Oh, my! – I hung lots of these chintz florals, ” satin ” look (the design of the dark green at the bottom of the wall), and dark colors back in the ’90’s . Sure enough – this home was built and wallpapered in 1994. IIt’s still a good look, IMO, and the homeowner still likes it. But she’s just gotten tired of it. So – time for an update ! She also decided to eliminate the chair rail , so the new wallpaper will go ceiling to floor . Here you see some damage to the drywall where the chair rail molding was removed . What a change! Now the room’s look is quiet and fresh . The buffet , topped with a decorative mirror , will go on this wall . That’s why I centered the pattern in between the windows , so it will fall evenly on either side of the furnishings . I also plotted so that a full “Moroccan lantern” (that’s what this style of trellis pattern is called), would balance out between the crown molding and the window molding. There were several of these 12.5″ high areas all around the room, so this placement of whole “lantern” motifs gave the room a pleasing look. It also worked out that the lanterns were evenly placed and kept whole between the crown molding and the baseboard. See the second following photo to see what I’m talking about As a note – just this one window wall took me about five hours to measure , calculate , and hang . Getting the pattern to go over, around, and under the two windows , and still line up and match correctly , took some time and futzing. The material was thick and stiff , and a bit tricky to fit into corners and trim around the decorative window molding . In the foreground you see my work table area . The homeowner has let me put protective padding on her dining room table and then set my work table on that. This saves space and allows plenty of room for my ladder and other tools as I work around all four walls. So that I could center the pattern on this wall , I had to start hanging my first strip in the middle of the wall. I was lucky this time, that the pattern was centered exactly on the edge of the wallpaper roll . Sometimes (as in the one I did yesterday – see previous post ) the center of the design motif is a to the right or left of the edge of the wallpaper . This, naturally, means you’ve got to do more measuring and plotting and double-checking , to be sure the center of the design falls down the center of the wall . Back to the photo above … that dark block on the right side of my work table is my laser level. It’s shooting a perfectly plumb red line onto the wall. Here I’m lining up my first strip of paper butted against this red line . Switch topics … Back in 1994, the original installer did a very nice job of hanging the wallpaper. But … he didn’t prime the new drywall first. That lack of primer / protective layer means that the wallpaper will actually bond to the drywall. I tried, but was unable to get the existing wallpaper off . Eventually, you need to factor in time , damage to the wall , paste residue left on the wall, and take a different tac if called for. So I skim-floated over the seams , so they wouldn’t show under the new paper , and also floated over the damaged drywall where the chair rail had been removed . Sanded smooth , and then primed the patched areas as well as the original wallpaper, with Roman Ultra Prime Pro 977 . This stuff will adhere to the light acrylic (slick) surface of the original wallpaper, as well as protect it from moisture from my paste on the new wallpaper. ( Moisture could cause the underlying original wallpaper to expand , creating bubbles that will look bad, or loose areas that will pull away from the wall, creating a bubble or pocket.) My primer is also lightly pigmented, so it helps block out the dark color and busy pattern of the original wallpaper . This particular new wallpaper is quite opaque , but not all of them are, so a pigmented primer is important , IMO . Left corner of the buffet wall. Here you can see how the lantern motifs are placed between ceiling and floor. The background has a lightly mottled effect, that mimics grasscloth a bit, and also adds more depth and warmth than just a plain solid color . Been havin’ more than a fair share of defects lately, especially this week. This paper had on both front and back sides, incidences of these black flecks . They seemed to be maybe charcoal , so I wasn’t too worried about their black bleeding through to the surface , like ink or any oil-based substance will do. Most of them were embedded in the material itself, so could not be wiped off , nor dug out with a razor blade . Some I had to cut around and discard the affected paper. Others were so small as to not be noticeable once the paper was up on the wall and all the furniture and artwork was back in the room. There was also one 3′ section of wallpaper that had an odd streak or arc running across it. It wasn’t ink . It was more like some kind of compromise to the substrate . I noticed it was I was pasting the back of the paper . I turned it over and, sure enough, you could see it a little on the surface. (see photo in previous post) It’s the kind of thing that was subtle, but would catch your eye when looking at the wall from a distance . It was minor , but I discarded that strip . Good thing I have the homeowners purchase a little extra wallpaper . The manufacturer is Designer Wallcoverings , which is a good quality brand (aside from the printing defects I described earlier ). It was a non-woven / paste the wall material , which is pretty user-friendly . It will strip off the wall easily and in one piece when you redecorate . Stain-resistant , and ” breathable ” in humid conditions . The home is in the West University neighborhood of Houston . Dining room installer
You are looking a the plastic escutcheon / decorative cover to hide plumbing pipes under this pedestal sink. Someone painted it the same color as the wall, and with the same wall paint. Only problem is, most paints won’t stick to plastic. Plastic is too slick. That’s why now the paint is peeling off with just the slightest tug or tension. It’s peeling away like a snake shedding his skin. There are some solutions for this. For starters, the plastic could have been sanded, to give the paint some “tooth” and something to grab ahold of. There are also primers that will adhere to plastic and prepare it to take the paint. Even simpler, there are paints formulated to stick to plastic. Krylon makes some, and I’ve used it on my outdoor lawn chairs; it’s held up nicely for about 20 years.
Tomorrow this breakfast area wall will get wallpaper. Today is prep day.The wall has a very heavy texture, plus some issues with previous patches in areas, probably due to drywall cracks. I need to skim-float over all this to smooth the surface. In addition, the current paint is quite glossy – and this can present a problem for the smoothing compound to adhere to it properly. So I want to prime over this gloss paint before I skim-coat the walls. The primer has to both stick to the gloss paint and provide a base that the smoothing compound will adhere to. Another issue is that I won’t be using this every day, so keeping it shaken up and useable was a consideration. I looked high and low for an appropriate primer. Finally I snapped that the Roman Ultra Prime Pro 977 that I use under my wallpaper jobs checks off all the boxes … It sticks to just about anything, and it dries nice and flat / matt so any topcoat (wallpaper or smoothing compound) can grab ahold and stick, I have it in my van all the time, and I use it frequently enough that it’s always mixed up and ready to use. To top it all off, it dries in less than an hour. Voilà! This stuff can be tricky to find. Sherwin-Williams used to stock it for me, but became unreliable. Now Murphy Brothers on Bissonnet (Houston) gets it just for me. Besides dropcloths on the floor, here I’ve tacked strips of thin paper dropcloth material along the wainscoting (I also do this along baseboards) to keep any drops or roller splatters from marring the homeowners’ floor and moldings.Here it is applied. Since my goal is to cover and eliminate the glossy paint, and then provide a base for the smoothing compound, this coat doesn’t need to be opaque or cover the wall evenly. Tomorrow we’ll see how the wallpaper turns out!Fast-forward … I’ve floated the wall and sanded it smooth. Compare the smoothness to the “before” picture at the top.
There are a couple of issues going on in this master bathroom, causing the wallpaper to curl at the seams and the layers to delaminate.
For starters, the previous installer did not bother to remove the original wallpaper, but hung on top of it. He did prime over the original wallpaper, which is good,,,, but that primer felt too slick to provide a good surface for the new wallpaper to stick to. I have a feeling it was not formulated for wallpaper.
Second, there has been a lot of steam and humidity in this room over about 15 years. This particular type of paper does allow moisture to find its way into the seams, causing curling and delaminating.
These pre-pasted, paper-backed, solid vinyl wallpapers are among my very least favorites.
Read more about this material by clicking the link below.
In the early 2000’s, someone got the idea to put Venetian plaster in American homes. The fad caught on, and soon people were forsaking wallpaper and covering their walls with the new trendy texture, which was supposed to look “rustic,” and “Tuscan.”
To me, unless you had a house that was designed from the ground up to look “Tuscan,” this wall finish never looked good in the typical American home. Even worse was when the finish was poorly executed. Please see the photos.
I’m glad that the pendulum has swung, and people are going back to wallpaper.
There are special prep steps that must be taken, so that the texture won’t show under the new paper, and so the paper can adhere to the surface (true Venetian plaster has a slick wax coating).
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