Posts Tagged ‘textured’

The Wallpaper Lady in Houston House & Home Magazine, Jan 2019

April 9, 2019

The writer did a great job in passing along accurate information, and I hope this article entices more people to venture into these interesting, textured vinyl wallcoverings.

http://www.houstonhouseandhome.net/0119_webupdate/product-January-2019.html

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What’s Missing?

March 29, 2019


Here’s a wall in an entry in a 1960’s ranch style home in the Briargrove neighborhood of Houston. See that brown line around the middle? Someone has removed the chair rail.

All that is fine and good – but no one told me that the chair rail would be removed, and that they wanted their wallpaper to go floor-to-ceiling.

So, unfortunately, when I measured this room (while the chair rail was in place), I did not figure for enough paper to do the full-length walls. In other words, they don’t have enough paper to do the job.

The other thing is, the walls have a light-to-medium texture, and I planned to skim-float them to smooth them before the paper goes up. That was to take the first half of the day, and I would hang the paper in the afternoon.

But removing the chair rail changes things … Because when the chair rail came off, it took many 50 years’ worth of paint with it – about 1/4″ worth – which means that the area of the brown horizontal stripe needs a thicker layer of smoothing compound than the rest of the walls. This means that it needs more time to dry. A LOT more time, like at least overnight, or even better, a second day. (Quick dry hot mud was not an option, for several reasons.)

This means that this one-day job now requires two, and it means that the homeowners will not get their room done as they expected, and will have to put up with me being there another day. It’s also disrupted my schedule.

Good communication at the beginning and when I first visited this site would have prevented this, kept us on-schedule, and kept everyone happy.

Large and Sweet and Pink Floral Mural for a Baby Girl’s Nursery

February 27, 2019


Expectant moms love this over-scaled floral design in pink, grey, and green, mural style wallcovering for their baby girl’s nursery. I’ve hung it (or similar) many times.

This accent wall is where the crib will be placed. The wall had a light texture; the first photo shows the wall after I have skim-floated it smooth and primed it.

Instead of a traditional pattern where the design motifs repeat regularly up and down and across the wall, a mural like this has few or no repeating design elements. Also, instead of being packaged in rolls or bolts, this wallpaper comes as a 6-panel mural.

Unlike most murals, this one did not come marked as to which strip went where, nor was there a photo of the mural included in the packaging. I had to go on-line with my cell phone to find a pic so I new which way was up! In the third photo, you see me laying the six strips out on the floor, to determine which strip went next to which.

Interestingly, the placement of the flowers on the panels did not correspond to where they appeared on the panels in the photo. In other words, the largest flower, which appeared at the top of the wall in the photographs, was dropped down to mid-wall height on the mural I hung today.

The strips are cut to 9′ long, so I guess that whoever engineered the pattern’s design did not sync it to the 9′ measurement. No biggie … the design is wild enough that no one really cares or notices where a particular flower is placed on the wall. Personally, I think that hugest flower looks great right in the middle of the wall – right over where the crib will sit.

As in other times I have hung this mural, there were printing defects, as you see a slight pattern mis-match in the fourth photo. That photo also shows what I think is a bad cut at the factory – I think the trimmer got off-set at an angle, so made a beveled cut on just that left side of that one panel. That’s why you see the white substrate showing all along that seam.

I was able to take my trusty set of chalk pastels and do some light touch-ups, to fill in the white gap with a matching color, and to disguise the spots of mis-matched pattern (no photo).

This sweet mural is by Anewall, and was bought on-line. It is about 12′ wide x 9′ high, which is pretty standard for a wall mural. This wall was a little less than 12′ wide, so I cut off and discarded about 10″ from the right side of the mural. (This side had fewer interesting design elements, so was the best option for editing.)

The material was pre-pasted, so it was needed was a little water to activate the paste on the back. I did roll a light coat of paste onto the wall, as well as cut in paste around the ceiling and baseboard and far edges, to augment the adhesive.

No manufacturer’s name is given, but I do believe this product is made by York, in their Sure Strip line. It is a thin non-woven material, and is designed to strip off the wall easily and in one piece when the child grows and it’s time to redecorate the room.

Aside from the minor printing defects, it was nice to work with.

The home is in Spring Branch (Houston).

Man-Tailored Linen/Stringcloth/Grasscloth in a Former Boys’ Room

February 23, 2019


This large 2nd floor room in a 1934 home in the West University neighborhood of Houston was home to two boys, who took it on a 20+ year ride through crayons, toy cars, sports, school projects, first dates, college entrance forms, and professional careers. Now that the sons are grown and gone, Mom is calling the room her own. She got rid of the dorm look and is going for something calming and sophisticated, with a farm-house twist.

On the ceiling, I hung wallpaper that looks like ship-lapped wood… Joanna Gaines “Magnolia” book by York, in their SureStrip line.

To augment that, the homeowner chose another York pattern, this soft brown / charcoal linen weave stringcloth. It’s a textured material that resembles the fabric of a man’s tailored suit.

It’s beautiful with the wood plank look on the ceiling, and creates a snug, cozy feel in the large room.

I wasn’t happy with the quality of the product. See my previous post about the mismatches at the seams.

In addition, the material was thick and difficult to trim, and difficult to turn around corners. But worse, whatever backing the manufacturer used sucked up paste like the dickens. I pasted the back and booked according to directions. Yet when I went to hang a strip, it didn’t want to stick to the wall. There was virtually no paste on the back … it had all been sucked up into the backing, leaving little on the surface to hold the strip onto the wall. The strips also had a lot of memory, and wanted to keep curling up.

Although the instructions said the substrate was paper, I believe it was a non-woven material. That means it was dimensionally-stable and didn’t need to book or sit for any period after pasting. I tried various installation techniques and finally settled on lightly misting the back of each strip with water , rolling it up and letting it sit for a few minutes while I rolled paste onto the wall (not the back of the paper). Then I applied the paper to the wall.

The misting relaxed the paper and stopped the curling, and also made the material more pliable. Pasting the wall made sure that paste was there to hold the paper to the wall, instead of letting the thirsty substrate soak it all up.

Even so, this has been a difficult install. The paper is thick and hard to trim, and there are issues with the seams that do not make me happy (see yesterday’s post). I worked an 8-hour today and only got two walls done. So I have to go back tomorrow, and the job will take a day longer than I had planned for.

The wallcovering is made by York. I usually like their products, but, like I said, I am a bit displeased with this stuff. The homeowner, however, loves it.

A Nice Faux Grasscloth for Wet Areas – But A Little Difficult to Work With

February 17, 2019


OK, well my “after” shot didn’t turn out, so all I have for you are these close-ups … which do a fine job of showing the texture of this product. It’s made of vinyl, which allows the texture to be embossed into the surface.

In a bathroom, vinyl is a good alternative to real grasscloth, because water splashing on it will not stain it or cause inks to bleed. I run caulk along where the material meets the countertop / backsplash, so that if water pools up along the surface, it can’t be wicked up into the wallpaper (which could cause curling).

This is a fairly thick vinyl on a non-woven backing, and was somewhat difficult to manipulate into areas where it needed to bend – such as pressing tightly against the ceiling or moldings when I needed to trim off excess paper. It took a lot of strength and pushing in order to get a cut that was nice and close to the corner. I just did an accent wall with few obstacles, but this product would have been difficult to work with in a room that had multiple walls to turn around, and things to cut around – windows, cabinets, etc., or outside corners to get the paper to wrap around – you’d probably need to get out the heat gun and spend a bit of time on each such turn.

I used the chalk to color the edges of the dark wallcovering because it had been backed with white material, and also because the edges themselves were a bit burnished.

The faux grasscloth is by Thibaut, and I believe is in one of their new books highlighting textured materials. The home is in Oak Forest (Houston) and the interior designer is Stacie Cokinos of Cokinos Design. https://www.cokinosdesign.com/

Former Dorm Room Goes Farmhouse Modern

February 14, 2019

This large bedroom in an addition to a 1934 home in the West U neighborhood of Houston wasn’t actually a dormitory, but it was home to two boys throughout their childhood. Now that the boys are grown and gone, the homeowner wants to make this into a spare bedroom that feels snug, yet chic.

She’s going for something of the Farmhouse Modern look. Instead of shiplapped wood on the ceiling, she chose wallpaper that mimics the look – and is much more affordable.

This wallpaper is by York, in their Joanna Gaines “Magnolia” line. It is a pre-pasted light non-woven material in their SureStrip line, and is designed to strip off the wall easily and in one piece when it’s time to redecorate. I like this product a lot. And today I appreciated its extra strength, because I did have to reposition the first two strips quite a bit.

I’m running the strips across the ceiling the short way, from right to left (see top photo). This means that the brown stripes that represent the gaps between the wood planks will run parallel to the long wall you see on the right of the photo.

Theoretically, I should have been able to line the paper up along that far wall. The problem became quickly apparent, though – that the two walls (all four walls, in fact) were woefully out of square with one another. That meant that if the paper was hung parallel to the far wall, the brown line would go off-track as it moved across the long wall on the right.

My first strip, hung parallel to the far wall, was so out of wack with the wall on the right, that I knew that if I continued, that brown line would march very off-parallel away from the wall on the right. That is a 34′ long wall, and very visible when you are standing in the room, so it was important to keep the brown line as parallel as possible. This would have been easy if my strips had been running parallel to the wall. But since I was running the paper in the other direction across the ceiling (perpendicular to the long wall), it was very difficult.

I pulled the first strip off the wall, repasted it lightly to keep the paste activated, put it in a plastic trash bag to keep it damp, and took a new tack.

The distance between the “boards” was 6″. I wanted the first row of boards to look as wide as the other boards, but I needed some play in order to accommodate irregularities in the wall on the right, as well as potential tracking off-kilter. So I decided to have the brown line fall 5″ away from the long wall. That left this row of “boards” only an inch narrower than they should have been, which would not be very noticeable to the eye.

I took a ruler and measured 5″ out from the long wall on the right. Then I took a straightedge and drew a line connecting the marks, to give me a guide line that was parallel to the long wall. Because the long wall was not nearly straight, this line was not exactly 5″ from the wall in every spot. But it was good enough to serve as a guideline for where I wanted my brown line to fall.

Then I went and got that first strip of paper that had been cooling its heels in the plastic bag, along with Strip No. 2, and got them onto the wall. I used my pencil line as a guide to position that brown line. Since you can’t get a very accurate placement with just one 20.5″ wide strip of wallpaper, having the two strips together helped to ensure that the brown line was running along the pencil line. Still, I had to remove and reposition both strips several times, until I got them on my target.

All this is hard enough when you’re working on a wall, but on a ceiling, without the help of gravity holding your paper in place and keeping it free of twists and wrinkles, plus that same gravity trying to pull the paper down around your head, it was quite the feat.

But once I got those two initial strips properly positioned and smoothed, the subsequent strips followed nicely, and the brown line marched along the pencil line beautifully.

In the third photo, you’ll notice that only half the ceiling is done. This is because the homeowner had a little confusion between double and single rolls, and how this particular vendor describes its product, and consequently ended up ordering only half as much as was needed. 😦 I will have to come back and finish later. 😦

I don’t like stopping in the middle of a wall, because wallpaper goes up better when you put a wet strip next to a wet strip, and they can be manipulated together at the seams. But this is a large room, and I wanted to get as much done as possible, to shorten the time needed when I come back later to finish. The vendor promises that they will supply the same run number.

The next post on this room will show the finished ceiling, as well as a thin, tailored, textured woven fiber in chocolate brown that is going on the walls.

As a side note, I have worked in this home for this lovely family several times years ago. The last time I was here, their daughter was an infant. I asked how she was doing today, and was told that, “She’s out running errands, driving Mom’s car.” !!

From Fussy Victorian to Serene Home Office

February 10, 2019


Originally, this front bedroom in a 1925 bungalow in the Houston Heights was wallpapered in a dark green and red floral. It was lovely, and went beautifully with the home’s vintage vibe.

But the new homeowners (who have lived here many years, but are just now getting around to decorating this room) want to use this room as a home office, and they wanted something lighter and more modern. In the top photo, you see me stripping off this floral paper.

They were considering grasscloth, but, after reading my warnings about that product (see the page link to the right), they decided to avoid the color variations, staining, and fragility of that material, and instead went with a sort of faux grasscloth – this textured vinyl in a silvery grey color.

The color of the new paper goes perfectly with the gray paint on the woodwork. The paper has vertical lines in a striped pattern, as well as subtle horizontal shading that mimic real grasscloth, but in a more controlled and pleasing way. The commercial-grage vinyl is thick and durable, and will withstand bumps, splashes, and stains way better than most other types of wallcoverings.

On my end, though, the vinyl material was very difficult to work with. It is thick and stiff, and it is on an Osnaburg woven fabric backing, which is much like canvas. It takes a really sharp razor blade and a lot of strength to cut through it.

And because it is so thick, it’s very difficult to get it pressed up tightly against woodwork – so when you trim against the ceiling, doors, or baseboard, it’s very likely to get a gap that lets the wall behind it show. I have a special trim guide that makes a “fat cut,” which helps eliminate that gap.

Because the wallcovering is made of vinyl, it traps moisture behind it, so when the paste behind it dries, there is nowhere for the moisture to go, so you get off gassing – which is a nice way of saying that the paper “burps” and creates bubbles. I had to continually go back and chase bubbles out of the drying paper.

The design has a textured raised vertical stripe pattern. I had cut my first several strips with the intention to start hanging. Then I started measuring the wall, plotting the layout, and counting stripes. They were not laying out properly across the wall. After studying the paper’s pattern for a while, I realized that the stripes on the ends of the paper would not be spaced correctly – unless paper was trimmed off the edges of the wallpaper strips.

By removing 2.5″ from the edge, the stripes would be spaced correctly. I could trim this 2.5″ off, using my work table, a ruler, and my 6′ straightedge.

But the manufacturer’s trimming roller had left a slight beveled edge where it cut the paper. Since my hand-cut edge would be straight up, you would see an odd junction where my straight cut met against the manufacturer’s beveled cut at each seam.

So the only option for a very smooth seam was for me to trim some off both edges of the wallpaper. This worked out to 1.5″ off one side and 1″ off the other. Which was complicated further by the fact that some of the bolts of wallpaper were 1/4″ – 1/2″ narrower than others. So much for quality control at the factory!

But what this meant to me was that I had to carefully measure the width of each bolt of paper, compare that to the rhythm of the stripes crossing the paper horizontally, and determine how much to trim off each edge, in order to have the stripes be spaced correctly across the room.

In real life, most people are not going to notice a spacing difference of 1/2,” or even 1.” Especially in a room with very dim lighting and tons of shadows, and a pattern that is difficult to see in the first place.

But since I had to trim the paper’s edges anyway, it just made sense to trim it so that the spacing of the stripes fell as perfectly spaced as possible.

Try as hard as you may, hand-trimming wallpaper, especially thick, heavy, fabric-backed vinyl, is not as accurate as what they do at the factory. Thus there is always the potential for slight gaps or overlaps at the seams. With a thin paper, it’s possible to stretch and manipulate the material to make a good seam. But with this thick vinyl, I expected to see these gaps and overlaps. However, I was amazed that the vinyl was more malleable than expected – every single seam melted together perfectly.

Although the specs said that the trimmed paper would be 25″ – 26″ wide, by the time both edges were trimmed off and the stripes spaced as they should be, the paper was actually only 24″ wide (give or take an extra 1/4″ or so). Lose 2″ on each of eight strips going across a wide wall … and that can screw up your engineering of the wall and your plans of the number of strips needed and how many bolts of paper will be required.

All of this fiddlin’ and futzin’ took a lot of time, and I was only able to trim and hang paper on two walls each day. So, with prepping the walls and hanging the paper in this … it was something like a 16 single roll room… it took me a full three days. Which is what I had planned on, so we stayed right on schedule.

There was no brand name, so I don’t know the manufacturer, but the label said “JL 8008.” This commercial-grade paper is available in the 27″ width (which is what I can work with) or the wider 54″ (which is more for commercial settings). It was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Heat Gun – The Great Persuader

December 30, 2018


Today I was trying to lay some scrim backed textured vinyl (the Thibaut’s Bankun Raffia, same as yesterday’s post) around an outside corner that ended on a 3/8″ return. That 3/8” did not give the paper much to grab ahold of. In addition, the thick vinyl was very argumentative about wrapping that corner. Even though I augmented the wallpaper adhesive with my “secret favorite stick-um” – clear adhesive caulk), the vinyl was not sticking. Scoring the material vertically along the edge of the corner didn’t help.
So I called in the big guns – my heat gun that is (and an extension cord). Low heat, run for just a second or two over the vinyl where it was sitting on the corner, was all that was needed to get the thick vinyl to wrap and lie down.

Faux Grasscloth – Vinyl That Is Good In A Bathroom

December 29, 2018


Originally, this powder room in the Galleria / Tanglewood area of Houston had what I call a “ditzy” print on the walls – tiny little figures that repeated themselves all over the wallpaper like a zillion little dots lined up in rows. It was outdated and discolored, and didn’t fill the wall space well.

The new homeowner wanted something modern and serene, that would be durable in an area that’s exposed to water. This Bankun Raffia in a steely medium grey is perfect.

I am not a fan of real grasscloth (read the page to the right). Nor do I like solid vinyl wallpapers (see the page to the right “Stay Away From ….). But this is one vinyl paper of which I approve.

The vinyl surface is thick and embossed with texture, so it mimics the feel and look of real grasscloth. But it has none of the color variations and shading / paneling issues or visible seams that make the real stuff so disappointing. In fact, you can hardly find a seam.

The vinyl surface is a lot more resistant to water and stains than most any other type of wallcovering. And the woven fabric backing won’t absorb humidity and curl or delaminate like the lower-end paper backed vinyls will. And that fabric backing makes this product quite durable and strong, and resistant to tears (like you see when a home’s foundation shifts and the corners twist out of alignment).

In fact, this stuff is the same iron-tough material that is used in hotels and hospital corridors, and will withstand dings and bangs and can be cleaned easily.

Being thick and stiff, it is a bit difficult to work with, particularly when turning corners. But the benefits are worth it.

This wallpaper pattern is called Bankun Raffia. It is so popular, now it comes in more than 30 colors! It’s by Thibaut Designs, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Dejà Vu – Same Pattern, Different Color

December 21, 2018


It’s my second day and second bathroom, in this home in Cypress (northwest Houston). And my second day with the same wallpaper pattern – but for this guest bathroom, the homeowners chose a different colorway – the silver.

It was just as nice to work with as the gold.

This wallpaper pattern is by York in their Modern Metals book. It is a thin, easy-to-handle non-woven substrate with an embossed (textured) vinyl surface, and a metallic sheen. It is designed to strip off the wall easily and with minimal damage to the wall, when it’s time to redecorate.

It was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.