The homeowner wanted the look of grasscloth, but didn’t want the stains that can happen when splashed with water or toiletries. Another displeasing feature of real grasscloth is the very visible seams , and the likelihood of color differences between panels (called paneling or shading ). So she opted for this textured vinyl version. She loves the look. It is a handsome room!Original 1990’s paper has been stripped off, Roman Pro 977 Ultra Prime wallpaper primer has been applied, and we’re now ready for paper!This material has a pattern that matches from strip to strip, so you don’t get the eye-jarring look of broken fibers at the seams , like with real grasscloth or other natural materials. Here’s a close-up, detailing the texture. About ¼ from the right is a seam – it’s barely noticeable . Opposite wall. For balance, I plotted that the seams fall at the same point on each wall – 18” from the mirror frameI’m getting ready to hang a strip that will knock against that mirror frame. To keep paste from slopping onto the molding , I’ve applied this thin, flexible blue plastic tape along the edge. This will keep paste off the molding while I trim that strip to fit against the molding. Once that trimming is done, I’ll remove the blue tape and then smooth the wallpaper back into place.Since this is a dark wallpaper, I worry about the light colored primer peeking out at the seams. This can happen because sometimes the factory hasn’t trimmed the edges perfectly straight , or the wall may have uneven areas or bows , or some papers shrink a tad when they dry . So here I’ve plotted where the seams will fall and have striped the area with diluted paint .I use bottles of craft paint from the hobby store (good old Texas Art Supply !), and apply with a scrap of sponge . And my trusty Gatorade bottle cap with water, to dip the sponge into to dilute the paint … you don’t want full strength paint under there. Wallpaper wants to adhere to a primer made for wallpaper – not paint designed to color Christmas ornaments. Another and probably more important trick is to color the edges of the wallpaper. This navy blue wallpaper was printed on a white stock / substrate , and it’s highly likely that the edges of that substrate will show at the seams . So, again back to Texas Art Supply (or a good hobby store) for chalk or pastel , which I run lightly along the edge from the back so as not to get any color onto the surface of the wallpaper . That little dark nub you see is my chalk… the stuff breaks easily. It’s important that you not get oil pastels or use any kind of ink marker, as these will leech into the wallpaper and stain it, leaving you with a nasty dark line down the seam . I really liked this product. It was flexible enough to wrap around a rounded / bull-nosed corner , but stiff enough to not warp . It’s on a non-woven substrate , which contains polyester , which makes it less likely to shrink . This stuff is also designed to strip off the wall easily and in one piece with no damage to your wall when you redecorate . Another advantage of non-wovens is that they can be pasted and hung immediately, with no booking or wait time. Although I generally prefer to paste the paper , you also have the option to paste the wall with this material. The non-woven backing won’t be sucking up humidity like the paper backings used years ago (or in modern lower-end products), so greatly reduced chance of seams coming loose if your teenager spends an hour steaming up the bathroom . The vinyl surface means that it will be resistant to stains from water , toothpaste , and little (and big!) hands . In addition, I liked that the material has a realistic grasscloth look, and a realistic texture , as well as a pattern that could be matched, which helps disguise the seams. I didn’t match the pattern in the corners, though, to avoid having the horizontal bands running around every wall of the room at the same height. Looks better to break it up a bit. Also gave me more flexibility in placement of seams. The brand is A Street Prints and is in their Scott Living line (as in the Scott Brothers of HGTV fame). The home is in the Champions Forest area of Houston . installer paperhanger
Considering that this previous installer broke just about all the rules of hanging wallpaper , his job looks good, seams are tight , and it’s held up for 20 years . This is one of the typical materials we were hanging back then, a pre-pasted , paper-backed , solid-vinyl wallcovering . Not my favorite material at all (often curling at seams , especially in bathrooms and/or when installed without proper wall prep ). Thankfully, they’re not very prevalent today, outside of the lower-end market. Anyway, these are usually fairly easy to strip off the wall . All you need is water , a putty knife , and patience .But here’s a wrench in the works – the previous installer hung this vinyl paper over existing wallpaper . A big no-no! You can see the original stuff peeking out around the light switch. That original wallpaper was installed by the builder in the ‘90’s , and almost always you can bet it’s been hung directly on un-primed / un-sealed Sheetrock . This can be very difficult to get off, without tearing up the surface of the drywall. If that original paper is paper instead of vinyl ( plastic ), sometimes it’s OK to leave it on the wall , prep it correctly, and hang the new wallpaper over it. So that was my original plan. Strip off the vinyl and its paper backing, and then prep the bottom layer and hang new paper over it. But, as you can see if you look closely at the edges of the bottom wallpaper, that fuzzy manilla paper backing is telling us that it, too, is a solid vinyl material. No matter how you might prep it, we don’t want this thick , slick , plastic stuff under our new wallpaper.Back to the topic of stripping wallpaper . Done properly , it’s not a horror show. All you need is water and patience . The theory is to reactivate the old paste with water , and it will let go and the paper will come off the wall. But water won’t penetrate the vinyl / plastic layer (and it won’t penetrate the thin acrylic coating on other types of wallpaper, either ). So, the first thing you need to do is remove that top layer. These solid vinyl materials are pretty cooperative. Simply get under the vinyl with a 3” stiff putty knife and then use your hands to pull it away from its paper backing . It usually separates and comes off in fairly large pieces. The same process works for thinner paper wallpapers , too, but it helps a lot if you sponge the surface first with water , as this seems to strengthen the fibers somehow, and you’ll get that top layer off in larger chunks (instead of 1” bits). Sometimes works better pulling from bottom to top, or from right to left…. experiment and see what works best.Next use a sponge and a bucket of warm water …… to wet that paper backing . You’ll want to go over each area several times , to be sure it’s thoroughly saturated . The idea is to get it wet enough that it will reactivate the wallpaper paste underneath . Be sure to cover and protect your floor and vanity countertop .Once that paste has softened , you should be able to use your 3” stiff putty knife to gently scrape the paper backing off the underlying surface . If you’re really lucky , it will release easily and cleanly and all you’ll have to do is pull with your hands.Here you can see the original layer of wallpaper underneath. Since this turned out to be another paper-backed solid vinyl material, it also had to be removed , following the same process outlined above. Once that top decorative vinyl layer was removed , the paper backing was left stuck to the wall. I wetted it , let it soak until the paste was soft, and then gently scraped it off the wall. Doing so revealed that – what did I tell you?! – yes, the builder’s wallpaper hanger didn’t prime or seal the wall before hanging the paper. This is usually disasterous, because the wallpaper will often actually bond with the drywall surface and be nearly impossible to get off. So I was really surprised that I was able to scrape this off with absolute no damage to the drywall . No peeling surface , no gouges , not even much paste residue (I did sponge off what I could). Once all that water evaporated and the Sheetrock dried , I did some minor prep touch-ups , sanded lightly , and then applied my wallpaper primer . I like Roman Pro 977 Ultra Prime .
Here are two strips of wallpaper, dry on my work table, next to each other, plotting how they will be situated on the wall. But – whoops! – The pattern doesn’t match properly across the seam. The design on the right is a repeat of the design on the left. Here’s another section, and the pattern also repeats. Double image. Won’t look good on the wall.With the strips separated, you can see the mis-match a little better. Note the strip on the right should be moved a bit lower to get the correct pattern match. Still, the pattern has been mis-printed at the factory, so the match isn’t accurate . On this left edge of the strip on the right, note how thick the black vertical line is.Now on this same area of the pattern (same building and bricks) but from a different roll, note how thin is the black line on the left edge of the wallpaper Butting up strips against each other from these different rolls will result in either a really fat black line , or a really thin black line. Neither is what the pattern is supposed to be, and will be eye-jarring.Both these rolls are from the same Run , or Lot . Which means they were (supposedly) printed at the same time. So, theoretically, they should both be exactly the same. But here, you see, obviously, they are not. Obviously, some mis-steps at the factory with either printing or trimming . Or, someone slapped the wrong labels on the packaging . I’ve had suspicions of this happening with previous installation s. The pattern is reminiscent of New York City , and is called Brownstoner . In the EZ Papes line of pre-pasted material – which I usually like a lot. However, this is the second time in two months that I’ve encountered unacceptable issues with this material . See previous blog posts. In addition, this stuff bubbles / blisters . These usually dry flat as the wallpaper paste dries – but not always. The manufacturer is Flavor Paper . They have really innovative patterns , so a fun brand to explore. Note that I’m not fond of their vinyl material, and definitely not their peel & stick . The one I will work with is this pre-pasted EZ Papes option. Still, I wish they would get their quality control re printing , packaging , creased material , run / lot numbers , and suspected shipping out returned material as if it was new material. (Search to read previous post )Here’s a close-up so you can see how cute and fun this design is. I spent a lot of extra time to get this wallpaper up and looking good. Including plotting layout to avoid the double-image at the seams , overlapping some seams , tracking down bubbles and popping them with a razor blade and chasing the air out with my plastic smoother tool .
The homeowner’s contractor’s guy hung this accent wall in an under the stairs powder room . He did a good enough job. But there were some bubbles / wrinkles . Depending on where you’re standing in the room, and where light is coming from, the bubbles were somewhat noticeable , even with this busy patterned wallpaper . It bugged the homeowner , and she wanted it to look better. Dry-stripping the wallpaper resulted in this. The paper came off in an intact sheet, as the mfgr promises. But it took some of the primer along with it. Let’s examine this. It’s a good thing, at least, that the previous installer used a primer, and hopefully one made for use under wallpaper. But, to be honest, a wallpaper primer is designed to let go of the wallpaper when you start to strip it off the wall. So maybe this is just paint, or a paint primer . Second, I have a suspicion that, after skim-floating and then sanding the wall to smooth it, dust was left on the wall , and then trapped between the wall and the primer. That’s a likely reason why the primer / paint pulled away from the wall so easily. Nothing sticks to dust! So it’s imperative that, after vacuuming , you take a damp sponge – rinsed frequently – and wipe down the entire wall, and then let dry , before priming. The primer also has to dry completely, before wallpaper goes up. I switched to wet-stripping the remaining wallpaper, and had less damage . But was still left with a wall with lots of irregular and un-smooth areas . So to prepare it for wallpaper , I first sealed loose or dusty areas with GARDZ , which is a penetrating and hard-drying sealer for torn drywall or other unstable surfaces . It’s pretty cool stuff. After that dried, I applied a very thin skim coat of joint compound (which we call mud ). Once that was dry, I sanded smooth , vacuumed , wiped off residual dust with a damp sponge, let dry, and then primed with Roman Ultra Prime Pro 977 and let dry. Here’s what it looked like when I was done with the prep .And here it is with the new paper up. I switched to wet-stripping the remaining wallpaper, and had less damage . But was still left with a wall with lots of irregular and un-smooth areas . So to prepare it for wallpaper , I first sealed loose or dusty areas with GARDZ , which is a penetrating and hard-drying sealer for torn drywall or other unstable surfaces . It’s pretty cool stuff. After that dried, I applied a very thin skim coat of joint compound (which we call mud ). Once that was dry, I sanded smooth , vacuumed , wiped off residual dust with a damp sponge, let dry, and then primed with Roman Ultra Prime Pro 977 and let dry. This single wall was a bit of a challenge, for many reasons. For one thing, we really didn’t have enough paper. Luckily, the previous guy had kept the left over scraps, and I did need to use some of those. It also was OK to mis-match the pattern when necessary, as the design is very forgiving. The rounded bull-nosed edges around and over the window are a PITA. This pattern was forgiving in that respect, too, as well as the layout of the area over the window. There were also some printing defects , which will be addressed in a future blog post . Oh – and I, also, got bubbles ! In fact, I hung this same brand a few weeks ago and got bubbles then, too. Some I got rid of by making a tiny cut with a razor blade and then pushing the air out with my plastic smoother . But, usually, with these pre-pasted materials, once they get good and dry, small bubbles dry flat and disappear. Not sure why the other guy had problems with this. But I will say that the bubbles were larger than typically show up with these papers.Close up.The pattern is called Brownstoner , and is by Flavor Paper . I am not a fan of their vinyl products, and definitely not their peel & stick . But I do like their EZ Papes , which is a pre-pasted material . Not crazy about the bubbles, though. The home is in the Eastwood neighborhood of Houston . installer
After wallpaper gets pasted , it needs to be booked (see following post) and then rolled loosely and left to sit a few minutes before it goes to the wall . During this booking time, sometimes the edges can start to dry out. To prevent drying out , I dip the edges in a bucket of clean water . Note that’s a shadow in the photo … only dip about 1/8″ of paper into the water , as seen on the left. Then it goes into a plastic trash bag to wait and relax , before install ing. Note this works for paper ONLY – do NOT try this with non-woven / paste-the-wall material. Also, it’s not suited for every type of wallpaper , so don’t use on grasscloth or other natural fibers, nor vinyl . So use caution if you try this. Also be aware that the water will wick into the edges of the wallpaper , and the seams can look dark on the wall until that water evaporates and the strips dry . I have found that this trick also works nicely with some brands that like to pouch up at the seams a bit, like Farrow & Ball , or lower-end pre-pasted vinyls. Dip the edges, book, run a light roller of paste under where the seams will fall, install , and the edges will want to stay down much better. The pattern is called Garden Party Trellis , by Rifle Paper . installer houston
This powder room is in a home with two little kids , so you can expect splashing as people wash their hands , reach for the faucet handle, or grab a hand towel . Although Mom swears that the little ones are banned from this newly- decorated room ! But even adults can get water onto the walls. If drops of water get onto the backsplash, they can accumulate along the edge where the wallpaper meets the marble . It’s possible that water can wick up under the cut edge of the wallpaper . This can cause the paper to expand and then push away from the wall , resulting in a curled edge. To prevent this, I like to take clear caulk and run it along the back of the backsplash , where it meets the wallpaper . This is the white line you see. As the caulk dries , it will turn clear , and be invisible . The dried caulk is water-resistant and will seal that edge quite nicely. I like water-based caulks, because they’re easy to use and easy to clean up. But it’s important to get one that’s non-yellowing . A whole lot of them look good when applied, but in a year or two have yellowed and look kinda disappointing, for lack of a stronger word. Sorry – I didn’t get a photo of the brand I’m currently using. After application , I do usually take a wet finger and run it along the caulk to smooth it into place. Painters who are better with caulk than I are bold enough to use white or other colors of caulk. I like the forgiveness of the clear . This wallpaper pattern is called Brooklyn Toile and is by Flavor Paper . I like their EZ Papes pre-pasted option – not so much their vinyl or peel & stick .
It’s important that all your rolls of wallpaper be of the same run , or batch number , also called dye lot . This ensures that the rolls were printed at the same time with the same batch of ink . Rolls printed from different batches or runs could be a very slight different color or shade – and that can result in a striped effect on your walls . The run number is usually printed on the label of the wallpaper. But since Flavor Paper doesn’t use traditional labels, they put a tiny sticker with the run number onto the outside of the plastic bag that each roll is slipped into. These stickers aren’t particularly secure, IMO. On this job with the Brooklyn Toile pattern from Flavor Paper , we needed eight of their “rolls.” Each roll contains two strips , printed in one long sheet that you cut apart in the middle to separate the two strips . Flavor Paper comes with a header at the top of the roll, that includes the pattern name and other information from the manufacturer . In this photo, I’ve cut off that top portion. We had six rolls that came like this. But then two rolls came like this, with that top part removed. In addition, this paper has been damaged and soiled . Not smudges around the birds near the center . I suspect it was purchased by another homeowner, the installer removed the top header , then didn’t need the roll, and it was returned to the manufacturer . In the process, it got beaten up and dirtied. Here’s another shot of the header missing. If the previous installer had a pasting machine, he could have used its built-in cutter to make a perfectly straight and 90* angled cut like you see here. That’s another reason I think it was opened, not used, and returned to the company. This is the second roll. Look at how it’s been wrinkled and damaged . Paper doesn’t come from the factory like this. It had to have been unrolled, re-rolled, and put back into the plastic wrapper. Even worse, a couple of feet into the second roll I came upon this badly creased wallpaper . This crease was probably caused by the factory . But it could also have happened at the hands of the other (alleged) installer . Because of the way this material is printed and packaged , not in continuous rolls like most brands , but in panels or strips that are 24″ wide x 10′ 4″ long , with a somewhat long pattern repeat , I was not able to simply roll off a pattern repeat or two and still get a strip long enough to fit the wall. In other words, this damaged strip cut me short of what I needed to wallpaper this powder room . Here’s another reason why I think these two rolls were opened and then sent back to the manufacturer . That one on the right looks like it’s been opened , unrolled , and then re-rolled – and when you do that, you can never get the roll to be as tight as it was when it came off the factory line. I think these two odd rolls were purchased, not used, sent back to the company, and then simply stuck on a shelf to be resold – without anyone ever checking to see if they were in good condition. Or what the proper run number is. In addition, I don’t have confidence that the run number that was on that little sticker on the outside of the bag (see caption to top photo) is actually the right number. In the end, I was able to futz and fiddle and engineer – and get the room done with the paper that was useable. In the meantime, the homeowner is communicating with the manufacturer. Flavor Paper has good customer service . Additionally, they are members of the Wallcovering Installers Association / WIA (as am I). This pre-pasted material is in their EZ Papes line, which I like a lot. I am not fond of their vinyl or peel & stick materials , and some of their papers can be darned tricky to install. I ask my clients to stick with the EZ Papes.
Before. Way too much white! A handsome new look. The homeowners are going to paint the bottom area below the chair rail a softer white. They were waiting for the wallpaper to be in place before making a decision on a coordinating paint color . Looking toward dining room and family room . Coat closet and hall leading to bath s and bedroom s. I like to say that a texture like this is reminiscent of a man’s tweed suit . The material itself is an embossed vinyl , so has actual texture to it. It’s color is pretty consistant . This is a great alternative to real grasscloth – a product that presents many disappointing variations in color . Close up of texture and color . Note the bits of gold that reflect light . The homeowners hung a large mirror with a dark gold frame , which really set off against the wallpaper. (dumb me didn’t think to take a picture!) The wallpaper is by A Street Prints , under the Brewster umbrella. It’s a non-woven / paste the wall product , and was easy to install . Because NW contains 20% polyester , it is strong and durable . The vinyl surface is resistant to stains . It’s designed to strip off the wall easily and in one piece and with no damage to the walls when it’s time to redecorate . A very good alternative to real grasscloth or other natural materials . This purchased through Dorota at the Sherwin-Williams in the Rice Village. Wed – Sat , call first, please. (713) 529-6515 The homeowners made an appointment and then brought Dorota photos of their room, the floor , the mirror , along with their vision for the space. Dorota immediately went to the shelf and pulled out the selection book and opened it to this option. The couple loved it immediately! They did look at and consider other patterns and also ordered samples , but ultimately went with their first choice – this one. The home is in the Tanglewood / Galleria area of Houston . installer
About all this powder room has going for it is its size – it’s LARGE . But it’s also BORING . Wallpaper adds personality and visual interest , and keeps the room from feeling too massive . In addition, the Brooklyn icons hold sentimental value to the homeowner . Here is the opposite corner of the vanity . AND the short space between the ” floating vanity ” and the baseboard. I was able to do this space fairly easily because, first of all, I’m small and can pretty much fit under there. But what really made this possible is that, once I knew what the pattern match could be to the adjoining wallpaper strip , I was able to pre-trim these six short strips horizontally at the point where they would sit above the baseboard . Then I trimmed their height to 4 1/2″ – the exact height of the wall space way under that cabinet . From there, after pasting , it was a (sorta) easy task to squirm under there and put the strips into place. Yeah – nobody’s going to see it. But the husband wanted the wallpaper to be under there. And you know what? Even if the homeowners had not requested the paper go down there, I would have done it, anyway. Because leaving that bit of wall uncovered would have bugged the heck out of me.
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Corner opposite toilet .IIconic scenes from life in Brooklyn , New York . The pattern is called Brooklyn Toile , and is by Flavor Paper – they are known for some unique and wacky designs . Some Flavor Papers can be very difficult to install . I pretty much won’t work with their vinyl , and definitely not their (or anybody’s ) peel & stick . But I do very much like their EZ Papes option . This is a thin , pre-pasted material that goes up beautifully , seams are invisible , not affected by humidity , it adheres nice and tight for decades , and will strip off the wall easily when you redecorate – as long as you use water and follow the directions . This brand doesn’t have a strong protective coating , and the mom has concerns about the three young kids touching or splashing the paper as they reach for towels or soap or toilet paper . So she’s exploring various alternative options for towel racks and TP holders . Like laying a hand towel on the counter top , and a stand for the TP, or placing the rolls in a decorative basket . Their wallpaper is packaged differently from other companies . Panels are 24″ wide x 10′ 4″ high, with two strips in a pack , or ” roll .” So the total width of a “roll” is 48″ (4′), and then 10′ 4″ high. So if you have 8′ high ceilings , you’re going to be throwing away 2′ or so with each strip. And for the areas over doors , same thing … a full 10′ 4″ strip will be needed, even if the space above the door is only 12″ high. There are a couple other companies that package similar to this, with Spoonflower , House of Hackney , and Mind the Gap being good examples. Fkavor Paper is also a pricey brand . But very worth it, if you want something fun and unique . I mean, these guys even offer scratch-and-sniff wallpaper!
aaHere’s what this flowing viny wallpaper pattern looks like in this dining room in the Garden Oaks / Oak Forest neighborhood of Houston . The bottom 1/3 of the wall is block paneling / wainscoting , so the wallpaper on just the area above is not overwhelming . A kill point is the place in a room where your last strip of wallpaper meets up with the first strip you hung . this virtually always results in a pattern mis-match . So we try to hide that in an inconspicuous place, such as in a corner behind a door . In this room, all of the corners are very visible . A mismatched corner of 7′ high would be very noticeable . So in this room, I was able to cleverly disguise the mis-match in a much shorter area, over a door . This is only 6″ high . Here my first strip is on the left, and my last strip is on the right, with two short strips needed to bridge that gap . Here the strip on the right has been put into place. Here’s the piece that will butt up against the strip on the left. Eeek! It’s 1/2″ too narrow to cover the gap. Also, as you can see, there is an obvious pattern mis-match at that seam on the right. look at this tree branch . I’m going to use that to my advantage.Here I’ve taken another piece and have matched the pattern on the right side. Note that it’s not matching on th left. Here I am, back to that strip we saw a few photos ago, that will match with the strip on the left. Remember tha tree branch I pointed out? Here I’ve trimmed the wallpaper vertically along that tree branch . Here I’m putting it into place, butting it up against the strip on the left, and overlapping the strip on the right. But that’s going to leave a vertical ridge under this strip, where the strip underneath it ends on the left. But you won’t notice that overlap if it runs under a design motif . Here I’m using a pencil to trace the outline of that tree branch, bringing it in so that the tree branch will overlap just 1/8″ – 1/4″ over the strip on the right. Note that since the surface of this paper is vinyl , and wallpaper paste doesn’t always adhere well to slick plastic , I’ve used a special border paste or vinyl over vinyl or seam repair adhesive just on this small 1/8″ overlapped area . Strip on the right trimmed to conform to the curves of the tree branch. Tree branch piece being put into place. Tree branch strip trimmed and finished. SDone and viewed from below. OK, so the pattern doesn’t match 100% perfectly the way the designer intended. Some of the motifs are closer together than they “should” be. From here, who the heck is going to notice?! This looks pretty darned good – and it looks way better than having a 7′ long mis-match in a very visible corner . The pattern is called Twining and is by Graham & Brown . It has a very light texture , and also a slight metallic sheen on the branches . It’s a non-woven / paste the wall material , and will strip off the wall easily and in one piece when it’s time to redecorate . I like their papers a lot . You can purchase G&B from Dorota at the Sherwin-Williams in the Rice Village . Call first, as hours vary. (713) 529-6515 . Here’s another cool thing … Go back to that first photo. Since I started hanging paper by centering the pattern between the two windows on the wall to the right (not visible in the photo), by the time I worked my way around to the wall between the windows you see in front of you, the pattern was not going to be centered in between the windows. I thought it would look better if it was balanced symmetrically. So I positioned the dominant part of the tree branches in between the windows. And then I used the same overlap-and-disguise trick over the window on the right.