Beautiful Bradbury Birds

Bradbury & Bradbury is a well-established company based in California that produces wallpaper patterns in the style of by-gone eras – Victorian, Arts & Crafts, Art Deco, Oriental and more. I have their Raspberry Bramble, from the Victorian collection, in my own master bathroom. Do a Search here to see pics.

Bradbury has unveiled some new genres recently, including the ’50’s Atomic Age and the ’20’s Vintage. These new products are digitally-printed, which is a little different from their other papers, most of which are screen-printed.

Today I hung half of a master bedroom with their 2D-103. Those numbers are not very interesting, but the pattern is – see it in the photos above. It’s a lovely, cheery, and easy-to-live-with birds, branches, and flowers, on a soft yellow background.

Bradbury wallpapers come with a selvedge edge that has to be trimmed off by hand, using a razor blade and straight edge (not shown). This takes precision and a lot of sharp new razor blades – I spent two hours trimming paper for these two walls (with more to come tomorrow for the remaining two walls).

Once all that tedious trimming was over, the paper was a delight to work with. The seams melted together and were next to invisible. The paper hugged the wall nicely with no curling at the edges. Other companies with cantankerous papers could take a lesson from Bradbury.

This home is in the Bellaire neighborhood of Houston, and was partially destroyed in the flooding after Hurricane Harvey in 2017. The homeowners love the vintage vibe of their older home, and when the house was rebuilt after the flood, they took great care to recreate the look of the original home … woodwork, flooring, kitchen cabinets, kitchen appliances… all are true to the home’s original look.

Stinky Ink = Curling Seams

Some higher-end wallpapers are screen-printed with an ink that smells like moth balls. We call this stinky ink. And it’s a stinker to work with – because the edges curl badly. The inked surface of the paper absorbs moisture from the paste differently from the backing, so the backing swells and expands, pushing the inked surface away… resulting in curled edges. The top photo shows the edges curling on the pasted and booked strip, and the second photo shows the edges curling on the wall. I tried a lot of tacts, but could not get the seam to lie down.

This paper has a selvedge edge that is to be trimmed off by the installer(straight edge and razor blade and a steady hand). When I tried this standard technique, the seams curled and would not lie flat.

So I tried another approach. I put the pasted but un-trimmed paper on the wall, and then used the double-cut technique. A double cut is essentially a splice – you position one strip, then position the next strip, overlapping an inch or so of the second strip vertically over the edge of the first strip, all while lining up the pattern.

More clearly, you’re overlapping the left edge of the new strip onto the right edge of the existing strip.

Then, using the custom-made trim guide tool seen in the photo, and with a strip of 3″ wide heavy polystyrene plastic (called a Boggess strip, after the guy who invented and sells it) on the wall to protect it from being scored, I used a new single-edged razor blade to carefully cut through both layers of wallpaper.

In the third-to-last photo, I am removing the excess paper left at the seams after this trimming. In the second-to-last photo, I am smoothing the paper back into place. It’s also important to wipe off all paste residue left on the surface of the paper.

Who knows why, but this technique results in nice, flat, tight seams, with edges that do not curl.

Same paper, same paste, same wall – but no curl. Go figure.

Double-cutting takes more time, patience, material, and equipment. But when it’s called for, it might be the salvation for a contrary paper.