Posts Tagged ‘walls’

More William Morris Strawberry Thief in Houston Heights Hall Bathroom

June 24, 2022
Because I feared unstable walls in this 1920’s bungalow in this neighborhood (do a Search for previous posts), before hanging the decorative wallpaper, first I hung a non-woven liner paper on all the walls. That’s the white material you see in the photo.
The liner was hung horizontally so its seams can’t line up with the decorative paper. The idea is to disperse tension from drying wallpaper and changes due to humidity and etc., so as to deflect tension away from sketchy wall surfaces, and thus prevent delamination of multiple unstable layers deep inside the wall. Again, do a Search here to learn more.
Finished vanity area, with pattern centered on the light fixture.
Corner shot.
This colorful and symmetrical pattern is quite popular; I’ve hung it a number of times just this year.
Englishman William Morris designed wallpaper and fabrics during the late 1800’s and early 1900’s.
The styles then were Art Nouveau and Arts & Crafts. This design reflects a bit of each.
Wallpaper expands when it gets wet with paste, and then can shrink just a tad as it dries. The liner helps prevent that, but you can still end up with teeny gaps at some seams.
To prevent the white backing from showing through, I run a stripe of dark paint under where each seam will fall.
I use matt finish craft paint from the hobby store, diluted with a little water (in the orange bottle cap) and smeared on the wall with a scrap of sponge. Use a ruler or level and a pencil to mark where you want to stripe the dark paint.
Remember to allow for that expansion as the paper absorbs moisture from the paste. Meaning, if the paper is 20.5″ wide, and expands 1/2″, you’ll want to run your line at about 21.” And make sure that your painted swath is about an inch wide.
I also run a bit of dark chalk along the edges of each strip, to prevent the white substrate from showing at the seams (no photo).
Morris & Co. makes this iconic Strawberry Thief.
Interestingly enough, most times when I’ve hung a Morris paper, it’s been a non-woven paste-the-wall material.
Today’s option was a surprise – a traditional British pulp . This is a pretty basic and somewhat old-fashioned type of substrate . Sort of like construction paper, or the pages of an old family Bible .
The paper is very fragile , and can tear easily. You have to keep using new razor / trimming blades, because the material dulls blades quickly, and when dull they will drag and tear the paper.
Pulp papers also require a soaking / booking time after pasting , to allow time for the material to absorb the paste , soften a bit, and expand . The edges of the strips like to dry out , so I’ve learned to dip about 1/4″ of the booked ends ( booked means the pasted side of the wallpaper strip is folded onto itself, bottom edge folded up and top edge folded down to meet in the middle), into a bucket of clean water.
Then it goes into a black plastic trash bag to soak and relax for a few minutes before hanging. I use this opportunity to paste the next strip.
Non-woven wallpapers have advantages, because they do not expand when wet, and therefor you can get accurate measurements. They also can be pasted and hung immediately, with no waiting time. Alternately, you can paste the wall .

Shells / Fans in Master Bedroom Closet

June 21, 2022
Left side of entry wall primed and ready for wallpaper.
Starting the right side of the wall.
Instead of laying a 9.5′ length of wallpaper down along the door frame and wrestling it around the tops and bottoms of several fixed-in-place shelves, I used a razor blade and my straightedge to slice the strip horizontally into sections, measured carefully to coincide with the position of the shelf brackets.
This way I was working with much smaller and more manageable chunks of paper.
Entry wall finished.
Entry and side walls finished.
Opposite, window wall finished.
This closet, with 20 single rolls (10 double roll bolts) of wallpaper, several fixed shelves to wrangle paper around, support brackets to trim around, and two windows to wrap wallpaper inside, took me two 10-hour days to prime and paper.
Here’s a close-up, with a light switch for perspective, to show the lightly textured surface of the wallpaper.
BN European brand of wallpaper.
This is a non-woven material and could be hung via the paste the wall method or the paste the paper installation process.
Pasting the material made it much easier to work around all the obstacles and tight areas.
The paper was very soft and pliable. It is an embossed ( textured ) vinyl and will be more resistant to stains and dings than most traditional wallpapers.
This home is in the Heights neighborhood of Houston.

COVID Pandemic – Insight re Wallpaper ‘s Impact On Our Homes and Our Psyche

June 17, 2022

Taken from the current issue of The Installer , the newsletter of the Wallcovering Installers Association ( WIA ).

” The COVID-19 pandemic and subsequent
shelter-in-place mandates brought home as
never before how crucial interior décor is to our
everyday lives. Surrounded by our own walls,
we learned that bland, dull interiors make for
a boring and dull life, while vibrant interiors
create a sense of energy and liveliness. “

Summer 2022 issue

Jungle Mural for Nursery Accent Wall

May 19, 2022
This is a custom new-build ( Vintage Bayou City Homes ) in the Houston Heights, and the walls are smooth , so all they needed was my primer.
The mural fills the wall with color and fun,,,
,,, and lots of critters!
It has a hand-painted watercolor look.
Simply called Jungle Wallpaper Mural , it’s by Lulu & Georgia , and is made by York , in their Sure Strip line. Sure Strip is a pre-pasted product that is designed to strip off the wall easily when you redecorate. I love this stuff! It goes up like a dream, and will hold up for eons until you’re ready to redecorate.
This mural comes in four panels, and the overall size is 6′ wide x 9′ high.

Finished Pearland Floral Master Bath

April 14, 2022
Before, with walls skim-floated smooth and primed .
So fun! So much personality and energy!
The door on the left opens to the water closet / potty room, which was papered in a coordinating plain gold, textured material. See previous post for photos.
Long wall behind his & hers vessel sinks.
Tub area, with shower area behind. Wallpapering all these little nooks and crannies took a lot of time!
The opposite side of the tub area.
This non-woven wallpaper is made by York and was purchased from the Ballard Designs showroom in Montrose / River Oaks ( Houston ).
It was nice to work with, the seams are nearly invisible, and it will hold up for many years to come.

Blue Rose Floral in Laundry Room

March 17, 2022
A few months ago, I papered the adjoining powder room in this same watercolor -y wallpaper pattern. Now that the homeowner’s new custom cabinetry has been installed in the laundry room, I’m papering that area, too. Here’s the before picture.
The homeowner made the point that, after all the money they spent on the carpentry, everything was swallowed up by the all-white walls. Well, a little color and pattern from wallpaper changes all that! Besides being beautiful, note how the wallpaper makes the moldings and cabinets stand out.
Here the roses look purple … they’re actually more navy blue in color.
Close up. The design looks like real watercolor brush strokes.
Note there’s a slight pattern mis-match at the seam. This is a very close-up shot. From three feet away, you don’t notice it.
Tomorrow I’m hanging another room with the same pattern but from a different run … Let’s see if the pattern matches better in the new run.
The pattern is by Caitlin Wilson and is in the Sure Strip line, made by York , one of my favorite manufacturers.
This is a unique pre-pasted material, as it’s designed to strip off the wall easily when you redecorate. I like Sure Strip a lot.
Do a Search here to read about my install techniques with these.
This is a nicely renovated and updated home in the energy corridor / Memorial area of west Houston.

Kill Point Over Door, Ridge, More

February 25, 2022
After you’ve hung wallpaper on all the walls in a room, the point where your last strip meets up with the first strip is called the kill point . This virtually always ends up in a pattern mis-match. That’s why you engineer to place it in an inconspicuous place, such as behind a door.
This powder room, though, had no hidden corner or handy door. That meant that I would have a pattern mis-match a full 5′ high, to the left of the toilet you see here. I prefer to have the pattern match in a corner like this. As you can see – it does. I will explain how I accomplished that.
I decided to place the kill point over the door. Even though this space is 2′ high and a mis-match might be noticeable, not many people are looking up over the door, so it’s a better choice than in a 5′ or 9′ long corner.
The dark smudges on the wall in the photo are where I’ve spread paint, to prevent white walls from peeking out, should the dark wallpaper shrink as the paste dries.
Here I’ve positioned the strip on the left. This leaves a gap of about 3″. Once I match the new strip up to the piece on the right, its pattern will not match perfectly with the strip on the left.
Now I’ve positioned both strips, and the one on the right is overlapping the one on the left.
Here’s an idea of what the pattern mis-match will look like. To be honest, it’s not all that bad, with this busy pattern and being up over the door. Still, I thought I could make it look better.
I’m going to do a double cut , which is our installers’ fancy term for a splice. I’m going to cut through the two strips, splicing them together, cutting along the vertical foliage elements, to minimize cut-off motifs and to disguise the splice.
When double cutting on the wall, it’s really important that you slice through the two layers of wallpaper only , and not cut into the primer or wall surface beneath. This is because, if the wall surface becomes scored or compromised, when the wallpaper paste dries and the paper shrinks and pulls taught, it can put tension on the wall surface. If the surface is not intact, it can give way and actually come apart ( delaminate ), resulting in wallpaper that comes away from the wall – and there’s nothing beneath it to paste it back to.
I’ve blogged about this before, so do a Search here to learn more. It’s important!
Anyway, to protect the wall beneath where I will make my splice cut, I’ve placed three layers of scrap wallpaper, to pad the wall. I figure I can cut through the two top layers, but not all five.
Note that three layers of non-woven material have some thickness, and can “throw off” the splice cut and prevent the top two strips from fitting together perfectly. In this case, the paper is flexible enough that I’m not worried about that particular scenario.
The strips are in place, and I’m ready to make my cut. I prefer to use a single-edged razor blade held in my fingers, rather than a blade-holder. What’s most important is that the blade be brand new and spankin’ sharp!
Here I’ve made my cut and am removing excess paper from the right side of the top strip. Look carefully and you can see how my razor blade followed the contours of the vertical foliage design elements.
Here I’ve removed the excess paper from the left edge of the bottom strip. You can see they are poised to fit together nicely.
Before fitting the two strips back together, though, I’m examining the wall surface. Check the photo carefully, and you’ll see that I did, after all, score into the primer. 😦 The surface below is skim-coat that was used to smooth a textured wall – and another potential layer that may come apart when exposed to tension from the drying wallpaper.
Shoulda used a Boggess Strip. https://www.steveboggesspaperhanging.com/lexanpage.htm
One way to prevent the wall from delaminating is to put something over the compromised area, to distribute the tension of the drying paper and take it away from the cut wall. Here I’ve taken a scrap of wallpaper, which is a tough non-woven material, and carefully peeled the printed surface from the white substrate (no pic of that process). Now I have a thin material that I can use to pad the wall.
I’m using the black printed side facing out, in case the spliced strips shrink a little – anything peeping out will be black and not noticeable.
Here is the bit of paper in place, spanning across the cut on the wall.
Now I’ve smoothed the two top strips back into place. Since my double cut followed along the vertical foliage elements as much as possible, and because I cut around the gold flowers to keep them full and round, the pattern looks like it matches up just about perfectly.
But wait! … What’s that lump / ridge under the wallpaper, the full height of the seam? That’s my seam padding! Doesn’t look great.
I’m really surprised at this. The non-woven wallpaper material is thick. But that’s why I pulled the top and bottom layers apart, to make my patch piece thinner. I guess not thin enough. Once dried, this ridge is going to be obvious.
But, to be honest, this is up over a door where no one’s going to be spending much time looking. In addition, once I get my 100 watt light bulb out of there and replace the homeowners’ original, small light fixture, this bump under the wallpaper will be pretty much indiscernable.
Still, that lump was buggin’ me. Another invention from my colleague Steve Bogges to the rescue! Pictured is his seam tape , which was made specifically for this type situation. This is very thin – yet strong – paper tape that is used to bridge cut areas like this, and prevent tension from drying wallpaper from tugging at unstable walls.
The tape has a pre-pasted side (the gloss you see), and feathered edges, to make it less noticeable under wallpaper.
Hard to see, but here I’ve placed the seam tape over the cut wall areas
Now the two top strips have been smoothed back into place. Amazingly, no bump from the seam tape beneath shows. And the pattern mis-match is barely visible, too.
Win-win!
All that’s left to do is to wipe paste off the surface of the wallpaper. This overlapping and splicing does mean that wallpaper paste will get on the surface of the strip underneath. Actually, there is a way to prevent that, and it also involves products from Steve Boggess
But … that’s a blog post for another day …
This pattern is called Peonies and is by Rifle Paper.

Cheerful, Colorful Entry

February 13, 2022
The original color was a dull brown/tan. I skim-floated the textured walls to smooth them, and rolled on my wallpaper primer, above.
What a happy welcome as guests walk in the door! And much more suited to a young and active family.
The homeowner did a beautiful job of coordinating the blues and greens through other rooms in the house.
Rifle paper is made by York. The pattern is called Garden Party. Most Rifle Papers are on non-woven / paste the wall stock, but this was a traditional material where you paste the paper. Just about everything York makes gets an A+ in my book.
The home is in the Briar Forest area of west Houston.

Keeping Dust to a Minimum

February 5, 2022
Most homes in the Houston area have textured walls. These bumps are unsightly under wallpaper, and also interfere with consistent adhesion. So I like to skim-float the walls with drywall joint compound (I use the Plus 3 version) and then sand them smooth.
Sanding this stuff creates lightweight, powdery dust that sifts through the air and gets over everything. Homeowners tend to hate that. 🙂
So here I’ve created a ” tent ” out of painter’s plastic along the walls where I will be sanding. This creates a pretty darned effective barrier that prevents dust from getting into the rest of the room.
Here’s the dust created by smoothing just the top 5′ of wall area. And my ShopVac to clean it all up.
I find it easiest to let the dust fall onto the floor and even the carpet. It’s easy to vacuum dust up off these surfaces. Dropcloths and plastic tend to get sucked up into the vacuum hose, and the dust doesn’t come with it. I once tried protective self-adhesive plastic that’s made to cover carpet … but it was extremely difficult to unroll, plus, it was even more difficult to get back off the floor. I truly feared it would pull off the surface finish of the floor along with it.
The vacuum gets most of the dust. But there is still a fine, invisible layer left on surfaces. So you need to take a damp rag and wipe the floor.
I also vacuum the walls. After the visible dust is gone, it’s imperative that you take a damp sponge and wipe residual dust off the walls. You have to rinse the sponge frequently to get all the dust. If not, it’s like, as I like to say, it’s like flouring a cake pan – the wallpaper will kinda stick – but not really stick.
Once the walls are perfectly dust-free and dry, follow up with a wallpaper primer.
Then go and hang your wallpaper!

COVID Supply Chain and Wallpaper Hanging

January 18, 2022

This sign was posted on the door at eye level when I visited Sherwin-Williams today.

The COVID-induced shipping container jam-up, driver shortages, fires and freezes at chemical plants – all these contribute to the lack of supplies in stores.

Luckily for me, as a wallpaper installer, few of the items I use have been affected.

To be honest, I don’t mind paying a bit more for materials. I’m mostly concerned about being able to obtain what I need to get my clients’ paper up on their walls!

Mostly I use primer, paste, and smoothing compound, plus razor blades. Luckily, all of these remain available in my Houston area. Sherwin-Williams is doing a great job of keeping me supplied!

Just in case, though, I’ve got a (small) stockpile in my garage. Just enough to get through a month or so, if needed. I don’t want to hoard and prevent someone else from taking care of his own clients.