Posts Tagged ‘visible’

Pewter Cork in West U. Powder Room

August 5, 2021
Before
Finished
Looks super with antiqued brass faucet and handles. Notice metallic flecks of copper within the pewter surface.
Looking up at corner over the toilet and under the stairs. Notice that the material is made up of 7″ squares of cork. A 3′ x 3′ swatch of ceiling was left white; the dark cork material over every square inch of space would have made the room dark and claustrophobic.
When it’s got her name on it, you know it’s going to be glam and glitz! The Candice Olson line is made by York, one of my favorite brands.

At first, I didn’t think the contemporary feel of this metallic wallpaper would look good with the homeowner’s traditional style furniture, including this family heirloom console vanity base. But once the room was finished – it’s darned handsome!

Hard to see in the second photo, but there was a gap of only about 1/4″ on either side of the granite countertop. And about 1″ between the wooden cabinet and the wall. It definitely took some gymnastics and ingenuity to get the wallpaper into those spaces and smoothed against the wall.

Cork is a natural material, and you should expect some inconsistencies in color, pattern, and texture. It’s also lots thicker than most papers, so seams will be more visible.

The home is in the West University neighborhood of central Houston.

Repairing Damage from Remodeling

March 5, 2021

I hung this paper in a little boy’s bedroom about two years ago. Now a new baby is coming, so Son #1 is moving from the nursery to his “Big Boy’s Room” next door. In the process of the shuffle, the parents had the connecting Hollywood bathroom updated, and this involved moving a door – which meant messing up the wallpaper.

As you can see in the top photo, instead of taking the time and effort to remove the wallpaper, the workmen put their patching compound right on top of it. I don’t like hanging paper on top of paper, for many reasons. There are adhesion issues. And also, for one thing, it’s not good to have seams fall on top of seams. For another, because the new paper is somewhat thick, you would have a visible ridge from top to bottom along the edge of the new strip.

So I took a razor knife and cut roughly around the workmens’ patch. Then I stripped off the paper around it, up to the edge of the adjoining strip. I did this on both sides of the corner.

This wallpaper is of a non-woven material, and is designed to strip off the wall easily and in one piece when it’s time to redecorate. I was pretty disappointed that that turned out to not be the case.

On the other hand, I was happy that it didn’t. Stripping paper that way puts a lot of stress on the wall surface, and you can end up with delamination (coming apart) of various layers under the paper (primer, skim-float, paint, drywall).

So I used a more labor-intensive, but lower-impact method. Click my page to the right for more info on the process. I first stripped off the top, inked layer of paper. That left the white backing still adhering to the wall. I used a sponge to apply plenty of water to this backing. The idea is to reactivate the paste that is holding it to the wall. Once that paste was wet enough, the backing pulled off the all cleanly and easily.

I was really pleased that my primer from the original install held up perfectly under all this soaking and tugging. I had worried that it might “rewet” and pull away from the wall, which had been my experience with it before. I had used Gardz, a penetrating product designed to seal torn drywall. It’s also good at sealing new skim-coated walls. And wallpaper sticks to it nicely, so all the better!

One photo shows you the stripped off area next to the edge of the remaining strip. You can see the thickness of this existing strip. The new wallpaper will butt up against this, and there will be no ridge because the thicknesses of both strips are the same.

Another photo shows my stripped-off area next to the contractor’s patched area. There is a difference in height between the newly revealed wall and the patched area – and that will show as a ridge or bump under the new wallpaper.

To eliminate that difference in height, I skim-floated over the area. In one photo, you can see the wet (grey) smoothing compound. I set up a strong floor fan to assist in drying. My heat gun also came in handy.

Once it was dry, I sanded it smooth. Now you don’t see any transition between the newly exposed wall and slightly higher patched area. I applied Gardz to the all the newly patched areas. Set up the fan again. And once it was dry, I put up the replacement paper.

It’s a good thing the family had paper left over from the original install. If they had had to purchase new paper, it could have come from a new Run (slight difference in color shade), and that would have meant stripping off and replacing three walls.

We had barely enough paper. The corner was out of plumb by as much as 1/2″ from floor to wainscoting, on each side of the corner. That adds up to an inch out of whack. That one inch meant we needed a whole new strip of wallpaper, to get the paper on the wall to the left to match up with that on the wall to the right.

Long story short, the whole thing turned out great. There is a bit of a mis-match in that corner, but it’s not very noticeable at all.

The wallpaper is by the Scandinavian company Boras Tapeter.

The home is in the West University neighborhood of Houston.

Balancing Strips of Grasscloth to Fit Wall

November 23, 2020

With grasscloth or other products that mimic it, where the seams and individual panels will be visible and obvious, I like to “balance” the width of strips and the placement of seams, so they fit onto the wall in a uniform and pleasing way.

Often this means I have to trim the strips of wallpaper vertically, so they will all be the same width.

In this photo, you see a bit of that process.

Balancing Grasscloth Panels

January 18, 2020


Because grasscloth does not have a pattern that can be matched, the seams are always visible. And, due to the characteristics of natural materials, the strips will have color variations within themselves. This means that you will distinctly see each individual panel on the wall.

Because each panel is noticeable, walls usually look better if each panel is the same width. In other words, on a wall 14′ wide, it looks better to have five strips that are each 33.5″ wide, rather than four strips that are 3′ wide and one that is 2.’

In addition, grasscloth invariably comes with edges that have been abraded during shipping. On top of that, it’s common to have color issues at the edges – either a light band, or a dark band, or irregular bands of shading along the edges.

For that reason, many paperhangers trim the edges off both sides of each strip of grasscloth. This allows the installer to trim the width to fit the wall’s dimensions, it gets rid of most of the damage caused by shipping and handling, and it reduces the shading that the manufacturer’s dye process may have left along the edges.

If you study the photo closely, you will see that all these panels are the same width.

And, while some jagged color variations do appear along some of the edges, it is not pronounced, as the darkest areas have been trimmed off.

There is still a color difference between the three strips on the right and the four strips on the left – but that is just the nature of grasscloth and its manufacturing process

As you can imagine, all this measuring and plotting and trimming takes extra time. If you’re like me and like math and geometry and logistics, hanging grasscloth can be a whole lot of fun!

Faux Grasscloth Made of Vinyl – A Super Alternative to the Real Stuff

July 24, 2018

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Because natural grasscloth frequently has disappointingly visible seams, and jarringly noticeable paneling and shading (color variations between strips and even within strips, even if they came off the same bolt), as well as staining and color running and pets clawing it up, I try to steer clients away from real grasscloth. I much prefer the faux products, which are much more predictable as far as color and pattern.

This is vinyl product made by Thibaut called Bankin Rafia. It offers the texture that people are wanting these days, buy has a much more uniform color pattern, and virtually invisible seams. Further, it is very durable, washable, water-resistant, and less attractive to claw-happy pets.

A Beautiful, Natural Grasscloth

May 16, 2018


I was really pleased with the grasscloth I hung today. The fibers were thin enough that the material was pliable and turned corners well. The texture was a pleasing middle ground between rough and refined, and the color was gorgeous – natural, with bits of brown, gold, grey, and olive all mixed together homogenously.

But best of all, the material had virtually no shading or paneling or color variation issues. Do a Search here (upper right) on these terms to see what most grasscloth looks like, and why I am not a fan of it. But this stuff today – I liked it!

Because there is no pattern to be matched, you will see all the seams. But because the color and the texture were quite uniform, the seams and panels pretty well blended together. The two shots showing the seams are good examples of what grasscloth is supposed to look like.

The room immediately felt warmer and more inviting, with a bit of color and texture from the natural material on the walls.

I don’t know what the brand is, because the label simply said “Wallcovering.” But it was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

I hung this in a bathroom in a newish home inside the Loop in Houston. Yes, grasscloth will stain if it gets splashed with water, so it’s not recommended in wet areas. But the homeowner is a single gal, and she promised to use the room gently. 🙂

She also promised to keep the door closed, so the cats will not get their claws into the new textured wallpaper.

Grasscloth in a West Houston Study

November 17, 2017

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This couple wanted the textural look of grasscloth for their study, in a newish home near Cross Creek Ranch and Cinco Ranch, a bit southwest of Houston. The pattern they chose is a medium-fine grass in a pretty uniform color. With fine grass, you don’t notice as much the mis-match of the fibers at every seam.

The grass fibers have been sewn onto the front of the wallpaper. But the black backing is less homogenous, and exhibits variations in its color. These are the horizontal differences in color that you see in the pictures.

Some of these color variations spill onto the surface of the material, too. These can be especially evident as swathes of darker colored dye on the outer edges of the wallpaper. (See photo)

Overall, this product looks very good. People who like grasscloth love the texture of the natural material. And they like the “organic look” of visible seams, mis-matched pattern (there is no pattern to match!), and the color variations at the edges and within the strips.

I believe the manufacturer of this grasscloth is York.

Shiny, Orange, Woven Grasscloth in an Entryway

February 9, 2017

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Here is a large art niche in an entry in a newish home in the Rice University / Museum District area of Houston. The homeowner was originally considering wallpaper for her powder room and office, but when I suggested papering this niche, she quickly agreed, seeing how it would bring color and life to the home’s entryway.

This woven grasscloth is a different take on the traditional grass product with horizontal reeds. It is also more uniform in color, with none of the shading and paneling and color variations between strips. And, because the backing appears to be a plastic material, instead of the typical paper, it has an appealing sheen.

The woven pattern hides the seams a little, but, as with all natural products like this, the pattern could not be matched at the seams, so all the seams show. After I did a little trimming and tweaking, the first seam looked pretty good. The second seam, however, looked good at the top of the wall, but started to show unpleasantly as it moved down toward the floor. This is because the grass fibers at the edge of the strip moved away from the edge, so there was a wider-than-the-eye-wants-to-see strip of orange at the edge. It showed up more in person, but you can kind of see it in one of the photos.

This is typical of grasscloth, and not considered a defect. However, since there were only two seams on this wall, the one seam that had wide spaces of orange was very obvious.

I needed three strips of paper for this 10′ high wall, and the two double rolls had already given me three. I had one 10′ strip left, which would be good to keep on hand in case of damage or repairs in the future. But I thought that a better looking seam would be more important than the possibility of replacing a strip years down the road. So I ripped off that third strip, and then I took the remaining paper and cut a new strip.

The reason the seam was visible was because too much orange was showing at the seam. It needed more of the vertical grass fiber. So I took my straightedge and trimmed the new strip of grasscloth to eliminate any orange, and to leave a vertical strip of the tan grass fiber along the entire edge. I worried that this strip of tan grass would be too wide when it butted up against the previous strip already on the wall, with its tan grass at its edge, by creating a double-width of tan grass fiber. But it ended up that the double width of tan grass was far less noticeable than the double width of orange, and the seam turned out nearly invisible. The last two photos show a distant and a close up shot.

All this fussing and futzing was called for because the wall had only three strips of grasscloth and only two seams, and because the first seam looked good, so the second seam had to look equally good. And because we had extra paper to get that extra strip out of.

But had this been a larger room with many seams, and without lots of extra paper to tear off the wall and replace with new, the homeowner would have had to live with very visible seams that showed extra widths of orange, or seams that showed double widths of tan grass fibers. If the whole room looked like this, the look would be uniform, and would not be offensive. It is what’s called, “The inherent beauty of the natural product.”

One other point about this particular product – There was a little bubbling as the paper dried. Since the material has the plasticized backing that gave the appealing sheen, that same plastic backing allows no where for air to dissipate to when the paper dries, so it “off gasses,” leaving bubbles under the paper. I was able to poke tiny holes to let the gas escape. But I prefer grasscloth that is sewn onto a traditional paper backing, because it “breathes” and allows moisture to pass through it, letting the material lie good and tight against the wall.

This wallpaper pattern is by Thibaut Designs, and was bought at below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Wonderful Zen-Like Faux Grasscloth

January 14, 2017

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This powder room had been wallpapered with a floral pattern, probably back in the early ’90’s. Then someone painted over the wallpaper with a faux finish pattern on the top 2/3 of the wall, left the bottom 1/3 a coordinating solid color, and rounded it out with a border around the middle. It all looked pretty good, but it was outdated, and the new homeowner wanted something fresher.

Originally, she was considering grasscloth. I quickly discouraged her from using that material, because of the very visible seams and the horrible color variations that can appear between strips, and even within strips. I was happy when she chose this instead.

The new paper is from one of my favorite books, Grass Effects, in the EcoChic line by WallQuest. Because it’s a stringcloth, it has the texture that people are loving right now. But because it is a man-made product, rather than a natural material, it does not have the shading and paneling and color variations and visible seams that make real grasscloth so disappointing.

To the far left of the second photo, there is a seam, but you cannot detect it. The third photo shows the same seam from a different angle, and it is more visible, but that’s the camera talking – in real life, this seam was barely visible. The close-up shots show the texture of the material. This company makes other versions that have a more horizontal pattern, and that look even more like real grasscloth.

I really like this paper, and I hope more people will choose it, instead of real grasscloth. It is more water and stain resistant, too.

The location of this job was Sugarland, in far southwest Houston. This wallpaper was bought at a below retail price from Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.