Wallpaper is to go on the top 2/3 of the walls in this large dining room. But the walls are textured, and that texture will show through the new paper. Which looks pretty bad , IMO , especially since most the design is plain white background. So here I am applying a skim-coat by skim-coating / skim-floating the wall to smooth over the texture.Close up. A lot of people use a wide broad knife or drywall taping tool . But I prefer the control I have using this trowel . There will be ridges and valleys and imperfections . But tomorrow, when the smoothing compound is dry , I will sand everything smooth . I have to say, I’m pretty darned good at smoothing walls . 🙂I like to use the Plus 3 Joint Compound by the Sheetrock brand. It’s much easier to sand than the standard joint compound . Do NOT use the ” quick set ” version – coatings such as primer , paint , or wallpaper don’t like to adhere to this stuff . It’s made for small patches , not covering entire walls. BTW, for short, we simply call this ” mud .”Once the walls have been sanded smooth , all the dust vacuumed up, and residual dust wiped off the walls with a damp sponge , then I will apply my favorite primer, Roman Pro 977 Ultra Prime , made specifically for use under wallpaper .
This kind homeowner had the sink / vanity in this powder room removed. This makes it a LOT easier and faster for me to to get the wallpaper up, and with less stress on the paper and fewer relief cuts . Removing a sink that’s attached to the wall often damages the surface. Here you can see how the workman used spackle compound to cover the torn drywall and other damage.
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Close-up. This isn’t a very smooth surface, and the wallpaper will have a hard time grabbing ahold and adhering. It’s also way too porous and crumbly to support wallpaper. In the top photo, you see where I have applied smoothing compound on the upper portion of the wall. I’m working my way down. Once it’s dry, I will sand and prime it, and it will be nice and smooth. Here’s a shot of the fresh smoothing compound, before sanding.Some people use a drywall taping knife or a broad knife to apply the plaster-like substance. I prefer the trowel you see in the photo, because it gives me more control and precision. The 2″ flexible putty knife is for getting into smaller areas. The 3″ stiff ” Hyde ” putty knife is for knocking off high points or bumps on the wall before applying the smoothing compound. This process is called skim-floating or skim-coating . I like to use the Plus 3 lightweight joint compound made by Sheetrock . We just refer to it as mud . Find it in the drywall aisle. The Plus 3 spreads on easily enough, sands easily , and the dust falls to the floor where it can be vacuumed up easily – as opposed to getting air-borne and drifting all over the place. This box, which is approximately one cubic foot , weights 32 pounds . Ugh. Try carrying that across a parking lot and then up to the third floor of a townhome! I like to transfer the material to a 5-gallon bucket. This is what it looks like in the bottom of the bucket. Easy to scoop out. When I’m finished, I use a wet hand to smooth down the surface, wipe residue off the sides of the bucket, then place a thick sheet of plastic over the surface to keep air from drying it out. Then, of course, I put the lid onto the bucket.
This is a typical wall texture provided by many builders of new tract homes in the suburbs of Houston. Wallpaper doesn’t look good hung over this texture, because the bumps will show through. And the high-and-low ridges and dips interfere with good adhesion to the wall. So this accent wall will need to be skim-floated to smooth it before the wallpaper can go up. In addition, this wall started out with a semi-gloss paint. I worry about my materials being able to stick to a glossy surface. So, before applying the smoothing compound, I am priming the wall with something that will stick to the gloss paint, as well as provide a matt finish for the smoothing compound to adhere to. I’ve discovered that my favorite wallpaper primer also works great for this purpose. It sticks to just about anything, and dries almost dead-flat. I like Roman Pro 977 Ultra Prime. I use a trowel (top) to spread on the smoothing compound. The 3″ stiff putty knife is used to knock off big-ish chunks on the wall, or bits of grit. I use the 1 1/2″ flexible putty knife to apply the smoothing compound in tight spots like around electrical outlets or between a door molding and a wall corner. The smoothing compound I use is drywall joint compound, and I like the Sheetrock brand Plus 3 version. Search hear (upper right) to see previous posts with photos of this material. Bottom of photo – trowel sticking to the wall shows you just how tacky this stuff is. Above that are blobs of the smoothing compound waiting to be spread around, and a little bit on the left initially smoothed onto the wall. At the top of the wall you see a section that I have already covered with the smoothing compound. This will dry overnight, and I will sand it smooth tomorrow. Sometimes I can float a wall, get it to dry, sand it smooth, prime, and hang the paper all in one day. But this texture is so heavy that more time is required for it to dry, so it will need an overnight sit. Some fans, plus the home’s heat and/or air conditioning help to pull moisture out of the smoothing compound and hasten dry time.
To smooth textured walls so you won’t see bumps under the wallpaper, I use this trowel to spread on Sheetrock brand Plus 3 lightweight joint compound (a.k.a. “mud”). This is called “skim-coating” or “skim-floating.”Problem is, the mud is the same color as the wall. I can hardly see what I am doing! Once it dries it will turn white. But until then, I’m fumbling along.
In the tract homes in new subdivision developments all around Houston, it’s very common that the builder will use a heavy wall texture like this. You can’t hang wallpaper on this, because the bumps and dips will look horrible under the paper, and also they will impede good adhesion.
So the walls will need to be smoothed. This is accomplished by “skim-floating” or “skim-coating” the walls with joint compound. I do my own prep. And, as I like to say, I’m better at it than any “guy” you can hire. 🙂
The third photo shows the wall with half in original condition, and half with the smoothing compound applied over it.
Some people use a wide taping knife to spread the “mud,” as we call it. But I prefer the trowel shown in the fourth photo, because I am closer to it and can see everything that I am doing, and also I feel the position of the handle gives me better manual control.
Sometimes, using fans and playing with the A/C or heat systems, the compound will dry in a couple of hours. But with texture this heavy, the material must be left to dry overnight.
Tomorrow morning, I will sand the walls smooth, vacuum up the dust, wipe residual dust off the wall with a damp sponge, and then roll on a primer. Once that dries (again, call in the fans!), the wallpaper can go up. The second-to-last photo shows it finished and ready for wallpaper.
The last photo shows the brand I prefer, USG’s Sheetrock brand “Plus 3,” which you can find at most big box stores and most paint stores. It sands a lot more easily than the standard joint compound in the red, white, and green box.
I like walls to be nice and smooth when the wallpaper goes up, first so the texture doesn’t show under the new paper, and second so the paper has an intact, flat surface to grab ahold of. When homes have textured walls, I skim float them with joint compound (which we calls mud) to smooth them.
To skim float, I use a trowel to spread the smoothing compound onto the walls. In the top photo, the upper portion of the wall has been skimmed, and you can see the compound drying around the edges and in high areas. It goes on grey, and when it’s dry, it will turn white. The second photo shows the box that the mud comes in, enclosed in a plastic bag, to retain its moisture.
To help speed the drying process along, I set fans up blowing on the walls, as you see in the second photo. I have three fans, and they will be positioned differently for maximum air blastage. Having the air conditioner cranking away and the house fan on also help to circulate air and pull humidity out of the air. In small powder rooms where the door can be closed and the climate supervised closely, I get a space heater going, which also helps pull humidity out of the air. For stubborn areas, I get out the heat gun – it’s like a hair dryer on steroids. 🙂
Once the mud is dry, I sand the walls smooth, then vacuum up the dust that falls to the floor, then wipe residual dust off the walls with a damp sponge, and then finally prime the walls. For this application, I use Gardz, a penetrating sealer which soaks into the joint compound and binds it together, and which is also a good primer to hang wallpaper on. Sorry, no photo of the Gardz or of the finished wall – but you can Search here to find previous posts.
Wow. Some DIY remodeler / house flipper loved this textured wall finish, and sprayed it on EVERY WALL AND CEILING in this otherwise-beautifully-updated home near Gessner & Kempwood. The young couple who bought the home want wallpaper in their two daughters’ rooms and in a front room study, plus they want chalkboard paint on one wall in the kitchen.
Wallpaper looks best and sticks best to smooth walls, and the chalkboard wall needs to be perfectly smooth, so I am spending two days smoothing these surfaces. The wallpaper will go up later.
Today I skim-floated the walls with joint compound. (It’s kind of like plaster, and is applied with a trowel.) I went through nearly FIVE boxes of the stuff (see photo). Each box is 44 lbs. Need I say that my arms and shoulders are tired and sore? 🙂
Applying it thickly enough to cover the 1/4″ – 1/2″ bumps means that it will take a looong time to dry, so I have turned on the heat in the house (to help draw moisture out of the smoothing compound) as well as the house fan (to circulate air), set several fans up blowing against the walls, and left it to dry overnight. Tomorrow, I will sand the walls.
Because the skim coat was so thick, even when it is sanded, the surface will not be perfectly smooth, and will also have many holes caused by air bubbles. So I will trowel on a second, much lighter coat, to cover these irregularities. With the heat cranking, and the fans blowing, this second skim coat should dry fairly quickly.
Then I will sand one final time, vacuum up the dust, wipe the walls free of dust with a damp sponge, and finally roll on a sealing primer called Gardz.
The painters can then apply the chalkboard paint to the kitchen wall. And when I come back to hang wallpaper in a month or so, the messy part of the job will be over and done with, so no more dust or mess or smells in the clients’ home – just new, pretty wallpaper for the little girls’s rooms and for Mom’s study.
I don’t get many opportunities to pull out my 16′ extension ladder, but this week I did … the ceilings in this master bedroom were 12′ high! – just a few inches further than I could reach using my 6′ ladder. The first two photos were taken yesterday, as I was “floating” or “skim coating” the wall, to smooth it so the texture would not show through the wallpaper. The whiter areas you see have the plaster-like substance applied, as I work my way from top to bottom, from left to right.
Because of the dark paint on the other walls, I stopped the white “mud” just a hair away from the corner. In the second photo, that is my floating trowel hanging from the brace of the ladder. I floated the wall yesterday, and let it dry overnight. Today I sanded, vacuumed, wiped dust off the wall with a damp sponge, primed, and then finally hung the wallpaper.
I started in the middle (third photo), so I could center the damask motif on the wall, which will look nice once the homeowners get their bed and headboard back in place. The plastic is on my ladder to keep wallpaper paste from slopping all over it. I don’t have to do this with a normal step ladder, but extension ladders require a different angle of approach, and I couldn’t avoid having the pasted paper unbook and flop against my ladder. Yuck.
Fourth photo just shows some of the mechanics of how all this happens. The next pics are shots of the pattern; really pretty, soft, and nicely suited for a bedroom. They wanted a light color on the wallpaper, as it would contrast nicely with their brand new, very dark hardwood floors.
This wallpaper pattern is by Etten (by Seabrook), and is printed on the newish non-woven substrate, which is designed to peel off the wall easily and in one piece, when it’s time to redecorate. Note that, since these papers are generally thick and somewhat puffy, you often see the seams just a little (last two photos).
The room was a master bedroom in a fairly new home, and the location was Pearland, a suburb of Houston, Texas.