Posts Tagged ‘pro 977’

Crumbly / Unstable Wall Issues

June 2, 2021
Starting to strip wallpaper. You see the top, inked layer, the tan backing layer, and the white skim-floated wall beneath.
Wall surfaces delaminating at seams
Gardz, a penetrating sealer that binds surfaces together and dries hard.
My first idea was to just Gardz the lifted areas. The sealer is newly applied and still wet in this photo.
Gardz’ing the whole wall created a more stable surface. This doesn’t look much different from the photo above. But in actuality, the the Gardz has sealed and “locked down” the surface, as well as soaked into the material and sealed the inner layers as well.
Applying a skim-coat to even out the surface levels.
Once this skim-coat is dry, it will be sanded smooth.

The installer of the original paper did a good job of skim-floating the wall and creating a smooth surface. But he didn’t apply a sealer or primer. Thus, when I used water to strip off the old wallpaper, the moisture soaked into his skim-coat (drywall joint compound, a plaster-like substance, which we also refer to as “mud”). Some of the skim-coat came away from the wall,,, particularly in areas of stress, such as where the wallpaper seams had lain.

In fact, long (years) before I began stripping the wallpaper, many of the seams had started to pull away from the wall, taking inner layers of the wall along with them. This is because wallpaper shrinks as it dries, and that creates tension on the wall. If the wall surface is unstable, these layers can delaminate (come apart), and the result is an open seam with chunks of wall material stuck to it.

This can also happen over time, as temperature and humidity changes can cause the wallpaper and / or wall surface to absorb and then let go of moisture. All this puts stress on those wallpaper seams and on the layers inside the wall.

Besides these seam areas that let go, I had one wall where the entire surface came apart in a mottled effect.

Another factor is that the original skim-coat had been applied over a glossy paint. It’s hard for anything to stick to gloss. The guy probably should have rolled on a “bonding primer” before applying his skim-coat.

Of course, all that increases the time and materials needed, and ups the cost to the homeowner.

Gardz is a wonderful product that is designed to soak into surfaces and “bind them together.” It dries hard and is pretty water-resistant. It was originally intended to “lock down” torn drywall. But workmen quickly discovered that it would fix a whole lot of other surfaces – such as my delaminating skim-coated walls.

At first I thought I would just Gardz (we use it as a noun and as a verb!) the areas that were lifting. Once it dried, I intended to skim-float over these areas, sand smooth, and then prime the entire room with my usual wallpaper primer – Roman Pro 977 Ultra Prime.

But I realized that, even after I wiped down the walls with a damp sponge, they were still covered with powder or grit. This was powder from the layer of skim-coat, as well as residue from wallpaper paste. Neither my primer not wallpaper will stick securely to powder.

So I decided to roll Gardz on to all the walls, ceiling to floor.

Fifth photo – I was really pleased with the way the Gardz soaked in and drew all those layers together. There was no more power on the surface, and the inner layers of the walls were all pulled together.

To even over these vacant areas, and to create a pristine new surface, I skim-floated over the entire wall surface – all walls, floor to ceiling. See last photo.

Once that is dry, tomorrow morning, I will sand everything smooth. Next I’ll apply my 977 primer.

Then walls will be stable, and the surface will be ready to take on the new wallpaper.

Starting Today – More Tomorrow

March 24, 2021

2-3 hours spent covering surfaces and baseboards, and then priming the walls in this large downstairs bathroom in a newish home in the Houston Heights. The primer is my favorite Roman Ultra Prime Pro 977, lightly tinted blue to make it easier to see where I have applied it.

I always think it’s cool to see the pattern as it goes up against the previously-bare walls.

More photos tomorrow!

The wallpaper is by Divine Savages.

A Very Pretty Heights House Renovation

February 10, 2021
New drywall. I draped strips of protective dropcloth paper over the top of the wainscoting, to protect from splatters from my primer.
Notice the “raised ink” and the hand-painted look.

Recent updates reflect respect for the original feel of this 1920 bungalow in the Woodland Heights neighborhood of Houston. There will be a claw-foot tub, as well as a very cool authentic vintage pedestal sink that the homeowner found on the side of the road, discarded from another older bungalow just a few blocks away. !!

Vintage-look beaded board paneling was added, along with hexagonal floor tile, both in a warm, muddy green that compliments the greens in the wallpaper.

The homeowner has a stunningly beautiful garden, and sought a wallpaper pattern that would bring the feel of nature indoors.

The top photo shows the walls as the contractor left them, in what we call a “Level 4” condition. This is optimal for wallpaper installation. No texture for me to get rid of, and no paint or PVA-based primers under the wallpaper. All I had to do was roll on my wallpaper-specific primer, Romans Pro 977, Ultra Prime.

The wallpaper is called Garden Party and is by York, in the Waverly collection (yes, reviving classic designs from the 1990’s!), and in their SureStrip line – one of my favorite products. It is pre-pasted, goes up nicely, hugs tight and thin to the wall, and performs wonderfully over the years, even under (mildly) humid conditions – such as a bathroom in an old house with poor ventilation.

The interior designer for this job is Stacie Cokinos, of Cokinos Design. She works mostly on new builds and whole-house remodels, and mostly in the Heights / Garden Oaks neighborhoods.

Sometimes (Rarely) You Have To Hang Over Old Wallpaper

September 18, 2020


It’s always best, for many, many reasons, to remove old existing wallpaper before hanging new. Especially if that old paper is vinyl or non-woven or thick / textured.

But sometimes, it just isn’t feasible. Here, the original installer didn’t use a primer, so his wallpaper bonded to the bare Sheetrock and would not come off without taking the top layer of drywall along with it. I worked at it for an hour, but only removed about 10 square feet – and much of that included damaged drywall.

So, time to try another tact. This method only works with paper (not vinyl or anything thick or textured), and the original paper has to be tightly secured to the wall. First, I removed any loose areas – usually over joints in the drywall that have been coated with joint compound (it’s porous and sucks the paste off of the wallpaper).

Then I took joint compound and skim-floated over any uneven areas or any sections of torn drywall, and all wallpaper seams. Seams may feel flat, but once new wallpaper is on top of them, the vertical lines of seams will telegraph through and be visible.

Once that was dry, I sanded smooth and “feathered out the edges,” then wiped off all dust with a damp sponge. See top photo.

Then I rolled on my favorite wallpaper primer, Roman Ultra Prime Pro 977, and made sure to cut in around the edges with a trim brush. This primer sticks to just about anything, including the light acrylic protective coating on most paper wallpapers, such as what I had today. It doesn’t penetrate the joint compound and cause the torn drywall to stretch or wrinkle. Nor will it allow moisture from the new wallpaper paste to penetrate through. And it’s lightly pigmented, so it works well under thin wallpapers.

Plus, it is formulated to receive and hold wallpaper, makes installation easier in many aspects, resists tension on the wall as wallpaper dries and shrinks, and eases removal of the wallpaper in the future.

Once the primer is dry, the room will be ready for its new wallpaper.

Serena & Lily Wallpaper Too Translucent

September 8, 2020


I guess that Serena & Lily is starting to print on non-woven substrates. I am not a fan (see yesterday’s post).

Besides being very stiff and uncooperative, this material is very translucent. As you see in the photo, the leaves of the second layer of wallpaper are clearly visible through the top layer.

This means that it’s likely that color imperfections on the wall will show through. New Sheetrock, for example, with its grey drywall interspersed with bands of white joint compound. Or hanging this product on a dark painted wall will result in a “dirty” cast underneath the paper, and will not yield the bright, crisp white look that S&L is known for.

As a primer, I like Roman’s Pro 977 Ultra Prime, which is a white-pigmented primer, and an ideal choice under thin, see-through material like this. But it is not a heavily-pigmented primer, so there is still the worry that the finished walls will not look as bright as they should.

I do hope that S&L will improve this product. There are tons of nice non-wovens available, so let’s hope they do some research and come up with a better substrate.

Mirror Tar Bleeds Through Wallpaper – Prevention

June 18, 2020



The owner of this newish home in the Woodland Heights (Houston) had her handyman remove the powder room mirror and its surrounding built-in wooden frame. Mirrors are often adhered to the wall with mastic, a tar-like substance. When the mirror comes off, some of the tar residue invariably remains.

In the top photo, you can see where removing the mirror took the blobs of mastic along with it, as well as round sections of the drywall. But there are small smudges of tar still remaining on the wall.

The problem is that tar (among a lot of other substances) will bleed through wallpaper (as well as paint, and a lot of other materials).

There are stain blockers like my beloved KILZ Original Oil Based, BIN shellac based, or others, that are designed to block these stains. But I don’t trust them. For water, rust, blood, wood sap, etc., yes. But for oil-based substances like tar, I want more assurance. The best way to prevent bleed-through is not to cover the stain, but to remove it.

So I take a Stanley knife and cut into the drywall and then peel up the top layer of drywall, taking along the offending tar residue.

So now the dangerous tar is gone. But you’re left with torn drywall. This is bad for several reasons. For one thing, you have an uneven surface that will look bad under the new wallpaper (or paint). And since the top, protective layer of drywall is gone, any moisture (such as from wallpaper paste or from latex paint) will penetrate into the torn paper layer – which will swell and cause bubbling.

All of which looks pretty bad under wallpaper or paint.

So I used the product Gardz to seal the torn drywall. It is formulated to soak into the paper; then it dries hard and acts as a sealer and moisture-blocker. It won’t block stains, but it will prevent moisture from penetrating the paper and causing bubbling.

Once that was dry, I skim-floated over the entire area with joint compound. It looks rough in the photo, but once it’s dry, I’ll sand it smooth. Then I’ll give it another coat of the penetrating sealer Gardz. See last photo. Once that is dry, I’ll cover it with a coat of Roman’s Ultra Prime Pro 977 wallpaper primer, when I prime the other walls in this powder room.

All of these various products do take a while to dry, especially the joint compound as thick as I applied it. So I went to this job site a few days before the install date, to do the initial prep, so it would have plenty of time to dry before I come back for the final prep and wallpaper hang.

Primer Choices

December 12, 2019


Today I was priming the backs of some bar cabinets. My preferred primer, Roman’s Ultra Prime Pro 977, which usually sticks to anything, was beading up and sweating off of the Formica surface. Even if it dried, it would leave beads and bumps under the wallpaper. I had to take a paper towel and wipe it all off.

Luckily, I had some Zinsser 123 in my van. This stuff sticks to just about anything. It rolled on with no problems.

It’s OK to hang wallpaper over 123, but I prefer to hang on a product made specifically for wallpaper. So, once the 123 was dry (it dries quickly, and for good measure, I set a fan blowing on it), I rolled on a coat of Ultra Prime.

This is all very timely, because I was looking at that can of 123 just the other day, which was bought exactly a year ago and which I virtually never use, and was about to toss it out. I’m glad I kept it.

Don’t Skip the Wallpaper Primer!

October 30, 2019


A primer is imperative for a good wallpaper installation – and I mean a primer designed to be used under wallpaper, not a generic primer or a paint primer.

A good primer will

seal porous surfaces
mitigate a glossy surface (paper won’t stick to gloss)
allow for “slip” and repositioning while installing the paper
provide “tooth” for the adhesive to grab ahold of
withstand the torque created when wallpaper dries and pulls taught,
preventing “popped seams”
protect the surface, making future removal of the paper easier while
preventing damage to the wall

Ultra Prime Pro 977 by Roman’s is my preferred primer.

But different situations call for different primers. When hanging on a thirsty surface like new drywall or a textured wall that has been skim-floated, I will use Gardz by Zinsser. Other primers could be called for in other situations.

Sweetening an All-White Bathroom / Treating Trials

July 2, 2019



This homeowner was just trying to update her hall bathroom. She chose a new countertop, new tile, and new wallpaper. Unfortunately, some of the workmen who showed up for the job were less than stellar. I won’t say anything about the tile guys or the painters, but in the top photo, you can see how the “I can hang wallpaper” guy prepped the wall… which he proclaimed as “wallpaper-ready.”

I took down the light fixture, removed the remaining old wallpaper, and skim-floated the surface. Because the ridges in the original guy’s float job were so thick, I went there a few days early to get an initial layer of smoothing compound spread on the wall, so it would have time to dry. Then when I came back, I skim-floated the entire room. Because this second coat was thinner, it dried in a few hours (with fans, a space heater (to pull humidity from the air), and the home’s A/C unit cranking dry air through the room.)

I sanded smooth, vacuumed and wiped off the dust, and applied a coat of Gardz, which is my preferred primer for newly smoothed walls.

Mysterious tan dots worked their way through the smoothing compound and the Gardz. I didn’t know what they came from (mold, oil, tobacco, soft drink or food the workers splashed on the walls?), but I knew they would eventually bleed through the new wallpaper. So I rolled on BIN, a shellac-based stain-blocker made by Rust Oleum, to seal the wall.

This effectively sealed the stain, and the wall was nice and white after that.

A week later, I came back to hang the wallpaper. First I applied a coat of Roman’s Pro 977 Ultra Prime, a primer made specifically for wallpaper. For some reason, this product didn’t stick well to the BIN – which is surprising, because one reason I use this primer is because it sticks to anything, even glossy surfaces (the BIN was not particularly glossy). Look closely or enlarge the third photo, and you will see it sliding and dripping down the wall. Well, no fear. I brushed out the worst of the drips, and as the primer dried, it tightened up and clung flat and tight to the wall.

With the wall finally smooth and appropriately primed, I was ready to get that paper up on the wall. This was an old fashioned pulp paper, which the British companies were making before most of them switched to non-woven materials. I was looking forward to working with an authentic pulp paper, because it’s been a while since I’ve come across one.

But this one didn’t behave as most of them do… It was thicker and stiffer, which made trimming and intricate detail work difficult, and increased the potential for creasing (for instance, while fitting the paper into a corner at a ceiling line). And it sucked up paste and dried out way sooner than I could get a strip to the wall. So I ended up using a spray bottle to add extra moisture to the back of the paper while I was applying the paste. This did help a lot.

Some of the edges had been banged up during shipping, so some of the seams looked a little weathered. And the edges had not been cut perfectly straight at the factory, so we had a bit of what we call “gaps and overlaps.”

Still, the finished room looks great. With its sweet flowers and calming colors, the pattern reminds me of the Laura Ashley era. The blue really pops against the white woodwork and tile in the room, and the red roses are nothing short of romantic.

Such a happy turn-around, for a bathroom that started out full of trials and tribulations.

I’m not sure what the brand name is, but the label says “English Florals.” The homeowner found it on-line (free shipping!), and the cost was low – about $60 for a double roll bolt. The home is on the north side of Houston.

Blue Faux Grass on Bookshelves

May 12, 2019


Awwwk… my “before” photo didn’t turn out. Oh well … just know that originally the shelves and the back of the shelves were a bland white paint.

To prep, I primed the glossy white paint with Roman’s Ultra Prime Pro 977, which will stick to the enamel and which is formulated to provide a good surface for the wallpaper to adhere to.

The wallpaper is an embossed vinyl faux grasscloth by Thibaut, from their new Texture Resource book. This man-made product avoids the color variations and very visible seams that are common with real grasscloth, so it’s a good option.

The material comes 27″ wide, and the bookshelves were 28″ wide. So I had to use two 14″ wide strips of paper for each cubicle and put a seam down the middle.

Isn’t the blue color gorgeous as a backdrop for the contents of the shelves?!

This was a work desk area off the large kitchen in a home in West U (Houston).

The interior designer this job are Danna Smith and Pamela O’Brien, of Pamela Hope Designs.