Original wallcovering was a dark , rustic , textured (and outdated) torn and overlapped paper . Smoothed , prepped , primed , and ready for wallpaper . Done! Bright , fresh , and with visual movement from the swirly leaf pattern .Opposite side of vanity / countertop . Mirror shot showing wall behind the vanity / sink . Wall opposite the vanity / mirror . The pattern is called Priano .
The color is called Dusty Pink – it’s a very livable pink. This is very popular pattern , and I’ve hung it a bunch of times, in every colorway . It’s one of my favorites, too. I love the soft swirling foliage , and the simple two-color scheme . This makes it a very easy pattern to live with , whether it be one accent wall or a whole room . In fact, the pattern is so soft and un-intrusive that it makes a wonderful choice for papering all the walls in even a large room such as a bedroom or dining room (Search here to see the dining room I did in the soft blue version .)
Made by Serena & Lily
I like the quality of just about everything from this company. This is a paper wallpaper , and goes up nicely . Like most traditional wallpapers , this is installed by pasting the paper . The home is in the Champions Forest area of northwest Houston . installer paperhanger
This bathroom is part of an addition to a 1940 home on the near east side of Houston. The drywall is new. As I requested, the painters did not apply any coatings . Here you see I’m priming the walls with my primer made specifically for wallpaper – Roman Pro 977 Ultra Prime . Done. The vanity will be pushed against this wall , and lighted mirrors will be hung over it. Keep fingers crossed that the electrician doesn’t mess up the wallpaper while installing the mirrors . I think this pattern looks like a tapestry .This paper went up beautifully . The seams are practically invisible from a foot away. I love the slight raised ink texture of this surface print wallpaper . Artichoke is made by Serena & Lily . I really like just about all of their papers .
Dang … I forgot to take a before pic. This large powder room was originally papered in Serena & Lily ‘s Feather , in green . I stripped it off and applied wallpaper primer , which took a day, and hung the paper the second day. Larger than usual toilet alcove .If you’re from Austin , Texas , you recognize these things. Barton Springs , BBQ trucks , the State Capitol , cowboy boots . Hippy Hollow isn’t on there, and I’m not sure it even still exists, but the nudist colony there was definitely part of Austin’s culture! The pattern is in the City Toile collection by Katie Kime , which is wildly popular . I wasn’t crazy about the quality of the paper , but it install ed OK and will hold up for many years. It sure changes the room! iThe home is in the Oak Forest / Garden Oaks area of Houston
I wanted to position this pattern so that the stripe ran right up along the right side of the door frame. That would be more visually pleasing than having half-sections of those angular motifs. The stripe did run along the outer edge of the wallpaper strip, so I could have easily butted the edge along the door molding. But that would have put a vertical seam running right up over the corner of the door. My experience has shown that this area gets a lot of stress, especially in the case of shifting foundations and walls. So I really avoid letting a seam fall there.My solution was to take a strip and move the seam over – easy to do with this striped pattern. We had very little paper for this job, so before cutting anything I made sure that reducing the width of this strip by one section of diagonal motifs would still allow me to reach the corner on the far right (not shown). So I measured down a little more than the height of wall above the the door and kept that intact and full-width. The rest of the length of that strip I cut along the strip in the design, all the way down to the floor. Here that strip is in place. Leaving the top portion a little long ensured that I had enough to cover this area, and then all I did was trim off the extra 1″ or so, just as you normally would trim around a door frame. The best part is that we now have the paper reaching across that “danger zone” above the top right corner of the door, with no seam to split open or gap should the wall shift.Here’s a close-up of the irregular strip as it falls alongside the door molding. Here’s the left corner of that door. I did some tricks to get that strip straight along the edge of the door frame, too. No pics, but, in a nutshell, I cut vertically along the lines in the design over the door, to cut the sections apart. Then I overlapped the sections about 1/4″, with the vertical stripe disguising the overlap. This made each section of diagonal motifs narrower. Once I had narrowed the whole area by removing about an inch, I had pulled the full-height strip on the left over to the right far enough that the tan line lined up along the door frame, and above the door it butted up with the left edge of the last section of diagonal motifs. Note that this is a very easy pattern to play tricks with, because, although there is a pattern match, it really doesn’t matter much if you ignore it. Also, the lines are not perfectly straight, but a bit squiggly, and that makes it much more forgiving. In fact, because we were really short on paper, the only way to get the room done was to mis-match the design in most places. The homeowner was OK with that. In fact, she (and he) were delighted with how the room turned out. This very popular pattern is called Feather and is by Serena & Lily . Just about everything they make, I love hanging. (not so fond of their non-woven / paste-the-wall option) This comes in many colors, and you can purchase directly from them on-line. wallpaper installer houston
This project has been in the works for more than a year, and the young family was chomping at the bit to get it done! Here is the “before” pic, after I have smoothed the textured wall and primed. See other post for info on the smoothing process.Done!The homeowner had gotten some left over paper from a friend, and only had one full double roll plus 20′ on another roll. I would have liked more paper, but I was up to the challenge, and was able to pull some tricks out of my hat and get the room done with what we had – with about 13″ left over! Close-up.I love raised-ink papers like this. They add just a tad of texture to the room. The manufacturer is Serena & Lily . I love hanging most of their papers. This ” Feather ” pattern is very popular, and comes in many colors. The home is in the FM 1960 / Cypresswood area of Houston .
Including right here on the cover! And a real coup! … A magazine that’s pretty much dedicated to the all-white or all-grey trend in decorating, as well as minimalism … it’s so exciting to see some pattern and color in the ” farmhouse ” themed homes. Let’s take a look …Textured grasscloth behind bookshelves in a living room .Two-tone classic toile on one wall as a background to a stairwell . It warms up the space, without hitting you in the face. Soft , cloud – like feel behind this credenza . Look carefully right above the baskets , and you’ll see an overlapped seam. Some commercial murals are hung like this, as well as the very popular patterns by Spoonflower , which is a budget-friendly and DIY – able , good quality material and brand . (But ONLY their ” prepasted smooth ” option. Do NOT get the ” traditional pebble ” nor their ” peel and stick . “More of the toile pattern , in the entry , with batten board wainscoting and a chair rail , in a mud room . Also called rear back door entry . : )Floral pattern in the laundry room . I’m getting lots of queries for wallpaper in laundries … must be trending right now!Soft two-tone floral in small bathroom .Textured grasscloth behind desk in home office .Apologies for the sideways image … WordPress used to be easy to use, and I could correct this. But they “upgraded” their program and made many, many features much more difficult to work with. I tried tutorials on how to fix this, but after reading and watching tons of info and videos, I gave up. It used to be just one click ! Anyway, note the cheery breakfast room. Colorful without being overwhelming . Closer picture. Very innovative use of floral pattern with subdued color around the archway / entry to another breakfast nook . Note that the back of the nook also wears a textured wallpaper . Sorry for the out-of-order picture … another frustration from the “upgraded” WordPress Editor . This gives an idea of what the afore-mentioned breakfast area looked like pre-wallpaper. The magazine didn’t mention a brand, but this sure looks like one of Serena & Lily ‘s designs . Of course, when one company makes a popular pattern , many other companies make their own versions . These days, usually you see pattern on the accent wall behind the headboard . So it’s a little unusual to see wallpaper on all four walls of this master bedroom . But it works, because the pattern is simple and the colors are kept to only two , so the overall feel is calming , rather than busy . Fooled me! I thought this headboard accent wall was done in tile – but it’s wallpaper !The same paper on a kitchen cabinet .
Here I am moving from right to left across this wall, fixin’ to put wallpaper over, around, and then under this window .The distance from the existing strip to the corner is 20.” The width of the wallpaper is 18.” This means that my next wallpaper strip is going to fall 2″ short of reaching that wall to the left. So another strip will be needed to cover that last 2.” That’s two full length, 9′ long strips to cover that small bit of wall space. And there will be a seam down the middle. I’d like to use less paper and have less waste. And I sure would like to avoid having a seam down the middle. Both because installing it is a PITA and also because it would look better and be more stable without the seam. If I could just make that next strip over the window narrower, it would pull the full-length strip a bit to the right, eliminating the second strip and the seam.Each 18″ wide strip has two stripes of flowers running down it. There’s a little gap between these stripes, so it’s possible to split the strip in half vertically between the rows of flowers. Then I’ll have a 9″ wide strip filling the gap over the window, instead of an 18″ wide strip. So here I’m using a straightedge and razor blade to split the strip. (Normally I do this on my table with my 76″ straightedge , but today I’m working on the floor and with different tools .)Here is the piece viewed from the front. The pink bit of flower on the right side is going to match up with the corresponding flower on the existing strip over the window . I made sure that the left edge of this 9″ wide strip has no flowers or motifs crossing over the left edge. That way there is no pattern to match across the seam, so I can choose any piece I want for the final strip that will go in between the window and the corner. Here it is in place. Now I have only 11″ of width to cover with wallpaper , and no seam down the middle . Same procedure for under the window. Except I’m not trimming this piece to 9.” I’m leaving it about 2″ wider. One reason is because that full-height strip coming down between the window and the corner is likely to twist or stretch a bit, and thus won’t line up absolutely perfectly with the strip under the window. Having this strip under the window be wider will allow the strip coming down the side of the window, when it gets down to under the window, it will overlap the strip under the window by about 2.” So I’m going to double cut / splice these two pieces together. I’m also not adhering this piece to the wall yet, because I don’t want the paste to start drying, as I will need wet paste and paper that is easy to pull off the wall, in order to do the double cut. OK, so here we are over the window, getting ready to put in our long 11″ wide strip down alongside the window. Actually, I’m cutting this piece 12″ wide, to allow for trimming along that left edge in the corner. This will also accommodate if the paper twists or shifts over that 9′ drop from ceiling to floor. I chose a flower to put at the top of the wall that is different from what’s on the existing strip, so there won’t be repetitive motifs. But the right edge of this strip of paper has a design part that is meant to match up with the corresponding flower on the left edge of the previous strip. But we don’t have that corresponding flower, because I cut that strip down from 18″ wide to 9″ and thus lost the left edge of the paper, along with the corresponding flower. I don’t want this half-motif to be hanging in the middle of nowhere. Even 9′ up above the window, it might catch your eye. No problem. I took my straightedge and razor blade and trimmed off 1/2″, which got rid of that design element. Note that I did this before I trimmed this long strip to 12.” If I had trimmed it off before, then this strip would have ended up 11.5″ wide instead of 12″ and might not have fit the space since wallpaper can twist and shift during that 9′ drop. Sorry, no photo of that strip butting up to the piece over the window and then dropping down the space between the window and the corner.So that strip is in place now, and here we are under the window, with that 9″ wide gap to fill. So I take the strip I had set aside for under the window and position it next to the strip on the right. Remember that I cut this middle strip about 2″ wider, so it overlaps the strip on the left. I need this overlap to do the double cut / splice.When splicing on the wall, it’s important not to let your blade score into the wall. If the wall surface becomes compromised, the torque created when the paste dries and the wallpaper shrinks a bit can tug at the wall and cause layers of paint or etc. to pull away from the wall, resulting in an open seam. So I’m padding behind where my cut will be made with this strip of flexible Lexion plastic. It’s thin enough to not make much of a bump under the paper, but thick enough that you can’t cut through it with a razor blade. If you’re interested in this cool stuff, email me and I’ll hook you up with the guy who sells it. wallpaperlady@att.net There it is on the wall. Now I put the two layers of paper over it . Note that this is a paste-the-wall wallcovering, so there is no paste on the strip on the right, so nothing to stain the paper below it. If this were a regular paste-the-paper material, you can use thin plastic strips (like painter’s plastic) to cover up that paste. Trim guide in place, and I’m getting ready to make the cut with a new single edge razor blade. You have to press hard enough to get through both layers of paper in the first try, but not so hard as to cut into the wall. I’ve plotted where my splice will go, to not cut through any flower motifs, and to be sure to cut off that little bit of flower you can see shadowing through from the wallpaper piece underneath – just to the left of the large flower. Once the cut is done, I remove the excess paper on the left. Then reach underneath and remove the excess paper from the bottom strip. Another shot of pulling out that excess bottom paper. Next I removed the Lexion strip. I set those in a bucket of water to keep the paste wet until I can wash in the sink. Bringing the two strips to meet up and then smoothing into place. No paste got on the surface, so no need to wipe the seam.A double cut / splice makes the absolutely most perfect and invisible seam, because both pieces have been cut together and butt perfectly.Here it is finished. Technically, due to slicing the strips in half vertically, the floral strip on the far left is about 1/2″ further away from the strip on the right than it “should” be. But – eh – who the heck is going to notice that?! What’s important is that no flower motifs got cut in half, no identical flowers ended up next to each other, here’s no seam down the middle of that space, and only one 9′ high strip of wallpaper was required (instead of two). Done. Oh my gosh – now I’ve got to do the same thing on the opposite side of the wall!!The pattern is called Sweet Pea and is by Serena & Lily . This went in a nursery in a home in the Garden Oaks neighborhood of Houston .
Nursery window / crib accent wall before, primed and ready for wallpaper .Done. Pattern is nicely centered on the wall . The pattern is called Sweet Pea .Has the look of hand-painted watercolor . Made by Serena & Lily . I usually love their papers, and I usually love non-woven / paste the wall materials . But not this stuff. For starters, it’s practically transparent . This means you can’t make marks on the wall – like my measurements or strip placement . Also any color irregularities on the wall will show through. A pigmented wallpaper primer is a must . Here you can see the flower from underneath showing through the paper on top. In addition, the paper was VERY stiff and difficult to work with. Creased easily fitting it into the areas around the window molding and where the paper met up with the corner. I had these same issues the last time I hung a S&L non-woven (most of their wallcoverings are paper). There are so many good quality N-W substrates out there, makes you wonder why they don’t switch to something better.The label said this was a drop match . But the pattern match turned out to be a multiple drop . On a straight match , you’ll find the same tulip, for example, at the top of the wall on every strip. On a drop match , that tulip will be at the top of the first strip, then on the second strip it will drop down half the length of the pattern repeat . On the third strip, it will be back at the top of the wall . On the fourth strip, it will drop down again. And so on. But on a multiple drop pattern match , also called a quarter drop , that tulip drops down bit by bit over a span of four strips , before it appears again at the top of the wall. Actually, with some multiple drops, the motif can traverse more strips before it’s back at the top. These patterns are extremely tricky to figure out , and to calculate rollage for. I’m really glad that I rolled the paper out on the floor of this empty nursery , before cutting anything. If you assume that what you have in your hands is a typical pattern match and go and cut all your strips ahead of time, you will have a whole bunch of strips that won’t match up, and will have ruined all that paper. The home is in the Garden Oaks neighborhood of Houston . installer
Walls were originally a light tan , with a poor texture job , too much caulk along the top of the backsplash , and later it was discovered that someone had painted (several layers ) on top of wallpaper . Same area after I’ve skim-floated and sanded smooth , then primed with Roman Pro 977 Ultra Prime made specifically for use under wallpaper . I have Murphy Brothers paint store add a little blue tint so I can see where I’ve rolled it on. Finished!Such a happy pattern to look at – swirly , nods to foliage and ferns , crisp . Yet not too busy , due to the 2-tone color palate and the tight, overall design .Close up. You get the feel of a watercolor artist / painting .The design matched up perfectly in the last corner . This only happens about once in every 10 years! In addition, what’s even more astounding is that EACH of the four walls in this powder room was EXACTLY the width of two strips of my Serena & Lily 27″ wide paper + expansion. The strips fell in EACH corner ABSOLUTELY tight and straight. I’ve had perfect kills before, but never had paper fall in the corners with no need to wrap or trim. I know that’s a little techy for the non-professional reader to grasp. But just know that it was a room and a day full of almost paranormal-grade coincidences , math , and execution . Pattern is Priano and is made by Serena & Lily , one of my favorite companies. This is the home of a young family in the Spring Branch area of Houston .
Peeking in from outside the room.Pattern nicely centered on vanity wall.The actual manufacturer is York. Unfortunately came with the printing defects that have been common with this brand. I had to discard one entire 9′ strip.
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