Posts Tagged ‘run’

Two Runs Are Not Fun

July 19, 2016
Digital Image

Digital Image

Digital Image

Digital Image


When I first consulted with this client, she had already bought some wallpaper – but she did not have enough to cover her wall. (Note to homeowners – always have the space measured by a professional before you order your paper.) So she ordered more – but the new paper that arrived was from a run different from what she already had.

“Run” or “batch” numbers refer to when a batch of wallpaper was printed. Wallpaper printed at different times, and of different runs, will be slightly different in color.

This slight color difference is what you see in the second photo, the thin strip at the left of the pic. Even if the difference is minute, full length strips side-by-side on the same wall can be quite noticeable.

So, if you find yourself stuck with having to use different runs of wallpaper, you can disguise the color difference by “breaking” the runs in a corner…Because light hits the walls differently from one wall to the next, you won’t notice a slight color difference when the two different runs are on two different walls. However, it takes a bit more paper to do this. So, if you are dealing with two different runs, be sure to order one or two extra double-rolls of paper.

Runny Ink

March 29, 2016
Digital Image

Digital Image

Digital Image

Digital Image


Look under the dark leaf. See the smears of green ink running downward?

The manufacturer possibly is using an “eco-friendly” water- or vegetable-based ink, and it is not stable when it gets wet. Since this is a pre-pasted wallpaper and is designed to be run through a water tray to activate the paste, it is impossible to not get it really wet. While positioning the paper on the wall and wiping off paste residue, even lightly wiping the surface with a damp rag would cause the ink to run. (Wiping in the opposite direction would push the ink back to where it was supposed to be.)

There are alternate ways to paste this type of paper, but since I had started with the manufacturer’s recommended method, I pretty much had to continue, since switching to another method might alter various aspects of the paper’s performance.

So I adjusted my usual techniques, and avoided wiping the paper with a damp rag, and instead used dry paper towels – lots of them.

Beautiful British Birds & Foliage in a Powder Room

March 24, 2016
Digital Image

Digital Image

Digital Image

Digital Image

Digital Image

Digital Image

I have hung this pattern a couple of times before, and I have to say, it is one of my all-time favorites. The idea of this pattern dates back to the 1800’s, so it is very historic and classic. It is by a British manufacturer, and one of the homeowners is from England, where they pretty well “wallpaper everything” – and generally in flowery prints – so this bird-and-foliage pattern felt like home to her.

She got a good deal on it, too. Bought new, this paper is about $150 a double roll. Well, she stumbled upon an unopened bolt at an art store for a steal, and snatched it up. Once I got to the house and measured, though, it was clear that she would need more paper. Once again, she got lucky, by finding two more bolts on ebay for a price way below retail.

Unfortunately, the run number of the original paper did not match the run number of the new ebay paper, so we had the potential for color variations between strips. Also, the room really should have had four bolts, not the three we had.

But I measured the walls carefully, counted how many strips would be needed, figured where I would be able to fudge on the pattern, and then rolled out the paper to see how we would do. It turned out that this homeowner was, once again, lucky, because the baseboard and crown molding in the room reduced the wall height from 8′ to 7′ – and that was just enough to allow me to get four strips of paper from each bolt, instead of the usual three.

There was just enough paper to do the room, and I was able to keep the different runs on separate walls, so there were no eye-jarring color variations between strips. We ended up with, literally, about 2′ of paper left over. Whew!

This wallpaper is by Cole & Son, a British company, and is printed on a traditional pulp substrate, different from the non-woven material that they are using these days for much of their paper. Pulp papers do not have a protective coatings so they will look wet if they get splashed by water. They also will not stand up to stains or spills of any kind, and you have to be careful not to touch the paper when reaching for a light switch, or the paper may discolor from oils in your hands.

That said, I love the pulps, because the colors and inks and matt finish are unique and beautiful. They lie flat on your wall and don’t have issues with curling at the seams or delaminating like vinyl papers sometimes do.

I hung this in the powder room of a 1930’s home in Riverside (near downtown Houston).  Most everything in the home (floors, tile, sinks, faucets, windows, doors, doorknobs, stairway’s iron railing, telephone nook, stained glass windows, Art Deco features, on and on) are original to the home, and are in perfect condition.  The home even has plaster walls!   These elements are reveared and will be preserved by the homeowners.    It was a real honor to work there.

If You Choose Grasscloth, Expect to See Paneling

January 16, 2015

Digital Image

Digital Image
There is nothing wrong here – this is what grasscloth is supposed to look like. It is, according to the manufacturers, “part of the inherent natural beauty of the natural material.”

All of the strips in the photos above are from the same “run,” meaning, they were all made a the same time. In the second photo, all three strips came off the same bolt of material. As you can see, there are light and dark areas, and abrupt changes in color even in the middle of a strip.

Indeed, it’s pretty hard to avoid this look when using undyed fibers, because the ladies who make grasscloth by sewing the material onto the backing are just grabbing handfuls of grass and reeds from the pile, and the pile is made up of whatever they cut from the fields and marshes. Even when they dye the fibers, there can be very noticeable differences in color from strip to strip, and even within each strip (for instance, darker color on the outer edges of the strip). Most grasscloth is made in China and Japan, with better quality control coming from Japanese factories IMO.

People love textured wallcoverings, and grasscloth is very popular right now. I, personally, greatly dislike this look, and try to steer my clients toward the faux products, which are much more predictable in appearance. Many people say they understand and that they won’t mind the paneled effect. But once it’s on the wall, I think many of them are surprised at how extreme the color difference can be.

On the other hand, many people don’t even see it. When the room above was finished, this client, for example, said to me, “Julles, I know you said you don’t like grasscloth. What about it don’t you like? Because I think this looks fabulous!”