Posts Tagged ‘twists’

Narrower-ing A Strip For Better Seam Placement

October 11, 2022
Here I am moving from right to left across this wall, fixin’ to put wallpaper over, around, and then under this window .
The distance from the existing strip to the corner is 20.” The width of the wallpaper is 18.” This means that my next wallpaper strip is going to fall 2″ short of reaching that wall to the left. So another strip will be needed to cover that last 2.” That’s two full length, 9′ long strips to cover that small bit of wall space. And there will be a seam down the middle.
I’d like to use less paper and have less waste. And I sure would like to avoid having a seam down the middle. Both because installing it is a PITA and also because it would look better and be more stable without the seam.
If I could just make that next strip over the window narrower, it would pull the full-length strip a bit to the right, eliminating the second strip and the seam.
Each 18″ wide strip has two stripes of flowers running down it. There’s a little gap between these stripes, so it’s possible to split the strip in half vertically between the rows of flowers. Then I’ll have a 9″ wide strip filling the gap over the window, instead of an 18″ wide strip.
So here I’m using a straightedge and razor blade to split the strip. (Normally I do this on my table with my 76″ straightedge , but today I’m working on the floor and with different tools .)
Here is the piece viewed from the front. The pink bit of flower on the right side is going to match up with the corresponding flower on the existing strip over the window . I made sure that the left edge of this 9″ wide strip has no flowers or motifs crossing over the left edge. That way there is no pattern to match across the seam, so I can choose any piece I want for the final strip that will go in between the window and the corner.
Here it is in place. Now I have only 11″ of width to cover with wallpaper , and no seam down the middle .
Same procedure for under the window. Except I’m not trimming this piece to 9.” I’m leaving it about 2″ wider. One reason is because that full-height strip coming down between the window and the corner is likely to twist or stretch a bit, and thus won’t line up absolutely perfectly with the strip under the window. Having this strip under the window be wider will allow the strip coming down the side of the window, when it gets down to under the window, it will overlap the strip under the window by about 2.” So I’m going to double cut / splice these two pieces together.
I’m also not adhering this piece to the wall yet, because I don’t want the paste to start drying, as I will need wet paste and paper that is easy to pull off the wall, in order to do the double cut.
OK, so here we are over the window, getting ready to put in our long 11″ wide strip down alongside the window. Actually, I’m cutting this piece 12″ wide, to allow for trimming along that left edge in the corner. This will also accommodate if the paper twists or shifts over that 9′ drop from ceiling to floor.
I chose a flower to put at the top of the wall that is different from what’s on the existing strip, so there won’t be repetitive motifs. But the right edge of this strip of paper has a design part that is meant to match up with the corresponding flower on the left edge of the previous strip.
But we don’t have that corresponding flower, because I cut that strip down from 18″ wide to 9″ and thus lost the left edge of the paper, along with the corresponding flower.
I don’t want this half-motif to be hanging in the middle of nowhere. Even 9′ up above the window, it might catch your eye.
No problem. I took my straightedge and razor blade and trimmed off 1/2″, which got rid of that design element.
Note that I did this before I trimmed this long strip to 12.” If I had trimmed it off before, then this strip would have ended up 11.5″ wide instead of 12″ and might not have fit the space since wallpaper can twist and shift during that 9′ drop.
Sorry, no photo of that strip butting up to the piece over the window and then dropping down the space between the window and the corner.
So that strip is in place now, and here we are under the window, with that 9″ wide gap to fill.
So I take the strip I had set aside for under the window and position it next to the strip on the right. Remember that I cut this middle strip about 2″ wider, so it overlaps the strip on the left. I need this overlap to do the double cut / splice.
When splicing on the wall, it’s important not to let your blade score into the wall. If the wall surface becomes compromised, the torque created when the paste dries and the wallpaper shrinks a bit can tug at the wall and cause layers of paint or etc. to pull away from the wall, resulting in an open seam.
So I’m padding behind where my cut will be made with this strip of flexible Lexion plastic. It’s thin enough to not make much of a bump under the paper, but thick enough that you can’t cut through it with a razor blade.
If you’re interested in this cool stuff, email me and I’ll hook you up with the guy who sells it. wallpaperlady@att.net
There it is on the wall.
Now I put the two layers of paper over it . Note that this is a paste-the-wall wallcovering, so there is no paste on the strip on the right, so nothing to stain the paper below it. If this were a regular paste-the-paper material, you can use thin plastic strips (like painter’s plastic) to cover up that paste.
Trim guide in place, and I’m getting ready to make the cut with a new single edge razor blade. You have to press hard enough to get through both layers of paper in the first try, but not so hard as to cut into the wall.
I’ve plotted where my splice will go, to not cut through any flower motifs, and to be sure to cut off that little bit of flower you can see shadowing through from the wallpaper piece underneath – just to the left of the large flower.
Once the cut is done, I remove the excess paper on the left.
Then reach underneath and remove the excess paper from the bottom strip.
Another shot of pulling out that excess bottom paper. Next I removed the Lexion strip. I set those in a bucket of water to keep the paste wet until I can wash in the sink.
Bringing the two strips to meet up and then smoothing into place. No paste got on the surface, so no need to wipe the seam.
A double cut / splice makes the absolutely most perfect and invisible seam, because both pieces have been cut together and butt perfectly.
Here it is finished. Technically, due to slicing the strips in half vertically, the floral strip on the far left is about 1/2″ further away from the strip on the right than it “should” be. But – eh – who the heck is going to notice that?!
What’s important is that no flower motifs got cut in half, no identical flowers ended up next to each other, here’s no seam down the middle of that space, and only one 9′ high strip of wallpaper was required (instead of two).
Done. Oh my gosh – now I’ve got to do the same thing on the opposite side of the wall!!
The pattern is called Sweet Pea and is by Serena & Lily .
This went in a nursery in a home in the Garden Oaks neighborhood of Houston .

Compensating Around A Window

June 29, 2021

Going around windows, especially wide windows, can be tricky. Wallpaper expands, it twists, the design can travel up or down from the ceiling line – and all this can go on independently of each other, with the sections over the windows moving out of whack at a different rate than the strips below the window.

The challenge then becomes, when the next full-length strip is hung, joining the strips over the window with those under the window … getting the pattern to line up and the strip to lie flat on the wall without torquing out of shape.

In this case, the pattern lined up pretty well. But strips under the window ended up being wider than those over the top. So there was a 1/2″ overlap, which would mess up the pattern match. This 1/2″ also caused the full-length strip to warp and develop a wrinkle.

This was an easy pattern and placement for dealing with such issues. All I had to do was cut along one of the palm tree stems, slide the strip up so the palm leaf pattern lined up, straighten out the full-length strip and work out the warp, and overlap that 1/2″.

All that sounds simple. But the truth is, I probably spent the better part of an hour getting it all to work out.

Narrow Strip Coming Out of a Corner

August 28, 2018


See that narrow 3/8″ wide strip of wallpaper sitting on my table? That is to be my first piece coming out of this corner.

When you hang wallpaper around an inside corner, you don’t wrap it around the turn, but, rather, split the piece vertically so it wraps 1/16″ around the corner. Then the strip that you cut off is hung on the next wall, butted up into the corner. This avoids twists and wrinkles and bubbled areas caused by walls and corners that are not perfectly straight or plumb.

But when the piece that is to be the first strip on the new wall is this narrow, it presents problems, because it’s very likely to not hang straight, and you can’t hang the next strip of wallpaper against a crooked edge because you will get gaps and overlaps.

Adding to the dilemma is that this narrow strip had already been pasted. I had finished for the day, and intended to hang the window wall to the left the next day. The strip was already pasted, but I couldn’t hang it because of the aforementioned issues, plus, you are supposed to hang a whole wall at a time, because all of the strips have to “meld” together – you can’t hang a wet piece against a dry piece.

My solution was to wash the paste off this narrow strip, and hang it up to dry overnight. I just had to hope that the water would not cause it to expand too much, or warp, or other.

The next day, I pasted this narrow 3/8″ wide strip, along with the strip that would be placed next to it. Then I hung them together, as if they were all one piece of wallpaper. That way, I could work them into the corner snugly, and keep the seam between them nice and tight.

When coming out of corners, it’s common for the wallpaper to go off-plumb, because the corner might be out of wack. So you can (barely) see the red line of my laser level on the left edge of the strip of wallpaper, ensuring that the new strip falls plumb.

New Wallpaper in the Wallpaper Lady’s Bathroom

May 3, 2016

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Last week, I stripped off a decade-old botanical and bird wallpaper pattern from my master bathroom, and replaced it with this “Raspberry Bramble,” by Bradbury & Bradbury (http://bradbury.com/), a California-based company that specializes in patterns true to the Art Nouveau and Arts & Crafts and Victorian periods, along with some Mid-Century Modern and other designs.

This B&B wallpaper was a little tricky to work with. For starters, it has to be hand-trimmed (see photo) to remove the selvedge edge. My go-to pre-mixed adhesive is not a good choice for this material, so I chose a potato-starch paste available from Bradbury, that comes powdered and is mixed with water on-site.

This particular pattern has a lot of ink (smells like moth balls!) on the surface, and, when paste is applied to the back, the backing absorbs paste and swells at a different rate than the inked surface, resulting in wrinkles and bubbles and twists, plus the curled edges you see in the photo, which can prevent the seams from lying down properly. The moisture differential can cause the paper to continue to swell on the wall, causing wired (overlapped or puckered) seams.

I’ve hung a good amount of Bradbury & Bradbury papers, but had never encountered the degree of bubbling and curling as with this paper.

The solution to all this is to mist or damp-sponge the surface of the paper, which puts moisture on the front, and allows the front and back (wet by the paste) to absorb moisture more evenly. Then the paper is folded loosely (booked), and also rolled up like a newspaper. This helps push the curled edges back down. Then the strip of wallpaper is placed in a plastic trash bag to sit for 10-15 minutes, much longer than the booking time for most papers.

All of this took more time, but it resulted in smooth paper with flat seams.

My plan for this room is to achieve a 1700’s French chateau look, so I am also darkening and stenciling my vanity, which has a new “Noche” travertine countertop, will be hanging some frilly antique wall clocks, period artwork, a beautiful chandelier, and adding other features.

Black Grasscloth on a Fireplace Wall

March 2, 2016

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Here is a medium-textured grasscloth in a predominately black color, that I put on an accent wall around a fireplace in a new home in the Medical Center District of Houston. In the last photo, you can really see the texture on this material. I was pleased that it did not have much of the paneling or shading issues (slight difference in color between or within strips) of other grasscloth brands.

This grasscloth is by Phillip Jeffries, which is a somewhat higher-end brand. In fact, the homeowners said they looked hard for a paper they liked, but kept coming back to this one, because it had a more refined look than less expensive brands.

So it looks good, but it wasn’t easy to hang, because it had a lot of “give” in the paper backing, which means that the backing expanded in an irregular manner, and fought the grass on the front, which resulted in wrinkles and warps and twists. I had to pull quite a few tricks out of my hat, to get the wall to be smooth and homogenous and have no overlaps or wrinkles. In the end, though, it turned out great.

This Phillip Jeffries grasscloth wallpaper was bought at a discounted price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. Discuss your project and make an appointment before heading over to see her.