Posts Tagged ‘pulp’

Romantic Vintage Look Rose Bedroom Accent Wall

June 26, 2022
Textured wall has been skim-floated smooth , primed , and ready for wallpaper .
This pattern is called Smoky Rose and also London Rose . Both are appropriate!
Charcoal on an off-white background . Up close, it looks like water color strokes.
The wallpaper is by House of Hackney . Most of their wallpapers are the user-friendly non-woven material. This one surprised me being a British pulp. This is a rather old-fashioned basic paper material with no protective coating. It’s brittle when dry and gets soggy when wet with paste, making it tear easily or to drag when the razor blade runs across it. Definitely takes a different approach during installation .
I was lucky enough to have hung a pulp just the day before, so was in good practice!
Although not resistant to stains and tricky to work with, I do like the matt finish and how the paper dries tight and flat to the wall.

More William Morris Strawberry Thief in Houston Heights Hall Bathroom

June 24, 2022
Because I feared unstable walls in this 1920’s bungalow in this neighborhood (do a Search for previous posts), before hanging the decorative wallpaper, first I hung a non-woven liner paper on all the walls. That’s the white material you see in the photo.
The liner was hung horizontally so its seams can’t line up with the decorative paper. The idea is to disperse tension from drying wallpaper and changes due to humidity and etc., so as to deflect tension away from sketchy wall surfaces, and thus prevent delamination of multiple unstable layers deep inside the wall. Again, do a Search here to learn more.
Finished vanity area, with pattern centered on the light fixture.
Corner shot.
This colorful and symmetrical pattern is quite popular; I’ve hung it a number of times just this year.
Englishman William Morris designed wallpaper and fabrics during the late 1800’s and early 1900’s.
The styles then were Art Nouveau and Arts & Crafts. This design reflects a bit of each.
Wallpaper expands when it gets wet with paste, and then can shrink just a tad as it dries. The liner helps prevent that, but you can still end up with teeny gaps at some seams.
To prevent the white backing from showing through, I run a stripe of dark paint under where each seam will fall.
I use matt finish craft paint from the hobby store, diluted with a little water (in the orange bottle cap) and smeared on the wall with a scrap of sponge. Use a ruler or level and a pencil to mark where you want to stripe the dark paint.
Remember to allow for that expansion as the paper absorbs moisture from the paste. Meaning, if the paper is 20.5″ wide, and expands 1/2″, you’ll want to run your line at about 21.” And make sure that your painted swath is about an inch wide.
I also run a bit of dark chalk along the edges of each strip, to prevent the white substrate from showing at the seams (no photo).
Morris & Co. makes this iconic Strawberry Thief.
Interestingly enough, most times when I’ve hung a Morris paper, it’s been a non-woven paste-the-wall material.
Today’s option was a surprise – a traditional British pulp . This is a pretty basic and somewhat old-fashioned type of substrate . Sort of like construction paper, or the pages of an old family Bible .
The paper is very fragile , and can tear easily. You have to keep using new razor / trimming blades, because the material dulls blades quickly, and when dull they will drag and tear the paper.
Pulp papers also require a soaking / booking time after pasting , to allow time for the material to absorb the paste , soften a bit, and expand . The edges of the strips like to dry out , so I’ve learned to dip about 1/4″ of the booked ends ( booked means the pasted side of the wallpaper strip is folded onto itself, bottom edge folded up and top edge folded down to meet in the middle), into a bucket of clean water.
Then it goes into a black plastic trash bag to soak and relax for a few minutes before hanging. I use this opportunity to paste the next strip.
Non-woven wallpapers have advantages, because they do not expand when wet, and therefor you can get accurate measurements. They also can be pasted and hung immediately, with no waiting time. Alternately, you can paste the wall .

Another Installer’s Problems With British Pulp Paper

May 31, 2022
Scroll down a few posts to see where I hung this exact same pattern, and coincidentally just a few blocks away. I had absolutely no problems. Yet this poor installer struggled and ended up with many dissatisfactory issues.
In this photo, you see where the wallpaper has shrunk at the seams and left a gap, some tears, and a patch to cover a mishap.
More tears and gaps.
Paper coming lose from the wall. Not taking primer or paint with it. But you can see the adhesive clinging to the back of the paper. I’m suspecting this is clay adhesive. Nothing wrong with clay, but I prefer one of the vinyl-based adhesives.
Not sure what the guy used as a primer (if any).

This is the popular Strawberry Thief by William Morris , usually sold by Morris & Co. I’m believing the problem here is the material on which this pattern was printed.

The site from which this was purchased called it a ” heritage ” paper. It is, indeed, made of what we call a British pulp material. Old-fashioned, it is. These days, most wallpaper coming from the U.K. is printed on non-woven stock. The paper I hung a few days ago was non-woven.

Pulp wallpapers have a nice look. But they have no protective coating, so become soiled easily. They soften when wet with paste and tear easily, and can also shred under the razor blade while trimming. They expand when wet with paste, and then shrink as they dry, which often results in gaps at the seams.

Even skilled installers can have difficulties when working with this stuff. In fact, on the private Facebook page of the Wallcovering Installers Association ( WIA ), we have just been discussing this very same topic.

I believe this previous installer had a few shortcomings, such as lack of skill and maybe used the wrong or no wallpaper primer. But I think the real and unsurmountable culprit was the substrate.

Moral: If given the option, choose a non-woven material. They are made with minimum 20% polyester content, and thus are resistant to shrinking, tearing, and tension at the seams. Many other advantages, too. Non-wovens are also referred to as paste the wall .

Pulp Wallpapers – Difficult to Handle

January 30, 2022

I mentioned in my post of January 27, 2022 that this wallpaper is what we call a classic or traditional British pulp material. All wood pulp and a little ink. No synthetic fibers, no protective coating.

When dry, the stuff is quite stiff and brittle, and when wet it can turn to mush. It dries fast, so sometimes can ” freeze ” and stick together when you unbook it – which can actually tear the paper apart.

This makes it difficult to work with it when going around intricate moldings, or into corners, or any time you need to bend or unfold it.

It’s also tricky to cut. It dulls blades quickly. And even a brand new razor blade can get bogged down or snagged. This can easily tear the paper. Another thing that happens is that you get these little ” buggers ” where the top part of the paper trims off, but little bits of the substrate stay behind.

The photo above shows this happening at a trim cut along a baseboard. You have to gently pull the strip away from the wall, being careful not to crease it or tear it. Then use your scissors to snip off these little bits. It’s a real PITA.

Calm Forest Frolic

January 27, 2022
Before shot of sink room in hall bathroom in a home in the Energy Corridor / Briar Forest area of west Houston.
Symmetrical flora and frolicking fauna are a popular design concept in wallpaper. Just about everything in this home is white or cream or tan, so the homeowner’s choice of this muted color palette fits in perfectly and lends a serene feel to the space.
Close up. The seam at far right is still wet, and will be less obvious once it dries.
The pattern is called Design Woodland and is by Crown Wallcoverings, a British company. True to its roots, the material is what we call a pulp, which is basically wood pulp and ink … thick, stiff, turns mushy when wet with paste, tears easily, and no protective coating on the surface so my client will have to be careful to avoid splashing toiletries or cleaning agents onto the wallpaper. Even water will stain it over time.

Dark – But Not Boring – Paper for Media Room

July 10, 2021
Media room before.
After
It was tricky getting the paper into that 1 1/2″ wide space between the windows, but it really makes the windows stand out.
Close-up. The non-woven material is made of synthetic fibers, rather than cotton or wood pulp.
The manufacturer is Schumacher, and the pattern is called Cymbeline.

When you’re cocooned to watch a movie in your tricked-out media room, you want the room nice and dark. But a dark wallpaper doesn’t have to be plain or simply textured.

The vining tree limbs and leaves of this wallpaper pattern add interest and movement to the walls and keep the mood from falling somber. But don’t distract from what’s going on on the big screen.

Schumacher is not one of my favorite brands. But this paper was not one of their contrary screen prints, but rather a non-woven material. It was stiff and thick, but pasting the back softened it up and made it pliable and cooperative.

The home is in the Montrose neighborhood of central Houston.

Burnished Copper Colors in Home Bar Area

May 6, 2021

tThe homeowner loved the coppery-hued colors in this “Carousel Stripe” pattern by Cole & Son. The colors mesh beautifully with the wood tones, and also the brass faucet, in this home bar area.

What’s interesting is that I think the colors (especially the red) are more intense now, than in the samples she got from the vendor. In fact, one complaint of hers was that the vendor sent just one small snip of the paper, and didn’t show the full color spectrum of all 10 stripes that make up the pattern.

No matter. The finished effect really sets off the bar backsplash, and will be a fabulous backdrop once the bottles and glasses are back in place.

This wallpaper is a non-woven material, which is made of synthetic fibers rather than wood or cotton pulp. Instead of the paste-the-wall installation method, I chose to paste-the-paper. This made the material more flexible and manageable, which helped a lot, because when it was dry, it really wanted to crease and flake.

TFor instance, the racks sitting on the counter in the first photo could not be removed. Manipulating, fitting and trimming the wallpaper around the sharp bends and angles without marring the wallpaper was very difficult.

The non-woven, synthetic-origin material (think fiberglass) was also really hard to cut. Even with a brand-new razor blade, I had trouble getting perfect cuts around moldings, and also in a whole lot of other simpler areas.

These two rooms were hard enough, with minimal angles and corners and intricate moldings. If this had been a bathroom, or another room with a lot of turns and fancy cuts, it would have been really difficult to prevent creases and other damage to the wallpaper.

As it was, I spent about nine hours hanging these four single rolls of paper.

This is a wonderfully restored 1939 home in the Rice University area of central Houston.

Going For More Of The Same

February 9, 2021

I hung the original wallpaper in 2014, when the house was first built. The PEX water lines used in the home (flexible hoses instead of PVC pipes) were new at the time. Tragically, after a few years, the lines used in this home failed and caused leaks all over the house. Replacing all the water lines required cutting holes in MANY places throughout the home.

You can see in the photos where the plumbers cut out drywall and then patched it back in. This company actually did a good job of removing the wallpaper in the areas of their repairs.

Unfortunately, with the amount of wallpaper that was left over from 2014, I was not able to do repairs. The entire room had to be repapered.

The homeowner loved the pattern and wanted to keep it. It was still available, so she bought enough to repaper the room.

For various reasons, the original wallpaper was much more difficult to get off the wall than I expected. I could have gotten it off – but it would have taken about two full days.

So I opted to hang over it. It’s important to skim-float over the seam areas. First, because the seams will leave a little ridge that will telegraph through and show under the new paper. But also, because as wallpaper dries, it shrinks and puts tension on the seams. There is always the potential that this tension will cause the the surface below to pull away from the wall, and especially so if there is a weak area such as a seam. So you always want to avoid putting a seam on top of a seam.

So I skim-floated (do a Search here to learn more) over the seams, as well as over the patched areas left by the plumbers. See photos. Then I sealed the walls with Gardz, a product that penetrates and seals porous materials – like drywall joint compound and like this traditional British pulp wallpaper. Because it soaks in and dries hard, it helps to prevent moisture from paint or wallpaper paste from soaking through, and thus prevents bubbling of the underlying surface. That’s why this product is primarily used for sealing torn layers of drywall.

Although a bit glossy for my liking, Gardz is also a good primer to hang wallpaper on.

Interestingly, the expansion rate of the new wallpaper was a bit less than the original, and so the seams fell about 1/4″ to the right of the original seams. This reduced the worry of seams falling on top of seams and causing lifting.

It was a complicated room, and the paper was thick and stiff and difficult to work with. Prep took one day, and it took me two additional days to hang the paper (16 single rolls – 8 double roll bolts).

The wallpaper is in the line of Nina Campbell, by Osborne & Little, a British company. While most British papers these days are printed on an agreeable non-woven substrate, this one is a traditional, old-school British pulp … thick, stiff, difficult to fit into turns and angles, easy to tear, easily stained, non-malleable, plus the factory’s trimming roller blades must have been dull or wobbly, because the edges were not cut perfectly straight, which meant the seams had some “gaps and overlaps.”

Still, the finished room did look pretty darned good – even if it looks exactly the same as it did in 2014.

But that’s exactly what the homeowner wanted. So all is good and mission accomplished!

William Morris “Fruit” in Historic 1885 Home

December 20, 2020

Moving from the entry to the adjoining dining room of the historic home in Houston mentioned in my two previous posts. This pattern by William Morris is called “Fruit,” and is true to the period in which the home was built.

I love the way the colors work with the wainscoting and also the picture rail around the top.

This pattern is less repetitive and the color is softer than the option used in the entry (see yesterday’s post), making it an easy-to-live-with choice for this large dining room.

The material is a traditional British pulp which you don’t see much these days, as most European manufacturers have moved to the newer non-woven substrates. I do like the pulps for their matt finish and tight adhesion to the wall. Although, they are brittle and tend to drag and tear when being cut, so they require some special handling.

This one also has a raised ink feature, which adds just a tad of texture. Look closely at the close-up shot.

This was purchased from FinestWallpaper.com, who has a large selection of Morris and also Voysey (another designer from that Arts & Crafts period) patterns. The home is in the Old Sixth Ward neighborhood in central inner-loop Houston.

’70’s Retro Flower Power

December 9, 2020

Here is a home where people are not scared of color, nor of pattern …. What a fun switch from drab to dramatic – with a little groovy tossed in!

The wallpaper is by Sanderson, a British company. Unlike most modern British papers which are of non-woven material, this was printed on a pulp substrate, and the surface felt like vinyl. Once wet with paste, it was fairly flimsy and prone to tear while being trimmed with a razor blade. Once dry, it will be a bit more durable.

This was a small, cramped powder room. It was super appreciated that the homeowners had removed the sink before I started work, so it was much easier to hang paper on that wall.

The home is in the Montrose area of inner loop Houston.