Posts Tagged ‘selvedge’

Dining in the Meadow

August 26, 2018


Such a beautiful pattern really transformed this dining room in the Highland Village area of Houston.

The homeowner started out wanting the whole dining room papered, but the material (by Peter Fasano, called “Meadow”) is crazy expensive. So she toyed with the idea of papering just the fireplace wall. Then she decided to paper that fireplace wall, and also the mirror-image fireplace wall in the living room directly across the hallway.

But as we approached the install date, she decided that she wouldn’t be completely happy unless she had what she really wanted, which was her original vision for the room – all four walls.

Now she’s crazy happy. And her husband is happy, too – he likes the wallpapered look so much that he is ready to do another room. 🙂

From my point of view, this is one of the nicest papers I’ve ever worked with. It had to be hand-trimmed to remove the unprinted selvedge, and the trim marks were spot-on. The paper took the adhesive well, and it was easy to smooth into place. It would stretch when needed, and wrinkles of excess paper could be eliminated, which helped a lot when accommodating for unplumb walls. There was minimal shrinking as it dried. It is thin and hugs the wall tightly, and was easy to turn corners.

The design is a soft black line drawing on a slightly off-white pearlized background.

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Dark Paper Bringing Brightness to a Harvey Hurricane Flooded Home

June 28, 2018


This home in the Bellaire subdivision of Houston was flooded during Hurricane Harvey in August of 2017. Everything below the 4′ high water mark had to be cut out and thrown out. The homeowners loved the Mid-Century Modern vibe of their 1952 home, so, as the structure was put back together, they re-created everything as accurately as they could – baseboards, doors, cabinets, flooring – they even found a funky green refrigerator designed in the style of what I can only describe as an old Studebaker sedan.

When it came to wallpaper, they wanted something to reflect the vintage vibe. After much research, they agreed on two papers from the Bradbury & Bradbury Vintage ’20’s collection. This colorful bird-flowers-and-foliage-on-black pattern went in their sun room, which can also be called the piano room.

The ’20’s Vintage wallpaper collection is pretty new from Bradbury and Bradbury, which is out in California. This company produces historic-styled patterns from eras such as Art Nouveau, Art Deco, Victorian, Asian, and more, right on through into the new offerings based on designs from the “Modern Age.”

Like many higher-end or specialty and / or “boutique” wallpaper brands, this paper came with a selvedge edge that had to be trimmed off by hand (by me!). The manufacturer’s trim guidelines were spot-on, and so the edges were nice and straight, and the pattern design matched from strip to strip perfectly.

This pattern is digitally-printed on a paper substrate with a somewhat shiny surface. I found that it accepted the paste (clay paste is recommended, to mesh with the paper which is printed on a clay-coated substrate) with no protests, and, after appropriate booking time, the paper handled nicely and the seams laid down nice and flat. That slightly shiny surface also allowed me to wipe any stray spots of paste off the surface.

Because the paper was black, I did take the extra step of using a piece of black chalk to color the edges of the strips, to keep the white substrate from peeking out at the seams.

This room holds a grand piano, and is in the back of the house, where it looks out onto the patio and backyard. It gets a lot of sunlight in the daytime, and the colors in the wallpaper will really stand out, and will bring a lot of light into this very deserving home.

Hand-Trimming Rebecca Atwood “Dashes” Wallpaper

June 1, 2018


The wallpaper from my previous post is sold by the yard, and was digitally printed to order. Instead of coming in standard-length rolls / bolts, it comes in one continuous roll.

Like many high-end materials, it has an unprinted selvedge edge that has to trimmed off by hand. Here you see my straightedge and razor blade, carefully removing the excess paper.

Similar Theme; Different Feel

July 14, 2017

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The original wallpaper in this large powder room in Hunter’s Creek Village was red and had “broken twigs” as its design. The homeowner wanted a subtle change, so went with something fairly similar, but more modern. The paper is a grasscloth, and is dark blue, with gold “broken lines” covering the surface.

The paper had a selvedge edge that had to be trimmed off by hand, using a straightedge and a razor blade. This is a bit more difficult to do with grasscloth, which is thick and stiff, than with regular paper. In addition, the manufacturer’s trim guideline marks were off, which resulted in edges that were not straight. It took some time to figure out how to bypass that, and how to salvage the strip that got the crookedly cut edge.

There were a lot of other challenges to this room, including crooked walls, bowed walls, 12′ high ceiling, paper that twisted when it got wet with paste, a console vanity with exposed plumbing and a lower shelf, and less paper than I asked for – I needed 11 1/2 strips, and I had 12 strips….which meant that there was no extra paper to fix an error. Every strip had to be cut and hung perfectly.

I trimmed, pasted, and hung one strip at a time. This was tedious and slow, but it allowed me to gauge what was going on with each strip and how it interacted with the other strips (previous and succeeding), crooked corners, and the conformation of the room, as I worked my way around the walls, plus it gave me time to work around more difficult areas, such as the light fixtures, the “low boy” toilet, and the console sink.

The finished room looks great, and the homeowner loves it.

Because it’s grasscloth, the family will have to be careful to not splash water onto it, because it will eventually stain the material, or cause the dyes to run.

This paper is by Kravat, and I was very pleased with the quality of the material. (But, let me say here, I was NOT pleased with the mis-marked trim guidelines.) Back to the grasscloth – the color was very uniform, and there were virtually no shading or paneling or color variations, which are problems with most other grasscloth products I have hung. Do a Search here on those terms, to learn more.

You get what you pay for. This Kravat grasscloth cost about $350 per single roll (about 22 useable square feet).

Trimming Wallpaper With a Selvedge Edge

December 20, 2016
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Many of the higher-end wallpapers come with an unprinted selvedge edge, which has to be trimmed off, so that the seams can be butted together on the wall. The first photo shows this selvedge, along with the proofs for ink colors that are used in the design.

The second photo shows my straightedge, razor blade, and some of the selvedge that has been trimmed off. The trimming process is exacting, tedious, time consuming, and not always as accurate as I want it to be.

The third and fourth photos have poor lighting, but look closely and you will see the deep red dotted lines forming much of the pattern.

This wallpaper was bought on-line from Grow House Grow, and I hung it in a rear entry in a Mid-Century Modern home in the Highland Village neighborhood of Houston.

Hand-Trimming Wallpaper

October 4, 2016
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Two wallpapers I hung this week came untrimmed, with the unprinted selvedge edge still intact. This means that the paperhanger has to take a razor blade and a straightedge and trim off the selvedge, following trim marks from the manufacturer, or an element of the design.

It’s tedious and time-consuming, and you have to be mindful of what you are doing at all times, or risk getting a crooked cut, or a seam that won’t butt together properly.

Usually, it’s the higher-end papers that come untrimmed. Hmmm… you pay more for the paper, but the manufacturer puts in less work on his end. Hmmm.

“Iconic” Martinique Banana Leaf Wallpaper

August 20, 2016

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This “Martinique” (French island in the Caribbean), wallpaper pattern is the exact same as was used in the ’40’s in the Beverly Hills Hotel – and on TV shows like Friends and the Golden Girls, and in celebrities’ homes, and on a Mariah Carey album cover, to name a few. I have hung it several times – it is retro, it is timeless, and people love it.

It is also expensive. And thus there are knock-offs. Most of the knock-offs are easier to hang. This one was not.

While most wallpapers these days come pre-trimmed by the factory, this paper came with a selvedge edge, which I had to trim off by hand with a 6′ straight edge and plenty of sharp razor blades. I spent maybe an hour and a half just trimming the edges off six strips of wallpaper. And the trim mark arrows printed by the manufacturer were not distinct, so it was hard to tell exactly where to cut, which means it was easy to get an edge that was not perfectly straight. That means you can get perfectly butted seams, but also what we call “gaps and overlaps.” In addition, the pattern was not perfectly matched by the manufacturer, so there were some slight mis-matches once on the wall. Luckily, the pattern is busy enough that these are pretty disguised.

The paper had a thick vinyl coating that was difficult to cut. The thick manila paper backing sucked up paste, leaving little to hold the paper to the wall. The paper backing opposed the vinyl surface, causing curling at the seams. I added extra paste, I added more moisture, I striped the wall behind seams with paste, but I still had seams that wanted to curl up a little. Usually, once the paper is good and dry, the seams give up their moisture and that causes them to shrink, and then they pull tight to the wall. By the time I left, most of the seams were tight and flat.

In the end, the finished wall looks fantastic, and the homeowner loves it.

I put this bright and bold “Martinique” wallpaper pattern on an accent (headboard) wall in a guest bedroom in a new home in the Montrose neighborhood of Houston.

New Wallpaper in the Wallpaper Lady’s Bathroom

May 3, 2016
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Last week, I stripped off a decade-old botanical and bird wallpaper pattern from my master bathroom, and replaced it with this “Raspberry Bramble,” by Bradbury & Bradbury (http://bradbury.com/), a California-based company that specializes in patterns true to the Art Nouveau and Arts & Crafts and Victorian periods, along with some Mid-Century Modern and other designs.

This B&B wallpaper was a little tricky to work with. For starters, it has to be hand-trimmed (see photo) to remove the selvedge edge. My go-to pre-mixed adhesive is not a good choice for this material, so I chose a potato-starch paste available from Bradbury, that comes powdered and is mixed with water on-site.

This particular pattern has a lot of ink (smells like moth balls!) on the surface, and, when paste is applied to the back, the backing absorbs paste and swells at a different rate than the inked surface, resulting in wrinkles and bubbles and twists, plus the curled edges you see in the photo, which can prevent the seams from lying down properly. The moisture differential can cause the paper to continue to swell on the wall, causing wired (overlapped or puckered) seams.

I’ve hung a good amount of Bradbury & Bradbury papers, but had never encountered the degree of bubbling and curling as with this paper.

The solution to all this is to mist or damp-sponge the surface of the paper, which puts moisture on the front, and allows the front and back (wet by the paste) to absorb moisture more evenly. Then the paper is folded loosely (booked), and also rolled up like a newspaper. This helps push the curled edges back down. Then the strip of wallpaper is placed in a plastic trash bag to sit for 10-15 minutes, much longer than the booking time for most papers.

All of this took more time, but it resulted in smooth paper with flat seams.

My plan for this room is to achieve a 1700’s French chateau look, so I am also darkening and stenciling my vanity, which has a new “Noche” travertine countertop, will be hanging some frilly antique wall clocks, period artwork, a beautiful chandelier, and adding other features.

1930’s Wallpaper in the Wallpaper Lady’s Home Office

April 29, 2016

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This paper is the real deal; not a reproduction. I bought it from HannahsTreasures.com. They have tons of beautiful, authentic papers from the ’20’s through the ’70’s. Much of it is very limited stock, as was with this beauty.

There were only 8 single rolls, and I thought I could only do the top 2/3 of the walls, and then paint the bottom 1/3. But I found that, instead of the standard length of today, 33′ long, most of these bolts were 40′ or longer. That made all the difference, and I was able to squeeze out enough paper to do the entire room, from floor to ceiling.

This paper is very delicate and brittle. I used what they used years ago, powdered wheat paste (available from Bob Kelly at paperhangings.com), mixed with distilled water, and a soft, long-bristled smoothing brush. I used extra care, to avoid tearing or breaking the brittle material.

Back in the day, this paper was hung over a muslin type fabric tacked to the ship lapped walls. The seams were overlapped. The last I hung vintage wallpaper (in my entry), the paper hand-trimmed nicely, and I butted the seams and they looked great. This stuff, though, I’d cut it along the trim lines, but the edges would turn out all jaggedy. I got one decent seam out of it, and the second was good at the top, but overlapped toward the lower section. With so little paper to work with, I decided it was best to go with a sure thing and overlap the seams.

What I did was to trim off most of the selvedge, leaving a 1/8″ raw edge on the left side. On the next strip, I trimmed the right edge right up to the pattern, then left a 1/8″ selvedge on the left. This strip was then overlapped onto the previous strip, with the trimmed edge matching up with the pattern to its right, and overlapping that 1/8″ left edge.

This means that there’s a ridge under each seam from floor to ceiling. It’s more or less visible, depending on the direction of the lighting. But that’s how the paper was meant to be hung, so it’s the authentic look. Once my furniture and artwork gets back in place, and I have the computer screen to look at, no one will pay any attention to it.

I totally love this paper. The colors, the texture, the smell, and most of all the pattern. Most of my furnishings and artwork are vintage, so the room will look very pulled together.