The crib will go on this wall. Originally it was textured grey paint , as you see on either side . Here is the wall after I’ve skim-floated / skim-coated it, sanded smooth , and primed with a wallpaper primer called Roman Pro 977 Ultra Prime . I have them put a little blue tint in it, so I can see where I’ve rolled it on. This wallpaper comes in one continuous roll ordered by the yard , as you see on my table , as opposed to double roll bolts as most brands are packaged. This cute pattern is called Thatcher . It looks like a simple repetitive pattern , but it was actually fairly complicated . Not all those starburst motifs , and especially not the fan shaped lines around them, are the same. Looks hand painted with a paintbrush . The paper has a clay coated surface , which give it a beautiful matt finish. It’s lovely stuff to work with – seams melt away like butter , and trim lines are spot-on. (Many companies’ are not.) This brand’s papers come with an unprinted selvedge edge that has to be trimmed off by hand. You use a straightedge and single edge razor blade , and follow the manufacturer’s trim guide lines , to remove the selvedge. Today trimming this one bolt to do one wall took a full hour. The brand is Pepper Home . The home is in the Woodland Heights area of Houston . installer
Baby’s coming, so the nondescript tan walls in this this home office are about to make way for a nursery. I love how one wall done contrasted against the plain painted wall shows how much more life and brightness wallpaper adds to the space. Sweet, but not overly gooey , this pattern and simple two-tone colorway will grow with the child and be appropriate from infant to teen years. Opposite corner. Window wall.Toile is a French word that describes a sort of pen & ink line drawing of one color on a simple background . Classic toiles are cherubs floating and shepherdesses playing flutes while lambs frolic in the meadow. But these days there are lots of themes, from seaside villages to Winnie the Pooh to the Cities series by Katie Kime (do a Search here to see more of that ).This is a non-woven substrate with a lightly textured raised ink surface. It can be hung via the paste-the-wall method. But I usually prefer to paste the material , which worked nicely this time because the wallpaper was thick and stiff, and moisture from the paste softened it and made it much more pliable and workable . This pattern is Rosalind Floral and it’s by McGee and Co. But I highly suspect that the actual manufacturer is York , one of my favorite brands. This is a nicely renovated 1920’s home in the Heights neighborhood of Houston . wallpaper installer
Two accent walls and a bump-out ‘column’ are primed and ready for wallpaper.Finished!This is a little more sophisticated than many babies’ rooms. But that’s good, because this wallpaper pattern will be suitable through many stages of the little girl’s growth. The woven rattan light fixture is the perfect complimentary accessory! The pattern is by Lake August and is called Nasturtium . That printing you see is the selvedge edge and has to be trimmed off by hand. The material was superior quality wallpaper and was really nice to work with.
Before. Smoothed, primed, and ready for wallpaper.After. It’s more of a “dusty salmon” than a true “pink.” The parents are leaning toward a light sage green for the remaining three walls.Close up.Mock-up. While this is a typical repeating pattern, the manufacturer chose to package it as a mural, rather than standard rolled goods. This format works well with digital printing, and allows murals to be custom-sized to fit any wall. (Note: This mural is only offered in a standard size, 12′ wide x 9′ high.)Rolling panels out on the floor to check measurements, plot placementManufacturer is Koko Art, a family-owned business in Florida.
With its black outlines and over-scaled flowers, this pattern is a bit bolder than you see in most nurseries. But the muted tans and salmons keep the look soft and sweet.
The remaining walls will be painted, but Mom wanted to see the mural up on the wall and in the room’s lighting before she chooses a paint color.
This product was packaged as a 6-panel mural. While many murals these days are custom-sized to the customer’s wall, this one came in a set size – 12′ W x 9′ H. It’s important that the mural be 4″ wider and also 4″ higher than your wall, to accommodate trimming at floor, ceiling, and corners, and to accommodate wonky walls and unlevel ceilings.
Koko Art Shop offers three substrate options. Two were peel & stick, so I nixed that sorrowful stuff. Instead, the family chose this lovely pre-pasted option. It went up very nicely.
The home is in an established community in Cypress, far northwest Houston.
Oh, and – the baby girl was born early this morning. It was an honor to help get the room decorated and ready for her arrival home!
The first-time parents of this soon-to-be-here baby girl have done a super job of coordinating colors in the nursery. This wallpaper from Serena & Lily, the crib and changing table from Pottery Barn, a rug, and other accessories all share the same “toned-down” shade of pink.
The swirling leafy design of the wallpaper is a sort of background pattern (as opposed to making a huge statement on its own). It will suit any age child, from infant to school-girl to teen.
The home is in the Spring Branch neighborhood of Houston.
I hung pink wallpaper in this little girl’s room and bathroom in the family’s Houston home a year or two ago, and they asked me to bring some more pink sweetness to the girl’s room in their country home outside of Chappell Hill, Texas.
This design is called “Yukutori” and is by Farrow & Ball. While a stronger design would work well on a single accent wall, this is a good pattern for putting on all four walls, because it’s soft and receding, and will be a good backdrop without stealing attention from furniture and artwork.
The slight orange-y tinge to the color works well with the red brick fireplace and chimney.
This paper is by Farrow & Ball, a British company.
I am disappointed in the quality of their paper, especially for the price the homeowners paid. I’ll talk more about this in later posts, which will include photos.
For now, enjoy the sweet look of this little girl’s bedroom in the country.
I didn’t hang this wallpaper, but I couldn’t resist taking a picture when I saw it in a guest bedroom of one of my clients here in Houston.
If you want a sweet looking room, this is a perfect choice.
The two-hue color scheme is relaxing, and the overall viney pattern is easy to look at and live with. It has an “English country garden” feel to it.
It’s the perfect pattern to use on all four walls of a bedroom.
Note: Once the homeowners get fully moved into their new home, they will outfit the room with more appropriate bedding, and add a little furniture and artwork to this room.
Here’s a bolder twist on pastel flowers for a 2-year-old girl’s room. I’ve hung similar patterns for other little girls (do a Search here) done in this water-colory look, but in “sweeter” colors of pink and peach.
Interestingly, these all appear to be made by the same manufacturer (Sure-Strip, by York), but the design and colors have been changed just a bit, and then distributed through different vendors. Today’s was sold by Caitlin Wilson, but most of the others came from Anthropologie.
No matter who makes it and what brand is put on the label, this pattern is a wonderful choice for this young gal. The charcoal greys “grow it up” a little. It is not “babyish” and will grow with her, and can last well into her teen, and even college age, years.
The paper is wonderful to work with. It’s pre-pasted, which means it has paste on the back that is activated by running it through a water tray – as opposed to having to apply paste with a brush or roller to the back of the paper. It’s printed on a “non-woven” substrate, and is designed to strip off the wall easily and in one piece when it’s time to redecorate. Yet, unlike many non-woven materials, this one is thin and pliable and the seams lie very flat.
I hung this on one accent or feature wall in a newish home in the West University neighborhood of Houston.
Here’s a delightful, softly colorful wall treatment for a soon-to-be-born baby girl. I love the way the flowers look fluid, as if they were brush strokes of water color. It is a mural, made up of six panels, rather than a typical wallpaper with a repeating design motif.
I hung this on one accent wall for behind the crib in a nursery of a newish home in Pearland. The wallpaper was bought on-line, and it came with no label, no instructions, no nothing. The homeowner told me name of the website, but – dang it! – I forgot the site and the brand name. 😦 I suspect that this may be a knock-off of a very similar pattern. Read on.
I have hung this pattern before, with pleasing results:
Anyway, back to hanging the mural. First I smoothed the new suburban home typically heavyish textured wall, and primed with Gardz. (No photos, but similar to the previous two posts.)
In the 4th photo, I have laid out each strip, to be sure of which way is up, of the sequence to be placed on the wall, and to get exact measurements so I can compare them to the wall.
As for getting the paper onto the wall, I followed the protocol for pre-pasted papers, which is to run each strip through a water tray. I added a light coat of supplemental paste to the wall and at the edges (ceiling, baseboard, corners).
Similar to my last experience with this paper, I had what we call “overlaps and gaps” at the seams. See photos 5 and 6. In the 7th picture, you can clearly see that the paper has not been cut straight. Look closely just below the pink flower petal, and you will see that the seam butts perfectly, then jogs to the left in an overlap, then comes back to the right in a perfect butt.
When the manufacturer provides crooked seams, it’s impossible to make them butt together perfectly.
In addition, every seam had pattern mis-matches. In fact, none of the pattern matched perfectly across the 9′ height of the mural. The photo with the dark green leaf shows an example of this. You might think, “Just pull one strip up a little.” But then other elements of the design at other points along the seam would not match up. (Not pictured.)
The paper is simply poorly trimmed and poorly printed.
From a distance, you don’t notice any of this at all, and even close up, most homeowners don’t see it. But this mother-to-be was envisioning a perfect room for her first baby, and she paid a lot of money for the mural and installation – and she spotted the irregularities immediately.
With some of the overlapped seams, I was able to carefully trim off the lower layer, so they butted together better. And as the paper dried, I was able to push some of the seams together, as well as pull apart some of the overlaps. And I used my trusty No. 2 graphite pencil to fill in some of the mis-matched design at the seams.
In the end, the homeowner was happy with the room.
The crib and other baby’s furniture are white, and will look sweet and peaceful against this accent wall.
Why do I have no photos of the finished room? All this furniture is in the garage, still in boxes, waiting to be assembled.
Hmmm… Guess how this young couple is going to spend the weekend? 🙂