Posts Tagged ‘pattern’

Crooked Wall

June 3, 2020


A crooked / bowed wall like this makes it difficult to match the wallpaper pattern perfectly.

Easing the Look of the Kill Point

May 10, 2020


When hanging wallpaper, the last corner (kill point) of a room virtually always ends in a pattern mis-match. That’s why you try to tuck it in an inconspicuous corner, like a short strip over a door.

In this case, I was going to end up with a medallion that got chopped in half vertically. Not horrible, because that is just the nature of the beast. But I had an idea to make it look better.

Using my straightedge, I sliced off the medallion. Then I found a scrap of wallpaper that was plain white (the background color) and trimmed that to fill the width where the medallion had been. Success!

But there was still a quarter medallion showing at the ceiling line on the adjacent wall.

My solution was to again take some left over wallpaper. I cut a shape that mimicked the motif on the wall, and pasted it on top. Nice!

Only problem is, the paper is somewhat translucent, and so a “ghost” of the image under the paper is showing through.

No problem. I cut another patch, just slightly larger to “feather out” the light bump from the difference in heights of the patches. Once it was pasted on top, it occluded the “shadow” of the medallion. From the floor, you can’t see a thing.

In the final photo, the distance between the medallions is wider than it “should” be – by maybe as much as 2.5″. But this is barely noticeable, and is way better than having a chopped-in-half medallion below plus a quarter medallion above.

Cloud Mural in Baby Girl’s Nursery

May 8, 2020


Want a room that will suit a child of either gender, and also grow with him/her into the teen years? This “Nuage” cloud mural by Anewall (A New Wall) checks off all the boxes!

This mural was not custom-sized, but came in pre-set dimensions. The product came in six strips, and the overall size was a bit taller and wider than the wall. In the third photo, I am laying out all the strips on the floor. This is very important, because you want to be sure you are grabbing strips in the correct order before you paste them to the wall.

Also, laying out the mural on the floor enabled me to see the whole design, so I could decide how much of the excess to cut off at the top and bottom. And I could also determine where the center was (break in the clouds), so I could position it where the parents would be placing the baby’s crib against the wall.

The material was pre-pasted, so I didn’t need to lug in my big table and pasting equipment. The paste is already on the back of the paper, and is activated by water. Some people spray the back with a squirt bottle. But I find this messy and sporadic. I prefer the old-fashioned water tray method. It’s quick, easy, and gives the most uniform water coverage.

In the fourth photo, you see my plastic dropcloth protecting the floor, two towels on top of that to absorb water splashes, and then my green water tray. Each rolled-up strip will be placed in the tray, and then unrolled and pulled out on top of the towels. This exposes the paste to water, which activates it. Then each strip is folded pasted-side-to-pasted-side (booked), and set aside to absorb the water/activate the paste/expand/relax.

In the next shot, I have aimed the red line of my laser level along the center of the wall. I am hanging my first strip, butted up against the red line. On we go, until the wall is covered with clouds!

In the close-up, you see that the design has a sort of tufted “quilty” look to it.

HOWEVER, I did experience some excessive vertical expansion / stretching between some of the strips. This means that some strips became wet with water and expanded more than others. And that means that the pattern on some strips did not match up perfectly with the previous strip. The protocol is that you match the pattern at eye-level, and then as the paper moves up and down the wall, the pattern will fall out of match.

The good thing is that this pattern is so scratchy and “quilty” that the eye will never notice a 1/8″ or even 1/4″ mis-match, especially not from a distance. With a more precise and visible pattern, this would be an issue.

This home is relatively new, and is in the Woodland Heights neighborhood of Houston.

From Bold to Background – Wallpaper in Flea Market Decor Magazine

April 28, 2020


Three rooms in a recent issue of Flea Market Décor, showing varying levels of bold color and pattern, to a simple small print serving as a background to set off other decor features.

Crazy Wild Pattern and COLOR!

April 17, 2020


Same 1929 bungalow in West U (Houston) as yesterday. Both the husband and wife have what I call “BIG personalities.” No way they’re gonna live with boring white walls – they like COLOR and PATTERN.

This very small hallway is the perfect place to pull off a really dramatic punch of color and pattern. What makes it even better is the lime green woodwork! (What’s even more cool is that the husband chose the green color (most husbands try to avoid decorating at all costs).

The wallpaper pattern is called Honshu, and is by Thibaut Designs.

This hallway is adjacent to the orange dining room I blogged about yesterday, and the colors and themes blend together beautifully.

Note the old telephone niche built into the wall – and painted that super fun lime green color.

The Honshu is a wild pattern on its own. But what really makes the room is the green accents in the moldings. They even painted the frame around the trap door to the attic!

Fabulous Fake / Faux Grasscloth Wallpaper

April 10, 2020

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These young homeowners of a new townhome in the Houston Heights were originally considering natural grasscloth for this 35′ long wall in their kitchen / dining / living room. I told them of my disappointment with grasscloth’s visible seams, shading, paneling, and color variations (do a Search here). I was happy when they took my suggestion of this faux grasscloth alternative.

This is a printed horizontal grasscloth pattern on a paper substrate, with a vertical stringcloth material on top. The strings give the paper the texture that people are loving these days. But unlike real grasscloth, this product is more stain-resistant and durable. And it has a pattern that can be matched from strip to strip, so, unlike the real stuff, you don’t see the seams. (See photo) And there is virtually no shading, paneling, or color variations (do a Search here on those terms).

The end result is a beautiful, textured, homogeneous, warm and cozy living space.

The bull-nosed (rounded) corners on the windows gave me some argument and took a lot of time, but turned out great.

This wallpaper pattern is by Wallquest, in their EcoChic line, and in their Grass Effects book. It was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Centering the Wallpaper Pattern Makes for a Balanced Look

April 8, 2020

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It takes a lot more work, time, plotting, and math, but centering the wallpaper pattern motif on a dominant element in the room (the sink faucet) is a nice touch. Once the mirror is in place, the effect will be even more important.

Often, it’s one of those things that people can’t put their finger on unless I point it out, but it makes the whole room look more balanced and it just feels right.

Finding the Center of the Pattern

March 12, 2020


This wallpaper pattern by Thibaut has a viny hourglass stripe design. These sorts of designs look best when centered over a focal point in the room. The problem becomes – WHERE is the center of the design?

In the photo, I have laid out two rolls of paper on the floor so I can see the full pattern repeat, both vertical and horizontal.

I’ve placed 3′ long yardsticks along the outer edges of the design, which are long enough to span a full pattern repeat.

With these in place, I can use a shorter ruler to find the mid-point between them. This will tell me where the center is (at the tip of my pencil), in between the two colored vines on the paper.

However, these vines are not printed in the center of the strip of wallpaper.

So, after finding the midpoint between the two vines, I have to calculate where it sits relative to the edge of the wallpaper.

Keep in mind that this point will land a different distance from the left edge of the wallpaper than it does from the right edge.

Next, I need to find the center of the focal point on the wall. And then determine where the right or left edge of the wallpaper strip should be placed, so that the center of the paper falls at the center of the wall.

You have just read the condensed version.

The full version also includes things like:

`width of strip and how it will land on the wall relative to where seams will fall

`expansion of paper and movement of pattern after wet paste hits the paper

`if the pattern is actually symmetrical as it is placed on the strip.

`if the pattern is not symmetrical (which this example is not – meaning that the vertical lines are not mirror images of each other), where is the best place to find a midpoint, so it will appear symmetrical when placed on the wall

`if elements on the wall are symmetrical. In this case, the light fixture was placed off-center on the mirror. So – do you center the wallpaper design on the light fixture (a dominant element) or on the mirror (a more significant element in relation to the wall).

`lots more

I invested an hour and a half finding the center point of the pattern at its narrow point, the center of the pattern at its widest point, the median of these two mid-points, the distance the median fell from either edge of the wallpaper, then the center point of the mirror, of the light fixture, factoring in 1/2″ expected expansion, and which was more dominant – the light fixture or the mirror.

In the end, I decided to center the pattern on the mirror. This meant that as the pattern fell vertically down either side of the mirror, it was fairly uniformly placed.

This was good.

But what I didn’t like is that this meant the vines over the top of the light fixture didn’t straddle it exactly perfectly. They landed in the center of the mirror, but not in the center of the light fixture.

I shouldn’t have stressed over any of this, though. Because, despite all my rolling out and careful measuring and plotting, it turns out that the viney pattern is neither symmetrical nor mirror-image.

So, no matter how I placed it on the wall, it was never going to straddle a center-placed plumb line evenly.

That’s not to say that my hour and a half plotting time was wasted.

The design still looks a lot better as I placed it – relatively centered on the mirror and light fixture, as compared to if it had just been thrown up without regard to either.

Bottom line – the homeowners don’t notice little nuances of a swoopy vine off-center by 3/4″ of an inch or so… at least not on a wild swirly pattern like this.

They’re looking at huge flowers, comic birds, bold color, and wild, daring designs.

When all is said and done, the bathroom looks fabulous.

Sneaky Trick for Working Around Pedestal Sinks

March 7, 2020


These new-fangled non-woven wallpapers have their advantages. But they have disadvantages, too. One is that many are prone to creasing, even with just the littlest stress on the surface (such as when booking (folding) the material). Look very closely at the top photo to see my pencil pointing at a slightly damaged area.

Papering around obstacles like this pedestal sink require a lot of folding and cutting and manipulating, and it’s a pretty sure bet that creases will appear.

Well, I thought up a trick that reduces stress and overworking on the paper, and eliminates most of the potential for creases.

Instead of trying to wrap a full strip of wallpaper over, around, and under the pedestal sink, I brought the paper to just a few inches below the top of the sink, and then cut it horizontally, leaving the bottom section to be hung later. To minimize visibility of this horizontal cut, I made sure to make my cuts follow the black lines in the design.

Once the shorter strip over the sink was up, instead of filling in the remaining part of the strip in its place under the sink, instead I hung the full-height strip to the right. It was important to hang this full-width strip before I positioned the pieces under the sink, because wallpaper will often twist out of plumb and out of shape, which makes it hard to butt up future strips, and which throws off the pattern match, too. The larger the piece, the more stability it has, so this full-height-and-full-width-strip hung nice and straight.

Next came the piece that fit under the sink. Actually, to make it easier to work around the pedestal and the plumbing poking out of the wall behind it, I slit this strip in two vertically, at the point where the wallpaper would encounter the pipes.

I was able to match the pattern to that on the wall to the left, and also to the strip on the right. Any resulting mis-match between the two strips under the sink, then, was hidden behind the pedestal.

Textured Vinyl Faux Grasscloth in West U Powder Room

February 28, 2020


The homeowner waited 13 years to do away with the classic damask wallpaper in the powder room of their home in the West University neighborhood of Houston. That’s what happens to your plans when you buy a home and get sidetracked by kids, career, community, yada.

There was nothing wrong with the original gold damask pattern, but it was dark and it didn’t suit the homeowners’ taste. They were originally looking at grasscloth – but, luckily, listened to my many reasons to avoid that material (see page link at right).

They took my suggestion and went with this textured vinyl faux woven grasscloth by Thibaut called Bankun Raffia.

This material has the texture and depth of color that people are loving these days, but is (mostly) free of the color variations and fragility of real grasscloth.

Bankun Raffia is a commercial-grade material, so it is resistant to dings, splashed water, stains, fingerprints, and little boys with bad aim. 🙂

It’s harder to work with than regular wallcoverings, because it is thick and stiff and hard to cut and hard to make turn corners or work into tight spaces.

The finished look is tailored and serene, and a lot brighter. In the photo with my finger, you can see the textured surface and fauxed color application.

This wallpaper pattern is by Thibaut Designs, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.