Posts Tagged ‘sisal’

Disappointing Defects in Schumacher Sisal Wallpaper

May 12, 2022
The homeowners ordered the brown colorway. So why did they send us both brown and blue??
Look closely and you’ll see that both the blue and the black lines are different thicknesses on each of these three bolts.
Close-up showing different widths of ink.
Even before I unrolled any paper, my suspicions were aroused by this … This cut was made by a hand-held scissors, not a factory machine. That tells me that perhaps an installer sliced off a few feet and then returned the paper, for whatever reason. Now I have no idea how many feet are on this bolt, what run number it is, or why the material was returned.
In addition, the five double rolls of sisal ( grasscloth ) material had no labels, no marks, no run numbers, or other typical information.

Feather Bloom is a very popular wallpaper pattern by high-end manufacturer Schumacher. This family paid several thousand dollars just for the material to cover one accent wall in their home office. Such a disappointment that I could not get their room papered today.

Schumacher is not among my favorite brands, and this is a good example of why. LOTS of printing defects, just about every time I work with it.

But this takes it to a whole new level, because obviously there was no quality control at the factory, no oversight to ensure all rolls were from the same run, nor even the same colorway.

Folks, stay away from Schumacher! As I like to say, for every high-end brand making a cool pattern in a material that’s expensive and difficult to work with, there is someone else making a knock-off that is lower priced and better quality.

Foliage Update for Guest Bedroom

November 10, 2021
This small floral print was fashionable when it went up, 30+ years ago. But now it’s dated, and also some stains and dirt are showing. Time for an update!
Old paper has been stripped off, the walls have been primed with my favorite Roman Pro 977 Ultra Prime, and ready for wallpaper.
Done! An accent of grasscloth was used on one wall. I love the way the greens match, and everything coordinates with the paneling / wainscoting.
Usually I place the pattern so a prominent design motif sits at the ceiling line. But in a room with wainscoting or chair rail, that horizontal mid point in the wall is more visible. So I plotted to have the bottom of the dark green, most visible flower land just above the top of the chair rail. It looks like it’s growing from the wood! The pattern also just happened to land nicely at the ceiling line, with no major design elements getting cut in half.
The material has woven fabric look to it – but that’s just the printing. It’s actually a very flat paper. It was very thin, and reminded me of papers from decades ago. It hugs the wall very tightly. I liked it a lot.
Exclusive Wallcoverings
The grasscloth accent wall. All four strips were reverse-hung, and hung in the sequence they came off the bolt. Yet you see a color difference (called paneling or shading ) between some strips. This is quite typical of natural products like grasscloth and sisal.
Close up. Bad photo … the color is actually an attractive green. The material is more of a thin balsa wood about 1/2″ wide, rather than traditional grass or reeds. I feared it would be difficult to cut through, but it turned out to work very nicely. But it would not have been good in a room with corners or intricate details to trim around.

The home is in League City, a southern suburb of Houston.

Three-Dimensional Square “Dots” on Pale Neutral Grasscloth

April 2, 2019

Thibaut’s “Union Square” wallpaper pattern is a response to the popular Phillip Jeffries’s “Rivets.” Thibaut’s looser design and pattern placement make it much easier to align with the walls and woodwork – including rooms that are out of square and out of plumb. Which is just about every house in every neighborhood in every state.

The 3-D squares are made of some kind of plastic stuff, and are virtually impossible to cut through with a razor blade or a scissors (such as when trimming at the ceiling door or window moldings). I was able to engineer the room so that I did not have to cut through any of those rivets! Because the PJ pattern is much tighter, this would have been virtually impossible.

Also, I found that my soft short-bristled smoothing brush worked well enough to press the material against the wall while skimming over the 3/8″ high square bumps (sorry, for some reason, the photo did not turn out). But my beloved plastic trapezoidal squeegee smoother was just about useless, because it would not accommodate the 3-D “rivets.” So I had to adjust my install tactics a bit, and figure how to get along without the plastic smoother.

This wallcovering is made of grasscloth, which provides the subtle texture that homeowners are loving these days. But because grasscloth is made of natural fibers, there can be a lot of variations between bolts, and even between strips off the same bolt.

For that reason, Thibaut not only notes the run number of a bolt of wallpaper, but also the sequence in which the material was produced (see photo). The idea is that if you hang strips sequentially, you will see less shading or paneling (difference in color between two strips of wallcovering). Thibaut’s insert also includes a LOT of jargon about the color differences inherent to natural products, and the admonishment to use the bolts and strips sequentially.

I used three double rolls / bolts of grasscloth for this entry. Two of the bolts (the first two in the sequence) were pretty homogenous in color. The room was small and had low ceilings, and so I was able to keep the three strips needed for the longest wall all from the same bolt (#1).

I cut my other full-length strips from the second bolt (#2). That left the third bolt (#3) for the many short pieces needed to go over the four doorways in the room. As you can see from the last two photos, even though it was the same run number and printed at the same time, this third bolt was noticeably different in color from the previous two. The background color is the same, but there is a lot – a LOT – more dark brown fibrous material that got worked into the woven grass material.

Keeping these darker strips over the doors was a good way to minimize this color difference. The strips were only 9″ high. If these strips had been placed side-by-side on an 8′ high wall, the color difference would have been abruptly noticeable.

Color variations are to be expected with grasscloth, or any natural product. But helpful labeling by the manufacturer, and careful plotting by the installer, can minimize these differences.

This ’60’s-era ranch-style home in the Briargrove neighborhood of Houston is very much a “sea of tranquility,” as the whole house is entwined in off-whites, creams, and tans, with various textures like rough wood, sisal, and this grasscloth, used to pull in depth and warmth.

The interior designer on this project is Layne Ogden, of Layne Torsch Interiors.