Pink Horses for Baby Girl’s Nursery

The homeowners had this board-and-batten wainscoting added to one wall of the nursery. It compliments similar elements in other areas of the house.

Finished. The side walls are painted a very, very faint pink blush color – just enough to add warmth and unity to the room.

Horses! The mom-to-be had the manufacturer enlarge the scale of the figures, to better fit the size of the wall. That’s a nice service from Spoonflower.

This wallpaper is hung by overlapping about 1/2″ at the seams. This is not common, but there are several companies that work this way. I actually like it. It eliminates the chance of gapping at the seams as the paper dries and shrinks. And it distributes torque / tension on the wall cross that 1/2″, so less worry about a seam pulling up due to wall surface delamination.

This overlap does leave you with a bit of a visible ridge running the length of each seam. A little bit noticeable here, but less so on a busier pattern with less “blank” areas.

Spoonflower is a nice company. But I like ONLY their “Pre-Pasted Removable Smooth” option. I am not as fond of their “Pebble” – mainly because they can’t describe clearly what, exactly, it is. And definitely Do NOT get any peel & stick product, by this company or any other (see page to the right.)

This home is in a new subdivision in League City.

Spoonflower – Overlapping Seams

Re my previous post … this manufacturer, Spoonflower, specs that the seams on its wallpaper should be overlapped – by as much as 3/4″.

On a busy pattern, you might not notice this. But when there is lot of blank space (white area), and when light is coming at an angle (see photo), you’re might notice it.

If you hunt, at every seam, you can spot a ridge the height of the wall, that’s about 3/4″ wide. To me, it’s not much of a big deal. Once yo uget used to it, you don’t even notice. In fact, I have authentic 1930’s and 1940’s wallpaper in two rooms of my home – with overlapped seams – and it doesn’t bother me in the least.

Truthfully, overlapping seams actually has many advantages. For one thing, when wallpaper gets wet with paste, it absorbs moisture and expands a little. Then when it dries, it can shrink a little. This is how you end up with tiny gaps at seams.

Second, overlapping the seams can reduce stress on the wall surface, and prevent the layers within from delaminiating, which can cause popped seams. (Do a Search here on “delaminate” for more info and pictures.

The Atomic Age Comes to a Small Master Bathroom

This small master bath in a newly-renovated 1935 home across from Rice University (Houston) has a black & white checkered floor and a shiny black tiled shower (no pic). The homeowner wanted to move up a couple of decades in decorating theme, and so chose this fun space-age pattern. Now the room is ready for the George Jetson family to move right in! (All the Baby Boomers know whom I’m talking about.)

The wallpaper is by Spoonflower, comes pre-pasted (water-activated), and was pretty easy to work with. The hard part was keeping all those horizontal dashes lined up, in a house with mega wonky walls due to foundation issues and to just plain old Father Time.

Big Pink Flowers for New Baby Girl

Here is a nursery accent wall, getting ready for a baby girl in a few months.

I like Spoonflower’s paper, and it’s been a while since I’ve hung it, so today was fun.

Spoonflower is different from other papers. For starters, it comes in strips of certain lengths, so you have to figure out how many strips of each length you need. For an accent wall like this, that was easy – but it can get complicated in chopped up rooms like bathrooms. Each strip comes packaged separately, in it’s own long, skinny zip-top bag.

The paper is pre-pasted, which you don’t see much these days. I find this type much faster to hang. The paper is also designed to be overlapped at the seams (instead of butted). This means you will see a 1/2″ wide ridge from floor to ceiling down either side of each strip. (See third photo.) In the grand scheme of things, this is not very noticeable. (In the old days, all papers were hung this way, and I have some authentic 1940’s paper in my home office to prove it. 🙂 )

The material is thin paper, and it gets very wet when it is pasted, and it expands. When the paper dries, it shrinks a tad. If the seams were butted, you would end up with gaps between the strips. By overlapping the strips a tad, gaps are prevented. This method also puts less tension on the wall, so you have less chance of layers inside the wall delaminating. (Do a search here for more info.)

The composition and the thinness of the paper also make it difficult to cut, because it wants to tear. So you have to keep a supply of sharp, new blades handy.

This paper is very similar to one I blogged about on December 25, 2018. I’m betting it’s made by the same manufacturer, but sold under different brand names.

Note that Spoonflower also offers a peel & stick so-called “removable” option – do NOT go with this one – horrible stuff, that P&S.

This home is in the Heights / Timber Grove area of Houston.

Clouds on Blue Sky in a Baby’s Nursery – Accent Wall

Here is my second accent wall in a to-be-born baby’s nursery in two days. (And I have a third one later this week!) This wallpaper is by Spoonflower. I generally like working with their product, but it does take a bit of a learning curve.

For one thing, you have to be careful how you order the paper. Usually, “six rolls” will come packaged in three double roll bolts of paper. But here the Spoonflower company has packaged each roll separately. This means there is a lot more waste, as I can often get three strips out of a double roll, but can only get one strip out of a single roll, with about five feet left over that is too short to use anywhere.

Also, this is a pre-pasted paper, and it’s very thin. So activating the paste will cause the paper to become very wet, resulting in the blotchiness you see here. Don’t worry – once it dries, it will look fine.

The paper is also designed to be overlapped at the seams, instead of butted, which is the typical way of joining strips of wallpaper. In fact, if you butt the seams on this brand of paper, it will dry and shrink just a little, revealing a hair’s breadth of wall in between the two strips. So you overlap the seams. But that mean you have a visible and tangible thickness the entire length of every seam. On a busy pattern, this is not all that noticeable (Do a Search on my blog for “Sherlock Holmes Wallpaper.”) But on this very plain sky pattern, the overlapped ridge will be somewhat noticeable, especially when the sun is shining through the windows at certain times of the day. Still, once you get the crib in place and hang a few things on the wall, the seams will fade to the background.

Another thing about this particular job, the walls were not plumb, and the crown molding was way off from level, going uphill as you moved from left to right. If I had hung the paper true-to-plumb and matched the strips as they were designed to be matched, we would have had the crown molding moving away from the clouds diagonally, looking pretty bad. The wallpaper engineer designed the paper so one half of a cloud on the right side of a strip would be overlapped by the other half of the cloud on the left side of the next strip. If I had done this, the clouds would have been marching downhill, because the walls and ceiling were not plumb or level.

To avoid having to match the clouds at the seams of every strip, I hand-trimmed the clouds on one edge to be only 1/4 of a cloud, to allow for the overlap the manufacturer wants. On the opposite edge, I trimmed off of one cloud completely. This gave me an edge with no motif that had to be matched to the other strip. I took this “free-form” edge and overlapped it over the edge with the 1/4 cloud, covering it up completely and not lining it up with the 1/4 cloud, but instead raising the clouds at the top of the wall to the same height as those on the previous strip. This way, all the clouds appeared to be at the top of the wall, instead of sloping diagonally away from the un-level crown molding. The fact that the clouds on the new strip were a little higher than the clouds on the previous strip was not very noticeable, and it looked much better to have the clouds at the top of the wall all uniformly positioned.

The clouds lined up perfectly with the starting point, the wall on the left. But by the time I got to the wall on the right, the ending point, because the walls were not plumb, the clouds were going crooked, and were wider at the bottom of the wall than at the top. This was very noticeable. To minimize that, I cut some partial clouds that were the same width as the clouds at the bottom of the wall out of scrap wallpaper, and pasted them over the too-narrow clouds at the upper portions of the wall. This way, the eye saw uniform widths of clouds from the top to the bottom of the wall. And the eye didn’t see that the spacing between the appliqued clouds and the rest of the pattern was a little less than it should have been.

Sometimes, it’s all about fooling the eye.

I know that my explanation is difficult to follow, and probably doesn’t make sense to anyone other than a fellow paperhanger. But suffice it to say that these little tricks helped mightily to make the overall look uniform and pleasing.

This cute pattern was hung in a nursery in a home in Bellaire (Houston).

Jazzing Up a Stairway

Some people see the ceiling as a “fifth wall.” Well, this family in the Cottage Grove neighborhood of Houston sees the stairway as another wall! Heading up and to the left are 14 more risers that I papered.

It took several hours, longer than I expected, and I learned on the second step that risers were not all the same width. 😦 I engineered it so there would be a vertical white line smack in the middle of each riser, with the “arrows” in the center pointing up.

This wallpaper is by Spoonflower, an on-line company with lots of cute patterns. Some of these new boutique manufacturers put out some pretty wonky papers, but Spoonflower is lovely to work with. You overlap the seams, which is a little unusual, and which leaves a ridge, but that is barely noticeable, and the overlapping eliminates the worry about drying and shrinking and gapping at the seams.

Sherlock Holmes Wallpaper

This wallpaper pattern is the same as is used on the Sherlock Holmes television series. I hung this in a teenaged girl’s bathroom in a beautifully restored 1903 home in the Montrose neighborhood of Houston. The bathroom was in the former attic, now converted to a game room … you will notice that the ceiling is not level, plus there are lots of angled spaces, so the pattern looks a little crooked in some areas.

This paper was made by a company called Spoonflower. You can buy their ready-made wallpapers, or you can have them custom-make something just for you.

At first, I thought the paper would be cheap and difficult to work with, as are the products from many “boutique” wallpaper manufacturers. But I was pleasantly surprised to find that I really liked the quality and ease of installation of this paper. They only weird thing is that they specify that you overlap the seams, and that results in a ridge along each seam. But the paper is thin, and the pattern is busy, plus the lighting in the room is dim, so this was not noticeable.

I hope I can direct more people buy their wallpaper from this company.

http://www.spoonflower.com/wallpaper_welcome