actually layers of the wall delaminating.

Anyway, back to today’s project, and, sorry, a little out of sequential order, but all important information. These panels were to be hung on the walls, but had not been hung yet. This allowed me to do them flat on the floor, which I think was easier. The instructions said to paste the paper, but that was extremely difficult because they were much wider than my work table. I didn’t want to crease or damage the material. Most non-woven products can be hung by pasting the wall, so that’s what I opted to do. Except, in this instance, they were laid out on the floor. 🙂

The material was a thick non-woven on a mylar plastic, and was very thick and somewhat difficult to work with. In addition, the panels were much wider than normal wallpaper, and hard for me to manipulate. I was glad that the interior designer was hanging around and was game for helping me position these pieces.

As I said, the material was thick and stiff, and no matter how hard I pushed or what extreme tool I used (metal plate), it would not press tightly into the corners of the gold frame enough for me to get a satisfactory cut – meaning that there was a slight (1/16″ – 1/8″ gap between the material and the frame. No matter… The interior designer was easy going, and said she will add a small piece of molding to the inside of the gold frame, to cover any gap, as well as to prevent the thick material from curling up. On the smaller, dark mural, the black frame to be constructed will include a lip (rabbet) that will cover the open edge and help hold it down, as well as cover the outside edge of the plywood panel.

This gutsy wallpaper is made by Calico, a husband-and-wife team out of New York City that is just a few years old – not many people have this stuff – and even fewer have the balls to put it on their walls!

The interior designer for the project is Elizabeth Maciel, and the location is a newish home in the Montrose neighborhood of Houston.

Foresty Flair for a Bare Powder Room

July 18, 2018


Covered with beige paint, this powder room in a new home in the Rice Village / Medical Center area of Houston didn’t have much going for it. And despite it’s large foot print and 12′ high ceilings, it felt close and claustrophobic.

This lively pattern helped a lot, by visually opening the space. All those swirling tree branches add a lot of movement. Yet the paper does not feel busy, because of the monochromatic color scheme.

To reach the high ceiling, I had to bring in my 8′ stepladder. Working with it is always a challenge, especially in tight quarters like a powder room.

This wallpaper pattern is by York, in their Dwell Studios line, and reminds me a lot of “Daintree,” by Thibaut. https://wallpaperlady.wordpress.com/2017/03/19/wild-whimsical-wallpaper/

This paper is on a non-woven substrate, and could be hung using the paste-the-wall method, or the paste-the-paper method; I chose to paste the paper.

This was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.