Posts Tagged ‘smooth’

Please Don’t Patch On Top Of Old Wallpaper!

July 9, 2020


There was a floor-to-ceiling crack in the drywall. I instructed the painter to strip off the wallpaper around where he was going to repair the wall, and to NOT put patching compound on the paper.

He said that he did strip off the paper. Then why, oh why, did he go and extend his patch on top of the wallpaper he did not strip off??!

In the second photo, you see where I cut around his patch, and then stripped the old green paper off the rest of the wall.

Not shown is where I skim-floated over his patch, to cover the ridge from his patched area and the little bit of paper left on the wall.

Sanded smooth and sealed with Gardz, the wall was then ready for the new wallpaper.

Angled Geometric Accent Wall

June 23, 2020


This small first-floor room will serve two purposes … One: The homeowner is a massage therapist, and treats clients in this room. Two: The room will serve as a reception / living room area for guests when the couple entertains.

There will be a kidney bean-shaped, bright orange sofa placed in front of this accent wall, and a dynamic round coffee table with a black & white geometric pattern will sit in front of that.

An invigorating room for sure!

There were a few minor printing defects, as noted in the close-up shots. I had the same thing when I hung this wallpaper pattern before. The homeowners were not bothered by these slight issues – but I have a plan to disguise them (using appliqués) if they wish to do so later.

The townhome is brand new, in a new gated development in the Timbergrove neighborhood of Houston. The walls are textured, and I spent yesterday skim-floating, sanding, and then priming the walls (two different rooms). This morning, the walls were smooth, dry, and ready for wallpaper.

This wallpaper pattern is by York, in their SureStrip line – one of my favorite brands. It is pre-pasted and goes up on the wall easily. It is designed to strip off the wall easily and in one piece, when it’s time to redecorate.

The paper was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

No, Virginia, These Walls Are NOT Ready For Wallpaper!

June 20, 2020


This powder room in a townhouse in the Galleria / Tanglewood neighborhood of Houston has been remodeled. When the old vanity countertop was removed, the drywall was torn.

When the old vanity, which had spanned from wall-to-wall, was removed, it revealed the original wall behind it, complete with heavily-textured paint.

The contractor made a half-hearted attempt to smooth the torn drywall. But he didn’t even attempt to cover the textured bottom portion.

Seriously? Does anyone think that wallpaper can be applied over walls in this condition?!

Bold Teal Color Wakes Up a Music Niche

May 20, 2020


This is a small niche that holds a stereo system and other music items. The homeowner wanted to bring some color to this corner of her living room, and fell in love with this “Helleborus” pattern by Farrow & Ball.

The bold teal color and large scaled pattern really demand your attention!

I have no idea why the two close-up shots are washed out. But you can see the detail of the design.

I papered over the box in the wall which had held a cable connection; look and you can see it’s ghost on the right side of the third photo.

The homeowner originally wanted to remove the electric outlet and paper over that, too. But electrical codes would not allow that. So I papered the plate cover, and that helps it blend into the wall. I hope she will take a dab of paint and disguise that white screw!

The wall originally had a heavy stipple texture, so I spent most of the day smoothing that – skim-floating over the texture, and then set my three fans to blast air – augmented by my great persuader / heat gun, to get it to dry. Sanded, primed, and then finally hung the three strips of paper.

Farrow & Ball is a British company that makes home goods. Instead of traditional inks, they use their paint on their wallpaper. I am not fond of this method (do a Search here to read previous experiences), but today’s install went nicely.

The home is in the Oak Forest / Garden Oaks neighborhood of Houston.

Lotsa Color, and a Nice Faux Silk

April 16, 2020


I have worked for this couple in their charming 1929 bungalow in West University (Houston) several times since the 1990’s. They definitely are not people to go with the all-white or all-grey or minimalist trends that are popular today. These folks like COLOR!

The dining room walls were originally upholstered in a botanical print on blue (which the homeowner did himself, and did a mighty find job of, too). So the room never was bland white. 🙂 But now, 20 years later, they were ready for an update.

Their contractor removed the fabric and then skim-floated the walls smooth. Usually I have to go back and re-smooth the walls … but this guy did a really good job, and I was able to simply prime, and then hang the paper.

This is a vinyl product named “Wild Silk,” and is by Thibaut. It’s much more stain-resistant and durable than real fabric. Unlike real silk and other natural materials like grasscloth, this product has a pattern match. This means that you are not going to see each separate panel or visible seams, like you do with real silk. So the walls have a much more homogeneous and pleasing look.

The challenge lay with the old house and its un-plumb walls and un-level ceiling and window/door moldings. Since the ceiling was not level, if I hung the wallpaper true to plumb, then it would start “tracking” off-kilter at the ceiling line, and appear to be running either uphill or downhill. This effect was further complicated by the way the pattern ran along the window and door frames.

I decided to keep the pattern parallel to the ceiling molding line. This meant letting it go crooked along the door and window frames, if that’s how it turned out. The ceiling line was more visible and more important.

Since the pattern was tracking off-kilter, I used a razor blade and a straightedge to trim off a wedge-shaped chunk from one side of the wallpaper. This forced the pattern to move up (or down). After a few strips, I had tweaked it enough that the design was moving straight across under the crown molding.

Even though the strips were not hanging plumb, it looked wonderful along the ceiling line. This “silk” pattern was very accommodating of that. If it had been a design with a prominent motif that the eye wanted to see marching straight across the ceiling AND straight down along a door frame, it would have been much more difficult to pull off – maybe impossible.

Going around the window (no pic) was even more complicated. Because I was tweaking the three strips above the window to follow the crown molding, and also the three strips below the window – and you can’t guarantee that these will all adjust at the same rate. So getting the strip to the left of the window (no pic) to match up with the strips above AND below the window would be pretty impossible.

So I was extremely pleased when the pattern on all these strips did match up, within about 1/16″.

This is a vinyl material and was somewhat difficult to push tightly into edges and corners, and to cut through. I was glad that I didn’t have intricate decorative moldings to cut around. I used orange chalk to color the edges of the material, to keep the white substrate from showing at the seams.

I love the way the salmon color coordinates with the painted trim. Who paints door moldings orange??! THESE people do – and I highly applaud it! No boring all-white rooms in this house!

The look is bold, but surprisingly warm. The orange moldings against white walls would have been jolting. But with the salmon colored wallpaper, the whole effect is unified, inviting, and invigorating!

Washing Texture Off of Walls

March 5, 2020


The owners of this new-build home in the Garden Oaks neighborhood of Houston knew that they wanted wallpaper in the dining room and powder room. So they instructed the builder to not texture the walls.

Well, as often happens, the drywall/paint guys didn’t get the message, so while they were spraying texture on the other walls in the home, they also textured the dining and powder rooms (sorry, no picture).

But – they got stopped before they primed or painted. This is good.

The textured surface had to be smoothed before wallpaper could go up. I’m quite good at skim-floating, and I quoted the homeowners a price for me to float and sand the walls smooth.

But the homeowner is also pretty handy. He opted to smooth the walls himself.

Since no primer or paint had been applied, the texture on the walls was raw mud (drywall joint compound). With no coating on it, this stuff is water-soluble. That means that the homeowner could simply wipe the walls with a wet sponge to remove the texture.

Well, it’s actually a bit more than that. You have to wet the walls well, and keep on scrubbing, to the point where the joint compound / texture softens up and can be scraped off the wall with a stiff putty knife, or scrubbed off the wall with a drywall sponge.

And that’s what the homeowner did. He did such a good job that he cleaned the walls all the way down to the bare drywall. That’s what you see in the first two photos. This guy was way more thorough and meticulous than any “professional” I’ve seen out there.

The best primer for bare drywall is Gardz (third photo). It penetrates and seals both the paper face of the drywall, as well as the joint compound “mud” that is troweled over the joints and tape (see white areas in photos).

So my task for today was not to work on smoothing the walls, because the homeonwer had done such a great job of that. OK, well, I did do a little tweaking in a few areas. But primarily, what I did today was roll on (and cut into the corners and edges) a good coat of Gardz.

Besides sealing drywall, Gardz is a good primer for wallpaper. So once the primer was applied and then dried (about an hour), the room was ready for wallpaper.

Grasscloth in Cypress Powder Room

February 18, 2020


The walls and ceiling in this large powder room in a newish home in the Bridgeland Creek neighborhood of Cypress (northwest Houston) were originally a dark gold. I like dark rooms, but this one felt oppressive. It needed to be a little lighter, and to have a bit more interest on the walls.

The walls had a heavy texture, typical of new homes in the suburbs of Houston. I skim-floated the walls, then let dry overnight. The next day, I sanded the walls smooth, wiped off the dust, primed – and then was ready to hang wallpaper.

The pictures don’t adequately show the color of the new grasscloth, but we have natural brown grass color overlaid onto a really deep blue paper backing. The designer had the ceiling painted a dark, sort of murky blue, which coordinates really nicely with the blue in the grasscloth.

Lighting is funny … While I was working in the room, I had two 100 watt light bulbs; one suspended from the ceiling and one attached to where the light fixture belongs. The grasscloth just looked “normal.”

But once the room’s decorative light fixture went back up, it cast light on the textured surface in such a way that the “nubs” and knots really showed up! (see photo) The homeowner loved it!

As a note … With grasscloth, there is no pattern match, and you can also plan on seeing color differences between strips. So it’s important to plot where your seams will fall.

The electrical box, the light fixture, and the faucet were all in different vertical positions on the wall. Because the mirror would take up most of the wall behind the faucet and block the seam, I chose to center the seam on the light fixture, because it would be visible above the mirror. Well – sort of visible … as you can see, light rays from the fixture are so strong that no one can see where the seam is, anyway. 😦

The room had a “floating” sink. One of the photos shows the area under the sink. This area is open to view, and, because there are so many obstacles, it is difficult and time-consuming to wrap the paper underneath and trim around all those pipes and brackets.

The grasscloth wallpaper is by York. I was pretty pleased with the consistency of the material. Although some of the strips did present “paneling” and “shading” – color variances between strips – even strips that came off the same bolt and that were reverse-hung. One strip even had a rather abrupt color change mid-way from top to bottom. (no photo)

But that’s par for the course with grasscloth, and it’s considered to be “the natural beauty of this natural material.”

The interior designer for this project is Neal LeBouef, of L Design Group.

Grasscloth in Heights Master Bedroom

January 17, 2020


This is the 1st floor master bedroom of a nicely-remodeled-but-still-retains-many-original-details-and-all-its-original-charm 1920 bungalow in the Heights neighborhood of Houston.

The textured walls started out dark green. I skim-floated and sanded them smooth. The new wallpaper is a brown grasscloth with a faint greenish tinge, and it has a nubby texture with a lot of knots (more pics tomorrow!)

The homeowner ordered her paper before I measured the room, and I told her to get two additional double roll bolts. In the 4th photo, I am checking labels to be sure we have all the same run / dye batch; we lucked out and the new bolts were the same run as the original lot.

In the 5th photo, I have cut strips for a wall, and have them lined up and ready to paste and trim. In the background, you can see how I place bolts against each wall, as a way of keeping track of how many strips I need and which bolts I will take them from.

Because there are shading / paneling issues with grasscloth (do a Search here on those terms), it’s important to not mix strips from different bolts. That way, if there are slight color differences between bolts (as there usually are) these differences will be minimized. Still, as you see in the third photo, the three strips on the right came from one bolt, and the strips on the left came from another bolt – and there is a noticeable difference in shade. This is not a defect – it’s simply the nature of grasscloth – a product made from natural materials.

This one long wall used seven strips from three bolts, so a color difference could be expected. On the other, narrower, walls, all the strips came from the same bolt, so the color differences were minimized. When I had to use different bolts on the same wall, I was able to place the “break” over a door or window, with only 1′ of color difference. That’s a lot less noticeable than the 8′ you see on the long wall in the photo.

This wallpaper was bought through Sherwin Williams. There is no brand name on the label.

More photos tomorrow!

Smoothing Knock-Down Textured Wall

December 20, 2019


This newish home in Kingwood (northeast Houston) had a typical suburban tract home knock-down texture. This would look horrible under the new wallpaper, as well as interfere with complete adhesion.

So I skim-floated the wall by troweling on joint compound (like plaster), and then sanded smooth. After wiping sanding dust off the wall with a damp sponge, I primed with Gardz, a penetrating sealer / primer by Zinsser. Sorry, no “during” photos. 😦

The last photo shows the smoothed surface, primed and ready for wallpaper. (The dark spots are where the original texture was thick and therefore peeking out from under the smoothing compound.)

10″ Head Space – I Can Do It!

December 13, 2019


Not only was there only a mere 10″ of clearance between the cabinet and the ceiling, the niche was way deeper than the typical cabinet, because below it was a 36″ deep refrigerator. Even standing on the very top of my ladder (ya know – the step that OSHA says NOT to stand on!), and contorting my whole torso on top of the cabinet, it was difficult to reach the back wall. And even more difficult to maneuver my hands and tools.

I managed to skim-float the area, sand it smooth, and prime it. Today it was time to get paper onto it.

The fewer tasks I had to do, the easier (and safer) it would be to accomplish.

The first thing I did was to trim the paper horizontally at the point where I wanted it to meet the ceiling. This eliminated the need for me to squeeze in a straightedge and trimming blade and try to manipulate them in the deep, narrow space.

Likewise, I wanted to avoid having to trim in the last corner (on the right). So I measured carefully, and pre-trimmed my last piece to fit. It was 3 7/8″ at the top, but widened to 4″ at the bottom.

After the strip got pasted and booked, it expanded a tad, so I had to trim off a teeny bit from the right edge. And also a little more off the upper right, due to the wall being un-straight at that point.

I was able to get my plastic smoother and damp microfiber cloth into the space, to smooth the strips to the wall and wipe off any paste residue.