Wall Prep Ahead of Wall Re-Do

This wallpaper in a Houston Heights townhome’s breakfast area was hung by “the contractor’s guy ” and he ran into some problems. First, I suspect the wall had not been adequately coated with a primer designed for use under wallpaper . This may be a large part of why the paper has come loose from the wall in places, and shrunk and gaps at the seams.
The wallpaper is an old-fashioned British pulp material , which is quite different from the non-woven material that this company usually prints on. If the installer was not familiar with hanging a pulp, yes, he can have a tough time of it.

There are other issues that the homeowner is unhappy with, such as tears, slices, patches, and, of course, these un-stuck seams. I’ve posted more pics previously, if you can Search to find them.
My task is to get the paper off and then prep the wall for hanging new material.

Most of the paper pulled off the wall easily. But there were areas where the guy had used a stronger adhesive to try to hold the edges down. Those would not come off the wall without causing damage to the wall. So I pulled off the top, inked layer and left the paper backing on the wall.
This stuff is porous and will bubble when coated with a water-borne primer , and with wallpaper wet with paste.

So I sealed these areas – I sealed the entire wall, in fact – with Gardz (by Zinsser ). This stuff is pretty incredible. It’s a thin, watery primer / sealer that soaks into the surface and binds loose components together, then dries hard and solid .
Latex paints and other water-based products (usually) won’t penetrate it, so won’t cause the underlying material to re-wet, expand , and bubble .
Just a note … due to pandemic and other supply chain related shortages , Gardz has become difficult to find. This can was about 1/4 full and I had it sitting behind my trash can, intending for weeks to toss it out. Now I’m glad that I procrastinated!

Once the Gardz sealer was dry, I skim-floated over it with joint compound , a.k.a. ” mud .” In most areas of the wall, my skim coat was as thin as possible, but I did have to make it much thicker over the areas with the paper backing stuck to the wall.
I set up three fans , and also used my heat gun , to get the smoothing compound to dry. I like the Plus 3 version made by the Sheetrock company. It sands easily and doesn’t make too much air-borne dust.
It took a couple of hours to dry. Then I sanded it smooth , vacuumed up the dust with my Shop Vac , used a damp sponge to get residual dust off the wall , and then let the wall dry once again.

Finally I applied a coat of my favorite wallpaper primer, Pro 977 Ultra Prime by Roman. I used a paint roller to roll it on to the main areas, and an angled trim brush to cut in around the ceiling and moldings.

Here is the wall all smoothed and primed .
Originally I had planned to strip , prep , and hang this half-wall all in one day. But ended up the prep took more time than I anticipated (about 8 hours ) , so we’ll let the primer dry overnight and save the wallpaper installation for another day.
The wallpaper pattern is called Strawberry Thief and is by the famous William Morris designer from the very early 1900’s . I’m sure seeing a surge in interest in his patterns, particularly this one. Do a Search to see other jobs I’ve done with it.

Run Numbers Matter – More

When you hang wallpaper, you need to make sure that all the rolls / bolts are from the same Run Number / Batch Number / Dye Lot. This means that the rolls were printed at the same time from the same batch of ink.
Another batch of ink that’s mixed up and then printed a few weeks later may be a very slightly different shade. You can easily see that color difference in this photo.
Placing strips from two different runs next to each other on the same wall will result in a subtle but unpleasant striped effect.

Besides the color differences of the ink, the printing press can be positioned differently, too.
Look at the bottom strip, at the left of the photo. The vertical line on the left is wide.
But now look at the strip on the right, which is on top. It’s from a different Run.
Here the vertical strips is narrow.
If strips of wallpaper from these two different runs were placed next to each other on a wall, not only would you see a color difference between them, but you would have an unpleasant striped effect, because one vertical stripe element in the design would be unnaturally wide, and another would be much narrower. In between would be other stripes that are the standard medium width.
Very un-uniform and very un-pleasing.
Before any wallpaper rolls get cut, pasted, and stuck to the wall, check to be sure the run numbers are all the same!