Posts Tagged ‘seams’

Serene Master Bedroom in Textured Faux Grasscloth

September 28, 2022
East wall before
Same wall covered with soft tan, lightly textured wallcovering .
This material is an embossed vinyl replicating the look of a woven grasscloth .
The texture and color doesn’t overpower , but is just enough to give the feeling of warm and cozy . Plain paint can’t do that.
West and north walls before.
Finished – but the color washed out for some reason … it’s really a peaceful tan .
Close-up of the woven textured look .
Manufacturer is Thibaut .

Random means that this material has no pattern match at the seams . Because no wallpaper is cut off in order to match the pattern , there is very little waste , and you often get an extra strip out of each roll / bolt of paper.
Like most textured wallpapers , be they made of natural materials like grasscloth or sisal , or a faux like this of embossed vinyl , it’s suggested that you reverse hang every other strip – in other words, Strip #1 is hung right side up, and Strip #2 is hung upside down, then Strip #3 is right side up, etc. This helps minimize shading and paneling between strips , by ensuring that the same edge of wallpaper is hung against itself . Do a Search here to read previous posts and get a clearer idea of what I’m talking about!
This home is in the Heights neighborhood of Houston .
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Tape Test for Unstable Walls

September 21, 2022

There can be reasons for unstable walls, mostly cheap or poor quality paint, dust, someone applied paint over dust, improper prep, incompatible layers inside the wall built up over years (oil based paint, latex paint, dust, gloss paint, joint compound, etc.).

These can cause problems with wallpaper, mostly with the layers delaminating (coming apart), which causes the wallpaper seams to come away from the wall. Sometimes sheets of wallpaper simply fall off the wall.

This isn’t so much a problem with paint, because it just sits on the surface. But wallpaper shrinks when the paste dries, or expands and contracts with humidity, and can put tension on the seams

Before wallpaper goes up, one way to test for such unstable surfaces is the tape test . Use a razor blade to cut an “X” into the wall, scoring through the paint and maybe into a few layers beneath. Place a strip of blue painters tape over the cut. Pull the tape off the wall.

If paint comes away from the wall along with the tape, or if layers inside the wall come apart, you know you have to do a lot of specialized prep to stabilize the wall before hanging / installing the wallpaper.

This example is an interesting twist. The homeowner used a piece of tape to hold up a wallpaper sample. Then used an ink pen to write notes on it. When removed, the tape took the paint off – in the shape of the writing!

Soft Textured Foliage Brightens Entry

September 8, 2022
The homeowners knew they wanted something brighter for their entryway . But their paint samples tested on the wall were falling flat.
Wallpaper was the answer! Brighter and more personality and interesting than paint of the same color .
Here’s a better shot showing the actual color .
And here it is with my 100-watt light bulb gone and the room’s chandelier providing the light .
This is a stringcloth material . Note that, just like grasscloth , another natural fiber material , you will see the seams a bit. On this one, the heavy inked areas of the white berries showed more than the background areas . From a few feet away, none of this was visible.
Close-up showing the texture of the strings and the thick ink .
I do think this will have some sound-reduction qualities ( absorb noise ).
Also a note … cats and even dogs love to scratch or chew textured fibers like this.
Rolling it out on my work table. The rolls / bolts were really heavy .
Made by Wallquest in their EcoChic line.
The home is in the Tanglewood / Galleria area of Houston .
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Two Color Rhythmic Print for Heights Breakfast Nook

September 7, 2022
Before. Grey and boring .
The built-in banquette seating has been removed.
Finished.
Closer look.
Showing the pattern centered on the wall, and with the shutters. The dimensions of the paper not corresponding well with the width of the window, along with logistics of pattern placement at the ceiling line but starting my first strip under the window all created some plotting and engineering challenges. Fun, but time consuming. But it turned out great!
The original idea was to just paper the nook area, ending at the vertical door molding. But it would have looked odd to stop the wallpaper above this doorway. So the homeowner and I decided to run the paper along the top of the doorway, and then down the left side (not shown), which dead-ends into some cabinets and the granite countertop. It looked good and was the right call.
It tickles me that this is quite obviously a riff on the very popular Strawberry Thief wallpaper pattern by William Morris , which is quite popular right now (do a Search here to see my installations of it). When a company comes up with a hit, you can be assured that a competitor will soon be making its own version of it.
The original has a lot more color, but this version is limited to just two colors. Even though there is a lot of contrast between the black and the white , the pattern doesn’t feel busy, because the design is so close and tight .
There is a lot of symmetry , repetitiveness , and balance in Wm Morris and similar styles .
I love the raised ink texture to this material .
Whoops! A slight pattern mis-match . The overall design is busy enough that small imperfections like this (as well as some color variations / shading ) are not really noticeable .
It’s odd to me that the printing defects are different in different strips / rolls of the wallpaper . You’d think that if the print roller was out of whack, it would create the same image every time it strikes the wallpaper surface. Or maybe it’s the trimmers that are off. If they had cut 1/16″ more off that left edge, we might have a perfect pattern match .
The manufacturer is York , one of my favorites , in their Sure Strip line, also one of my favorites.
It’s in the Magnolia Home collection , by, yes, Joanna Gaines , of HGTV fame with the show Fixer Upper .
SureStrip is a pre-pasted , thin , flexible , non-woven material that is easy to hang . It’s also easy to remove when you’re ready to redecorate , because it’s designed to strip off the wall easily and in one piece with no damage to your walls .
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Just A Whisper Of Color And Texture

August 30, 2022
Dining room in the Oak Forest area of Houston, before. All white and crisp – but bland .
Here with just a touch of color and texture . The homeowner took my suggestion to use an embossed vinyl faux grasscloth product, which is very consistent in color .
The problem with real grasscloth is that so very often there are disappointing color variations between strips , even if they come off the same roll . We call this shading and paneling . Do a search here to see previous posts about this.
Note that with both materials you will see the seams. With this faux material, once you got 3′ away, you can’t see the seams at all.
The paper along the top of the wainscoting chair rail is to prevent my wallpaper primer from splattering onto the molding . I do the same for baseboards and bathroom backsplash es .
Opposite corner done.
Close-up showing the realistic texture of the vinyl product .
This is by Designer Wallpapers and was purchased from the Sherwin-Williams in the Rice Village , by Dorota , who has been selling wallpaper for 25+ years and is THE expert on helping you select your perfect pattern .

Grasscloth Engineering and Logistics – Technical Details Post

August 21, 2022
Grasscloth is a natural material that cannot be matched from strip to strip, so all the seams will be visible . In addition, there is usually a slight but noticeable color difference between strips / panels (called shading or paneling ) . So it’s important to plot the layout of the strips to give the most visually pleasing overall look. Usually this means balancing the width of strips so they are all equal , at least on the same wall . We call this engineering .
This wall presented particular challenges , due to the widths of the elements. Grasscloth comes 36″ wide . You can use your straightedge and a sharp razor blade and trim it down to any width you want.
The width of both the large wall spaces to the right and left of the bank of windows was 34.” The width of each window was about 35.” The width of the two spaces in between the windows was 7.”
So you’d think I could trim my panels on either side of the windows, and then over the windows, to about 34″-36″ – give or take a few inches (or fractions thereof).
But that would leave me with two 7″ wide strips between these 35″ panels. Although the look would be uniform and mirror-image from the center outward, moving from right to left you’d have: 35,” 35″, 7,” 35,” 7,” 35,” 35,” … those 7″ breaks were just not going to look right.
One option was to determine the width of the wall (189″) and make each strip an equal width. This worked out to six strips, each at 31.5″ Not good, because this would mean a seam down either far side. And since those sides were 34″ wide, that would mean a 31.5″ wide strip and a strip 2.5″ wide. Not attractive at all, and it would use up an extra strip of wallpaper.
This six strips @ 31.5″ wide scenario might also land with a seam smack in the middle of those 7″ wide interludes in between the windows. Not attractive at all.
So I decided to make the two outer strips 35″ wide. That left 119″ of wall space above the windows to be covered with wallpaper. Do some math and you get four panels of 29.75″ wide. This gave a balanced and uniform look to the area over the windows, and also prevented seams from landing between the windows.
Moving right to left, I cut and hung the full length outer strip first. Then I cut and hung the strip over the window on the right. Then I measured to find the centerpoint of the window in the middle. Turns out it was a bit less than 29.75″ away. So I trimmed that next over-window strip accordingly.
Once that was in place, I measured from that center point above the middle window out to where my left full-height panel would fall, 35″ out from the wall. Took the resulting measurement and divided by 2. Lo and behold, each of the next two panels over the window was going to be a bit wider than 30.” No problem. No one (but a paperhanger or maybe an engineer) is going to notice a 1/4″ or even a full 1″ difference in widths between this strips over the windows.
Another thing to point out … it’s important that I took measurements before cutting these strips for this second left-hand section. Because, since grasscloth comes at 36″ (and walls can be wonky), if my strips had been narrower (say, 28″), that last full-height panel on the left might have ended up needing to be 37″ wide – and that wouldn’t work because it only comes 36″ wide – plus you need at least 1/8″ to wrap around the corner.
Luckily I had the flexibility to be able to trim the panels over the windows to any width needed, to accommodate all this.
If you’ve followed all this so far, let me also toss in that we also need to figure how to get paper in between those windows. More on that below.
In this scenario, I’m moving from right to left.
Area beneath the windows needs to be treated in the same way, and preferably with widths that match what’s going on above the windows. In addition, it’s tricky because after you move across 12′ of wall space, the strips above and below the windows are going to twist and torque out of shape, so that last full-length panel on the far left might not butt up perfectly with the last strip under the windows.
The grasscloth is black , and my wallpaper primer is white . It’s common for teeny gaps to appear at the seams . In this case, it’s likely that white wall would peek out from those gaps. So I like to stripe under where the seams will fall with dark (diluted) paint . This takes measuring , plotting , and also a heat gun to get the paint to dry before the wallpaper hits it, to avoid staining. You can do a Search here to read more about this technique .
Now let’s talk about getting wallpaper in between those windows.
As you can see in the photo, if I hang a 30″ wide strip, a whole lot of paper is going to be cut off and thrown away. Also, a whole lot of sticky, pasted paper is going to bump against that window molding and maybe even the window glass. A lot to clean up! And unwieldy, to boot.
My solution was to stop the wallpaper just a little below the tops of the windows. Then I would patch in a 7″ wide strip in between the windows. This is trickier than it sounds, because, if it were a paper wallpaper, I could simply cut along a design motif and overlay the 7″ wide piece. But grasscloth is thick and overlaps don’t look good. Also grass has no design elements , and the reeds of grass don’t necessarily fall perfectly horizontal , and even if you cut everything perfectly true to square , if the window molding is a teeny bit off-plumb , then your edges won’t butt up perfectly.
So that’s a good reason for striping the black paint under where the butt join will occur.
Same thing for the sections under the windows. I measured and positioned the strips so that the top edge (which I had trimmed to be perfectly horizontal) fell between the narrowest part of the windowsill molding, for less visibility.
I admit, instead of butting the two pieces, here I did overlap the 7″ wide strip about 1/4″ onto the piece under the window, right at that narrow junction. It’s only about 3″ wide, and I figured no one is going to be examining it that closely, anyway. This saved me about a half an hour of measuring, trimming, testing, repeat, repeat.
This is my second window interlude, and by this time I had realized that it’s hard to trim stiff grasscloth around intricate moldings precisely . So I used paint to fill in the edges around the window molding, just in case there might be any gaps between the grasscloth and the molding, so you would see black instead of the white molding paint. I did this with a small sponge; if I had used an artist’s brush it would have been a bit neater and tighter to the conforms of the molding. But sometimes you’ve gotta relax and realize that no one’s going to be scrutinizing the insides of moldings below shin-level.
Area over windows finished, with drapes back in place.
Turns out this particular grasscloth is so uniform in color (quite unusual, I will add), that you can’t really see the panels , nor their equal widths , anyway. I’m still glad I took the time to do all this math and trimming.
Area below the windows, done. That last seam on the left bears some explanation, too. Moving across the top of the windows, I measured that that last strip – the full-length strip – would need to be exactly 35″ wide. It butted up nicely to the last strip above the windows.
But, due to twisting , shifting , expansion , unlevel and unplumb walls and ceilings , and other factors, there is a really good chance that that last 35″ wide strip would not butt up perfectly with the last 30″ wide strip under the window . So I planned to splice these last two strips together.
Yeah, the drapes are hanging there, I coulda overlapped the two strips about 1/2″ and the drapes would have covered it. With a thin wallpaper, I probably would have done this. But grasscloth is thick, and an overlap would be visible , and also the adhesive / paste can’t be trusted to adhere as well to grass as it would to paper .
So I plotted for a splice. Instead of trimming my last strip under the window to 30″ (read above), I trimmed it to 32″ wide. That way, when I hung the last full-length strip to the left, which was 35″ wide, it overlapped the piece under the window by a few inches. Then I did a double cut and spliced the two pieces. See below for details about that technique.
Grasscloth is 36″ wide, and this wall area is wider than that. So two strips were needed. This means you’re going to have a seam, and since grasscloth seams are always visible, it looks best to plot to have the seam fall down the center. It uses more wallpaper to do this, but it looks much better than having, for example, a 36″ wide strip next to an 8″ wide strip.
As mentioned above, in case you get thin gaps at the seams, a dark stripe of diluted craft paint under where the seam will fall, will prevent white wall from showing through.
Rounded / bull-nosed edges and corners have been popular in new construction for at least 10 years. I wish they’d go away. They’re very difficult to trim around, and hard for the paper to conform to and adhere to.
It’s very hard to trim around that rounded edge, because the paper is hanging over and blocking your view, because grasscloth is thick and stiff and your fingers can’t feel through it, and because the edges aren’t necessarily true and plumb so a laser level or other level won’t help you much.
I use this little gadget as a trim guide. It’s actually a small section of the same corner bead material that drywallers use when they assemble these walls. Cut to about 1″ long and notched in different places where you might trim along the edge of the wall.
It’s intended that you place your trimming knife in one of the notches and slide the gizmo along the edge and make your cut. I find that awkward and also inaccurate. So I prefer to use the notches as a guide and mark where I plan to trim with a pencil. Since this wallpaper is black, I used this marking pencil from my home sewing kit instead. Chalk might work, but I was afraid it might now wipe off completely.
The pink pencil line was barely visible, but it was enough for me to use a scissors to trim along the grasscloth. I like this better than using a razor blade as I can see better, and also less chance of scoring into the primer or wall. Which raises its own set of issues – do a search here to find previous posts.
Inside view of the trim guide.
Finished arch. Note the four panels of equal width above the arch. And two flanking full-height panels also the same widths.
I was lucky that there was no pattern to match, so I was able to butt my two flanking strips right up to the edge of the bull-nosed corner. No trimming needed! Then I measured the remaining width between these two strips (the area over the arch), divided by four, and cut four strips of equal widths.
I hung the two on the left, and then one on the far right. This left one strip still to be positioned to the right of center. So the pieces are going to meet over the arch, rather than the last strip falling in a corner.
Same as the last strip under the window (discussed above), it’s really difficult to get your last piece to fit in here perfectly. I’ve done it, but it takes a lot of measuring, trimming, testing, retrimming, and often starting all over again.
So I did a double-cut / splice.
A double cut involves cutting each strip an inch or so wider than it should be, and overlapping the two. Then you take a straight edge and sharp razor blade and cut through both layers. This handy tool is a wonderful non-slip guide for this process. It was invented by an installer colleague in the Wallcovering Installers Association ( WIA ) and she has them fabricated in various lengths (along with other cool tools ) and sells them on-line. Contact me if you’re interested.
Anyway, it takes a lot of strength to cut through two layers of grasscloth, so somewhat difficult for lil’ ol’ me.
You also want to be sure to not cut / score into the wall, because the tension of drying wallpaper can tug at the wall and cause it to actually come apart, leaving an open seam that’s difficult to repair.
So you’ve got to put some padding under the wall where the cut will take place. I use special strips of polystyrene (hard but flexible plastic) to pad the wall. Also invented by a colleague in the WIA , who also sells other cool tools and supplies. Contact me if you’re interested.
This black grasscloth was printed on a white substrate. If the seams aren’t absolutely tight, there can be worries about the backing showing through to the front. So sometimes we’ll take a piece of chalk or pastel (never oil pastel or permanent markers because they bleed and stain ) and run it along the edge of the paper – from the back, and taking care to not get chalk on the surface.
I do this frequently with dark papers ( do a search here to see previous posts ) but opted not to do it with this grasscloth. It wasn’t necessary, and might have stained the porous reeds of the grass. It was beneficial, though, to have striped dark paint on the wall under the seams, as mentioned above.
Ugh. Grasscloth comes 36″ wide, and this section of wall is 38″ wide. It’s not visually pleasing, nor is it easy from an installation point of view, to have a 36″ wide strip next to a 2″ wide strip. Or to use scraps and put a 25″ wide strip next to a 13″ wide strip.
So best to plan two strips of equal widths. Two strips, each 19″ wide, with the seam down the middle.
Actually, the strip on the left was 19″ wide, but I trimmed the strip on the right to 21″, because I like the wallpaper to extend 2″ over the top of the door molding. This provides a more stable surface in case of shifting foundation or walls, and less likelihood (knock on wood) of the seam opening up should the house / drywall experience shifting.
Note that design “rules” caution against seams down the middle of spaces. But it would have been more visually distracting (and used up more paper) to have made three strips of each 12.75″ wide. And would have looked even dumber to have used scraps left from other walls and put together two strips of disparate widths.
So the homeowner and I discussed during our initial consultation , and she was happy with the center seam. Once it was all finished, this particular grasscloth was so even in tone that you barely see the seams, anyway. Win-win!
This did use up additional paper, though, as noted in a previous photo above.

Sneaky Snaky Dining Room Accent Wall

August 6, 2022
Beautiful symmetry …
But look closer – those intertwining lines aren’t fronds of vegetation – they’re snakes !
The wall before. It’s a mid-century home, but the drywall here is new. Per my request, the contractor left it taped and floated , but not painted or covered with any coating .
I had planned to simply prime this wall. But after examining it more closely, the surface was a little grittier than I like. So I ended up applying a very light skim-coat and sanding it smooth .
Here the smoothed wall has been primed with Roman Pro 977 Ultra Prime .
I’m plotted out the center of the wall and am using my laser level to ensure that the design in my first strip falls right along the center, and also is nice and plumb .
My work table with two strips of wallpaper . Spoonflower packages its wallpaper differently from other companies. It comes in widths of 24″ and lengths of your choice of 3,’ 6,’ 9,’ or 12.’
Get their Pre-Pasted Removable Smooth option, which is water-activated , and is wonderful stuff.
Do NOT get the Peel & Stick , nor the Traditional Pebble . The P&S and the Traditional are both very difficult to work with, and can lead to bubbles and creases on your walls , plus cause damage when the wallpaper is stripped off later.
Back to the photo – the blue cube thing in front is my laser level , shooting its red line at the wall.
Close-up
I’m using this blue plastic tape on the edge of this strip of wallpaper. This will prevent paste from getting onto the wall or ceiling.
The accent wall stops in this left hand corner, so I need to trim off the excess. But I don’t want to get paste onto the un-papered wall. Paste can cause the wall paint to crackle and flake off.
So here you see how the blue tape is keeping paste off the wall. Once I finish trimming, I’ll check the back to make sure all of the blue tape has been removed. Any areas where the blue tape might be still on the back of the wallpaper , the paper won’t adhere to the wall .
This tape is available to paperhangers / installers . If you’re interested, shoot me an email wallpaperlady@att.net
Another thing about Spoonflower , the seams are meant to be overlapped, by 3/4″ . Note that this does create a ridge that runs vertically the length of each seam. In the grand scheme of things, this isn’t very noticeable.
Actually, there are advantages to overlapping seams in this manner. No worries about white substrates showing at the seams, nor the paper shrinking and leaving gaps at the seams.
Also, in case of unstable walls that might come apart ( delaminate ) under the tension of the drying / shrinking wallpaper, overlapping disperses the tension and helps prevent wall failure.
This pattern is called Serpents and Apples and is by Spoonflower . Spoonflower has a lot of cute designs , and also a good number of fun avant garde patterns like this one.
The homeowners have some other non-typical d├ęcor that will meld perfectly with this wallpaper. Think life-sized skeletons .
… Notice how that light fixture hanging in the center of the wall kinda looks like a skull ? …
The home is in the Oak Forest area of northwest Houston .

Leopards Prowl Inspired Powder Room

August 5, 2022
Vanity wall was originally textured and painted with a semi-gloss . Here it’s been skim-floated , sanded , and primed – ready for wallpaper.
Finished. There’s a cool light-up mirror that will hang on the brackets under the light fixture .
Opposite corner before.
Finished. This room wouldn’t have half the impact without the black moldings and ceiling. The homeowner said she envisioned a jewel box – all tufted and lined with velvet . Well, I’d say she nailed the look!
As the dark and mysterious wallpaper moved from left to right, the room began to take on a mood . I love the juxtaposition between a clad wall and a bare wall.
Close-up.
Detail.
The husband is handy, and I really appreciate that he removed the vanity and sink . This made it a lot faster and easier for me, and ensured better adhesion of the wallpaper around the plumbing pipes . And also eliminated stress and creases on the paper that can happen when bending and folding to work it around obstacles.
Here is the modern looking vanity that will go into the powder room .
To keep white primer from showing at the seams , I striped black paint on the wall under where each seam would fall. Do a Search here to read previous posts about this technique.
I use matt finish craft paint from the hobby store , a scrap of sponge , and a bottle cap full of water . Do a Search here to read previous posts about the process and materials .
I also run chalk along the edges of the wallpaper, to cover up the white substrate , to ensure there will be no white peeking out at the seams . Again, do a Search on key words to learn more about this technique .
Dang it! I forgot to take a picture of the label! But this wallpaper is by York and is called On The Prowl .
It’s vinyl on a non-woven backing . The instructions said you could paste the wall for installation . But I pasted the paper, and I think with this product it’s better, because it did seem to want to expand a bit. If you paste the wall and then the paper stretches, you’ll end up with buckles at the seams or bubbles within the strips .
The material was fairly flexible , which was nice because it allowed me to “mush” the paper to conform to some pretty un-plumb walls.
Although York is one of my favorite brands , I wasn’t real crazy about this particular wallpaper. Still, it seamed up nicely, didn’t shrink, has a vinyl surface that will resist splashes and fingerprints , and is designed to strip off the wall easily and in one piece when it’s time to redecorate .
This is a townhome in the Rice Military area of central Houston .

Dark and Moody Bedroom Accent Wall

August 4, 2022
The wall has been skim-floated and sanded smooth , primed , and is ready for wallpaper .
The homeowner did a great job coordinating the wall and ceiling paint with the colors in the wallpaper.
This is a room that’s made for sleeping!

At first I thought the pattern scale was too small for the large wall. But once I saw it on the wall, I really like the way it fills the space.
To me, this pattern has a sort of calico look.
Close-up shows the light texture on the paper.
This is a non-woven material, so I’m installing via the paste the wall method . Here I’ve cut and arranged all my strips in the order in which they will be hung . This is a drop match pattern , which some folks think of as A and B strips. Meaning, for instance, an orange flower appears at the top of the wall on Strip A . But the next strip, Strip B, has a yellow flower at the top. When you get to the third strip, we are back to an A and an orange flower. Next comes another B strip – and so on.
I’ve rolled the strips backward , with the top of the strip coming off first. This will prevent the printed face of the wallpaper from bumping into the pasted wall during installation .
Wallpaper often shrinks a tad when the paste dries , and this can result in very minute gaps at the seams . With dark wallpapers , it’s pretty important to take steps to prevent white from showing at these gaps. Here I’ve measured out where each seam will fall, and taken diluted black paint to make a dark stripe under each seam . I don’t make the paint full-strength, because wallpaper paste isn’t formulated to adhere to paint. I want the wallpaper adhering to the primer I’ve applied. That’s also the reason why you don’t want to roll paint over the whole wall.
Also, I have only striped some of the seam areas, and will wait until some strips are up on the wall before striping more lines. This is because wallpaper expands when it gets wet with paste, which can make it difficult to plot the exact width of each strip as you move across the wall.

I use acrylic craft paint from the hobby store, applied with a bit of sponge. I keep a small dish of water to dip the sponge into, which dilutes the paint a bit.
You also see a stick of chalk pastel . See next photo.
Besides the wall peeking out from behind the wallpaper seams , it’s also possible / probable that the white edges of the wallpaper backing / substrate will show at the seams. I take a stick of chalk and run it along the edges, making sure to apply from the backside, to avoid getting chalk onto the surface of the wallpaper.
Be sure to use chalk pastels and not oil pastels – oil will bleed and stain wallpaper. Some installers use liquid paint or markers – again, be sure to use water-based or acrylic , and never oil based or permanent markers .
BN Walls is the brand. Altogether, this was a pretty nice product to work with. It was thin and very soft and flexible (many non-wovens are not).
I wasn’t happy with all the seams, though. I believe the paper was cut with dull or wobbly wheels at the factory, because the edges seemed to not be perfectly straight . So I ended up with gaps and overlaps in some areas. Here you can see the wallpaper edges pouching up a bit due to excess paper.
But, as I mentioned, this material was quite flexible, so it was pretty easy to spread these edges apart an use a tool to push them apart and then down to prevent them from pouching up again. Once the paste started to dry, these areas held nice and tight and flat.
This is a townhome in the Rice Military neighborhood of central Houston .

Naked Ladies on the Walls in a Home Bar Bath

August 2, 2022
This is a powder room off a bar in a home in the Spring Branch area of Houston. The walls have wainscoting below and paneled walls above; the wallpaper is to go inside the panels.
Wallpaper primer has been applied . Because both the woodwork and the wallpaper are dark, I’ve taken care to not let my white primer get onto the woodwork, making sure to leave a 1/8″ or so gap of the dark woodwork paint. This way there won’t be any white showing at the edges.
This is a little dubious, though, because wallpaper paste won’t adhere to the glossy woodwork paint . Not too much of a worry, though, because that gap is mighty narrow and not likely to cause any adhesion problems. See recent previous post for a closer photo.
Done. Opposite wall reflected in the mirror.
From a distance, it just looks like a symmetrical design .
I centered the design on this section between the corner and the door .
I positioned the pattern so that half of it landed in the corner. Thus, looking in the mirror, between the two walls, you’ll see a whole motif.
The manufacturer colored the edges black . This greatly reduces the chances of the white edges of wallpaper showing at the seams. Do a Search to read my previous blogs on this topic.
The pattern is called Showgirls and is by Graduate Collection , out of England .