Before. Good colors. But nothing inspiring. Done. Boy, this paper really visually pushed the walls away and made the room look larger ! Easy on the eye tone-on-tone pattern , lighter colors , and a teeny bit of gold sparkle .
Note the 5/8″ high strip of wallpaper under the medicine cabinet on the left.
Because those faucet handles sit up so high above the backsplash , it’s likely that when people reach for the handles, water will get splashed onto the wallpaper . To prevent splashed water from wicking up under the wallpaper – which could cause the paper to expand and curl away from the wall – I ran a bead of clear siliconized caulk along the top of the backsplash . The color is skewed in this shot, but you get an idea of the tropical foliage and pattern scale . Toile is a French word for a sort of pen and ink drawing in one color on a background that may be colored or may not be.Close-up , showing a truer color . Note the palm trees and the monkey . This material has a woven -look textured surface , and it mimics fabric . I almost felt like I was install ing linen , instead of wallpaper . The brand is Rasch , a company out of Germany . Their papers are consistently nice to work with. This one was unexpectedly thin and flexible . It’s textured vinyl on a non-woven substrate . The vinyl makes it durable and stain-resistant , and the NW makes it easy to remove later when you’re ready to redecorate . The seams are positively invisible. This powder room on the first floor just off the home office / study comes complete with a shower . Just for fun – one of the obstacles in this room was this rain shower head – sticking out right where I need to be on my ladder , and keeping me from reaching those walls . On top of that, the faucet handles also stuck out much further from the wall than most do. While priming the walls, as I was climbing down from the ladder , my clothing actually got entangled in the handles and – turned on the water ! Yes, I got a shower at work today ! The home is in the Woodland Heights neighborhood of Houston .
Breakfast nook “before” is bright and airy – but washed out and uninspiring. The vertical tan lines are paint I’ve striped under where the seams will fall, to prevent the light colored primer from peeking through. “After” has warmth, life, and a cheery feel. With a little color contrast, now you can see the detailed woodwork and window molding. The paper has a bit of a tropical, thatched roof, Ernest Hemmingway, sort of feel. Note I’ve balanced / centered the pattern so it falls evenly and equally on either side of the window . Note how perfectly the motifs fill the space above the windows, as well as below the windows. It’s a minor thing that you don’t consciously notice, but it gives the room a grounded , balanced feeling . Another angle . The chandelier is a major feature in the room. I love the way the chunky beads repeat the color and theme of the white pattern in the wallpaper. Unlike most wallpapers that come in rolls of standard sizes , this material comes in continuous yardage on one huge (and HEAVY ) bolt . The height of the motifs perfectly fits the space between the window and the crown molding . No flower tops got chopped off in this room !There are five windows. This is the area between two of them, including an obtuse angle . It took a LONG time to get the paper around all five windows, keeping the pattern intact . Close-up showing the texture . This is a paperweave , which is similar to a grasscloth , as both are natural fibers and materials . Because this paper weave is woven, instead of having stiff, straight strands of grass crossing the wallpaper , it was a lot more flexible and workable than regular grasscloth .The space over the door molding was just 4 1/16″ high. The flower motif fit in here perfectly . You can see along the seam in the center of the photo , that some of the fibers may try to come off the backing , especially at seams and areas where you’ve cut into the material , such as trimming around window moldings and other obstacles . This is pretty minor . Overall, the seams are virtually invisible . One other thing I didn’t like about this paper is that, after the wallpaper was made, the color was applied to the front, like paint . This made the color subject to abrading or flaking off under even light rubbing . It would have been better IMO to have dyed the fibers and then sewn / glued them on to the paper backing . Then the color would go all the way through. Not a biggie – you just have to work slowly and carefully and gently. Oh, and you can’t get paste or water or fingerprints on the surface, either – because they can’t be washed off and can stain . The pattern is called Papavero and is by Casa Branca . The material has an unprinted selvedge edge that has to be trimmed off by hand, using a straightedge and razor blade . Takes a lot of extra time , and even more so because you have to press harder to get through the thick fibers than with a traditional wallpaper . A picture of my straightedge and razor blade . I’m trimming something else here (that will be blogged about later), but you get the idea . A really bad photo of a really perfect chandelier . It’s chunky , white , and the shape of the ‘beads’ repeat the flower motifs in the wallpaper. The windows will have Roman shades made of a somewhat coarse white linen type fabric , which will coordinate beautifully with the texture of the wallpaper . The home is in the Heights neighborhood of Houston .
What an ultra-cool pattern ! And jungle foliage is a popular concept right now. This one really fills the space! What’s cool is that this accent wall is covered in a mural , rather than a traditional wallpaper pattern with repeating motifs . But it’s being used like a wallpaper, by placing it on all four walls of this room . This is in a new book by York , which is one of my favorite brands. It comes in a set of six panels. I didn’t get to check if it’s a set size or if it can be custom-sized to fit different height walls. But it does continue from one mural to the next, meaning that you can place murals next to each other and have the pattern continue around the room. Dorota at the Sherwin-Williams on University in the Rice Village has this product. (713) 529-6515 wallpaper installer houston
Before. Primed and ready for wallpaper . Done. This image could be positioned so that the palm leaves push up from the floor , or, as in the photo , they hang down from the ceiling. This is a popular look right now, and very fitting to an accent / headboard wall in a bedroom . Done. The homeowner bought one mural from Russia before she and I consulted , so it would be difficult to get another. In addition, the mural images don’t continue from right to left, so you can’t place two murals next to each other and have palm leaves continue unbroken . The manufacturer’s picture on-line is misleading, too, because it’s been Photoshopped to look like it fills the whole wall with tropical fronds . As you can see, the actual mural is a lot narrower than the wall, plus shorter by about a foot and a half. The mural is placed slightly off-center on the wall , because the homeowner wanted it centered on the bed , which sits a little to the right of center . Plans are still incubating, but she’ll probably have wooden panels or trim placed on the wall flanking the mural as well as beneath it, to give a finished look. All in all, I think the room looks dreamy !Close-up .The material is vinyl and has a woven fabric – like texture . The mural came in four panels, each about 3′ wide by about 8.5′ high . Here I am laying them out so I can get measurements and to be sure they go up in the right sequence. There were a lot of these little black specks of a chalk – like substance on the back , and even some on one area of the front . Did I tell you this came from Russia ?! Sorry, no brand name, but this was thin and very flexible and pretty nice to work with . This is a popular design concept , and many companies are making similar patterns . Try RebelWalls.com , which is super quality and really good customer service, plus tons of designs and images to cover your walls .
Sink wall primed and ready for wallpaper.Sink wall done. (except for a 1″ wide sliver on the left)A larger view of this pattern. Don’t know why it’s showing pink here … it’s not. The craze started years ago with the ” iconic ” Martinique tropical pattern, which has graced the walls of the Beverly Hills Hotel since 1942. The design is fabulously lush, and overscaled. Makes an unmistakable impact when you walk from the pool and into the adjoining bathroom and are met with – WHAM! Deep in the tropics!My client was drawn to Brazilliance by Dorothy Draper. And of course, there’s the original Martinique. Both these versions are screen prints made with bad (IMO) inks on uncooperative substrates, and result in puckering within the wallpaper and curling at the seams. Do a Search here to read my experience hanging the Martinique. In addition, these high-end papers are notoriously expensive. And a very long 41″ pattern repeat means there’s potentially a lot of waste – meaning, a lot of paper that is cut off and thrown away in order to match the pattern. My client was open to suggestions, and happily found a much better option. This Daintree Palm by Graham & Brown is equally huge and stunning, but at a fraction of the price. In addition, it’s printed on a non-woven substrate, which is much easier to work with, the vinyl surface is much more resistant to splashes and dirt, and it will strip off the wall easily when it’s time to redecorate. I want to make the point that while this pool bath is not part of the main house, it does have air conditioning and heat – climate control are imperative to ensuring that wallpaper stays on the walls, and stays free of mildew and other issues. The home is in the Garden Oaks neighborhood of Houston.
I’ve hung this one recently. It’s a Schumacher brand. A small, tight, cozy pattern. Peter Fasano is lovely paper, but a high-end price tag. As I like to say, there is always something similar made by a more standard company that is lower priced and easier to work with. I’m seeing a big uptick in interest in classic murals like this. Gucci products are pricy, but very easy to install and care for.I’m also seeing lots of homeowners interested in jungle or tropical themed patterns. LOTS of patterns out there to choose from. Another classic Chinoiserie mural.
Re my previous post about an under-the-stairs powder room that the homeowners attempted to install an argumentative peel & stick material … here is the finished room after I stripped off the P&S, smoothed the walls, and hung the new wallpaper choice. I engineered to place the sole philodendron leaf down the center of the ceiling. Where the under-the-stairs ceiling met the area over the door, the two surfaces came together in a very sharp angle. It was difficult to get in there and work, and to get the paper tight into the joint. Fingers can be too fat, so this is where tools can squeeze in there and save the day. This is also my kill point . Do a search here on that term for more info. A long story and maybe an hour or more of work, but you will note that there are no pattern mis-matches here. The homeowners were out of town, so I felt unpressured and could take as long as I needed to make these three areas look seamless. I love the hand-painted, water colory look of this pattern. This photo shows the joint where the walls meet the sloped under-the-stairs ceiling. A wallpaper pattern will never match perfectly in these situations. At first, I tried a few tricks to ” fool the eye .” But I decided it looked crisper and less distracting to just trim the two papers where they met. Here, we had the advantage that the tropical foliage pattern was busy enough that, I mean, really, when you step three feet back, who’s gonna notice a minor pattern mis-match, anyway? The pattern does match in the corners on either side behind the toilet, though (see photo). Even though this only 4.5″ high, it does lend subtle continuity to the room. When I see Candice Olson, I fast forward to glitz and glam and glitter and shimmer. Here her tropical foliage design is a bit more main stream. York is the mother company, and I love their products.
This home is in the Heights neighborhood of central Houston.
It’s become popular to put wallpaper on the backs of bookshelves. But usually, people choose a texture, or at least a very small, tight pattern. That way, the wallpaper serves as a backdrop, and the items that are placed on the shelves will stand out.
I spotted this photo in Better Homes & Gardens magazine. I can’t say I love the look. I think the palm leaf pattern is too busy, and detracts from the artful objects that have been placed on the shelves.
In my opinion, that tropical pattern would work better on the walls outside the bookshelves. Or, since it’s such a strong pattern, just on one accent wall.
Dark powder rooms are a good look. But dark paint by itself can feel uninteresting and even closed-in.
A bit of glowing aqua and green palm leaves on this black background really punch up the drama in this Montrose (Houston) area powder room! The stacked leaves add a distinct upward movement (and fun!) to this tall, narrow space.
The homeowner searched for a long time to find a pattern she liked, in a colorway that would compliment the ice-aqua color of the glass sink. (Sorry, my poor photo doesn’t do justice to the beautiful color of this unique sink.) (The wall to the right of the wallpaper and above the sink is covered with tiny squares of tile, and the lighted mirror.)
The original blue paint just blended in with the medium-toned brown bamboo free-standing console vanity sink base. But against the black wallpaper, the stained bamboo really stood out.
This tropical wallpaper pattern is called Kalani, and is in the “Fine Décor Collection” by Brewster. It is a non-woven material (which means it should strip off the wall easily when it’s time to redecorate), and is designed for a paste-the-wall installation (but I opted to paste the paper, instead.).
The material was thin, which I like, but I wasn’t fond of the plastic-y feel to the surface, plus it creased really easily. Because the paper was black and was printed on a white substrate, I used chalk to color the edges of the paper, which prevented white from showing at the seams. Once this was done, the seams were practically invisible.
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