Focal wall before. With many patterns, the finished room looks better if the dominant features of the pattern can be centered . You may not consciously notice this, but the overall room just feels more cohesive and balanced . Here I’ve located the horizontal center of the wall , and placed the skinny tree running vertically down that line . Same thing on this section of wall, but I used the alternate tree figure, which is wider and filled the space better.
It’s kind of tricky finding the center of a design like this, because it’s not symmetrical and elements of it move to left and right , and some are wider than others. So it helps to be able to pull up a room-scale image on-line , or to lay a couple of rolls out next to each other on the floor and look at the pattern from a distance.
It was cool that this dining room had lots of individual spaces , separated by windows and doors .
And extra cool that these features reached up almost all the way to the ceiling. AND that the design was loose and flowing . That’s what allowed me to fiddle with the pattern and center the trees on each individual section of wall . Normally a pattern would have to match all the way around the room. But here you would never notice if a tree branch didn’t perfectly match the next tree branch way up 9′ high over the window that was only 2″ high .
On those short areas over the windows and doors, I overlapped the left and right strips a small amount, and then cut along one of the branches to disguise the mis-matched pattern.
Since there were two tree figures to the design , I varied what I placed in the center of each wall, to prevent every visual vignette from being the same.
It was fun plotting all this out and executing the layout . I love when my work environment is nice and quiet and I have the space and time to play around like this .
The pattern is called Luminous Branches and is by York . It’s a material made by a good brand .
The existing wallpaper in this sink / vanity room of a hall bathroom is unique, because instead of coming in rolls, it came in pieces of torn paper, each about the size of a paper plate, that were placed on the wall in random ways, with the pieces overlapping each other. This was a fairly popular wallpaper option back in the ‘90’s. I’m to hang new wallpaper in this room, so my first step was to remove the torn paper. This started out seeming easy, because the paper was literally falling away from the wall – but only around the top, and only the top 5” or so. The lower areas were stuck nice and tight to the wall. What’s going on?The original installer hung his wallpaper directly on new drywall / Sheetrock , with no primer and no other prep. Turns out that, under this wallpaper, there are actually several different types of wall surfaces related to the new drywall. The main part of drywall is grey in color . But here you see a band of white running along the top of the wall, under the ceiling, about 5” wide. This is where the joint compound was applied , to smooth over joints , drywall tape , and nail heads . But the curious thing is that the wallpaper is adhering to the drywall – but not to this white band of joint compound below the ceiling line. The reason? After the drywall guys sanded this area smooth, no one wiped off the dust left over from sanding . Thus, there was a layer of dust on the wall, between the wall and the wallpaper. Well, the wallpaper paste wants to bite into a solid surface, and it can’t get a grip on dust. That’s why you see this top portion pulling away from the wall. I have a lot more prep to do in this room. But before moving forward, I took a sponge and bucket of water and wiped the dust off that top portion of wall. Now I’m assured that any smoothing compound or primer or wallcovering or other that is applied, will stick . For reference, here’s a shot of the un-primed drywall being uncovered as I strip off wallpaper in another area. This picture shows the sections of drywall , joint compound , and also paint (from overspraying the woodwork ). Wallpaper adheres to all these different surfaces in different ways. Another reason to always use a wallpaper primer – it will adhere to just about any surface, and will create a uniform coating for the wallpaper to adhere to. I like Roman Pro 977 Ultra Prime.
The homeowners of this 1936 bungalow in the Eastwood neighborhood of Houston are artists and maximalists , and their home home is filled with lots of funky , colorful , and unexpected items. This poor bedroom needed something to help it fit in with the rest of the house . Solution! This shot pretty much depicts the correct colors in this wallpaper pattern . the colors are actually darker and murkier than this. Mysterious looking flowers and foliage , and deep , rich jewel-tone colors . This wallpaper is called Opia and is by House of Hackney . Hackney makes lovely non-woven / paste-the-wall goods, along with innovative patterns , many of which are sort of murals . I like this brand a lot , for fun patterns and also for excellent quality , durability , ease of installation , ease of removal , and affordable price . Each of their ” rolls ” contains four panels , which are meant to be hung in sequence , left to right . Put together, the four panels measure about 6′ wide by 10.5′ high . If you have 8′ ceilings , yes, you will be throwing away 2.5′ of length for each strip . Likewise, for the space over a door , which is usually about 1′ – 2′ high, you will use a full 10.5′ strip, throwing away up to 9′ of it . It’s important to know this when calculating how much to purchase , because if you figure by square footage, you’re gonna come up way short. You’ve got to count how many panels you will need. Or, better yet – let the installer calculate how much to buy .
It’s important that all your rolls of wallpaper be of the same run , or batch number , also called dye lot . This ensures that the rolls were printed at the same time with the same batch of ink . Rolls printed from different batches or runs could be a very slight different color or shade – and that can result in a striped effect on your walls . The run number is usually printed on the label of the wallpaper. But since Flavor Paper doesn’t use traditional labels, they put a tiny sticker with the run number onto the outside of the plastic bag that each roll is slipped into. These stickers aren’t particularly secure, IMO. On this job with the Brooklyn Toile pattern from Flavor Paper , we needed eight of their “rolls.” Each roll contains two strips , printed in one long sheet that you cut apart in the middle to separate the two strips . Flavor Paper comes with a header at the top of the roll, that includes the pattern name and other information from the manufacturer . In this photo, I’ve cut off that top portion. We had six rolls that came like this. But then two rolls came like this, with that top part removed. In addition, this paper has been damaged and soiled . Not smudges around the birds near the center . I suspect it was purchased by another homeowner, the installer removed the top header , then didn’t need the roll, and it was returned to the manufacturer . In the process, it got beaten up and dirtied. Here’s another shot of the header missing. If the previous installer had a pasting machine, he could have used its built-in cutter to make a perfectly straight and 90* angled cut like you see here. That’s another reason I think it was opened, not used, and returned to the company. This is the second roll. Look at how it’s been wrinkled and damaged . Paper doesn’t come from the factory like this. It had to have been unrolled, re-rolled, and put back into the plastic wrapper. Even worse, a couple of feet into the second roll I came upon this badly creased wallpaper . This crease was probably caused by the factory . But it could also have happened at the hands of the other (alleged) installer . Because of the way this material is printed and packaged , not in continuous rolls like most brands , but in panels or strips that are 24″ wide x 10′ 4″ long , with a somewhat long pattern repeat , I was not able to simply roll off a pattern repeat or two and still get a strip long enough to fit the wall. In other words, this damaged strip cut me short of what I needed to wallpaper this powder room . Here’s another reason why I think these two rolls were opened and then sent back to the manufacturer . That one on the right looks like it’s been opened , unrolled , and then re-rolled – and when you do that, you can never get the roll to be as tight as it was when it came off the factory line. I think these two odd rolls were purchased, not used, sent back to the company, and then simply stuck on a shelf to be resold – without anyone ever checking to see if they were in good condition. Or what the proper run number is. In addition, I don’t have confidence that the run number that was on that little sticker on the outside of the bag (see caption to top photo) is actually the right number. In the end, I was able to futz and fiddle and engineer – and get the room done with the paper that was useable. In the meantime, the homeowner is communicating with the manufacturer. Flavor Paper has good customer service . Additionally, they are members of the Wallcovering Installers Association / WIA (as am I). This pre-pasted material is in their EZ Papes line, which I like a lot. I am not fond of their vinyl or peel & stick materials , and some of their papers can be darned tricky to install. I ask my clients to stick with the EZ Papes.
This couple in a nicely updated 1939 home in the Montrose neighborhood of Houston has a blank wall in the back of their large walk-in closet. They have a lot of colorful , modern art and wanted a backdrop for it that would be fun, but wouldn’t compete .One of the gals is an administrator for the athletic department in a local school district – so this small print “ Swimmers “ design is just perfect. In fact, the day I hung this, she was away at a swim meet in Austin ! Note that Spoonflower offers scores of designs under the “ Swimmers “ name, so be sure to check all of them, and all the colorways they come in, too. Detail Spoonflower is a little different from most wallpaper companies, in that it’s material comes in individual panels, or sheets – which they call rolls . Each of these is 24” wide, and then you choose the length you want, between 3’, 6’, 9’, and 12’. Each roll comes nicely packaged in an individual thick plastic zip-lock bag . These ones are upside down, so I had to re-roll them so the pattern would be coming off the top of the roll . Here are some tips about hanging Spoonflower. First of all, I like their “ Pre-Pasted Smooth Removable “ option. And it’s the only one I’ll work with. Their “ Traditional Pebble “ is a heavy vinyl that requires special trimming , bubbles, and is better suited for commercial spaces. And, the Peel & Stick – well, everyone ought to forget that sad stuff. Please read my link to the right about that material. In this photo, you can see that the white material is thin and translucent , allowing things underneath to show through, sort of like a shadow . So I need to be careful to make my pencil marks and notes on the wall very lightly. Side note: Never write on the wall or paper with ink or marker or crayon or grease pencil – it will bleed through the wallpaper . This is a pre-pasted material , meaning that a thin layer of paste is already applied to the back. To activate the paste , all you need to do is dip it in water , run it through a water tray , or spritz the back with a squirt bottle (uneven and kills your wrist) . Their paste is quite adequate. But I do like to have a little extra assurance, so I will roll on a little of my Roman 780 wallpaper paste onto the back. Then I take a sponge and drip clean water from a bucket onto the back of the paper . Next I use a paint roller to spread the mixture of water and paste around the back . This both activates the pre-paste, and also spreads around a little extra adhesive . Next, the paper gets folded pasted-side-to-pasted-side ( called booking ), then rolled or folded loosely. I like to dip the ends of the rolled strip into a bucket of water – just 1/8” or so, to prevent them from drying out while booking. Then the strip is placed in a plastic trash bag to prevent it from drying out during the booking period – a few minutes. I use this time to paste and book my next strip . Spoonflower Pre-Pasted Smooth is a little different from most papers, because it’s designed to be overlapped at the seams. Here I am lining up a seam. This overlap does show as a ½” wide ridge along the entire length of each strip. With busy patterns, it’s not very visible. Even with sparse designs like this one, once it’s dry and flat, you don’t notice. Here’s the overlapped seam looking toward the light, which is leaving a very minor shadow. And the overlap can be a good thing. For starters, most wallpapers shrink a little when the paste dries, so you can end up with slight gaps at the seams. Overlapping eliminates that. Also, if a wall is unstable underneath, due to incompatible layers of paint , or dusty walls, or other, the tension of these drying strips of paper can cause the layers inside the wall to come apart / delaminate – and that will result in paper that comes away from the wall, taking layers of paint and etc. along with them. This usually cannot be repaired or “ glued back down .” (Do a Search here to learn more) So overlapping the seams disperses the tension caused by the drying paper, and eliminates any seam from landing on the wall (because the sheets are overlapped ), so no popped seams .Here is the seam looking away from the light.Because Spoonflower Smooth Pre Pasted is thin paper and water-activated , it absorbs a lot of moisture from the water. So the material can’t help but expand . This can result in bubbles on the wall. Also, when air pockets develop, there is nowhere for the air to escape, so, again, bubbles and blisters. If there are huge bubbles, it may be worth taking a brush or plastic smoother and chasing them out. Or using a pin or razor blade to poke tiny holes to let the air out. But, really, if you can just relax and let nature take its course, as the paper dries, these bubbles will dry flat and disappear. Trust me. Another thing that can happen is wrinkles . These tend to form in the same place on every strip , and coordinate with how the paper was booked and rolled after pasting . The worst of these can be chased out with a plastic smoother. But there are dangers to over-using the smoother tools. Doing so can stretch the wallpaper and cause it to warp, which means the pattern might not match up perfectly on the next strip. Or it might cause wrinkles that can’t be brushed out. Again – if you can just sit tight and let the paper dry naturally, the creases and folds will disappear. I did some experimenting and found that booking and then rolling the strip up like a newspaper resulted in more wrinkles.It worked better to paste, book, and then fold gently and loosely. Then into the plastic bag to sit for a few minutes . Spoonflower PrePasted Removeable Smooth . I like this stuff. Removeable means that it’s designed to strip off the wall easily and with no/minimal damage to your wall when you redecorate down the road. I suspect this is made by York , as it’s very similar to their SureStrip line . Good stuff. The order comes with a mock-up of the strips / rolls you’ve purchased.Install instructionsPromo info from Spoonflower .
There were eight double roll bolts of this wallpaper , to cover a large powder room in Houston. Four were rolled so the pattern came off the top of the roll, and four were rolled the opposite way, with the bottom coming off first. This Katie Kime brand is custom-printed , so you can assume that all these rolls are from the same run , or batch . But maybe not - why are some forward and some backward ? Possibly the company substituted some returned goods, or some old stock they had sitting around the warehouse, for half of this order. I didn't want to risk putting strips of slightly different shades on the same wall. So I had to carefully plot the room so I used the "forward" rolls on some walls, and the "backward" rolls on the others. This does eat up additional paper , so good thing I always have the homeowner purchase a little extra. Also note the crease in the roll on the right. There were a few other creases in other rolls.
I have no idea what happened to the font in the section above, nor do I know how to get it back to the original. All I know is that I HATE this “New Editor” that WordPress foisted on us a few years ago. Perfectly HORRIBLE. And their Customer Service doesn’t care. Anyway … moving on … Note the horizontal smudge next to the top of the capitol. Since this Austin Toile pattern has a 25″ pattern repeat, discarding this piece ate up minimum of 2′ of material (x 24″ width = 4 square feet) and potentially more, to get the correct pattern match. Usually this brand prints on a nice non-woven / paste the wall substrate. But, like other manufacturers, Katie Kime has had supply issues obtaining raw materials . During the height of the Pandemic , they resorted to printing on some positively awful stuff. Extremely heavy , thick , un- pliable , stretched to the extent that the pattern wouldn’t match properly, and more. One was completely un-hangable and had to be sent back. I can’t find all my posts re those challenges, but here is one: https://wallpaperlady.wordpress.com/2021/07/21/katie-kime-tough-install-today-draft-messed-up-delete/ But they’ve since gone back to printing on their usual stock, and I’ve not had problems lately. So when I first picked up this box of 8 double roll bolts, I was surprised at the weight of it. Also the paper had a shiny surface and was obviously composed of vinyl . I couldn’t tell if the substrate was non-woven or paper . I feared they had gone back to printing on that bad material , or perhaps were using up what they had in the back of the warehouse . There were no instructions included, nor any information at all – not even a brand name! Although I could find instructions on-line, you can’t be sure these are current and applicable to the rolls in the box. KK has amazingly good customer service , and you can usually get intelligent answers via phone or on-line chat … but my call to them went to voice mail , and then we got disconnected, so I gave up. After hanging the first few strips, I figured out that this was a flexible vinyl on a non-woven substrate, so that part was good. However, the thickness of the material interfered with getting good, tight, flat seams , as you can see somewhat in the photo. The seams aren’t horrible, but a better non-woven without the vinyl usually produces almost invisible seams. The surface was shinier than usual. Shiny tends to show every imperfection in the wall underneath. Here the thickness was a bit of a help, as it helped cushion any slight dips or pimples on the wall. There was also an odd orange discoloration about 1.5″ long on the edge of one strip. Very faint, but I could see it, and sometimes these things end up catching your eye. I also worry that it might be some substance that will bleed into the paper and cause a larger stain over time. Of course, this popped up after I had hung a very difficult piece in a tight spot, and then hung the subsequent strip. In other words – no way was I taking it off the wall and re-doing. I cut out a design motif and pasted it over the area. Another thing I was unhappy with has happened a number of times with KK paper. The pattern will match perfectly at the top of the wall, but begin to slide up or down, creating a mis-match , as you move down the wall. I think that a lot of it has to do with the vinyl material, because it’s stretchy. The weight of the paste and the vinyl will cause the bottom section of the strip to sag. This simply doesn’t make sense, though, because, if the paper is going to absorb moisture from the paste and expand (which many papers do), each strip should do so at the same rate, right? But not. I finally deduced, correctly or not, that the pattern gets distorted as it’s wound into a roll. So my theory is that if you take your 10′ strips from the same position in each roll, the pattern should match. In other words, take a 10′ strip from the top of roll #1. Take your next strip from a brand new roll #2. Third strip from roll #3. Obviously, this leaves a whole lot of unused paper. For shorter areas like over doors, where it’s harder to see, and where you can fudge the pattern a bit, I used the paper from the insides of the rolls, again, roll #1 next to roll #2, etc. But this doesn’t work on every instance, so you’re gonna be stuck with many areas where the pattern doesn’t match perfectly across the seams. The solution is to match the pattern at eye-level , and then allow it to go off as it moves toward the ceiling and floor. There were other issues with this paper that were disappointing to me. But not overwhelmingly awful. Most homeowners would not notice. But I sure hope that this was a one-time issue, and Katie Kime will go back to its former good-quality, non-woven material.
OK, because this CRAPPY “New Editor” that Word Press FORCED on us a couple of years ago – which is EXTREMELY difficult to use, BTW, and the Big Wigs at Word Press don’t give a flip, despite my many comments to them … Anyway, it decided to eat / delete the post I just spent 30 minutes typing up, so I’m going to have to write it all over again and try to remember all the points I had made. PISSES ME OFF, this DAMNED WORDPRESS NEW EDITOR. End of rant. But STILL FARKIN’ ANGRY!!! Anyway, you’re looking at images of the same pattern motif , from the same Run number (do a Search here to learn more about runs ), but two different rolls / bolts . Look at where my pencil is pointing in the top example – at the green leaf to the left of the blue flower . You’ll see the light green color shadowing , or following the dark green . Now look at the same motif on the example below it. Here both green colors are together . Why? What’s happened is that the printing presses at the factory have gotten out of register . The machines print each color separately , layering them on top of each other . For example, brown first, then light green, then dark green, then blue, etc. Each turn of the printing rollers has to be perfectly synced with the previous, so that the colors and motifs line up correctly . Here, obviously, something got out of whack . Looking at this, the mis-alignment is not a big deal. It’s a loose , cheerful pattern , and it doesn’t really matter if the colors aren’t lined up perfectly. In fact, I think it makes the pattern more fun. The problem comes when trying to match strips from one roll up to another, because the design won’t match perfectly at the seams . That does matter IMO . See my other post tonight . The pattern is called Wildwood and is by Rifle Paper , which is made by York .
It’s important that all your wallpaper rolls have the same run number , also called batch or dye lot . This means that they were printed at the same time with the same ink . Paper printed later with another batch of ink may be every so slightly different in color / shade . Looks bad on the wall. The same thing can happen with trimming at the factory. Different runs can be trimmed differently from each other. With this paper that I hung in a dining room last week (see previous post), the labels on all the rolls / bolts listed the same run number . But there was one bolt that was wrapped in not one, but two plastic wrappers. This raised an alarm in my head, because this indicates that it may have been a roll sent back to the factory, for whatever reason, and then repackaged. When this happens, you cannot be absolutely sure that the run number is actually that which is printed on the label. Somebody at the factory could have just grabbed a handy label and stuck it inside the wrapper. I tried not to use this double-wrapped bolt of wallpaper. But on the last section of wall, I got to a point where I just needed to use it, for just two 6′ strips. I was pleased that the color of both the background and the motifs matched perfectly. But not happy with this pattern mis-match. It was easy to see that the factory trimmers had been placed about 1/8″ to one side, from where they had been placed when trimming the previous rolls. It’s a busy pattern, and, from a distance, this undercut wasn’t all that noticeable. But on the other side, there was repetition of the motif , and this will really catch your eye. Happily, this only affected one seam, and since it was a very busy pattern, from just a few feet away you couldn’t notice it. Still, it bothered me. So I pulled this strip on the left off the wall, laid it on my table, and used my straightedge and razor blade to trim off that repetitive leaf tip – about 1/8″ from the right edge of the strip. The second strip, since it came off the same roll and had been trimmed the same, matched perfectly . This was also my last strip, so no more drama with mis-matched designs at the seams . What the overall pattern looks like. The pattern is by Rifle Paper , which has been finding its way into a lot of homes lately. This brand is usually a good quality non-woven material , and can be hung by pasting the paper or by paste the wall . It is designed to strip off the wall easily and in one piece, and with minimal damage to the wall , when you’re ready to redecorate . Very cute , cheerful patterns , and good price-point . Note that the run number is printed on the label. installer houston
Breakfast nook “before” is bright and airy – but washed out and uninspiring. The vertical tan lines are paint I’ve striped under where the seams will fall, to prevent the light colored primer from peeking through. “After” has warmth, life, and a cheery feel. With a little color contrast, now you can see the detailed woodwork and window molding. The paper has a bit of a tropical, thatched roof, Ernest Hemmingway, sort of feel. Note I’ve balanced / centered the pattern so it falls evenly and equally on either side of the window . Note how perfectly the motifs fill the space above the windows, as well as below the windows. It’s a minor thing that you don’t consciously notice, but it gives the room a grounded , balanced feeling . Another angle . The chandelier is a major feature in the room. I love the way the chunky beads repeat the color and theme of the white pattern in the wallpaper. Unlike most wallpapers that come in rolls of standard sizes , this material comes in continuous yardage on one huge (and HEAVY ) bolt . The height of the motifs perfectly fits the space between the window and the crown molding . No flower tops got chopped off in this room !There are five windows. This is the area between two of them, including an obtuse angle . It took a LONG time to get the paper around all five windows, keeping the pattern intact . Close-up showing the texture . This is a paperweave , which is similar to a grasscloth , as both are natural fibers and materials . Because this paper weave is woven, instead of having stiff, straight strands of grass crossing the wallpaper , it was a lot more flexible and workable than regular grasscloth .The space over the door molding was just 4 1/16″ high. The flower motif fit in here perfectly . You can see along the seam in the center of the photo , that some of the fibers may try to come off the backing , especially at seams and areas where you’ve cut into the material , such as trimming around window moldings and other obstacles . This is pretty minor . Overall, the seams are virtually invisible . One other thing I didn’t like about this paper is that, after the wallpaper was made, the color was applied to the front, like paint . This made the color subject to abrading or flaking off under even light rubbing . It would have been better IMO to have dyed the fibers and then sewn / glued them on to the paper backing . Then the color would go all the way through. Not a biggie – you just have to work slowly and carefully and gently. Oh, and you can’t get paste or water or fingerprints on the surface, either – because they can’t be washed off and can stain . The pattern is called Papavero and is by Casa Branca . The material has an unprinted selvedge edge that has to be trimmed off by hand, using a straightedge and razor blade . Takes a lot of extra time , and even more so because you have to press harder to get through the thick fibers than with a traditional wallpaper . A picture of my straightedge and razor blade . I’m trimming something else here (that will be blogged about later), but you get the idea . A really bad photo of a really perfect chandelier . It’s chunky , white , and the shape of the ‘beads’ repeat the flower motifs in the wallpaper. The windows will have Roman shades made of a somewhat coarse white linen type fabric , which will coordinate beautifully with the texture of the wallpaper . The home is in the Heights neighborhood of Houston .
This is a beautifully renovated and updated 2-story 1920’s bungalow in the Heights neighborhood of central Houston. Unlike the trend for homes that are all white or grey , this family went for color and fun . In other rooms, the woodwork and walls are painted cheery yet soft shades of blue , orange , yellow , salmon , and green . You may be able to find some photos by doing a Search here.The fun doesn’t stop with paint colors … Here is a colorful and visually active wallpaper pattern in the family’s dining room .The pattern might be overwhelming floor-to-ceiling , so the board and baton wainscoting gives the eyes a resting place. The pattern is called Swallowtail . Not sure if that refers to birds or butterflies , but either way, it’s a fitting description . You can almost feel the swooping and swirling wings . The homeowner chose sconces that coordinate beautifully with the theme of the wallpaper .The manufacturer is Flat Vernacular . The material was pre-trimmed , and was printed on a non-woven substrate . It could be hung by pasting the paper or by pasting the wall (I pasted the paper, as I usually do). It was nice to work with. Unlike most wallpapers that come in rolls of standard dimensions , this material was priced and sold by the yard , and came in bolts of continuous lengths .
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