This couple in a nicely updated 1939 home in the Montrose neighborhood of Houston has a blank wall in the back of their large walk-in closet. They have a lot of colorful , modern art and wanted a backdrop for it that would be fun, but wouldn’t compete .One of the gals is an administrator for the athletic department in a local school district – so this small print “ Swimmers “ design is just perfect. In fact, the day I hung this, she was away at a swim meet in Austin ! Note that Spoonflower offers scores of designs under the “ Swimmers “ name, so be sure to check all of them, and all the colorways they come in, too. Detail Spoonflower is a little different from most wallpaper companies, in that it’s material comes in individual panels, or sheets – which they call rolls . Each of these is 24” wide, and then you choose the length you want, between 3’, 6’, 9’, and 12’. Each roll comes nicely packaged in an individual thick plastic zip-lock bag . These ones are upside down, so I had to re-roll them so the pattern would be coming off the top of the roll . Here are some tips about hanging Spoonflower. First of all, I like their “ Pre-Pasted Smooth Removable “ option. And it’s the only one I’ll work with. Their “ Traditional Pebble “ is a heavy vinyl that requires special trimming , bubbles, and is better suited for commercial spaces. And, the Peel & Stick – well, everyone ought to forget that sad stuff. Please read my link to the right about that material. In this photo, you can see that the white material is thin and translucent , allowing things underneath to show through, sort of like a shadow . So I need to be careful to make my pencil marks and notes on the wall very lightly. Side note: Never write on the wall or paper with ink or marker or crayon or grease pencil – it will bleed through the wallpaper . This is a pre-pasted material , meaning that a thin layer of paste is already applied to the back. To activate the paste , all you need to do is dip it in water , run it through a water tray , or spritz the back with a squirt bottle (uneven and kills your wrist) . Their paste is quite adequate. But I do like to have a little extra assurance, so I will roll on a little of my Roman 780 wallpaper paste onto the back. Then I take a sponge and drip clean water from a bucket onto the back of the paper . Next I use a paint roller to spread the mixture of water and paste around the back . This both activates the pre-paste, and also spreads around a little extra adhesive . Next, the paper gets folded pasted-side-to-pasted-side ( called booking ), then rolled or folded loosely. I like to dip the ends of the rolled strip into a bucket of water – just 1/8” or so, to prevent them from drying out while booking. Then the strip is placed in a plastic trash bag to prevent it from drying out during the booking period – a few minutes. I use this time to paste and book my next strip . Spoonflower Pre-Pasted Smooth is a little different from most papers, because it’s designed to be overlapped at the seams. Here I am lining up a seam. This overlap does show as a ½” wide ridge along the entire length of each strip. With busy patterns, it’s not very visible. Even with sparse designs like this one, once it’s dry and flat, you don’t notice. Here’s the overlapped seam looking toward the light, which is leaving a very minor shadow. And the overlap can be a good thing. For starters, most wallpapers shrink a little when the paste dries, so you can end up with slight gaps at the seams. Overlapping eliminates that. Also, if a wall is unstable underneath, due to incompatible layers of paint , or dusty walls, or other, the tension of these drying strips of paper can cause the layers inside the wall to come apart / delaminate – and that will result in paper that comes away from the wall, taking layers of paint and etc. along with them. This usually cannot be repaired or “ glued back down .” (Do a Search here to learn more) So overlapping the seams disperses the tension caused by the drying paper, and eliminates any seam from landing on the wall (because the sheets are overlapped ), so no popped seams .Here is the seam looking away from the light.Because Spoonflower Smooth Pre Pasted is thin paper and water-activated , it absorbs a lot of moisture from the water. So the material can’t help but expand . This can result in bubbles on the wall. Also, when air pockets develop, there is nowhere for the air to escape, so, again, bubbles and blisters. If there are huge bubbles, it may be worth taking a brush or plastic smoother and chasing them out. Or using a pin or razor blade to poke tiny holes to let the air out. But, really, if you can just relax and let nature take its course, as the paper dries, these bubbles will dry flat and disappear. Trust me. Another thing that can happen is wrinkles . These tend to form in the same place on every strip , and coordinate with how the paper was booked and rolled after pasting . The worst of these can be chased out with a plastic smoother. But there are dangers to over-using the smoother tools. Doing so can stretch the wallpaper and cause it to warp, which means the pattern might not match up perfectly on the next strip. Or it might cause wrinkles that can’t be brushed out. Again – if you can just sit tight and let the paper dry naturally, the creases and folds will disappear. I did some experimenting and found that booking and then rolling the strip up like a newspaper resulted in more wrinkles.It worked better to paste, book, and then fold gently and loosely. Then into the plastic bag to sit for a few minutes . Spoonflower PrePasted Removeable Smooth . I like this stuff. Removeable means that it’s designed to strip off the wall easily and with no/minimal damage to your wall when you redecorate down the road. I suspect this is made by York , as it’s very similar to their SureStrip line . Good stuff. The order comes with a mock-up of the strips / rolls you’ve purchased.Install instructionsPromo info from Spoonflower .
Dining room before. This bungalow in the Woodland Heights neighborhood of Houston is very true to the Arts & Crafts / Craftsman period. This style featured straight , clean lines , nature , and muted colors that mimicked those found in nature . The homeowner is a retired woodworker / carpenter and did much of the millwork you see here. Done. The teal green is actually a little more muted than the photo shows. From another angle. Close-up. This wallpaper pattern is called Fir Tree . A frieze is a wide wallpaper border , usually run around the middle or top of a room . The manufacturer is Bradbury & Bradbury . They specialize in period-inspired patterns from past eras, such as Victorian , Arts & Crafts , Oriental , Modern Age / Mid Century Modern , and more. Bradbury prints on stock that’s about 28″ wide, and this border is about 13″ wide. So Bradbury prints two borders side-by-side , and then you need to use a straightedge and razor blade to cut them apart .Although the border came about 13″ wide, the space between the beams was only about 11.5″ . So we were going to lose about 2″ . I consulted with the homeowner. He really wanted to see the copper metallic pine cones. We also felt the trunks of the trees were important design elements . We decided that the pattern could afford to lose more from the top , which would permit more of the tree trunks to show, all the while preserving those pine cones. Here I am trimming 2″ off the top, so the overall height of the frieze is now 12″ . That will fill the space between the beams, and also allow a little bit to tuck down below the bottom beam (there is a gap between the wall and that beam). The room was really dark , the wallpaper was dark , and my straightedge was casting a shadow where I needed to trim. So I grabbed my Big Larry flashlight from my toolbox and was able to see where to trim. Bradbury uses inks that are quite delicate , and can be scratched or marred simply by brushing with my smoother brush , or my plastic trapezoid squeege smoother tool . Metal – like a trim guide or scissors – will also leave marks on it . Here I’ve wrapped tools in microfiber towels and baby socks , to soften contact with the wallpaper . Bradbury inks and substrates can be finicky, and it’s important to use the paste recommended by the company for the particular colorway that you’re hanging . In this case, I had to use clay – based paste . The inks and substrate aren’t always compatible , so when you add wet paste to the back , it can cause the substrate to absorb moisture and swell , while the inks on the surface are holding tight. This will result in wrinkles , warps , and bubbles on the surface . We call this quilting or waffling . One trick is to lightly sponge clean water onto the inked surface. This will allow the surface to absorb moisture and expand hopefully at the same rate as the backing , hopefully eliminating wrinkles and bubbles . On this install , I still had problems with uneven expansion . And with the paper drying out before I could get an entire strip up on the wall. So, while I was pasting the back, I also sprinkled a little water on the back and mixed it in with the paste . This did seem to even out moisture , and also help the material remain moist and workable during the installation . In addition, I also had trouble with the edges of the paper drying out before I could get a full strip up on the wall. Part of this was because it’s winter time and the furnace was blowing hot air into the room and drying out the paper. My counter-attack was, again, to sprinkle a little water onto the back, to hydrate the material more. Also, once I had pasted a strip and rolled it up (see below), I dipped the edges into about 1/8″ of clean water. And then wrapped the pasted material in a plastic trash bag and allowed to book for a few minutes before hanging . This is standard procedure with wallpaper. Actually, what worked better was to paste, book, bag, and then just before hanging to dip the ends into water. This seemed to keep everything wet and workable better and longer. Despite all this, some small bubbles did remain in the paper. As the paper dried, though, they flattened out. When you book a strip of wallpaper, customarily you fold the top 1/3 down and the bottom 2/3 up. This keeps paste from smearing all over everything, and makes each strip shorter and easier to handle. And allows you to get the top section of the pattern lined up with that on the previous strip , before unfolding the bottom section and working that against the wall. But it’s a little different handling a narrower border that’s maybe 12′-15′ long. What I do to make this manageable is to book the material in accordion pleats . See photo. Then I can unfold just a small section, work it into place, and then move along the strip, smoothing just a small section at a time against the wall. Actually, with this install, I positioned my sections against the wall temporarily, to get the whole 15′ strip up there. And then went back and smoothed each section against the wall, working out bubbles and warps , and ensuring that the frieze was pressed tightly against the wall at both top and bottom . There were four strips around the top of this dining room. On each strip I used a different install method. By the time I was done, I had learned how the material wanted to be treated. The homeowners are in love with this period-authentic look for their vintage bungalow. The husband said it was like Christmas, because they had waited for so long to have this room completed, and now it’s finally finished and beautiful!
I’ve finished putting short strips of wallpaper over this wide entry way . My next strip will be a 9.5′ piece going down the left side of the door molding . The piece above the door ended 1/4″ from the left edge of the door molding. Normally, I would butt my next strip up against the existing piece. Then, as I move down the wall smoothing the paper into place against the wall, there will be a 1/4″ bit of it that laps over against the full length of the molding. I would need to use a straightedge and blade to trim this off. And then use my damp microfiber rag to wipe paste off the molding. This non-woven wallpaper is thick and stiff , and hard to press tightly against the molding, so a bit tricky to get a sharp , tight trim cut . And also difficult to ensure that exactly 1/4″ is being trimmed off . So it’s easy for the paper to go off-kilter , and for the pattern to not line up perfectly against the molding . Not a big deal on a busy floral pattern , but with a rigid geometric, it might be noticeable . So I decided to try this. I wanted to pre-trim the strip to take away that 1/4″ . This would save me from having to do any pressing or trimming. And also ensure that the pattern would fall perfectly straight against the doorway molding. I measured down 16″ (the height of the ” header ” over the doorway , plus a couple of inches for trimming at ceiling and then at the top of the door molding ) . Then I used my straightedge , razor blade , and fine ruler (from Texas Art Supply ) to measure over 1/4″ and trim it off . Don’t think this is a simple task … It’s hard to measure exactly the width of the bit above the molding that should be trimmed off. 1/4″? 3/8″? 5/16″? Also take into consideration that most wallpapers expand when they get wet with paste . So that 1/4″ I cut off could extend to 5/16″ or even more. That would mean a gap along the door molding. Next, if the strip above the door is not perfectly plumb , or if the door molding below it is not perfectly straight and plumb , the wallpaper won’t butt up properly against it, and may start to show a gap or an overlap. Sometimes you can manipulate the strip of wallpaper so that it does butt up against the door frame. But that can result in warps and wrinkles , or a pattern mis-match of the next piece . Also, like I said, this particular non-woven product is thick and stiff, and not happy about being asked to twist into another shape. Pasting the paper – instead of pasting the wall – does help to make it more pliable , so you have a better chance of manipulating the paper as you want. Here is the strip going into place. So far, it’s butting up nicely against the molding. And no need to trim anything or wipe paste off the woodwork – except for that little bit at the top, which was my ” extra ” allowed for trimming . FYI, that dark stripe you see along the woodwork is a shadow.Here is the wallpaper as it falls along the side of the molding. The pattern is lining up nice and straight and precise . To be honest, at the lower 1/3 of the wall, the paper did start to torque out of shape , and wanted to leave a gap at the molding, which was trying to grow from 1/16″ to maybe 1/4.” Not a lot – but it sure would look bad to have a 1/4″ gap between the wallpaper and the woodwork. Trying to “mush” it to the right to butt up against the woodwork was causing warps and wrinkles . I was a little surprised, but the paste had caused the stiff material to become softened and pliable – just enough that I was able to gently work out all those warps and wrinkles , so the wallpaper laid nice and flat against the wall. AND the left edge didn’t become distorted, but fell nice and straight enough that the next strip was easily able to butt up against it nice and tightly. This trellis / Moroccan lantern / onion dome / geometric pattern is by Designer Wallpapers .
Beware that some papers are thinner and more see-through than others. Look closely, and you can see the shadow of the wallpaper inked pattern underneath this top layer of wallpaper. Nothing wrong with this. Just something to be cognizant of. So just be sure to not write too heavily on the wall,* nor to make dark pencil marks on the back of the wallpaper.* Because they may telegraph through to the surface after the wallpaper is up. *For instance, I write measurements, and also notes like strip sequence on the wall. And on the back of the paper, I always mark the top of each strip, and also the number / sequence each strip should be placed on the wall. Also just a note – always write in pencil , or chalk. NEVER make marks on the paper or on the wall in ink or marker – these substances bleed through wallpaper, paint, and other materials, and will leave a nasty stain on the surface of the paper.
Before – new drywall has ben skim-floated and is clean, but, gee, it’s boring … and lends nothing to the room. After. Now the room has color, movement, and feels more spacious.This beautiful, sculpted mirror was found at Ballard Designs new brick & mortar store on W. Gray in the River Oaks Shopping Center. Ballard also has a wallpaper section, and experienced designers to help you. Call first, because they stay pretty booked.The colors in the wallpaper coordinate beautifully with the granite countertop, and the brushed copper fixtures (faucets, hand towel rings, etc.)Close-up shows the water color-y appearance of this pattern, as well as the cool shadow effect. This wallpaper is by York, one of my favorite d brands, and is in the Candice Olson (of HGTV fame) line. It was a joy to work with, and will hold up nicely in this powder room. It is made of the classic paper material, nice and thin, clings tightly to the wall, and easy enough to remove when it’s time to redecorate.
This home experienced severe damage during the February 2021 freeze here in Houston. Just about everything had to be replaced, including floors, walls, cabinets, and tons more. The homeowners took advantage of the tragedy to update as they made repairs.
You couldn’t possibly find a better wallpaper pattern for this room … the colors meld perfectly with the floor, paint, granite countertop, and metal fixtures. The limited pallet keeps the paper from being too busy. The scale covers the walls nicely without feeling crowed or too busy.
Ron Dillon of Calico (a.k.a. Calico Corners) at 1845 W. Alabama in Montrose helped these homeowners pull everything together. Calico has a good selection of wallpaper brands. Ron has been handling wallpaper for decades, so is one of the best in town to help you track down just the right pattern.
This home is in the Old Braeswood / Boulevard Oaks / Medical Center / Rice University neighborhood of Houston.