Posts Tagged ‘schumacher’

Wallpaper in Midwest Living Magazine

March 12, 2019


These two rooms were featured in the March/April 2019 issue of Midwest Living.

The first wallpaper pattern is in an entry, and is by Schumacher, a well-established company. The bathroom pattern is by Jana Bek. She has some pretty interesting, coordinating lamps on her website. She sells linens, too – as you can see the curtains reflected in the vanity mirrors!

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Don’t Let Your Toddler Handle a Sharpie!

February 11, 2019


So the little girl was innocently playing with an ink Sharpie, and, well, the wall along the bottom of the stairway just happened to get marked up. (Unfortunately, my “before’ photo got lost somewhere.) This is very expensive wallpaper, and, unfortunately, was the first thing you see when you enter this West University home.

I was there to hang paper in the nearby powder room. But every time I walked past this stairwell, the ink marks just kept bothering me.

So, with the homeowners’ go-ahead, I decided to fix it.

First, we checked to be sure there was enough left-over wallpaper. Thank goodness for boxes stashed in the garage apartment!

I didn’t want to strip off the original wallpaper, for fear of scoring the wall and causing seams to lift. So the original wallpaper was left intact.

Then the ink had to be covered with a stain blocker, to prevent them from bleeding through the new wallpaper. I used oil-based KILZ Original. Two coats.

Next, because wallpaper paste will no longer stick to oil-based products, (due to EPA-required changes to the formulas), I primed the whole area with Gardz.

Because it’s not a good idea to have a seam fall on top of a seam, at this time, I placed a strip of seam tape (special stuff made by a colleague of mine) so that it bridged the gap between the two seams of the original wallpaper. The Gardz sealer / primer melded everything together.

Then I took the left-over wallpaper and found the corresponding pattern to match the pattern on the wall. I used a scissors to cut around this design. Because this repair fell on a seam, it required two strips of paper, one on either side of the seam.

Then I pasted the wallpaper patches, allowed to book and sit, then appliqu├ęd them to the wall.

I was surprised at how stretchy and wrinkly the wet wallpaper was. I was glad that I was only doing two 18” high patches – I felt sorry for the guy who had hung a whole 2-story staircase and hallway of this stuff.

Bottom line – the finished patch looked fantastic. You could not tell that there had been any errant marks on the wall.

Here is a link to the wallpaper pattern. It is called Zumba ZigZag. https://www.fschumacher.com/item/5003300

Stretching the Paper to Avoid a Pattern Mismatch / Color Shading in Grasscloth

October 28, 2018


Two things about this photo. First, you can easily see the color difference between the narrow panel on the left, and the one to its right. You can also see that the color of the grasscloth darkens 2/3 of the way down the middle strip.

This variation in color is normal – even expected – in grasscloth, and is called “shading,” or “paneling.” It’s referred to as the “inherent beauty of this natural product.” But, personally, I don’t care for it.

Read my informative page to the right, to learn more about grasscloth.

Another thing to note … this corner is the last corner in the room to be papered. Virtually always, this last corner ends in a pattern mis-match – which can jar the eyes. So I placed it up over the door, in the least conspicuous space I could find.

Indeed, since the distance between the motif on the final strip did not sync with that on the first strip, the pattern was going to end up with a floral stem being split in the corner, leaving half of the greenery visible and half cut off. I didn’t want any cut off flower stems.

So I “grew” the paper. The distance between the flowers was supposed to be 5″. I used some scraps of paper to cut a strip 3.5″ wide, and another 4″ wide. This gave me an expansion of 7.5″ – wide enough to bridge the final distance without cutting off any flowers, but not wide enough for the eye to detect that the spacing was not exactly as the artist originally plotted.

The pattern is “Acanthus” and the manufacturer is Schumacher.

Metallic Ink Causing Curled Seams – Revisited

April 10, 2018

A year and a half ago I hung this wallpaper in a powder room. https://wallpaperlady.wordpress.com/2016/10/02/9056/ I complained then about how the metallic ink caused the seams to curl, just a tad, everywhere the ink crossed a seam. I was hoping that once the paper was good and dry, the seams would lie down flat.

Well, I was back at the home today because it was on the Heights Home Tour. I was disappointed to see that the ink was still curled at the seams. With the way the sconces threw light on it, I thought it was very noticeable.

Of course, everyone else was looking at the beautiful pattern and the lovely room. Still, I wish Schumacher (and all manufacturers) would pay more attention to how their products perform in people’s homes.

Workin’ On Ridding A Wrinkle

January 30, 2018


Even though this is a brand-new house, erected by a skilled custom builder, all of the walls, floor, and ceiling were off-plumb / unlevel. That’s not such a big deal when working with a wild abstract pattern or a typical floral. But when a geometric wallpaper pattern like this is applied to out-of-kilter walls, the resulting pattern match is going to be very visible.

In the top photo, the wall to the left is bowed. Trying to get a straight strip of wallpaper to fit into the crooked corner resulted in two very large (24″ high) wrinkles near the floor. That makes it difficult for my next strip of wallpaper to butt into the corner tightly, and to match the pattern, and still maintain its straight edge on the right side. This edge has to stay straight, because subsequent strips of wallpaper will be butted up against it.

My solution was to make some vertical “relief cuts,” following along the design motifs (top photo), from the baseboard up to the point where the wallpaper begins to torque out of shape. Because the wrinkles were so big, I had to make two vertical cuts, instead of just one, to ease the resulting pattern mis-match out over several inches, so it would be less noticeable.

When smoothed back into place, you could not see any pattern mismatch at all. (second photo)

Tight Trellis Forms a Muted Backdrop in a Heights Sitting Room

January 29, 2018


Here is an example of a bold pattern that doesn’t feel heavy at all. Because the design motifs are small, and because the color palette is kept to just two colors, the overall effect is not overwhelming. Instead, it creates the perfect backdrop for the light sconces and other furniture (not pictured) in this sitting room in a new home in the Heights neighborhood of Houston.

This wallpaper pattern is a classic, and is made by Schumacher, who has been manufacturing wallpaper for more than a hundred years. Look closely, and you can see the “raised ink” texture to the paper. The interior designer is Stacie Cokinos, of Cokinos Design. She works primarily on new-builds or whole-house remodels. Her look is fresh and crisp, but with a lot of warmth and living for real life tossed in.

The Fifteen-Hour Foyer Install – Whew!

October 29, 2017

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This was one of the most difficult installations I’ve ever done. Many reasons … The grasscloth came un-trimmed, so I had to trim off the selvedge edge by hand for every strip. This is tedious and time-consuming enough with paper, but with grasscloth it’s harder because you have to press hard to get through the thick material. The room itself presents some time-eating elements, namely the intricate molding above the columns, and it takes time (like 20 minutes each) to cut the paper neatly into the curves. There were six of these curved points, plus four angled blocks in the center of the arches.

I told the homeowner to buy 10 single rolls. But the design studio where she bought it told her 8. So she bought 8 – and we were short. So I had to save every scrap, plot and plan, and spend extra time cutting and piecing slivers of left over paper, so we would have enough to do the areas over the arches. I also had to fudge on the pattern match, in order to have enough paper to do the whole room. This pattern is forgiving, so it’s not noticeable.

But the main difficulty was the extreme thickness of the gesso-like material on the paper. It was virtually IMPOSSIBLE to cut through. I mean, on the side of one doorway, on a 6′ drop, I spent a full 30 minutes, pressing with all my strength, and went through a good couple of razor blades, just to trim off the excess paper. Every other cut was equally difficult. Where the razor blades would not cut it, I used my $50 Japanese high technology scissors – which I am sure needs to be replaced after the workout it got last night.

The paper was also uncooperative when it came to wrapping it around two inside corners. It took a lot of work and heavy pressing on it with a special metal plate tool I have, just to get it to look nice and tight in the corners.

Other inside corners where the material was cut, there were small gaps between the thick layers of gesso. All of these were at the top of the walls, so were not very noticeable.

This room should have taken me about five hours to hang, if it had been a regular wallpaper. This couple was kind enough to let me work late to get the room finished. However, I was stunned when I finished, loaded up my van, and got in the driver’s seat – I had not realized how very late it was at night.

This product is by Schumacher. As usual, their quality control was poor. The homeowner had to send back the entire first batch, due to the gesso being smeared. There was one section in the new batch that was messed up, too.

The finished room does look great, though, and the thick texture adds a unique and warm look to this West University entryway. I plotted the pattern so that it would fall in the center of the archway that’s the first thing you see when you walk in the door.

Lavender Grasscloth Wallpaper on Bookshelves

March 8, 2017

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A simple but dramatic change … This softly-colored grasscloth has a fine texture, but it’s just enough to set off the books and decorative items that will be displayed on the bookshelves.

The shelves could not be removed, so I had to work in tight spaces, with each strip being less than 12″ high. The bottom shelf was at floor level!

In order to eliminate a visible seam down the center, I “railroaded” the grasscloth – ran it horizontally. I used a sewing / crafting self-healing cutting mat to pre-trim the right side of each strip, making sure it was perpendicular to the edge that would be the top of the strip.

This made for less trimming at the wall, less paste smeared on the woodwork, and reduced the chance of paste getting on the surface of the paper, which could stain it.

The manufacturer of the grasscloth is Schumacher, and the pattern number is #5004724.

The interior designer for this job is Pamela O’Brien of Pamela Hope Designs in Houston.

Silvery Trees in a Powder Room

October 2, 2016
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This soft and silvery paper coordinates beautifully with the Carrera marble counter top and the tile floor in this guest bathroom in a nicely remodeled older home in the Houston Heights. (The builder is Ridgewater Homes, and I was very impressed with the quality of their work.)

As usual with the brand Schumacher, I had some printing defects, and also some smudging on the back of one roll (4th & 5th photos). Also, with their moth bally-smelling ink, as with other brands that use this ink, the seams curled at the points were the ink hit the seam (3rd photo). This is because the ink absorbs moisture from the paste differently from how the paper absorbs moisture, so they expand at different rates, causing curling at the seams.

Once the paper was good and dry, these areas mostly laid down, but there were still quite a few seams that were not perfectly flat.

The wallpaper pattern is named “Twiggy.” The interior designer for this job is Rachel Goetz, who works in the Heights area a lot, and has a soft, clean, uncluttered, fresh look to the rooms she decorates.

Chinoiserie in a Small Bathroom

June 8, 2016
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Here is a classic Chinoiserie (Oriental design) that went in a guest bathroom in a new addition to a 1950’s ranch style Mid-Century Modern home in Shepherd Park Plaza / Oak Forest.

The aqua background coordinates nicely with the grey marble vanity. I lined up the figure holding the umbrella with the center spout on the sink, for a balanced look. The two circles at the top are the bases of light fixtures.

The pattern is called Shantung Silhouette, and is by Schumacher.

Schumacher used to be known for quality, higher-end wallpapers. But these days, the quality has slipped. This install did not have any printing defects, but they are pretty much de rigor with Schumacher products. I did encounter some other problems, though.

For starters, the instructions said this was a paste-the-wall non-woven material. It was not. It was paper, and needed to have paste applied to the back of the wallpaper, not to the wall.

And the material was thick and stiff and difficult to handle on my table, and difficult to manipulate into corners and tight areas. Going around the multiple curves on the backsplash was tricky and time consuming. Pasting the wall did not allow the paper to expand and relax, so bubbles appeared on the wall. Because the paper was dry and stiff, it did not meld to the contours of the vanity top, and was difficult to trim neatly. In fact, I was unhappy with my first attempt, and ripped it off and started over.

A good reminder to always buy a little extra paper.

I also was not happy with the seams. They weren’t bad, but a thinner substrate would have given tighter seams that held closer to the wall.

Overall, though, the room looked wonderful – light and airy with a sense of uplift from the parasols and tight ropes. The monkey adds something to smile at.

The interior designer for this job is Rachel Goetz.