Kill Point Over Door

aaHere’s what this flowing viny wallpaper pattern looks like in this dining room in the Garden Oaks / Oak Forest neighborhood of Houston . The bottom 1/3 of the wall is block paneling / wainscoting , so the wallpaper on just the area above is not overwhelming .
A kill point is the place in a room where your last strip of wallpaper meets up with the first strip you hung . this virtually always results in a pattern mis-match . So we try to hide that in an inconspicuous place, such as in a corner behind a door .
In this room, all of the corners are very visible . A mismatched corner of 7′ high would be very noticeable .

So in this room, I was able to cleverly disguise the mis-match in a much shorter area, over a door . This is only 6″ high . Here my first strip is on the left, and my last strip is on the right, with two short strips needed to bridge that gap .

Here the strip on the right has been put into place.

Here’s the piece that will butt up against the strip on the left. Eeek! It’s 1/2″ too narrow to cover the gap. Also, as you can see, there is an obvious pattern mis-match at that seam on the right.

look at this tree branch . I’m going to use that to my advantage.

Here I’ve taken another piece and have matched the pattern on the right side. Note that it’s not matching on th left.

Here I am, back to that strip we saw a few photos ago, that will match with the strip on the left. Remember tha tree branch I pointed out? Here I’ve trimmed the wallpaper vertically along that tree branch .

Here I’m putting it into place, butting it up against the strip on the left, and overlapping the strip on the right. But that’s going to leave a vertical ridge under this strip, where the strip underneath it ends on the left.

But you won’t notice that overlap if it runs under a design motif . Here I’m using a pencil to trace the outline of that tree branch, bringing it in so that the tree branch will overlap just 1/8″ – 1/4″ over the strip on the right.
Note that since the surface of this paper is vinyl , and wallpaper paste doesn’t always adhere well to slick plastic , I’ve used a special border paste or vinyl over vinyl or seam repair adhesive just on this small 1/8″ overlapped area .

Strip on the right trimmed to conform to the curves of the tree branch.

Tree branch piece being put into place.

Tree branch strip trimmed and finished.

SDone and viewed from below. OK, so the pattern doesn’t match 100% perfectly the way the designer intended. Some of the motifs are closer together than they “should” be. From here, who the heck is going to notice?! This looks pretty darned good – and it looks way better than having a 7′ long mis-match in a very visible corner .

The pattern is called Twining and is by Graham & Brown . It has a very light texture , and also a slight
metallic sheen on the branches . It’s a non-woven / paste the wall material , and will strip off the wall easily and in one piece when it’s time to redecorate . I like their papers a lot .
You can purchase G&B from Dorota at the Sherwin-Williams in the Rice Village . Call first, as hours vary. (713) 529-6515 .
Here’s another cool thing … Go back to that first photo. Since I started hanging paper by centering the pattern between the two windows on the wall to the right (not visible in the photo), by the time I worked my way around to the wall between the windows you see in front of you, the pattern was not going to be centered in between the windows. I thought it would look better if it was balanced symmetrically. So I positioned the dominant part of the tree branches in between the windows. And then I used the same overlap-and-disguise trick over the window on the right.

Geometric on Tricky Outside Corner

OK, never mind the ’80’s-era toilet paper holder that’s recessed into the wall here and is not removable – which presents a challenge all its own. My issue is adding the next strip of wallpaper to the left, turning the corner, and keeping the pattern matched as well as possible in both the inside corner and around the outside corner.
Usually, when turning inside corners, you wrap the paper around the corner 1/8 of an inch, and then cut a new strip of paper, match the pattern, and then overlap it that 1/8″ . That helps eliminate issues like mis-matches or wrinkles due to crooked corners or uneven / bowed / out-of-plumb walls . (no walls are ever perfect )
But in this case, we also have an outside corner to wrap. Even though it’s only about 2″ wide, that edge can cause the pattern to go off-plumb , or to create wrinkles in the wallpaper .
Going against most rules of wallpapering , I’ve decided to wrap the next strip around this 2″ wide wall and then onto the wider wall to the left .

Here I am, starting to position that next strip. I’m not going to try to wrap a full 27″ wide strip around this turn. Instead, I’ve trimmed it vertically along a horizontal stripe , which makes this strip narrower and more easy to handle , and also will help in placement of the next strip.

Now I’m pushing it into place into that corner. Note how the paper is wrinkling, both on the wide wall, and as it comes around the 2″ wall.

Another shot of the placement and wrinkles .

Using my plastic squeegee smoother to press the paper tightly into the inside corner. Note that, since the corner isn’t perfectly straight or plumb, there were a few areas where I couldn’t press the paper tightly into the wall, but had to leave a bit of a gap or air bubble, in order for the left edge to wrap around the turn.
The plastic smoother can also be used to gently push out wrinkles on the larger body of the strip of paper to the right. Don’t press too hard , nor overwork , because you don’t want to stretch the paper – that will cause more wrinkles.

The plastic smoother took care of the inside corner. Here I’m using my damp microfiber cloth to tightly press the paper around this outside corner .

OK. Paper’s wrapped tightly around this corner – but, because the corner isn’t straight , we’ve got wrinkles and warps .

Sometimes, you need to take a scissors to make relief cuts to help ease the paper around the corner . Try to make your cuts along an element of the design , to make the slit less noticeable.

here is that little narrow bit, finally wrapped around the outside corner. Now we need to add the next strip to the left of this. Note that this narrow strip isn’t straight nor plumb nor equidistant from the corner that we just turned. Nor is it equidistant from the next corner we have to deal with, which is to the left (not pictured).
Since we want the wallpaper strips to match in the corners, it’s important that the wallpaper pattern fall in the corner to the left at the same point from ceiling to floor. Complicated to explain.

So I’m taking a fresh strip of wallpaper , made sure the pattern matches correctly , and have trimmed it vertically along the tan stripe . Now placing it along this wrapped edge.
Because I’m overlapping instead of butting , I’m able to pull the new strip to the right or left, to keep it equidistant from the right outside corner . Or, from the inside corner to the left.
Actually, I don’t care much about the right side. The eye won’t notice if the new strip isn’t perfectly plumb . Nor will it notice if the pattern match isn’t 100% perfect . But it will notice if the pattern doesn’t match perfectly in the inside corner to the left.
So I’m pulling and manipulating and overlapping the strip a bit, so that the left edge of it is exactly 10-3/4″ from the left edge. This ensures that the pattern motifs fall all at the same point into that corner on the left.
Do I can cut my next strip, trim it vertically so the design matches with that in the corner, and get a perfect pattern match in the corner. Kinda difficult to explain, but I hope you can follow what I’m describing.

Note that this overlap is causing a bit of a ridge under the paper . Hard to see here, but when the paper dries and shrinks tight against the wall, it will be a little more obvious. But I’d rather have a ridge on the right, than a pattern mis-match in the corner to the left.
Oh, and never mind that little pattern mis-match to the right … that’s the paper wrapped around the corner, so you’re looking at different dimensions, not a pattern mis-match.

Here is that strip finished. The vertical strips isn’t perfectly plumb, but no one can tell that.
ut the pattern is perfectly straight in the inside corner to the left . So when I take my subsequent strip and trim it vertically to remove the right edge by approximately 10-3/4″ , the pattern should match perfectly in this inside corner. (It did!)

This “sort of” Greek key trellis geometric design is by Thibaut , one of my favorite brands. It was on a triditional paper substrate , and was hung via the paste the paper method .
It was purchased from my favortite source for wallpaper in Houston , Dorota Hartwig at the Sherwin-Williams in the Rice Village , who has more selection books than anywhere else in the city – and knows what’s in every one of them! Call before heading over (713) 529-6515 .
The home is in the Champions Forest area of northwest Houston.

Spoonflower Swimmers on Art Wall

This couple in a nicely updated 1939 home in the Montrose neighborhood of Houston has a blank wall in the back of their large walk-in closet.  They have a lot of colorful , modern art and wanted a backdrop for it that would be fun, but wouldn’t compete .

One of the gals is an administrator for the athletic department in a local school district – so this small print “ Swimmers “ design is just perfect.  In fact, the day I hung this, she was away at a swim meet in Austin ! 

Note that Spoonflower offers scores of designs under the “ Swimmers “ name, so be sure to check all of them, and all the colorways they come in, too. 

Detail

Spoonflower is a little different from most wallpaper companies, in that it’s material comes in individual panels, or sheets – which they call rolls .  Each of these is 24” wide, and then you choose the length you want, between 3’, 6’, 9’, and 12’.  Each roll comes nicely packaged in an individual thick plastic zip-lock bag . 
These ones are upside down, so I had to re-roll them so the pattern would be coming off the top of the roll . 

Here are some tips about hanging Spoonflower. 
First of all, I like their “ Pre-Pasted Smooth Removable “ option.  And it’s the only one I’ll work with.  Their “ Traditional Pebble “ is a heavy vinyl that requires special trimming , bubbles, and is better suited for commercial spaces.  And, the Peel & Stick – well, everyone ought to forget  that sad stuff.  Please read my link to the right about that material. 
In this photo, you can see that the white material is thin and translucent , allowing things underneath to show through, sort of like a shadow .  So I need to be careful to make my pencil marks and notes on the wall very lightly. 
Side note: Never write on the wall or paper with ink or marker or crayon or grease pencil – it will bleed through the wallpaper .

This is a pre-pasted material , meaning that a thin layer of paste is already applied to the back.  To activate the paste , all you need to do is dip it in water , run it through a water tray , or spritz the back with a squirt bottle (uneven and kills your wrist) .  Their paste is quite adequate.  But I do like to have a little extra assurance, so I will roll on a little of my Roman 780 wallpaper paste onto the back. 

Then I take a sponge and drip clean water from a bucket onto the back of the paper .  Next I use a paint roller to spread the mixture of water and paste around the back .  This both activates the pre-paste, and also spreads around a little extra adhesive . 

Next, the paper gets folded pasted-side-to-pasted-side ( called booking ), then rolled or folded loosely.  I like to dip the ends of the rolled strip into a bucket of water – just 1/8” or so, to prevent them from drying out while booking.  Then the strip is placed in a plastic trash bag to prevent it from drying out during the booking period – a few minutes.  I use this time to paste and book my next strip . 

Spoonflower Pre-Pasted Smooth is a little different from most papers, because it’s designed to be overlapped at the seams.  Here I am lining up a seam.  This overlap does show as a ½” wide ridge along the entire length of each strip.  With busy patterns, it’s not very visible. 

Even with sparse designs like this one, once it’s dry and flat, you don’t notice.  Here’s the overlapped seam looking toward the light, which is leaving a very minor shadow.  And the overlap can be a good thing.  For starters, most wallpapers shrink a little when the paste dries, so you can end up with slight gaps at the seams.  Overlapping eliminates that.  Also, if a wall is unstable underneath, due to incompatible layers of paint , or dusty walls, or other, the tension of these drying strips of paper can cause the layers inside the wall to come apart / delaminate – and that will result in paper that comes away from the wall, taking layers of paint and etc. along with them.  This usually cannot be repaired or “ glued back down .”     (Do a Search here to learn more)  So overlapping the seams disperses the tension caused by the drying paper, and eliminates any seam from landing on the wall (because the sheets are overlapped ), so no popped seams .

Here is the seam looking away from the light.

Because Spoonflower Smooth Pre Pasted is thin paper and water-activated , it absorbs a lot of moisture from the water.  So the material can’t help but expand .  This can result in bubbles on the wall.  Also, when air pockets develop, there is nowhere for the air to escape, so, again, bubbles and blisters. 

If there are huge bubbles, it may be worth taking a brush or plastic smoother and chasing them out.  Or using a pin or razor blade to poke tiny holes to let the air out. 

But, really, if you can just relax and let nature take its course, as the paper dries, these bubbles will dry flat and disappear.  Trust me. 

Another thing that can happen is wrinkles .  These tend to form in the same place on every strip , and coordinate with how the paper was booked and rolled after pasting . 

The worst of these can be chased out with a plastic smoother.  But there are dangers to over-using the smoother tools.  Doing so can stretch the wallpaper and cause it to warp, which means the pattern might not match up perfectly on the next strip.  Or it might cause wrinkles that can’t be brushed out.  Again – if you can just sit tight and let the paper dry naturally, the creases and folds will disappear. 

I did some experimenting and found that booking and then rolling the strip up like a newspaper resulted in more wrinkles.

It worked better to paste, book, and then fold gently and loosely. 

Then into the plastic bag to sit for a few minutes .

Spoonflower PrePasted Removeable Smooth .  I like this stuff. 
Removeable means that it’s designed to strip off the wall easily and with no/minimal damage to your wall when you redecorate down the road. 
I suspect this is made by York , as it’s very similar to their SureStrip line .  Good stuff. 

The order comes with a mock-up of the strips / rolls you’ve purchased.

Install instructions

Promo info from Spoonflower .

What’s A “Fat Cut” ?

Here, I’m hanging paper from right to left, and have just come around a corner , which is in the center of the picture. You almost never wrap wallpaper around an inside corner . Corners are never straight , and the paper will buckle in the corner . And the edge will not be straight , nor plumb , and thus the next strip won’t butt up perfectly against it . And it’s also probable that the strip will torque off either up or down, causing your pattern to creep up or down the ceiling and floor lines.
The answer is to stop the strip of wallpaper in the corner , and cut a new piece for the subsequent wall.
But you can’t just trim tightly to the corner. Because most likely there will be gaps (remember I said that corners are never straight?), so some of the wall will show.
So what you do is wrap the paper just a teeny amount around the corner , and then overlap your new piece over that. This does mean that you will lose some of the pattern in that overlap.
I can’t stand that pattern mis-match, so most of the time, the way I do it, I’ll take a fresh strip of wallpaper for the next strip (to be placed on the left in the photo) and trim it so the pattern matches as perfectly as possible. But I’m getting ahead of myself. Back to the fat cut …
In the photo, I’ve cut my strip on the left 1/2″ wider than needed to fit this wall. I don’t want this 1/2″ of wallpaper under my overlapped new strip, because the leaves a visible ridge. But you do want a little underlap, because you need that to prevent a gap from showing in the corner.
So in the photo, I’ve trimmed off most of that 1/2″ and trimmed it down to an unnoticeable 1/8″. How on earth can you get a trim that thin and that consistent?!

I use this handy metal plate with a rolled edge (on the left).

This plate has bends and other edges of other thicknesses , rounded edges , won’t leave marks on wallpaper, so it has many uses.

Here’s a close up of the trim guide edge that allows for that 1/8″ fat cut .

Back side of the plate. (Don’t mind the blue tape – it’s just there temporarily.)

This edge is a little thinner , and would cut too close for use in a corner. But it does have a use if you need a trim in an area where you don’t want the paper trimmed tightly into the edge / corner.

You’re looking at where wallpaper meets crown molding. This join edge has gaps between the molding and the wall in some areas, and other areas have gunk and uneven areas. Trimming with my usual trim guide would cut too close and let some of these icky things show. So here I’ve used the thicker trim guide. As you can see, it allows the wallpaper to wrap ever so teeny much of a bit, so it covers the bad area, but doesn’t creep onto the molding.

Here’s another example, along door molding. At the top, I used my usual thin trim guide (see below). But this allowed a bit of a gap to show, due to decades’ build up of paint , caulk , dirt , etc.
So, midway, I switched to using the steel plate as a trim guide. This made the cut just fat enough that the wallpaper wrapped a hair and covered the icky area.

Here’s my usual trim guide . I’m guessing it’s about 9″-12″ long .

You can see that the edge is very thin . In most cases, this is ideal, because it allows for good, tight trims right smack into corners and edges.
That steel plate shown above was invented by a colleague in the Wallcovering Installers Association ( WIA ) . They are all the same length, but they come with three different degrees of angles , and can be used for lots of wallpaper installation tasks .
The colleagues has them manufactured and then sells them to us paperhangers . She sells other cool tools , too. If you’re interested in purchasing any of these , or seeing what else she has, go here https://www.facebook.com/customwallpapertools or here https://www.wallpapertoolstore.com/?fbclid=IwAR2NFrG2gWSzNClNMB0gHDiQHbnkhyNhthaOFQaK8MCaU7rBYVQhYQkO0nc
Her name is Eunice , so we call them EuniTools .

Woeful Walls

The walls in this powder room have a sort of sad and even hopeless feel about them.
It’s hard to put my finger on exactly why.

The bottom edge where the wall meets the baseboard looks uneven and unstable, with and odd lip running along the top of the baseboard.

And a lot of it has to do with the dull color, and the thick layer of gummy latex paint. The gloss finish adds to the tacky look.
It also doesn’t help that there is a lot of lint and other stuff stuck in the paint, creating a gritty and uneven wall surface.
Oh, and the texture that was rolled on is irregular and icky.

There was a lot of globby stuff – caulk and some loose edges – along the edge of this vanity. I took a razor and putty knife and dug out what I could.
And note the ridge along the top of the baseboard. Can’t expect wallpaper to grab ahold and adhere to that.

Likewise there was a lot of caulk along the top of the vanity backsplash. I dug out what I could of that, too.
And finally I figured out what was causing a large part of the problem … The room had been wallpapered previously. So when it was decided to paint the room, instead of stripping off the paper as they should have, they just painted over it. To me, it looks like there are several layers of thick latex paint on top of the wallpaper.

Yep. Sure enough! Along the electrical outlet you can clearly see the old wallpaper under all this mess.
As you can see, the latex paint is not adhering tightly to the old wallpaper. The wallpaper looks like it could be vinyl … and not much sticks well to vinyl. Think Colorforms.
Stripping off all this paint and the wallpaper under it would make a HUGE mess. So, short of re-drywalling the whole room (and the rest of the house, which has the same treatment), there’s not much that can be done to ensure that the layers inside this wall are stable.
I dug out caulk and pulled off any loose areas. Then I skim-floated the whole room to create a new, smooth layer on top. I’ll post more when that process is finished and the new wallpaper is up.

Sneaky Snaky Dining Room Accent Wall

Beautiful symmetry …

But look closer – those intertwining lines aren’t fronds of vegetation – they’re snakes !

The wall before. It’s a mid-century home, but the drywall here is new. Per my request, the contractor left it taped and floated , but not painted or covered with any coating .
I had planned to simply prime this wall. But after examining it more closely, the surface was a little grittier than I like. So I ended up applying a very light skim-coat and sanding it smooth .

Here the smoothed wall has been primed with Roman Pro 977 Ultra Prime .
I’m plotted out the center of the wall and am using my laser level to ensure that the design in my first strip falls right along the center, and also is nice and plumb .

My work table with two strips of wallpaper . Spoonflower packages its wallpaper differently from other companies. It comes in widths of 24″ and lengths of your choice of 3,’ 6,’ 9,’ or 12.’
Get their Pre-Pasted Removable Smooth option, which is water-activated , and is wonderful stuff.
Do NOT get the Peel & Stick , nor the Traditional Pebble . The P&S and the Traditional are both very difficult to work with, and can lead to bubbles and creases on your walls , plus cause damage when the wallpaper is stripped off later.
Back to the photo – the blue cube thing in front is my laser level , shooting its red line at the wall.

Close-up

I’m using this blue plastic tape on the edge of this strip of wallpaper. This will prevent paste from getting onto the wall or ceiling.

The accent wall stops in this left hand corner, so I need to trim off the excess. But I don’t want to get paste onto the un-papered wall. Paste can cause the wall paint to crackle and flake off.
So here you see how the blue tape is keeping paste off the wall. Once I finish trimming, I’ll check the back to make sure all of the blue tape has been removed. Any areas where the blue tape might be still on the back of the wallpaper , the paper won’t adhere to the wall .
This tape is available to paperhangers / installers . If you’re interested, shoot me an email wallpaperlady@att.net

Another thing about Spoonflower , the seams are meant to be overlapped, by 3/4″ . Note that this does create a ridge that runs vertically the length of each seam. In the grand scheme of things, this isn’t very noticeable.
Actually, there are advantages to overlapping seams in this manner. No worries about white substrates showing at the seams, nor the paper shrinking and leaving gaps at the seams.
Also, in case of unstable walls that might come apart ( delaminate ) under the tension of the drying / shrinking wallpaper, overlapping disperses the tension and helps prevent wall failure.

This pattern is called Serpents and Apples and is by Spoonflower . Spoonflower has a lot of cute designs , and also a good number of fun avant garde patterns like this one.
The homeowners have some other non-typical décor that will meld perfectly with this wallpaper. Think life-sized skeletons .
… Notice how that light fixture hanging in the center of the wall kinda looks like a skull ? …
The home is in the Oak Forest area of northwest Houston .

Creating Wallpaper To Cover An Area That Was Not Planned For

When I first consulted with this family about wallpapering one wall in the master bedroom closet, the homeowner didn’t tell me that she also wanted an 11″ wide outside corner (sort of like a column) papered. No pic of that, sorry.
The mural to be used, shown above, was custom-sized to fit the main wall, so there wasn’t enough to cover this 11″ wide column.

But because the door and mirror covered up so much of mural, I figured I could use these unused areas to cover that column.

Here I’ve taken a scrap of the white sky area and applied it to the top of the column.

Now I’ve taken a section of the tree area that I liked the pattern of, and hung it on the lower 2/3 of the column.

Since I was making do with salvaged scraps, I had to take what was available. The top portion of this scrap is cut off, because it was used in the mirror / door area of the room. The straight cut doesn’t look so great.

So I used a scissors to cut along the design, creating a more natural edge of tree tops.

Overlaying this on top of the straight cut white sky area would result in a horizontal ridge under the paper. It would hardly be noticeable, but I could disguise it better. I used a pencil to mark the outline of the edges of the tree tops and then cut around it with a scissors. I made sure to leave about 1/2″ so the bottom printed tree paper would overlap on top of the sky area.

Here it is put back in place. Now the ridge follows the contours of the top edge, and is less noticeable.

Bright and Fun Retro Look in Powder Room

No boring beige or all-white walls in this home of a growing and active family in the Cypress / Jersey Village area of Houston.
Throughout the home, the mom has added touches of blue, green, yellow, and pink, along with a heavy dose of mid-century modern furnishings and accessories.
Time to pull the powder room into the mix!
Originally, this room was wallpapered in a typical ’80’s pattern, complete with a border running below the ceiling. Did I say ’80’s ?!
That wallpaper had been removed, and the walls were painted a dark tan. The room was very boring and boxy and uninspiring.

But … add a little wallpaper and – nothing boring here!
And the look definitely invokes the ’50’s, ’60’s, and ’70’s – can you say Flower Power ?

Spoonflower sells several types of wallpaper. Definitely do NOT get their peel & stick (see my page to the right), and I’m not fond of their vinyl material. I do like their pre-pasted smooth , which is what my client chose.
Spoonflower doesn’t come in standard dimension rolls. It comes in 24″ wide ” rolls ” of 1′, 3′, 9′, or 12′ lengths. So measuring and calculating is a little more complicated than for traditional wallpapers.
(The mermaid kitchen towel on the right is also by Spoonflower – and they have wallpaper to match!)

Strips of this material are designed to be overlapped at the seams. This is good, because it prevents gapping at the seams as the paste dries, and it also eliminates stress on the wall that could cause underlying surfaces to delaminate and come apart. Do a Search here to learn more.
The downside is that this overlapped area does leave a ridge running the length of the seam. Most people don’t mind the look, especially with a busy pattern like this one.

Pattern # 4330883 is called Party Posies.
This material is custom-printed. The homeowner ordered 11 rolls, and here you can see how the manufacturer has numbered each of the rolls in sequence (5th roll of 11 total).

Overlapping At The Seams

Re my previous post … the strips on this 6-panel mural are intended to be overlapped, by about a full inch.

There are advantages to this. Since wallpaper shrinks as it dries, it an result in gaps at the seams. Overlapping the seams prevents that.

Wallpaper that is drying and shrinking is also tugging at the wall behind it, which puts stress on the surface. If that surface is unstable, this tension could cause the layers inside the wall to give way and pull apart, resulting in open seams and a delaminated sub-surface. Overlapping the paper redistributes and minimizes the tension, and it also eliminates an open area where the two sides of the seam could pull away from the wall.

A disadvantage of the overlap method is that you can see the cut edge of the paper (see photo), and you also end up with a 1″ wide ridge running under the paper the full length of each seam. In this case, with such a busy pattern, you are not going to see that ridge.

Repairing Damage from Remodeling

I hung this paper in a little boy’s bedroom about two years ago. Now a new baby is coming, so Son #1 is moving from the nursery to his “Big Boy’s Room” next door. In the process of the shuffle, the parents had the connecting Hollywood bathroom updated, and this involved moving a door – which meant messing up the wallpaper.

As you can see in the top photo, instead of taking the time and effort to remove the wallpaper, the workmen put their patching compound right on top of it. I don’t like hanging paper on top of paper, for many reasons. There are adhesion issues. And also, for one thing, it’s not good to have seams fall on top of seams. For another, because the new paper is somewhat thick, you would have a visible ridge from top to bottom along the edge of the new strip.

So I took a razor knife and cut roughly around the workmens’ patch. Then I stripped off the paper around it, up to the edge of the adjoining strip. I did this on both sides of the corner.

This wallpaper is of a non-woven material, and is designed to strip off the wall easily and in one piece when it’s time to redecorate. I was pretty disappointed that that turned out to not be the case.

On the other hand, I was happy that it didn’t. Stripping paper that way puts a lot of stress on the wall surface, and you can end up with delamination (coming apart) of various layers under the paper (primer, skim-float, paint, drywall).

So I used a more labor-intensive, but lower-impact method. Click my page to the right for more info on the process. I first stripped off the top, inked layer of paper. That left the white backing still adhering to the wall. I used a sponge to apply plenty of water to this backing. The idea is to reactivate the paste that is holding it to the wall. Once that paste was wet enough, the backing pulled off the all cleanly and easily.

I was really pleased that my primer from the original install held up perfectly under all this soaking and tugging. I had worried that it might “rewet” and pull away from the wall, which had been my experience with it before. I had used Gardz, a penetrating product designed to seal torn drywall. It’s also good at sealing new skim-coated walls. And wallpaper sticks to it nicely, so all the better!

One photo shows you the stripped off area next to the edge of the remaining strip. You can see the thickness of this existing strip. The new wallpaper will butt up against this, and there will be no ridge because the thicknesses of both strips are the same.

Another photo shows my stripped-off area next to the contractor’s patched area. There is a difference in height between the newly revealed wall and the patched area – and that will show as a ridge or bump under the new wallpaper.

To eliminate that difference in height, I skim-floated over the area. In one photo, you can see the wet (grey) smoothing compound. I set up a strong floor fan to assist in drying. My heat gun also came in handy.

Once it was dry, I sanded it smooth. Now you don’t see any transition between the newly exposed wall and slightly higher patched area. I applied Gardz to the all the newly patched areas. Set up the fan again. And once it was dry, I put up the replacement paper.

It’s a good thing the family had paper left over from the original install. If they had had to purchase new paper, it could have come from a new Run (slight difference in color shade), and that would have meant stripping off and replacing three walls.

We had barely enough paper. The corner was out of plumb by as much as 1/2″ from floor to wainscoting, on each side of the corner. That adds up to an inch out of whack. That one inch meant we needed a whole new strip of wallpaper, to get the paper on the wall to the left to match up with that on the wall to the right.

Long story short, the whole thing turned out great. There is a bit of a mis-match in that corner, but it’s not very noticeable at all.

The wallpaper is by the Scandinavian company Boras Tapeter.

The home is in the West University neighborhood of Houston.