Posts Tagged ‘paste the paper’

Upward Movement Geometric in a Briarpark Entry Way

January 10, 2018


This beautifully updated 1971 Tudor-style ranch-style home in the Briarpark area of Houston was pretty much white and grey, from outside throughout the inside. The homeowner wanted some warmth and life, and some personality for the interior.

This scratchy black on white pattern does all of that. It is a combination of geometric, trellis, and medallion, and it has a strong vertical influence, too.

Notice how the design motif has been centered on the two walls pictured.

This wallpaper is from A Street Prints, by Brewster. It is a non-woven material and is intended to be a paste-the-wall installation. But I had better results by pasting-the-paper. The paper was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

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Cole & Son “Woods” in Bellaire Powder Room

January 7, 2018


This family’s home in Bellaire had been damaged by flooding during Hurricane Harvey in August of 2017. Four months later, much of the home has been fixed, but the house is still not livable yet and there is still much work to be done. The mom and dad are both at the point where they want just one room done, one room that is pretty, and a little normalcy back in their lives.

I, personally, think they are rushing things a bit (because I like wallpaper to be the very last element done in a home), but the wife assured me she would make sure that other contractors (painters, floor guys, plumbers, electricians, etc., would not damage the wallpaper.

The mom originally planned to have the powder room painted. She was at Southwestern Paint on Bissonnet to look at paint samples, and happened to glimpse a sample of this wallpaper pattern. “Woods” by Cole & Son is a popular pattern (I have hung it many times – do a search for previous posts), and it pulled her in immediately.

The powder room is large, and “Woods” was a wonderful choice for it. It fills the wall space nicely, and adds a lot of upward movement. It also adds an element of contemporary style, which the homeowner wanted to add to her previously-traditional styled home.

This wallpaper pattern is by Cole & Son, a British company. It is a non-woven material and uses a paste-the-wall install technique (rather than paste-the-paper). It was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Boldly Whimsical

November 30, 2017

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“Bold” and “whimsical” don’t typically go together, but that’s what this homeowner wanted for her large powder room in the Briarpark neighborhood of Houston. I’d say that this animal-filled, fun foresty pattern in a smudgy charcoal colorway fills the bill! Look close to see the stylized animals frolicking across the paper!

The second photo shows the first strip going up. I love the stripe of dark, bold color against the boring white walls.

The pattern is called “Wonderland,” and it is by Boras Tapeter, a Scandinavian company. It is on a non-woven substrate, and I hung it using both the paste-the-paper and the paste-the-wall methods.

Geometric Wallpaper Makes for a Stunning Entry

March 4, 2017
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Geometric prints like this are very popular right now. They look great in the room – but they can be a real challenge to the installer. Walls and door / window moldings are never perfectly plumb, nor are baseboards and ceilings perfectly level.

With a wild pattern or a forgiving floral, you would never notice patterns going amiss. But with a rhythmic geometric design, your eye will catch any little element that is off.

Here, in some areas, I chose to hang the pattern off-plumb, so that it would align with the un-plumb vertical lines of the woodwork. Doing it this way made sure that the design motifs were uniform in size as they dropped from ceiling to floor along the door moldings – even though that made the top black triangle drop down a little as it moved across the ceiling line.

I was lucky in this room, because the height of the strips over the doorways was short, and I could fudge things a little and bring the pattern up to where I wanted it to be, with the black triangle hitting the bottom of the crown molding, which put the design motif back exactly where I wanted it to hit the ceiling line. See 3rd photo.

In the corners, I followed the rule, “It’s better to match the pattern in the corners, than to have it run perfectly along the ceiling.” I won’t go into details, but that corner in the 2nd photo took quite a bit of plotting and work. The pattern does not hang plumb, and it does not run straight down the door molding to the right. But, in the end, you don’t notice anything amiss, and the overall look is fantastic.

With all this engineering and plotting and manipulating, the two walls in the second photo took me about three hours to hang. The rest of the room was equally challenging.

In addition, the paper was thick and stiff and difficult to work into tight spaces. It was a “paste the wall” product, but when I tried that, I got puckered seams (due to the “dimensionally stable” paper expanding when it got wet with paste), as well as curled seams (due to the substrate absorbing moisture from the paste at a different rate from that of the inked top layer of the paper.

So I threw caution to the wind and ignored the manufacturer’s admonitions to “Paste the wall. Do NOT paste the paper.” Instead, I pasted the paper, and let it book (sit wet) for a short time, before I hung it. This let the paper absorb moisture from the paste and expand as much as it wanted to BEFORE I got it to the wall. It also made it more pliable and easy to work with.

It also, unfortunately, made the surface less stable, which meant that I had more instances of ink flaking off the paper. In fact, I had to discard one whole 9′ strip, because of one crease-with-chipped-off-ink. It was small, but it happened near a light switch plate, so it was in a very obvious spot, so had to be replaced. Note: Always buy more than you need, so you will have extra in case of the need for repairs down the road..

Fudging the pattern, hanging things off-plumb, and not accepting flaky paper paid off, though. Despite all the little indescrepencies that I fret over, none of them are really noticeable at all, and the the finished room looks fantastic.

This wallpaper is by GP & J Baker, a British company. It’s in their Groundworks line, and is by Ashley Hicks, for her famous father, David Hicks, who is well known for his black, gold, and cream geometric patterns, the most well-known being the hexagon. Google it, or do a Search on my blog.

The interior designers for this job are Neal LeBouef and Anthony Stransky, of L Design Group. Wonderful guys, and I love their crisp, clean, sophisticated style. The home is in West University Place (Houston).