Luminous Branches Breathe Life Into Dining Room

Before

The homeowners had this elegant wainscoting added to the bottom of their dining room when the house was built . But for seven years, the room was bland and boring . The new crystal chandelier adds glamor , but the room is still lacking .

Wallpaper to the rescue!

Now there’s soft color and soft pattern . And a little gold shimmer !

I’m encouraging the homeowners to paint that band of wall under the tray ceiling a very soft aqua color, to meld with the misty feel of the wallpaper .

It’s a soft aqua color , but enough to stand out against the woodwork . Now you see the beautiful moldings and trim work .

South wall before

South wall done

I positioned the tree pattern to fall down the mid-point of this space between the two windows .

This shot with the chandelier dimmer turned down allows you to see the pattern more fully.

This wallpaper pattern is called Luminous Branches and is by York , one of my favorite brands , in their Designer Series line.
The material has a slight raised / embossed / textured effect. It’s a non-woven product, so is strong , durable , stain-resistant , and designed to strip off the wall easily and in one piece and with no damage to the wall when you redecorate later.
Non-wovens can be hung by the paste the wall method , but I generally prefer to paste the paper . NW requires no booking / soaking time , so they install a little faster , with no worries about shrinking or gaps at the seams . In fact, the seams are near-invisible .
The home is in the Braes Heights area of Houston

Flavor Paper Printed Too Close To The Top

In most rooms, when plotting where to position the motifs printed on the wallpaper, you usually consider the top of the wall just below the ceiling. (If the room has a chair rail / wainscoting , or if another feature like a vanity or countertop is dominate , you might position the motifs to fall appropriately along the top of those features.)
Back to the ceiling line … You usually want to place a motif at the top of the wall. Because ceilings are never level and walls are never plumb, it’s common for ceilings to go off-track , slanting up or down. This means that, as you hang subsequent strips and move along the wall / room, the top of your motif can move closer to or further away from the ceiling.
In this photo , the man’s crown and the top of the roller coaster are the obvious designs to place at the top of the wall. Further down in the wallpaper pattern , any other motifs you might consider are staggered in such a way that if you put one element at the top of the wall, something would be cut off in an unpleasing way. In other words, if you place the hot air balloon at the top of the wall, then the train bridge and part of the roller coaster would be cut off.
In addition to that, you need an extra inch or two at top and bottom of each strip to allow for trimming at ceiling and floor. 1″-2″ hopefully.

So, you want the crown and the roller coaster at the top of the wall. Plus, you want a little play / extra clearance to allow for those crooked ceiling lines.
But this manufacturer has printed its most important motifs just about smack at the top of the strip. There’s no extra to allow for trimming or to accommodate wonky walls and ceilings. This wallpaper comes in panels of set heights, so there is no extra pattern repeat to roll off and discard until you get the motifs you want.
As it is, if you try to place that crown at the top of the wall, as you move around the room, it’s quite likely that the crown will move upward and be cut off by the ceiling. OR that it can move down, and that some of the manufacturer’s label will be exposed under the ceiling line.
I’ve sent my comments to the company, in hopes that they will start printing to give us a little more play at the top of each strip.
This pattern is called Brooklyn Toile , and is in the EZ Papes line of pre-pasted wallpaper by Flavor Paper . I like FP’s EZ Vapes a lot. But not their heavier vinyl, and definitely not their peel & stick material .

Kill Point Over Door

aaHere’s what this flowing viny wallpaper pattern looks like in this dining room in the Garden Oaks / Oak Forest neighborhood of Houston . The bottom 1/3 of the wall is block paneling / wainscoting , so the wallpaper on just the area above is not overwhelming .
A kill point is the place in a room where your last strip of wallpaper meets up with the first strip you hung . this virtually always results in a pattern mis-match . So we try to hide that in an inconspicuous place, such as in a corner behind a door .
In this room, all of the corners are very visible . A mismatched corner of 7′ high would be very noticeable .

So in this room, I was able to cleverly disguise the mis-match in a much shorter area, over a door . This is only 6″ high . Here my first strip is on the left, and my last strip is on the right, with two short strips needed to bridge that gap .

Here the strip on the right has been put into place.

Here’s the piece that will butt up against the strip on the left. Eeek! It’s 1/2″ too narrow to cover the gap. Also, as you can see, there is an obvious pattern mis-match at that seam on the right.

look at this tree branch . I’m going to use that to my advantage.

Here I’ve taken another piece and have matched the pattern on the right side. Note that it’s not matching on th left.

Here I am, back to that strip we saw a few photos ago, that will match with the strip on the left. Remember tha tree branch I pointed out? Here I’ve trimmed the wallpaper vertically along that tree branch .

Here I’m putting it into place, butting it up against the strip on the left, and overlapping the strip on the right. But that’s going to leave a vertical ridge under this strip, where the strip underneath it ends on the left.

But you won’t notice that overlap if it runs under a design motif . Here I’m using a pencil to trace the outline of that tree branch, bringing it in so that the tree branch will overlap just 1/8″ – 1/4″ over the strip on the right.
Note that since the surface of this paper is vinyl , and wallpaper paste doesn’t always adhere well to slick plastic , I’ve used a special border paste or vinyl over vinyl or seam repair adhesive just on this small 1/8″ overlapped area .

Strip on the right trimmed to conform to the curves of the tree branch.

Tree branch piece being put into place.

Tree branch strip trimmed and finished.

SDone and viewed from below. OK, so the pattern doesn’t match 100% perfectly the way the designer intended. Some of the motifs are closer together than they “should” be. From here, who the heck is going to notice?! This looks pretty darned good – and it looks way better than having a 7′ long mis-match in a very visible corner .

The pattern is called Twining and is by Graham & Brown . It has a very light texture , and also a slight
metallic sheen on the branches . It’s a non-woven / paste the wall material , and will strip off the wall easily and in one piece when it’s time to redecorate . I like their papers a lot .
You can purchase G&B from Dorota at the Sherwin-Williams in the Rice Village . Call first, as hours vary. (713) 529-6515 .
Here’s another cool thing … Go back to that first photo. Since I started hanging paper by centering the pattern between the two windows on the wall to the right (not visible in the photo), by the time I worked my way around to the wall between the windows you see in front of you, the pattern was not going to be centered in between the windows. I thought it would look better if it was balanced symmetrically. So I positioned the dominant part of the tree branches in between the windows. And then I used the same overlap-and-disguise trick over the window on the right.

Some Non-Woven Wallpapers Crease Easily

This is the bottom of the strip , where it meets the wainscoting . It needs to be pushed into the right-angle between the wall and the molding, so the excess can be trimmed off.
No matter how gently I push, or what tool I use, or how carefully I approach this, some papers buckle and fold and crease as they are bent backwards into the corner .

The wallpapers that do this are typically the thicker and ” puffy ” non-woven / paste the wall materials. It happens in just about every right-angle corner. Luckily these areas are usually not in the line of sight, so not very noticeable.
Note that many non-wovens are thinner and more flexible , and do not present this behavior.

William Morris ‘ Fruit ‘ on Master Bath Accent Wall

A cozy nook. The homeowner likes to spend time here, soaking and relaxing. And recovering from supervising high school athletic activities !
This is a 1939 4-plex in the Montrose area of Houston that was beautifully renovated into a single-family home. So this entire master suite is carved out of what was originally one 1- bedroom apartment .
Note my white 2′ x 4′ sheet of plywood over the claw-foot tub , so I can safely access the wall above.

The wallpaper was placed on just one accent wall , above the tile wainscoting / chair rail . During the initial Sunday afternoon consultation , both the homeowners and I felt that this pattern on all the walls of this large master bathroom would be too overpowering . So they opted for just one accent wall .

The design doesn’t have a strongly noticeable secondary or vertical pattern , but I still took the time to center the most dominant feature (the pomegranates) on the tub faucet . The faucet guy , tub guy , and tile guy didn’t get everything perfectly lined up – but nobody’s even noticing. What matters is that the finished nook looks fantastic!
Also of note is that, in this near-100 year old home, the wall was bowed , and it wasn’t possible for the tile to lie flat against the entire surface. So there were some areas where the grout was 1/4″ wide, and some areas where the wall actually overshot the tile, leaving no visible grout at all. So at the area where the wallpaper met up with the top of the tile and the uneven grout line, I made a fat cut , to try to disguise the uneven line. Do a Search here to see previous posts on fat cuts .

This wallpaper design is by William Morris , who was a strong force during the late 1800’s and early 1900’s , in the Art Nouveau and Arts & Crafts movements . His work is having a resurgence in popularity right now. Most are more symmetrical and repetitive than this example ( Google Strawberry Thief ) , but, true to the design aesthetic , all of them involve natural elements , such as plants , flowers , fruits , birds , and animals .
In this close-up shot, you can see the raised ink of this print , which gives a slight textured feel .
The manufacturer is Morris & Co. Usually M&C prints on a user-friendly non-woven material . But in the last year or two I’ve come across more and more M&C that are printed on the old-fashioned, traditional, what we call a British pulp substrate .
Non-wovens are strong , durable , stain-resistant , humidity – resistant , easy to install , and easy to remove when you redecorate . Pulps , on the other hand , are just the opposite . Do a Search here to see my previous posts.
None of this is a deal-breaker. The installer just needs to know what he’s getting into, before taking on the project.
We hunted. This particular pattern was not available by any vendor in the NW material. Maybe it’s COVID , or supply chain issues , or maybe it’s a British thing (even though many American and Canadian companies are printing the Wm Morris designs ). Couldn’t find any outfit offering Fruit in non-woven.
At any rate, the paper went up beautifully, and the basic paper material will hold up well, even if the homeowner steams up the room on her long tub soaks , and the pattern is lovely in the vintage home with new tile , tub , and faucet .

Challenges With Moody Jungle Powder Room

Yesterday’s install was quite fun, but there were some unusual or challenging features to the room. Here are some of them.
First, in most areas, the chair rail had a sort of gap between it and the wall, probably then filled in with caulk. I used some craft paint from Texas Art Supply to color that in, so there wouldn’t be white showing between the dark green paint and the black wallpaper.
My usual trim guide (not pictured) is thin, designed to allow you to cut very close and tight to the edge. But in this case, I was afraid it might leave some of that gapped area showing between the paper and the wood trim.

So I used this steel plate tool, which is thicker and would allow me to get a fat cut – just enough paper left to wrap a teeny bit onto that gap area. Note that before I trim, I’m going to press that edge into the corner. I couldn’t hold the camera and hold it in proper position at the same time.
Also, you’ll notice the rolled edge at the top of the tool. That’s thicker, and allows for getting an even fatter cut, for instance, when you want just a tad of paper to wrap around a corner . Do a Search to see my previous post about this technique.

Here I’ve made the trim cut and am peeling away the excess that was trimmed off at the bottom.
See how the bottom edge of the wallpaper now wraps a tiny bit and fills the gap neatly?

Next issue – wall height. On this wall, the height is 3′ + 30.5″

But on the opposite wall, the height is 3′ + 29.75″.
This means that you can expect the ceiling to move up or down, which means that a pattern motif – let’s say one of those cute chameleons – could get his head chopped off by the descending ceiling.

Next issue – bowed wall. Here my yardstick is sitting pretty squarely against this wall, in a corner .

But as I move it up the wall a little further – wow! – that wall takes a dip to the left. And it’s quite a dip! The wall has a bow in it.
I can get my next strip of wallpaper to cover that space. But the fallout will be that pattern motifs will hit the wall at different points, which means that the next piece to be placed after that, the pattern will not match perfectly at all points.

All right. So that previous corner had a bow. This one is out of plumb. Here you see my laser level showing that my wallpaper strip is hanging nice and plumb.

But move the laser to the corner and you see that it’s out of plumb .

Here’s a better example. Again, this causes the pattern to not match perfectly in the corners.

Another shot of the bowed wall, which, for various tech reasons, due to Word Press ‘s crappy New Editor , this shot got out of order and I was not able to place it with the others under the topic.

Papering around the electrical outlet , I had to unplug my light source. There was light coming in from the hall. But this paper, as well as the paint, were so dark that I couldn’t see well to work. Enter my Big Larry flashlight .

Small enough to fit in my toolbox , but really bright and dependable for when you need it.

The pattern is called Fantasy Tree and is by Breeze and was purchased through one of the showrooms in one of Houston’s decorative / design center s. It’s a nice non-woven material , easy to hang , easy to remove , durable and stain-resistant .

Dark and Moody Jungle Theme for Powder Room

Before. Heavily textured wall has been skim-floated with smoothing / joint compound and then sanded smooth , and then primed with Roman Pro 977 Ultra Prime wallpaper primer . I’ve run a narrow line of dark green craft paint along the top of the chair rail / wainscoting , due to uneven edges . More on that in a soon-future post.

Sink wall is done. Pattern is centered nicely on the faucet and in between the electrical boxes for the new sconces – They haven’t arrived yet and will be installed in a few weeks .

The homeowner’s carpenter created this beautiful wainscoting out of 3D block paneling , and then painted it a rich dark hunter’s green . Right now there’s some sanding dust collected on it, plus bad lighting . In person, it’s gorgeous . The same company did a fantastic paneled wall / fireplace surround in the family room (not pictured) .

Back to wallpaper … This shot is pretty color-accurate. I love the way the dark wallpaper coordinates with the green paneling . The pink and orange flowers , as well as the row of purple foliage , really stand out against all the dark .

Close-up looks like an artist’s painting . Besides centering the pattern on the sink wall, the dimensions worked out so that I was able to balance the chameleons between the ceiling and chair rail , one just below the ceiling and the one here just above the chair rail. So no critter got cut in half .

This product comes as a 2-strip (roll) set , with an “A” strip and a “B” strip in each box. Together, the two strips equal just a hair under 6′ wide , and a little over 9′ high . Here I’m rolling out the two strips so I can gauge the pattern , measure width and height , and plot the layout on the wall.
Sobering fact: Each 2-strip set (one “roll”) cost about $500. This room used four of those sets. I always try to keep that in mind when working with people’s purchased wallpaper .

OK, this damned Word Press blog account has AGAIN (2nd time in two nights!) deleted paragraphs that I spent a lot of time typing. I can’t recreate all the info I put into that lost post, but below I will try to include some of the important points.
First and foremost – since the switch to the New Editor back about 2015, I pretty much HATE WORDPRESS .
Anyway, here the company is providing a mock-up of what the “A” and “B” strips look like. The mock-up above shows the two panels next to each other.
Since this is essentially a mural and the pattern doesn’t repeat vertically as more typical wallpapers do, you can plan on getting only one strip out of each panel. These walls are 6′ high , and the panels are 9′ high. So you’re losing 3′ with every strip.
Further, the area over the door needed one panel that’s 2′ high. But an entire 9′ panel was needed for this, to get the 2′ high strip. So 7′ are going into the trash. Add to that, since this product comes as a 2-panel set , the homeowner had to buy a 2-panel set (at $500), even though only part of one panel would be used. This means that 1 + 2/3 9′ long panels were purchased but not used.
Also, because this comes in panels instead of traditional rolled goods, there are no “extra” strips. This means that I can’t make any mistakes.
Nothing like a little pressure while trying to install wallpaper !
No fears … this pattern and material went up nicely, and we had just enough paper to git ‘er done.

Manufacturer is Breeze and the pattern is called Fantasy Tree . It was purchased from one of the show rooms in one of the Design / Decorative Centers in central Houston. It’s printed on the user-friendly / DIY – friendly non-woven material , which can be hung by pasting the paper (which I prefer) or the paste-the-wall method . It’s designed to strip off the wall easily and in one piece with no damage to the wall when it’s time to redecorate . Definitely better than peel & stick (click my link on the right to read more about P&S ).
The home is in the Oak Forest / Garden Oaks / Heights neighborhood of Houston .

Light Bright Trellis Geometric Updates Red Dining Room

For more than a decade, the dining room was bold red from head to toe. In this photo, I’m applying drywall joint compound to smooth the textured wall .

Here’s the wall sanded smooth , primed , and ready for wallpaper .

Done. The next question is – what color to paint the bottom 1/3 of the wall ? What do you think?

Using the red beam from my laser level to center the design on the wall, and directly under the decorative corbel which the wood-worker homeowner husband installed as a feature to the crown molding .

Close-up. I also balanced the pattern between the ceiling and chair rail / wainscoting .

The wallpaper design is by Candice Olson , of HGTV fame, and is made by York , a company that I like a lot. It was purchased at a discount through Dorota at the Sherwin-Williams on University in the Rice Village . Call before heading over (713) 529-6515 . The homeowner had originally chosen something else, but it was unavailable. Dorota dug through her large library of selection books and found this, which is very similar, but more open and airy . We all three agree that this is the better option.
It is a non-woven material , and can be hung via the paste-the-wall method , or the paste-the-material method – which is what I usually prefer to do. This NW stuff is durable , stain-resistant , humidity -resistant , and easy to strip off the wall when you decorate down the road.

Cute in his bandana . But not very helpful at all! 🙂
The home is in the Candlelight Plaza / Shephard Park Plaza / Oak Forest / Garden Oaks neighborhood of Houston .

Un-Plumb, Un-Level

Shot of the finished breakfast room , for pattern reference.

Close-up view. The vertical lines are not wrinkles , but shadows cast by the macrame light fixture in this breakfast room .

The problem is, when walls aren’t plumb , and ceiling and floor and chair rail are not level , the pattern motifs won’t march across the wall at the same height on every strip . I’ve learned that, in most cases, it’s more important to match the pattern in the corner , and then allow the pattern to go off-track at ceiling or floor if necessary.
In this photo, note that the humming bird is sitting completely above the chair rail.

Here he’s dropped down to where his tail is swallowed up by the chair rail .

By the time we get to the left corner , half of the bird has dropped down and disappeared .

Here’s another bird motif doing the same disappearing act .

Feet and belly gone.
This house in the Eastwood neighborhood of Houston is nearly 85 years, so you can expect some settling and shifting on its foundation . But even brand new homes can have walls that are out of whack .

This beautiful pattern is by Cole & Son and is called Hummingbirds – it’s very popular and has been around more than 100 years … that’s older than the house!

Pretty , Airy Humming Birds on Breakfast Nook Walls

Before. Note that those vertical lines on the wall are cast by the macrame light fixture. You also see bench seating with storage underneath . There will be a wall-mounted table in the center . The wainscoting / chair rail is high enough to keep any food splashes or sticky fingers from staining the wallpaper .

Finished .