Posts Tagged ‘silk’

Wallpaper in March 2019 Issue of Better Homes & Gardens Magazine

March 5, 2019


The first picture is the most exciting. Murals have exploded in popularity these days, but they’re not the traditional palm-trees-hanging-over-a-white-sandy-beach photo. The pink floral mural looks like a very traditional hand-painted silk, most of which are very expensive. These days, there are all sorts of digitally-printed knock-offs, which are very reasonably priced. The other three murals are examples of more contemporary designs. Since many companies are printing digitally, their murals can be custom-sized to fit your specific wall. (Remember to have the paperhanger measure before you order – we know how to measure better than homeowners. 🙂 )

The second and third photos accompany an article about decorating with house plants. I am tickled that they chose wallpaper as a backdrop for these rooms.

The last photo shows a bedroom papered with an abstract palm leaf pattern – which just happens to be yellow – the magazine’s feature color of the month.

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Phillip Jeffries “Wish” Silk Adds Quiet Drama to a Dining Room Wall

February 21, 2019


The homeowners of this newish home in the Bellaire / Braes Heights / Willow Meadows area of Houston like it’s serene, monochromatic look. But they wanted something with more color and eye appeal on this focal wall in the dining room.

They chose this tone-on-tone 4-panel mural by Phillip Jeffries, screened on silk on a paper backing. The soft and whimsical design is called “Wish” – remember when you were a kid and blew the fluffy seed pods off of dandelion stems?!

A mural is pleasing to the eye, in part because it is one scene, and doesn’t have the repeating design motifs that a typical wallpaper pattern has.

I particularly like the way the design mimics the look of the chandelier. These are little things that visually pull the room together. And the homeowner did it without hiring a decorator!

The mural comes in a set of four panels. Each panel came 36″ wide, but there was a selvedge edge that had to be trimmed off by hand with a straightedge and razor blade, reducing the width of each to 33″.

This wall’s width required 21″ of a fifth panel. The mural is printed so that the left side of Panel 1 matches up with the right side of Panel 4. So the homeowners simply needed an additional Panel 1 (which became the fifth panel, last on the right), to cover their wall.

The mural was 11′ high, but this home’s wall was only 9′. So I rolled all the strips out on the floor and plotted out which were the most important design elements to keep, and which we could afford to lose. I cut off about 16″ from the top, and another 8″ or so from the bottom.

Silk is a natural material, and so there are color variations between panels, and even within the same panel. I hate these color variations in grasscloth, but in this silk material, I think they enhance the look. It looks like there are real strips of silk fabric laid on the wall – and that’s exactly what there is! In the close-up shot, you can even see nubs of the silk fibers here and there.

This wallpaper pattern is by Phillip Jeffries, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Gracie Wallpaper Mural in Victoria Magazine

April 8, 2018


Sorry, this is a really, really bad picture, I know. It’s a shot of a page in the Spring 2018 issue of Victoria magazine.

But what’s cool is that it shows a really fabulous hand-painted, custom-made, probably silk wallpaper mural, in an equally fabulous and beautifully furnished home full of antiques.

The mural is by Gracie, and took a year to produce. The room has to be measured meticulously, with notes made where very door, window, bump-out, and other elements of the room are located. Then the silk is hand-painted in panels, which are then shipped to the home and reassembled sequentially as they fit around the room. Installation is tedious and exacting, and requires special liners, pastes, techniques, and sometimes even gloves, to prevent hands from touching the delicate paper and inks.

Silk Wallpaper – Sealed, Trimmed, Railroaded, No VOC’s

October 24, 2014

Digital Image

Digital Image

Digital Image

Digital Image Today’s wallpaper install was a little atypical. The interior designer had found some silk fabric that the he and the homeowner (a soon-to-be-first-time-mother!) loved. It was to go in the bathroom adjoining the new nursery. The designer had the fabric mounted on a 36″ wide non-woven backing, which is a common contemporary substrate for wallpaper. He went a step further and had the material sealed, to make it more durable and to prevent stains. Good move, especially in a child’s bathroom!

The designer had ordered enough square footage of the material to cover the one wall the homeowners wanted papered. However, the material was 36″ wide, and the wall was 48″ wide, so I needed two 9′ strips to cover the wall. So, while there was enough square footage, there was not enough running length to provide two 9′ strips.

I played with it a while and figured that there was enough to cover the wall if I ran the paper horizontally (called “railroading”) instead of hanging it vertically. This meant two horizontal seams instead of one vertical seam, and it meant that the “clouds” would be positioned sideways. I discussed this with the homeowner, and she was fine with it – the most important thing was to get the beautiful fabric and color up on the wall…and before the baby came!

The backing was uneven in width, plus, some of the silk had gotten wrinkled at the edges where it was attached to the backing. So the goods had to be hand-trimmed to cut off the selvedge edge and the wrinkles, and to straighten out the edges and get them parallel. That’s what I’m doing in Photo 1.

In addition, the wall was a little less than 9′ high. So, with 36″ wide material, I had to be careful how much I trimmed off each edge, so I would end up with three strips of paper that, stacked one atop the other, would be wide enough to cover that wall. Plus, because the seams would be very visible, the panels needed to be similar enough in width to look uniform on the wall.

I ended up trimming two strips to 34.5″ wide, and left the final one untrimmed on the bottom edge, so I could trim it precisely against the baseboard once it was in place.

In the second photo, you see the paper running horizontally, as it butts up against the doorway, waiting for the last piece to be positioned below it. The third shot shows the finished wall. You can see that this “water-stained” pattern has no design to match, so all of the seams carry a mis-match. Photo 4 is a close-up of the mis-match. From a distance, you don’t notice it much, and it’s considered part of the hand-crafted appeal of this product.

Another interesting thing is that, the edges that I cut by hand didn’t come together on the wall as nicely as most wallpapers do. I only had two seams, but I wasn’t 100% in love with the way the first seam looked, so, even though I know that most papers pull closer to the wall and look much better when they dry, I wanted the second seam to look better while I was still there.

So I did what we call a double cut – which is a fancy paperhanger’s term for a splice. I overlapped the seam area about a half of an inch, taking care to keep the proportions as close to 34.5″ wide as possible (who’s gonna notice a half an inch, or even an inch, difference in width?!), protected the bottom strip of silk paper with waxed paper to prevent paste from staining it, put padding beneath the area to protect the wall from being cut into, and then used a straight edge and a new, sharp razor blade to cut through both layers of paper (but not through the padding).

Once the excess paper on either side of the splice, and the padding beneath it, were removed, the seam was nice and flat and perfectly butted. The pattern mis-match was still there, but that’s just the nature of the beast.

As you can see, the finished wall looks great!

Oh, also, like many first-time parents, the homeowners were concerned with fumes and chemicals getting into the baby’s room. I made sure to keep the door between the bathroom and the nursery closed, and I used a primer that, although it has a little scent, contains no VOC’s or harmful fumes.