Posts Tagged ‘schumacher’

Calming Blue Silk on Bookshelf Backs – Schumacher

November 9, 2019


This is a somewhat nubby silk fabric mounted on a non-woven backing. The soft blue coordinates nicely with other elements in the room, and makes a lovely backdrop for the books and decorative items that will fill the shelves.

Silk wallcoverings are much like grasscloth, because the pattern cannot be matched. You will see all the seams. And there will be color variations and irregularities. This is all expected with these natural materials.

I was pleased with this one, because it was fairly homogeneous in color.

I used the paste-the-wall installation method. Silk, like grass, stains easily, so you have to keep your hands clean and dry, and don’t let any paste get onto the surface or ooze out at the seams.

The manufacturer is Schumacher, and the interior designer is Stacie Cokinos of Cokinos Design. She works primarily in the Heights, Oak Forest, and Garden Oaks, and mostly does new builds or whole-house remodels.

A Few Small Issues With Schumacher Silk

November 9, 2019


Whoops! Someone at the factory got fingerprints on the wallpaper. 😦 Luckily, this was in the first foot or so of material, so I was able to cut it off and discard it without losing too much.

In the second photo, look just to the right of the pencil and you will see a band of darker colored material. Maybe the rollers at the factory pressed a little harder in this area – who knows?

This is part of the manufacturing process, and it’s part and parcel with natural materials like this silk. It is not considered a defect.

This silk was 36″ wide, and the strips I needed were 29″ wide. So I was able to trim off this darker band and use the part that was more homogeneous in color.

If I had needed the full 36″ widths, there would have been faint darker horizontal bands running the full height of each strip. Again, not a defect; just the nature of the beast.

The manufacturer is Schumacher.

3-D “Rivet” Squares on Grasscloth in a Home Office

October 25, 2019


Phillip Jeffries’s “Rivets” pattern is popular and trendy. The wallpaper I hung today is Thibaut’s response to it.

Thibaut’s version offers the same texture and appeal of real natural fiber grasscloth, as well as three-dimensional squares that unite to form larger squares.

Thibaut’s version Union Square is better because:

1.) Less expensive

2.) Better color consistency (fewer paneling and shading issues)

3.) Squares form a more muted secondary pattern, so it’s much easier to live with (the pattern doesn’t hit you in the eye every time you look at a wall)

4.) Squares are positioned on the strips so the installer can easily manipulate the pattern to accommodate un-plumb walls and un-level ceilings.

5.) For similar reasons, the installer can “tweak” the design a bit to ensure favorable placement of the squares (to eliminate having to cut through any of the squares, or bend them around a corner). Read below.

6.) When it’s unavoidable to have to cut through the squares, the Thibaut 3-D material is much easier to get through with a blade or scissors than the PJ or the Schumacher products.

7.) The bolts are marked in the order they came off the printing press (see photo), so you can hang strips sequentially, to minimize shading and paneling (do a search here on those terms).

8.) Thibaut provides clear tips on how to work with natural materials and what to expect with the finished outcome.

9.) Thibaut offers to replace material lost to working around defects, and they will also reimburse an installer for (part) of his labor, if a product is defective.

10.) Other points which are escaping me right now. But suffice it to say, despite its grand reputation, Phillip Jeffries products are often extremely difficult to install, and disappointing in appearance, and customer service is basically, “We never had this problem before – it must be the installer’s fault.”

Thibaut, on the other hand, researches what it takes to make a good product, does test hangs, and, if there is a problem, Thibaut actually listens to feedback from us installers.

In the window photo, I did some tweaking to get the rivets to line up exactly over the middle of the window. It took some further tweaking to position the squares so they would march down either side of the window at the same distance from the edge.

How did I accomplish that? After much measuring and plotting and a few practice strips, I widened the distance between two sets of squares over the center of the window – by a full inch. 4.5″ instead of 3.5″ is a big difference, yet it is barely noticeable. What is more important is that the squares going down either side of the window are all 3/4″ from the edge.

This home is in the Briar Park neighborhood of Houston – interestingly enough, right next door to another home I papered a year or so ago, and a block away from another home I where I hung paper in the powder room and have more bathrooms to paper coming up … In fact, I have put wallpaper in a whole lot of homes in this one tiny neighborhood. Near Beltway 8 / Sam Houston Tollway and Briar Forest.

The interior designer is Layne Ogden of Layne Torsch Interiors.

Schumacher’s Acanthus Stripe on Grasscloth in a Downstairs Bathroom DRAFT

September 9, 2019

I hung this maybe a year ago, and was back to do another room, so took a quick photo.

The plumber got the sink a tad off-center – but with a room this gorgeous, who the heck would notice?!

Wallpaper Warming Up Rooms in August 2019 Southern Living Magazine

July 19, 2019


The first is called “Indian Flower” by Jasper, and I hung this very pattern a few months ago in a dining room.

The blue & white floral is called “Dianthus Chintz” by Soane Britain.

Third photo – the wallpaper’s on the ceiling! It’s “Santa Barbara Ikat” by Schumacher.

Blue powder room features Meg Braff Designs’ “Little Egypt.” Serena & Lily has one very similar to this. I love their paper, and it’s at a much lower price-point.

The horizontal (railroaded) stripe is a take on the current trend for exposed shiplap wood.

Last photo shows Clay McLaurin Studio’s “Santiago” in a very feminine bathroom.

Note that most of the wallpaper patterns you see in photo shoots like this are going to be higher-end products. Like I like to say, for every expensive company making an enviable design, there is someone else making a knock-off at a more affordable price.

See my page to the right for where to buy wallpaper in Houston.

Better Homes & Gardens Magazine Features Wallpaper, June 2019

June 6, 2019


This popular pattern is called “Queen of Spain” and is by Schumacher. In addition to the horizontal stripe formed by the droplet motifs, it has a vertical stripe pattern – but you need a larger wall to see that design play out.


You can get away with a really bold pattern in a small powder room. If they could have gotten a better shot inside this small room, you could see the full effect of this fun design.


Look closely – the wallpaper is on the ceiling. I believe this is “Channels” by Kelly Wearstler, another popular pattern.


Can’t say I love wallpaper on a ceiling, especially such a bold pattern and wild color – I think this cramps down the ceiling and closes in the room. Your thoughts?


This small background pattern behind the headboard is by Quadrille.

All of these papers pictured are higher-end brands. If you like the look but are on a budget, there is always something similar at a lower price. See my “Where to Buy Wallpaper” page to the right.

Two Pretty Blues Today

April 25, 2019


Another “all white” house gets a little personality and definition from a light dose of color and pattern. What a pleasant change!

The first three photos are Scalamandre’s “Balinese Peacock.” It came with a selvedge edge that had to be hand-trimmed off with a razor blade and a 6′ straight edge.

The last two photos are a fun elongated triangle floral stripe by Schumacher. My “after” sink photo didn’t come through, unfortunately, but the other pictures will give you an idea of the pattern.

Even though these papers are by two different manufacturers, the blue color is identical. It’s a lot brighter and prettier than my crummy camera depicts. The blue picks up hints of blue that the homeowner has in her living room (throw pillows) and in the dining room (navy blue paint above the wainscoting).

The peacock went in a small bar area off the living room, and the foliage stripe went in the under-the-stairs powder room that is right off the bar. The home is in the West University neighborhood of Houston.

Wallpaper in Midwest Living Magazine

March 12, 2019


These two rooms were featured in the March/April 2019 issue of Midwest Living.

The first wallpaper pattern is in an entry, and is by Schumacher, a well-established company. The bathroom pattern is by Jana Bek. She has some pretty interesting, coordinating lamps on her website. She sells linens, too – as you can see the curtains reflected in the vanity mirrors!

Don’t Let Your Toddler Handle a Sharpie!

February 11, 2019


So the little girl was innocently playing with an ink Sharpie, and, well, the wall along the bottom of the stairway just happened to get marked up. (Unfortunately, my “before’ photo got lost somewhere.) This is very expensive wallpaper, and, unfortunately, was the first thing you see when you enter this West University home.

I was there to hang paper in the nearby powder room. But every time I walked past this stairwell, the ink marks just kept bothering me.

So, with the homeowners’ go-ahead, I decided to fix it.

First, we checked to be sure there was enough left-over wallpaper. Thank goodness for boxes stashed in the garage apartment!

I didn’t want to strip off the original wallpaper, for fear of scoring the wall and causing seams to lift. So the original wallpaper was left intact.

Then the ink had to be covered with a stain blocker, to prevent them from bleeding through the new wallpaper. I used oil-based KILZ Original. Two coats.

Next, because wallpaper paste will no longer stick to oil-based products, (due to EPA-required changes to the formulas), I primed the whole area with Gardz.

Because it’s not a good idea to have a seam fall on top of a seam, at this time, I placed a strip of seam tape (special stuff made by a colleague of mine) so that it bridged the gap between the two seams of the original wallpaper. The Gardz sealer / primer melded everything together.

Then I took the left-over wallpaper and found the corresponding pattern to match the pattern on the wall. I used a scissors to cut around this design. Because this repair fell on a seam, it required two strips of paper, one on either side of the seam.

Then I pasted the wallpaper patches, allowed to book and sit, then appliquéd them to the wall.

I was surprised at how stretchy and wrinkly the wet wallpaper was. I was glad that I was only doing two 18” high patches – I felt sorry for the guy who had hung a whole 2-story staircase and hallway of this stuff.

Bottom line – the finished patch looked fantastic. You could not tell that there had been any errant marks on the wall.

Here is a link to the wallpaper pattern. It is called Zumba ZigZag. https://www.fschumacher.com/item/5003300

Stretching the Paper to Avoid a Pattern Mismatch / Color Shading in Grasscloth

October 28, 2018


Two things about this photo. First, you can easily see the color difference between the narrow panel on the left, and the one to its right. You can also see that the color of the grasscloth darkens 2/3 of the way down the middle strip.

This variation in color is normal – even expected – in grasscloth, and is called “shading,” or “paneling.” It’s referred to as the “inherent beauty of this natural product.” But, personally, I don’t care for it.

Read my informative page to the right, to learn more about grasscloth.

Another thing to note … this corner is the last corner in the room to be papered. Virtually always, this last corner ends in a pattern mis-match – which can jar the eyes. So I placed it up over the door, in the least conspicuous space I could find.

Indeed, since the distance between the motif on the final strip did not sync with that on the first strip, the pattern was going to end up with a floral stem being split in the corner, leaving half of the greenery visible and half cut off. I didn’t want any cut off flower stems.

So I “grew” the paper. The distance between the flowers was supposed to be 5″. I used some scraps of paper to cut a strip 3.5″ wide, and another 4″ wide. This gave me an expansion of 7.5″ – wide enough to bridge the final distance without cutting off any flowers, but not wide enough for the eye to detect that the spacing was not exactly as the artist originally plotted.

The pattern is “Acanthus” and the manufacturer is Schumacher.