Breakfast nook “before” is bright and airy – but washed out and uninspiring. The vertical tan lines are paint I’ve striped under where the seams will fall, to prevent the light colored primer from peeking through. “After” has warmth, life, and a cheery feel. With a little color contrast, now you can see the detailed woodwork and window molding. The paper has a bit of a tropical, thatched roof, Ernest Hemmingway, sort of feel. Note I’ve balanced / centered the pattern so it falls evenly and equally on either side of the window . Note how perfectly the motifs fill the space above the windows, as well as below the windows. It’s a minor thing that you don’t consciously notice, but it gives the room a grounded , balanced feeling . Another angle . The chandelier is a major feature in the room. I love the way the chunky beads repeat the color and theme of the white pattern in the wallpaper. Unlike most wallpapers that come in rolls of standard sizes , this material comes in continuous yardage on one huge (and HEAVY ) bolt . The height of the motifs perfectly fits the space between the window and the crown molding . No flower tops got chopped off in this room !There are five windows. This is the area between two of them, including an obtuse angle . It took a LONG time to get the paper around all five windows, keeping the pattern intact . Close-up showing the texture . This is a paperweave , which is similar to a grasscloth , as both are natural fibers and materials . Because this paper weave is woven, instead of having stiff, straight strands of grass crossing the wallpaper , it was a lot more flexible and workable than regular grasscloth .The space over the door molding was just 4 1/16″ high. The flower motif fit in here perfectly . You can see along the seam in the center of the photo , that some of the fibers may try to come off the backing , especially at seams and areas where you’ve cut into the material , such as trimming around window moldings and other obstacles . This is pretty minor . Overall, the seams are virtually invisible . One other thing I didn’t like about this paper is that, after the wallpaper was made, the color was applied to the front, like paint . This made the color subject to abrading or flaking off under even light rubbing . It would have been better IMO to have dyed the fibers and then sewn / glued them on to the paper backing . Then the color would go all the way through. Not a biggie – you just have to work slowly and carefully and gently. Oh, and you can’t get paste or water or fingerprints on the surface, either – because they can’t be washed off and can stain . The pattern is called Papavero and is by Casa Branca . The material has an unprinted selvedge edge that has to be trimmed off by hand, using a straightedge and razor blade . Takes a lot of extra time , and even more so because you have to press harder to get through the thick fibers than with a traditional wallpaper . A picture of my straightedge and razor blade . I’m trimming something else here (that will be blogged about later), but you get the idea . A really bad photo of a really perfect chandelier . It’s chunky , white , and the shape of the ‘beads’ repeat the flower motifs in the wallpaper. The windows will have Roman shades made of a somewhat coarse white linen type fabric , which will coordinate beautifully with the texture of the wallpaper . The home is in the Heights neighborhood of Houston .
The Wallpaper Lady's Blog 