Here are two strips of wallpaper, dry on my work table, next to each other, plotting how they will be situated on the wall. But – whoops! – The pattern doesn’t match properly across the seam. The design on the right is a repeat of the design on the left. Here’s another section, and the pattern also repeats. Double image. Won’t look good on the wall.With the strips separated, you can see the mis-match a little better. Note the strip on the right should be moved a bit lower to get the correct pattern match. Still, the pattern has been mis-printed at the factory, so the match isn’t accurate . On this left edge of the strip on the right, note how thick the black vertical line is.Now on this same area of the pattern (same building and bricks) but from a different roll, note how thin is the black line on the left edge of the wallpaper Butting up strips against each other from these different rolls will result in either a really fat black line , or a really thin black line. Neither is what the pattern is supposed to be, and will be eye-jarring.Both these rolls are from the same Run , or Lot . Which means they were (supposedly) printed at the same time. So, theoretically, they should both be exactly the same. But here, you see, obviously, they are not. Obviously, some mis-steps at the factory with either printing or trimming . Or, someone slapped the wrong labels on the packaging . I’ve had suspicions of this happening with previous installation s. The pattern is reminiscent of New York City , and is called Brownstoner . In the EZ Papes line of pre-pasted material – which I usually like a lot. However, this is the second time in two months that I’ve encountered unacceptable issues with this material . See previous blog posts. In addition, this stuff bubbles / blisters . These usually dry flat as the wallpaper paste dries – but not always. The manufacturer is Flavor Paper . They have really innovative patterns , so a fun brand to explore. Note that I’m not fond of their vinyl material, and definitely not their peel & stick . The one I will work with is this pre-pasted EZ Papes option. Still, I wish they would get their quality control re printing , packaging , creased material , run / lot numbers , and suspected shipping out returned material as if it was new material. (Search to read previous post )Here’s a close-up so you can see how cute and fun this design is. I spent a lot of extra time to get this wallpaper up and looking good. Including plotting layout to avoid the double-image at the seams , overlapping some seams , tracking down bubbles and popping them with a razor blade and chasing the air out with my plastic smoother tool .
The homeowner’s contractor’s guy hung this accent wall in an under the stairs powder room . He did a good enough job. But there were some bubbles / wrinkles . Depending on where you’re standing in the room, and where light is coming from, the bubbles were somewhat noticeable , even with this busy patterned wallpaper . It bugged the homeowner , and she wanted it to look better. Dry-stripping the wallpaper resulted in this. The paper came off in an intact sheet, as the mfgr promises. But it took some of the primer along with it. Let’s examine this. It’s a good thing, at least, that the previous installer used a primer, and hopefully one made for use under wallpaper. But, to be honest, a wallpaper primer is designed to let go of the wallpaper when you start to strip it off the wall. So maybe this is just paint, or a paint primer . Second, I have a suspicion that, after skim-floating and then sanding the wall to smooth it, dust was left on the wall , and then trapped between the wall and the primer. That’s a likely reason why the primer / paint pulled away from the wall so easily. Nothing sticks to dust! So it’s imperative that, after vacuuming , you take a damp sponge – rinsed frequently – and wipe down the entire wall, and then let dry , before priming. The primer also has to dry completely, before wallpaper goes up. I switched to wet-stripping the remaining wallpaper, and had less damage . But was still left with a wall with lots of irregular and un-smooth areas . So to prepare it for wallpaper , I first sealed loose or dusty areas with GARDZ , which is a penetrating and hard-drying sealer for torn drywall or other unstable surfaces . It’s pretty cool stuff. After that dried, I applied a very thin skim coat of joint compound (which we call mud ). Once that was dry, I sanded smooth , vacuumed , wiped off residual dust with a damp sponge, let dry, and then primed with Roman Ultra Prime Pro 977 and let dry. Here’s what it looked like when I was done with the prep .And here it is with the new paper up. I switched to wet-stripping the remaining wallpaper, and had less damage . But was still left with a wall with lots of irregular and un-smooth areas . So to prepare it for wallpaper , I first sealed loose or dusty areas with GARDZ , which is a penetrating and hard-drying sealer for torn drywall or other unstable surfaces . It’s pretty cool stuff. After that dried, I applied a very thin skim coat of joint compound (which we call mud ). Once that was dry, I sanded smooth , vacuumed , wiped off residual dust with a damp sponge, let dry, and then primed with Roman Ultra Prime Pro 977 and let dry. This single wall was a bit of a challenge, for many reasons. For one thing, we really didn’t have enough paper. Luckily, the previous guy had kept the left over scraps, and I did need to use some of those. It also was OK to mis-match the pattern when necessary, as the design is very forgiving. The rounded bull-nosed edges around and over the window are a PITA. This pattern was forgiving in that respect, too, as well as the layout of the area over the window. There were also some printing defects , which will be addressed in a future blog post . Oh – and I, also, got bubbles ! In fact, I hung this same brand a few weeks ago and got bubbles then, too. Some I got rid of by making a tiny cut with a razor blade and then pushing the air out with my plastic smoother . But, usually, with these pre-pasted materials, once they get good and dry, small bubbles dry flat and disappear. Not sure why the other guy had problems with this. But I will say that the bubbles were larger than typically show up with these papers.Close up.The pattern is called Brownstoner , and is by Flavor Paper . I am not a fan of their vinyl products, and definitely not their peel & stick . But I do like their EZ Papes , which is a pre-pasted material . Not crazy about the bubbles, though. The home is in the Eastwood neighborhood of Houston . installer
Just about every wall and surface in this home is white . This super fun , super colorful pattern really energizes the little girl’s room / nursery . Before, with my tinted- blue wallpaper primer Roman Pro 977 Ultra Prime applied.I love contrasting the colorful wallpaper to the plain “before” look. Red flowers centered under the window , so it will look nice falling around the crib . Close-up .The manufacturer is the popular Rifle Paper , made by York . I love this brand – but beware of printing defects , which have been popping up more and more these last few years. Also, Rifle Paper is usually a DIY-friendly non-woven or paste the wall material . So I was surprised today to find this is a traditional paste the paper product . Actually, I’ve had a good handful of RPs lately that were paste the paper . These two materials call for completely different installation methods. The PTP takes more time and equipment , too. The home is in the Woodland Heights neighborhood of Houston .
Before. The homeowner wanted something much more fun than drab grey walls . Plus she need something that would coordinate with the brown tones in the vanity countertop.Here’s the solution! The paper is actually muddier and murkier than these photos show it to be, so it melds nicely with the brown stone .Here’s a better idea of what the true colors actually look like. Close-up.aManufacturer is York. This was purchased from Dorota at the Sherwin-Williams in the Rice Village of Houston , for a price below retail . Call before heading over to see her selection . (713) 59-6515 The Sure Strip line by York is a thin and pliable , water-activated , pre-pasted wallpaper that is DIY -friendly. It goes up nicely, and is designed to strip off the wall easily and in one piece – and with no damage to the wall – when it’s time to redecorate . I like this product a lot. Although York has been prone to lots of printing defects (including today) in recent years. The home is in the Heights neighborhood of Houston .
Oh, my! – I hung lots of these chintz florals, ” satin ” look (the design of the dark green at the bottom of the wall), and dark colors back in the ’90’s . Sure enough – this home was built and wallpapered in 1994. IIt’s still a good look, IMO, and the homeowner still likes it. But she’s just gotten tired of it. So – time for an update ! She also decided to eliminate the chair rail , so the new wallpaper will go ceiling to floor . Here you see some damage to the drywall where the chair rail molding was removed . What a change! Now the room’s look is quiet and fresh . The buffet , topped with a decorative mirror , will go on this wall . That’s why I centered the pattern in between the windows , so it will fall evenly on either side of the furnishings . I also plotted so that a full “Moroccan lantern” (that’s what this style of trellis pattern is called), would balance out between the crown molding and the window molding. There were several of these 12.5″ high areas all around the room, so this placement of whole “lantern” motifs gave the room a pleasing look. It also worked out that the lanterns were evenly placed and kept whole between the crown molding and the baseboard. See the second following photo to see what I’m talking about As a note – just this one window wall took me about five hours to measure , calculate , and hang . Getting the pattern to go over, around, and under the two windows , and still line up and match correctly , took some time and futzing. The material was thick and stiff , and a bit tricky to fit into corners and trim around the decorative window molding . In the foreground you see my work table area . The homeowner has let me put protective padding on her dining room table and then set my work table on that. This saves space and allows plenty of room for my ladder and other tools as I work around all four walls. So that I could center the pattern on this wall , I had to start hanging my first strip in the middle of the wall. I was lucky this time, that the pattern was centered exactly on the edge of the wallpaper roll . Sometimes (as in the one I did yesterday – see previous post ) the center of the design motif is a to the right or left of the edge of the wallpaper . This, naturally, means you’ve got to do more measuring and plotting and double-checking , to be sure the center of the design falls down the center of the wall . Back to the photo above … that dark block on the right side of my work table is my laser level. It’s shooting a perfectly plumb red line onto the wall. Here I’m lining up my first strip of paper butted against this red line . Switch topics … Back in 1994, the original installer did a very nice job of hanging the wallpaper. But … he didn’t prime the new drywall first. That lack of primer / protective layer means that the wallpaper will actually bond to the drywall. I tried, but was unable to get the existing wallpaper off . Eventually, you need to factor in time , damage to the wall , paste residue left on the wall, and take a different tac if called for. So I skim-floated over the seams , so they wouldn’t show under the new paper , and also floated over the damaged drywall where the chair rail had been removed . Sanded smooth , and then primed the patched areas as well as the original wallpaper, with Roman Ultra Prime Pro 977 . This stuff will adhere to the light acrylic (slick) surface of the original wallpaper, as well as protect it from moisture from my paste on the new wallpaper. ( Moisture could cause the underlying original wallpaper to expand , creating bubbles that will look bad, or loose areas that will pull away from the wall, creating a bubble or pocket.) My primer is also lightly pigmented, so it helps block out the dark color and busy pattern of the original wallpaper . This particular new wallpaper is quite opaque , but not all of them are, so a pigmented primer is important , IMO . Left corner of the buffet wall. Here you can see how the lantern motifs are placed between ceiling and floor. The background has a lightly mottled effect, that mimics grasscloth a bit, and also adds more depth and warmth than just a plain solid color . Been havin’ more than a fair share of defects lately, especially this week. This paper had on both front and back sides, incidences of these black flecks . They seemed to be maybe charcoal , so I wasn’t too worried about their black bleeding through to the surface , like ink or any oil-based substance will do. Most of them were embedded in the material itself, so could not be wiped off , nor dug out with a razor blade . Some I had to cut around and discard the affected paper. Others were so small as to not be noticeable once the paper was up on the wall and all the furniture and artwork was back in the room. There was also one 3′ section of wallpaper that had an odd streak or arc running across it. It wasn’t ink . It was more like some kind of compromise to the substrate . I noticed it was I was pasting the back of the paper . I turned it over and, sure enough, you could see it a little on the surface. (see photo in previous post) It’s the kind of thing that was subtle, but would catch your eye when looking at the wall from a distance . It was minor , but I discarded that strip . Good thing I have the homeowners purchase a little extra wallpaper . The manufacturer is Designer Wallcoverings , which is a good quality brand (aside from the printing defects I described earlier ). It was a non-woven / paste the wall material , which is pretty user-friendly . It will strip off the wall easily and in one piece when you redecorate . Stain-resistant , and ” breathable ” in humid conditions . The home is in the West University neighborhood of Houston . Dining room installer
Large creases spanning the width of the bolt were found in several places – luckily just in one bolt / double roll of the wallpaper .Most non-woven wallpapers are strong and durable . But some versions, such as this one, have a surface that creases easily. You have to be careful while handling it during installation . Here we see that even the manufacturer has problems with it, because these creases were deep inside the roll and caused by the factory. Also, very common with York – printing defects . Here I have laid two different bolts of paper on top of each other, to compare the printing. Look at the green leaves on the left side. Note that the ones on the far left are closer to the edge of the wallpaper . But the ones to the right are a bit further back from the edge . Curious, because both bolts are from the same Run (do a Search here to read more about Runs). Obviously, the factory’s trimmers / cutters or the printer mechanism have gone off track and skewed the trimming / printing .so these two rolls cannot be used next to each other, because the pattern doesn’t match correctly , as you see here. (Also note the creases on the right.) Actually, with this busy pattern, we could have gotten away with this slight pattern mis-match . (With the homeowner ‘s consent, that is.) But we were lucky that I had suggested she purchase a little extra paper . So we had three rolls of the version on the left, and two rolls of the one on the right. I was able to plan out the powder room so that I used the three rolls on three walls, and then kept the last long wall for the two bolts of paper on the right. Note that sending this material back was not a viable option. These issues are pretty common with York products, so we’d likely just be getting the same thing all over again. Disappointing, because, until just a few years ago, York was a very dependable , quality brand . The pattern is called Wildwood and is by Rifle Paper , which is made by York .
Original tile in this 1926 home goes beautifully with the colors in this globe-trotting wallpaper . I positioned the pattern to try to get the most names and maps within the area between the tile and ceiling .The paper turned out to have a complicated multiple drop pattern match . Basically, in a nutshell, most of the time, with a straight match , a particular pattern motif (the word ” Bangkok ” for instance) will appear at the same height , such as the top of the wall , on every strip . Or, with a drop match , it’s at the top of the wall every other strip . These are the two typical pattern match types. But with a multiple drop match , the pattern will fall down and down across the wall further and further , and finally appear back at the top of the wall on the fourth , or, sometimes, more, strip. That’s why in this shot, you see the bottom half of the city names cut off by the tile, instead of the full name. And the pattern match is different if you’re moving from left to right, or from right to left . It’s a real head-scratcher to figure out – and you had better notice it before you start cutting strips, or you could end up running short of paper . It also eats up a lot of paper. I always measure to have a little extra , but in this case, we ended up with just barely enough to finish the 2-room bathroom . City Maps is by Rifle Paper , which is made by York , generally a good company – although starting to have lots of printing defects – which we did experience on this installation. Also, usually, Rifle Paper is an easy non-woven / paste-the-wall material . This time, second time in a month, it was printed on traditional paper. Another surprise that added time to this job , since after pasting , each piece had to be booked and then set in a plastic bag for a few minutes to absorb the paste , expand , and relax . Best to have this occur in the bag, rather than put it immediately on the wall – which would result in wrinkles and bubbles. But it does slow the process down. This home is in the Woodland Heights neighborhood of Houston .
The homeowner very much loves this simple, tone-on-tone shore bird pattern for her dining room – just the top , above the chair rail / wainscoting. Here I’m plotting where to best situate the pattern on the wall , between the chair rail and ceiling , while keeping the most important pattern elements and motifs intact . (no cutting off birds’ heads at the ceiling , nor at the wainscoting ) I’m also checking the pattern match . It quickly became evident that the pattern match, as laid out by the factory, was incorrect . Match it at the bottom (by my thumb ), but as you move up , the pattern goes a little out of whack . This is actually not all that bad , and is considered acceptable – the industry standard allows for up to 1/8″ – 3/8″ mis-match . Hand-trim screen-print materials such as this are particularly notable for pattern mis-matches . For the record, they’re also known for curling edges , puckering , waffling , and other issues that make them difficult to hang , as well as questionability as to how long they’ll perform on your wall before wanting to resort to that curling at the seams . More pattern mis-matching . But the situation got worse . These high-end screen prints often come with an unprinted selvedge edge that has to be trimmed off by hand , with a straightedge (the blue metal thing ), a razor blade – and a steady hand. If the trim guide marks printed on the material by the company are ” off ,” then you’re supposed to ” trim to the pattern .” This means that you find the design element on the left edge of the paper and then find the corresponding element on the right side, and place your straightedge so that your trim cuts will result in the two edges matching up perfectly. (Or at least within that 1/8″ -3/8″) At this point, the white lines in the design – let’s call them ‘grapes’ – are abutting my blue straightedge , and should meet up perfectly with the corresponding white lines on the grapes on the opposite side of the subsequent strip of wallpaper. But, unfortunately, with this material, that didn’t work. If I lined my straightedge up with the pattern design elements , as in the photo above this one, by the time I moved down a few feet , as you can see in this photo , the pattern begins moving away from the straightedge . The white grape outlines do not butt up against my straightedge. The likely reason is that this material has been printed on the bias . That means that the artisan at the factory got his screens out of whompus , for lack of a better term. ” Trim to the pattern .” OK. So here I’m placing my straightedge at 1/8″ away from the ” hook ” in this design . Still the same distance from the “hook.” But the white lines are starting to move away from the straightedge. Here they’ve moved farther off. With this design, from a distance , you could maybe live with the white lines not meeting up perfectly. But what you couldn’t find acceptable is that the tan area between these white elements would be growing wider diagonally as you move both up and down the wall. Look at the photo. You can see the tan area growing larger . But it gets worse as it spreads farther … As that tan section grows wider like a “V” or a wedge as you move up or down the wall, it additionally pushes the design motifs at the top of the ceiling or at top of the wainscoting either up or down along the horizontal lines of the ceiling and wainscoting . So not only do you get a widening tan line between each seam , you also get the birds’ heads moving up or down from where they’re supposed to be positioned below the ceiling or above the wainscoting . I spent an hour and a half trying different placements and trimming methods . I knew the client loved this pattern and that she was willing to accept reasonable flaws in the pattern match and positioning. But even given that, I wanted her to have a good looking dining room – not one with uneven spacing between strips, or grossly irregular positioning along the horizontal lines in the room. I even consulted with several (five!) “high-end” installer buddies of mine. No one had a ” tip ” for making an improperly printed design fall correctly on the wall. In fact, all five of them said it couldn’t be done. I determined that this material was unhangable. As mentioned, I tried to find an installer buddy who could make this work and get this client’s dining room done in time for Thanksgiving dinner. But no one wanted to take it on. I don’t know if the manufacturer will replace the paper or refund the $ spend. Manufacturers are usually keen on saying that “it’s the installer’s fault .” I can say that I’ve had similar issues with Meg Braff papers in the past. The homeowner really loves this pattern. It’s possible – but not assured – that purchasing the same design but in a different run will yield a better factory printing job. Just a note that printing defects , curling seams , wrinkling / quilting , and more, are somewhat common with hand-screened wallpapers . And here’s another reason why I’m happiest when clients stick with middle-of-the-road, or slightly upper priced , wallpaper options . Email me and request my Info Pack (or see the link on the right) for more information and brand name recommendations. Sad to bow out and leave this client with an unpapered room, and no viable solution or direction . But better that than to take on something that I can’t assure will look good. I hope she tells me what she ends up doing and how all this turns out.
Before. Grey and boring . The built-in banquette seating has been removed.Finished.Closer look.Showing the pattern centered on the wall, and with the shutters. The dimensions of the paper not corresponding well with the width of the window, along with logistics of pattern placement at the ceiling line but starting my first strip under the window all created some plotting and engineering challenges. Fun, but time consuming. But it turned out great!The original idea was to just paper the nook area, ending at the vertical door molding. But it would have looked odd to stop the wallpaper above this doorway. So the homeowner and I decided to run the paper along the top of the doorway, and then down the left side (not shown), which dead-ends into some cabinets and the granite countertop. It looked good and was the right call.It tickles me that this is quite obviously a riff on the very popular Strawberry Thief wallpaper pattern by William Morris , which is quite popular right now (do a Search here to see my installations of it). When a company comes up with a hit, you can be assured that a competitor will soon be making its own version of it. The original has a lot more color, but this version is limited to just two colors. Even though there is a lot of contrast between the black and the white , the pattern doesn’t feel busy, because the design is so close and tight . There is a lot of symmetry , repetitiveness , and balance in Wm Morris and similar styles . I love the raised ink texture to this material . Whoops! A slight pattern mis-match . The overall design is busy enough that small imperfections like this (as well as some color variations / shading ) are not really noticeable . It’s odd to me that the printing defects are different in different strips / rolls of the wallpaper . You’d think that if the print roller was out of whack, it would create the same image every time it strikes the wallpaper surface. Or maybe it’s the trimmers that are off. If they had cut 1/16″ more off that left edge, we might have a perfect pattern match . The manufacturer is York , one of my favorites , in their Sure Strip line, also one of my favorites. It’s in the Magnolia Home collection , by, yes, Joanna Gaines , of HGTV fame with the show Fixer Upper . SureStrip is a pre-pasted , thin , flexible , non-woven material that is easy to hang . It’s also easy to remove when you’re ready to redecorate , because it’s designed to strip off the wall easily and in one piece with no damage to your walls . installer houston birds
No, this large room with sink and counters isn’t a kitchen. The family loves to entertain both family and friends, so included this “bonus” room in their new home’s plans. It’s used for both entertaining and crafting. The wall facing you was originally painted a semi-gloss navy blue. In the photo, I’ve applied my wallpaper primer. It will adhere to the glossy paint, and provide a matt finish for the wallpaper paste to grab ahold of. Taking measurements and plotting the layout. This paper has a selvedge edge , which has to be trimmed off by hand with a straightedge and razor blade. The manufacturer has not provided trim guide marks , so I am using a ruler and my eye. The new look is so dramatically different I couldn’t resist taking a photo mid-hang. As you can see, I’ve used dark paint to stripe under where the seams will fall, to prevent any of my primer from showing through at the seams. You can see the ceiling line starting to track upward on the right portion. More on that below. Finished. Perfectly centered.This is the mounting hardware for the big screen TV . I asked them to remove the TV, but we left the mounts in place. In order to support the heavy TV, they are placed quite securely into the wall , and I feel it’s best not to jimmy around with that. Rather than have the first strip straddle the TV mount, I plotted to have my first seam fall down the middle of the wall, placing a seam in the mid point of the mount. This meant I had to hang four strips instead of three, but it made it a whole lot easier to work around the TV mount, as well as to keep the left and right edges of the grasscloth straight and plumb. Close up showing the texture of this grasscloth material. It’s atypical to have grass cloth printed with a pattern , and I rather like the way the ink looks somewhat scratchy against the rough background. Because it’s Schumacher, you can expect printing defects . The slight pattern match doesn’t bother me, as there were many more places along each strip that matched up perfectly. Nor do I mind the different intensity of ink on the two strips. That’s all part of the look of grasscloth. But I wasn’t pleased with the white ink out in the middle of nowhere, as seen about 1//3 down the center of the picture. This isn’t considered a defect , and from a distance it’s not really noticeable. But it bugged me. So I used some water-based paint and a very small brush from the craft store and lightly touched up the spots. I also softened the mis-matched edges a bit. There’s a fine line between covering the white spots and staining the material, so use a light hand. And never permanent ink or oil-based markers or pastels.Likewise, the ceiling line was not level, so as I moved from the mid-point out to the right, the ceiling rose above the geometric motif’s top edge, and a white line began to be visible, but only to the right of the centerpoint. So I used the black paint to cover up that extra bit of white. This increases the width of that horizontal navy blue line from 1/4″ to about 1/2″. But from down on the floor you can’t tell, and it looks a whole lot better than having white on the right side and none on the left. The brand is Schumacher and the home is in the Garden Oaks / Oak Forest area of Houston. The interior designer who came up with this bold and lively look is Clayton Brooks .
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