Posts Tagged ‘twisted’

Dining Room Faux Silk Repair – Foundation Shifting Twisted Drywall

December 14, 2021
Always save the leftovers from your wallpaper install! I hung this textured vinyl faux silk ” Wild Silk ” wallpaper by Thibaut ( # 839 T 344 ) at the beginning of the pandemic, a year and a half ago (April 2020 to see my blog post). Since then, the house had significant shifting of the foundation, which caused damage to the drywall over doorways. Here the homeowners’ ” guy ” has very skillfully cut into the Sheetrock, replaced studs inside the wall, and closed up the hole, leaving everything amazingly smooth, with no damage to the surrounding wallpaper. I don’t think I’ve ever seen a contractor do work this well.
I didn’t get pictures of my “during.” But here is the area right after I used left over scraps to replace the missing piece. I used a double cut / splice to to meld the two strips together at the bottom. (sorry, no pic). It was tricky getting the replacement strip of wallpaper in there, because the new strip expanded and twisted differently from the original wallpaper. Too difficult to explain here, but the bottom line is that the new strip was too wide for the space, plus the pattern drifted and so would not line up on the left side of the new strip. All this is evidence, I believe, that, with time and weather, the wall continues to shift and stretch. I did a lot of tweaking and twimming and touching up with pastel. All said and done, it turned out great. The white line you’re seeing is fishing line hung from the ceiling – not the wallpaper. 🙂
Still, there was a bit of a white line at the edge of the original strip on the right side. (not pictured) This was caused by the contractor either abrading from overworking or from smoothing compound infiltrating into the edge of the wallpaper. Either way, it was extremely minor, and unavoidable. Still, it left a pretty noticeable white line along 18″ of seam area. In the photo above, I have used chalk pastels to color the edges and even out color differences. From three feet away, you can hardly see it!
Here are the artist’s pastels I used to disguise the white area. They’re from Texas Art Supply (right around the corner from me!) I also used these chalks successfully on a 2″ circle of wall where someone had either abraded the surface by rubbing, or possibly bleached the area. No pic of that, but I was very pleased with how it turned out.

How Do I Hate Thee? Let Me Count The Ways…

April 10, 2019


This wallpaper is by Anderson Prints. It was more than a little difficult to work with. I hung it in two different colorways, and both were equally cantankerous.

~ Top photo – see the streak of darker color at the tip of my scissors? This defect ruined a 9′ strip of paper.

~ Second photo – look at the left edge of the toilet, from that corner up to the ceiling … see the darker color? Every strip showed a little darker color at the edges. Close up, you don’t notice it, but from a distance, there is a vertical line that catches your eye. This is on every seam, in both colorways. So, from a distance, you see this faint but noticeable vertical line every 27″, all across the room.

~ The substrate sucks up paste, enough so that after pasting and booking for a few minutes, by the time I got it to the wall, there was virtually no paste left to hold it up, and absolutely no paste on the edges. I tried several tricks – rolling paste under the seams, spritzing the edges with water, dipping the edges of the booked strips into water to keep them hydrated, unbooking and repasting, unbooking and spraying the back lightly with water to reactivate the paste, and finally, the best option was to paste the back as normal, but use a squirt bottle to add a bit of water, and then cut the booking time a little.

~ No matter which pasting technique was used, particularly on the tan colorway, in some areas where the ink crossed the seam, the paper wanted to curl back and leave a tiny gap.

~ The pattern matched in most areas, but dropped a little in some of the motifs, resulting in a mis-match. Then it would match up perfectly again as you went further down the wall.

~ The paper, particularly the silver colorway, twisted and warped horribly. I would butt a strip up against the previous strip, matching the pattern, then go to smooth the rest of the strip against the wall – only to find HUGE puckers and warps. OK, you can tease away minor wrinkles. But when you have several warped areas that are each protruding 1/2″ away from the wall, it’s really difficult to get that strip of paper to lie flat against the wall. I spent at least 20 minutes working and easing the puckers out of one strip and getting the paper to lie flat. To be honest, I’m astonished that I was able to do that. This particular wall had only three 7′ high strips … Because the warping increases as you hang subsequent strips, if I had had to hang many strips in a row, and taller strips, such as on a bedroom accent wall, I don’t think it could have been done without making some relief cuts or double cuts and resulting in some serious pattern mis-matching.

~ The tan colorway was reasonably durable, plus minor creases would pretty much disappear when the paste dried and the paper pulled flat to the wall. But the silver colorway was very delicate, and was prone to creasing at the drop of a hat. Don’t fold it, don’t wet-trim it, unbooking a pasted strip was very likely to cause a crease, and ditto when pressing the paper into a corner to trim … and working around that toilet was the prime area to put stress on the paper and cause more creases. This toilet was butted up against the wall, so it was impossible to slip the paper behind it, so it was necessary to cut the paper to fit around it. That’s hard enough to do with an electrical outlet that protrudes a half an inch from the wall, but veeery difficult when you have something as three-dimensional as a toilet. I must have spent the better part of an hour working the paper around and behind and under that toilet. Note to Self: Next time, make the homeowner pull the toilet out of the room!

~ The silver colorway had a metallic sheen, and every way the light hit it made the pattern look different. It was literally impossible to see the pattern match in some instances, particularly when turning a corner. What looked like a tan line on the right wall would literally show up as a silver line on the left wall. Look at all the horizontal and vertical lines in this design… It was virtually impossible to tell if I had the right line matching up with its proper partner. Trimming on the table (such as when I needed to split a strip) was equally difficult. I was just about impossible to tell design from shadow, and to know if I was cutting straight along the pattern.

~ Metal left marks on the paper. So I had to be very careful while using my straightedge, as well as other tools such as scissors, trim guide, etc.

~ The paper wouldn’t slide around on the wall as most do, so it was difficult to get each strip perfectly positioned.

~ It ate razor blades like crazy. The paper somehow dulled blades faster than even heavy vinyls.

~ When I cut a strip off the bolt, it wanted to stay rolled up. This made it very difficult to trim or paste the strip. So I had to roll all the strips backwards, until the paper relaxed and got rid of the “memory” to curl.

Most of these issues have to do with the substrate used by the manufacturer, but toss in the metallic ink and whatever engineer screwed up the pattern match.