Milton & King Travelers Palm in Heights ( Houston ) Entry / Foyer

It’s hard to get a shot of this room, but here we are, looking from the family area through the entry vestibule toward the front door.
The sliding barn door on the right leads to the husband’s home office.
Here the walls are primed with my favorite Pro 977 Ultra Prime by Roman, and ready for wallpaper.

Paper’s up! Lighting and shadows are playing across the walls in some areas.

Opposite wall, west wall, primed and ready for wallpaper.

Done!

An interesting focal point in this room is this set of 100+ year old doors, reclaimed from a building in Arizona. The homeowner tells me that the door has been preserved from rot by the dry / arid climate in that state.
The dealer stripped the doors of years of paint and stain, and shipped them in their most “raw” state.
The doors were then fitted onto a track and hung to slide back and forth over the opening to the home office.

I love the way the weathered wood coordinates in color and texture with the wallpaper pattern.
It took a lot of measuring, trimming, engineering, and plotting to get the pattern so it aligned inside these two wall panels as if the pattern were continuing from the area outside the panels.

Close-up of the wallpaper design.

This material by Milton & King comes as a 2-roll set, consisting of one “A” roll and one “B” roll.
This entryway took four of the 2-roll sets.
Due to logistics, more strips from the “A” bolt were used than from the “B” roll.
Another reminder to always buy a little extra paper.

Milton & King makes some mighty fun wallpaper patterns. Visit their website!
The material is a washable vinyl on a soft and flexible non-woven substrate.
The material goes up on the wall like a dream, flexible and manipulable (is that a real word??!) and with seams that are invisible. When it’s time to redecorate, this non-woven material is designed to strip off the wall easily and in one piece, with minimal / no damage to the wall.

More Pics of Yesterday’s Bedroom

Coordinates beautifully with the dark green sliding barn door

I admit, I wasn’t crazy about this pattern at first. I thought the skinny vertical elements would look too “stick-y.” But as it started going around the room, well – it looks fantastic. I think it helps that there are lots of windows and doors to break up the pattern.

The daughter has moved out and Mom is commandeering the room. She “says” it will be a guest bedroom. But I suspect she plans to use it as her private retreat. 🙂

Van Gogh Collection on Living Room Accent / Feature Wall

Man, the homeowner nailed it when she chose this Van Gogh-inspired trees-and-blossoms pattern in bold tones for a super-long accent wall in their nicely updated older home in the Eastwood subdivision of Houston.

There is a slight raised texture, so it looks like a real oil painting!

I love the way it works with the sliding barn door.

This wallpaper is super nice to work with, as it is soft and bendable, and it clings nice and flat to the wall. The seams are virtually invisible. (I did use chalk to color the edges of the paper, to prevent the white substrate from peeping out between the seams. In addition, there is a slight raised texture, so it looks like a real oil painting!

On a non-woven backing, the paper could be hung via the paste-the-wall method. This material will not expand, so there is no booking or waiting period before hanging.

In addition, non-wovens are designed to strip off the wall easily and in one piece, when it’s time to redecorate.

A Little Dazzle in the Dining Room

This is the same glam-heavy home as in yesterday’s post. Here we are, looking at an accent wall in the dining room, covered with a shimmery, metallic grasscloth superimposed with a silver metallic vertical stacked circle geometric design. The photos don’t do this paper justice – there is a lot of sparkle and sheen!

A mirrored buffet console will be placed in the center of this wall. Boy, will that set off the look!

I was pretty pleased with this product. It had virtually none of the paneling and shading and color variation problems that are common with most grasscloth wallpapers. It turned both vertical and horizontal outside corners well, and was easier to trim than most grasscloths.

I was NOT as pleased, however, with the support brackets and valance for the sliding barn door. Because they hold a whole lot of weight (just like big-screen TV’s) and are mounted deep into the wall studs, it’s often best to not remove or jack around with them. From the photo, you can’t see how complicated it is, but let’s just say that it took me TWO HOURS to hang just the one 3′ wide strip of paper over the door that went above, below, and around the various brackets, screws, and various pieces of metal that comprise the mounting mechanism. In the end, though, we got ‘er done, and it looks great.

This wallpaper pattern is by Thibaut Designs, in the Anna French line, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Metallic Cork Married With Earthy Cork Breathes New Life Into A ’70’s Living Room

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This 1967 home in a unique neighborhood in Pasadena (Houston) is like a time capsule. It’s a little larger and nicer than the typical ranch-style houses of that era. And just about everything in it was original when my clients bought it … terrazzo floors, dental crown molding, upholstered wall panels in the dining room, diamond paned windows, French Provincial painted iron stairway railing, heavy pleated drapes, and much more.

The homeowners love the look and want to preserve as much as possible. But they also want the home to live a little more modern, and they want it to work with the lifestyle of their young – and very busy – family. They’ve already done a fabulous redo of the kitchen that still respects the era and feel of the home’s bones.

Now it’s time to update the living room. Enter – wallpaper! They used the same grey-brown, wood-look floor tile that they put in the kitchen. They kept the chair rail molding that runs around the room. A sliding barn-style door was custom made to divide the living room from the dining room, and it immediately became the focal point of the room.

Wallpaper was the next element … The couple wanted something earthy, yet elegant, and it had to meld with the vintage theme of the house.

They fell in love with a dark brown cork wallcovering enhanced with metallic accents called Enchanted Woods, by Phillip Jeffries. Whoops! – that brand is crazy expensive! My source (below) found them something nearly identical, but at a much more reasonable price. This dark brown material was used on the bottom 1/3 of the walls, below the chair rail. I was able to railroad this product (run it horizontally, instead of vertically), which eliminated seams. (Sorry, I did not get any photos of this.)

For the upper 2/3 of the wall space, they went with a silver metallic cork wallpaper embellished with a classic damask pattern in white. This is a classy, traditional look jazzed up by a luscious shimmery sheen.

The husband was worried that the dark cork at the bottom of the walls would visually occlude the barn door. At first, I tended to agree with him. But once the cork went up, it was clear that the door still stood out as a dominant feature in the room. Furthermore, it was apparent that the dark band of brown cork was needed all around the room, to balance the visual heft of that massive sliding barn door and to bring continuity to the remaining three walls.

As for the upper 2/3 of the walls, there is no question that the barn door stands out against the silver and white damask cork wallpaper. In addition, the natural texture of the cork coordinates nicely with the stained wood of the door.

Cork wallpaper, especially the metallic colors, is pretty popular right now, and I’ve hung a fair amount of it. But this room was the most challenging. Cork is thick and stiff, and does not want to turn corners (In fact, the instructions say you should not attempt to turn outside corners, but should, instead, cover the corners with wooden molding.), nor is it easy to fit around intricate moldings, and it will give a lot of argument when you try to bend it into a small, tight spot. This room had many of those features!

There was one wall that had two trim-less windows that had reveals (and outside corners) to be covered with the cork material, plus four points of wainscoting trim to cut around, as well as two sections of drapery valances to manipulate the stiff material up and under and into. This wall alone took me 4 1/2 hours to paper!

The rest of the room was easier, but still had its challenges. The cork material is thick and stiff and won’t push tightly against moldings or into corners, which means you have to work extra hard and make several cuts before it will sit snugly against the molding or corner. When trimming around intricate moldings (like the edges of the chair rail), you can’t see or feel where the cuts should be made, so you have to inch your way along, taking a bit here and a sliver there. I estimate that each of the six chair rail edges took me at least 15 minutes – each.

The metallic sheen made it difficult to see the pattern, so it took longer than usual to plot and cut strips.

Cork wallcovering is pretty thick, and you have to expect that the seams will show, just as they do with other natural materials, such as grasscloth. Depending on where you stand in the room, the seams on this product are either invisible, or fairly noticeable. I think the seams could have been better – I have a feeling that the manufacturer’s trimming blade was set at a bit of an angle, making a beveled cut. A perfectly straight cut, or even a slightly reversed-bevel, would perhaps have been less noticeable. Still, this is part of the look of the natural material, and not considered a defect. To be honest, unless you’re looking at a particular seam from just a certain angle, you won’t even see a thing – except the beautiful pattern, color, and shimmer.

The dark brown cork is by Monarque, and the upper cork in the silvery damask pattern is by Thibaut. Both papers were bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Over the last few years, I have papered three other rooms for this family. Now that the wallpaper in the living room is up, they are on to other things – furniture, drapes – and then on to update / decorate other rooms. As I left tonight, the mom assured me that I would be back at some point, to paper another room.