Posts Tagged ‘sanded’

Updating from Decorative Paint to Beautiful Wallpaper

November 18, 2020

The walls in this small entry in a pretty original condition 1935 home in the Montrose / Upper Kirby neighborhood of Houston had been painted by an artist with a wide stripe pattern in deep orange and gold, with a darker wash over the surface. It was probably done in the ’90’s, and was a good look then.

But the new homeowner never loved it. As for me, I think the look is too modern to suit the era and style of the home, and also the colors have a sort of dirty cast to them. After living there several years and focusing on career and raising kids, the homeowners were finally ready to bring a new concept to the entry.

The first photo shows the existing wall finish. The white stuff is my smoothing compound, which I have started to apply over the lightly-but-irregularly textured walls.

The next photo shows the walls sanded smooth, vacuumed and then wiped free of dust, primed with a wallpaper primer, and ready for wallpaper.

In the “after” photos, note that the dark or blotchy areas are simply wet with paste or water, and will disappear as the paper dries.

This is a particularly pretty pattern that suits the room well. There is a slight Chinoiserie / Asian feel to the design. And the grey is a good colorway for this home’s dΓ©cor. I love the arched moldings that frame the passageways to both the living room and the dining room. Typical adorable 1930’s architecture!

The wallpaper is by Anderson Prints. It was pretty nice to work with, but did tend to dry out even before the booking time was up, so presented a bit of a challenge in that respect.

In the distant shot, you can make out a sort of hourglass figure in the branches and vines. I plotted the placement so a full “swoop” would display over the doors.

And also so the “hourglass” would play out down the center of the main wall, as shown in the photo. This will look nice as the vines and flowers gently surround the chest of drawers and oval mirror when they are placed back into the room.

Paint Must Be De-Glossed Before Adding A New Coat On Top

September 29, 2020


The original paint in both these photos was a gloss or semi-gloss. When it came time to update, someone applied a coat of new paint right on top. Then the floor guys came and stained the floor. To protect the new paint, they applied painter’s tape. Unfortunately, when the tape was removed, it took some of the new paint along with it.

Believe it or not, even something as relatively gentle as wiping wallpaper paste off the woodwork is enough to cause poorly-adhered paint to delaminate.

This happens because the new coat of paint was not given a sound surface to grab ahold of and adhere to.

To have properly prepared the original gloss paint to accept the new coat of white paint, the painter should have done one or more of the below:

1.) Sanded the paint to knock off the gloss. This leaves dust residue, so that dust will need to be wiped off with a damp rag or sponge (rinsed clean frequently) or a Tack Cloth.

2.) Wiped down with liquid chemical deglosser, such as Liquid Sandpaper.

3.) Primed with a bonding primer, formulated to stick to glossy surfaces, and also formulated to serve as an appropriate base for the new paint.

A primer is also not a bad idea to follow up in the case of 1.) and 2.) above.

Yes, all of this is a whole lot of work, and it creates dust and/or odors, takes more time, and adds cost.

But it’s a step well worth the investment, because properly prepped and painted surfaces will hold up and look professional for decades to come.

Grasscloth in Cypress Powder Room

February 18, 2020


The walls and ceiling in this large powder room in a newish home in the Bridgeland Creek neighborhood of Cypress (northwest Houston) were originally a dark gold. I like dark rooms, but this one felt oppressive. It needed to be a little lighter, and to have a bit more interest on the walls.

The walls had a heavy texture, typical of new homes in the suburbs of Houston. I skim-floated the walls, then let dry overnight. The next day, I sanded the walls smooth, wiped off the dust, primed – and then was ready to hang wallpaper.

The pictures don’t adequately show the color of the new grasscloth, but we have natural brown grass color overlaid onto a really deep blue paper backing. The designer had the ceiling painted a dark, sort of murky blue, which coordinates really nicely with the blue in the grasscloth.

Lighting is funny … While I was working in the room, I had two 100 watt light bulbs; one suspended from the ceiling and one attached to where the light fixture belongs. The grasscloth just looked “normal.”

But once the room’s decorative light fixture went back up, it cast light on the textured surface in such a way that the “nubs” and knots really showed up! (see photo) The homeowner loved it!

As a note … With grasscloth, there is no pattern match, and you can also plan on seeing color differences between strips. So it’s important to plot where your seams will fall.

The electrical box, the light fixture, and the faucet were all in different vertical positions on the wall. Because the mirror would take up most of the wall behind the faucet and block the seam, I chose to center the seam on the light fixture, because it would be visible above the mirror. Well – sort of visible … as you can see, light rays from the fixture are so strong that no one can see where the seam is, anyway. 😦

The room had a “floating” sink. One of the photos shows the area under the sink. This area is open to view, and, because there are so many obstacles, it is difficult and time-consuming to wrap the paper underneath and trim around all those pipes and brackets.

The grasscloth wallpaper is by York. I was pretty pleased with the consistency of the material. Although some of the strips did present “paneling” and “shading” – color variances between strips – even strips that came off the same bolt and that were reverse-hung. One strip even had a rather abrupt color change mid-way from top to bottom. (no photo)

But that’s par for the course with grasscloth, and it’s considered to be “the natural beauty of this natural material.”

The interior designer for this project is Neal LeBouef, of L Design Group.

Smoothing a Heavily Textured Wall

February 9, 2020


The first photo shows the typical heavy texture that is put on many tract homes in the suburbs around Houston. You can’t hang wallpaper on these walls – it will look bad, and it will not adhere well.

The second photo shows how I have used a trowel to apply smoothing compound (drywall joint compound – I use the lightweight version, because it sands more easily).

Because the texture was so very thick, this had to dry overnight.

In the third photo, I have sanded the walls smooth, and applied a penetrating primer called Gardz.

Gardz works nicely as a wallpaper primer, too, so, once it is dry, I will be ready to hang wallpaper.

Textured, Woven, Faux Grasscloth in Cypress Master Bedroom

February 2, 2020


Even with high (13′) vaulted ceilings, the original medium-toned purple paint in this master bedroom in a new home in the Town Lake neighborhood of Cypress (northwest Houston) made the room look a little closed-in. And the purple didn’t coordinate with anything the young homeowners own.

So they broke out the extension ladder and painted three walls a creamy white. Then they had me install a textured vinyl wallpaper with a woven grasscloth look on the wall behind the bed.

The job too two days. One day was to apply smoothing compound to the heavyish texture which is typical of new homes in the suburbs. The next day I sanded it smooth, wiped off the dust, primed, and then hung the paper.

Daylight was fading fast, so I had to take the “after” photo when only three strips were up. But you get the idea.

In the top photo, you see I have laid my rolled-up strips against the wall in the order they came off the bolt, and in the order in which they will be hung. This helps minimize color differences

As with most solid color and textured patterns, I used the “reverse hang” procedure to minimize shading – you hang one strip right side up, and the next strip you hang upside down. This way, the same side of each strip is placed next to each other. That way, if, for example, the left side of a bolt of wallpaper is slightly darker than the right side, you won’t notice an abrupt color change between your two strips, because the two darker sides are placed next to each other. I know that sounds complicated, but it’s a common practice when hanging wallpaper, and it does reduce color variations between strips.

One strip did end up a tad darker than the one next to it. They are all from the same run, so who knows what’s going on there. It’s a minor color difference, and not nearly as bad as if they had chosen real grasscloth instead. (Real grasscloth has tons of disappointing color variances between and even within strips.)

The close-up shows the beautiful texture of this embossed vinyl material. I have no idea why it came out grey – the paper is actually navy blue.

The vinyl wallcovering has a woven fabric (scrim) back, and is way more durable and stain-resistant than real grasscloth, or any other wallpaper, for that matter.

This wallpaper pattern is called “Bankun Raffia” by Thibaut Designs, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Smoothing Knock-Down Textured Wall

December 20, 2019


This newish home in Kingwood (northeast Houston) had a typical suburban tract home knock-down texture. This would look horrible under the new wallpaper, as well as interfere with complete adhesion.

So I skim-floated the wall by troweling on joint compound (like plaster), and then sanded smooth. After wiping sanding dust off the wall with a damp sponge, I primed with Gardz, a penetrating sealer / primer by Zinsser. Sorry, no “during” photos. 😦

The last photo shows the smoothed surface, primed and ready for wallpaper. (The dark spots are where the original texture was thick and therefore peeking out from under the smoothing compound.)

Knock-Down Texture on a Wall

October 3, 2019


Here is a new sheet of drywall, installed to repair damage from flooding during Hurricane Harvey. The drywall is grey.

The splats of white stuff you see on top is joint compound that has been sprayed on, and then “knocked down” to about a 1/8″ height by a worker with a wide taping knife.

This creates a texture on the wall that is pretty common in newer suburban homes.

The surface should be primed, and then a coat of paint can be applied.

In the case of wallpaper, the wall would have to be “skim floated” and sanded smooth, to get rid of the texture.

Cole & Son Woods in a Powder Room

November 13, 2018


This powder room in a newish townhome in the Rice Military area of Houston was originally papered in a darkish jungle/ethnic/animal-themed wallpaper. It was a good look, but the new homeowners wanted something brighter and fresher. Plus, the original paper had been hung over the textured walls, and the bumps were showing through.

It would have taken me two long days to strip the original paper, smooth the walls, and hang the paper. So the homeowner tackled the removal of the original paper (following instructions on my blog (see page on the right side) plus info she found on the internet), which saved her the price of a day’s labor. It also made my job a bit easier.

But this job still required a lot of prep, which took a lot of time. The homeowners were out of town (they let me into the house via remote access), and it was nice because I could work in peace and quiet, and I could stay as late as I needed.

I skimmed on smoothing compound, waited while it dried, sanded smooth, wiped off the dust, primed, and then finally hung the paper.

The pedestal sink was tricky to get around, as they always are. And the bull-nosed / rounded edges of two outside corners in the room were a challenge. Additional hurdles were crooked walls, un-plumb walls, and a ridged non-woven wallpaper material that would not bend or yield to crooked, un-plumb walls. πŸ™‚ The pattern itself was a bit forgiving of these imperfections, and I used a few tricks to make things look straight and true.

This wallpaper design is quite popular, and I have hung it a bunch of times. It is called “Woods,” and is by Cole & Son, a British company. It is printed on a non-woven substrate, and is designed to be a paste-the-wall installation – but I find that paste-the-paper is a superior method.

Best of all, the homeowner loved what the pattern and light color did for the room. The powder room is instantly brightened, and the images of tree trunks give the room a whole lot of dimension and draw you in, as if you were actually walking in a forest.

The strong diagonal repetitiveness of the tree branches usually bothers me a bit. But in this room, with each wall holding only two or three strips, the pattern is dispersed nicely and the diagonal effect is minimized. So, what you see is the forest, and not so much the trees. πŸ™‚

It was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Smoothing Sand-Stippled Walls

October 13, 2018



The texture on these walls in a powder room was an odd combination of “orange peel” and sandy grit – neither of which was suitable for under wallpaper, because the texture would show through under the paper, and because the texture would prevent good adhesion of the paper to the wall.

So I skim-floated the walls to smooth them. Because the texture was so thick, I had to use a space heater, multiple fans, the home’s A/C and house fan systems, and an overnight dry time, to get the smoothing compound to dry. The next morning, I sanded the walls smooth.

In the second photo, you see the finished, smooth wall.

Cure Time – Paint Woodwork LONG BEFORE the Paper Goes Up

May 17, 2018


Why am I posting a picture of a can of trim paint? Because I found this in the room where I am to hang wallpaper today, along with a portable cup of wet paint and some brushes. This tells me that the homeowners were in the room last night, frantically painting all the woodwork in a large room with lots of framed openings and two walls of windows – LOTS of trim to paint.

Folks, this is not good. Woodwork should be painted carefully and slowly. First, the existing paint needs to be sanded or deglossed, and then wiped clean. I like to apply a coat of primer. Then the new paint can go up – but it should be brushed on carefully, paying attention to the direction of brush strokes and eliminating runs and drips.

But most important is that the paint needs time to dry. Not just to dry, but to cure. This can take several days.

This is important, because when I come along and put up the wallpaper, paste will get onto the woodwork. This is normal. No biggie. You just wiped it off with a damp rag.

But if the woodwork was not prepped properly, or if the paint has not had a chance to cure, it’s possible – probable – that the paint is not sticking tightly to the surface, and that wiping the paste off the woodwork will also take some of the paint along with it.

Best to plan ahead, read up on proper prep and materials, allow enough time to apply the paint properly, and then allow adequate dry / cure time.