East wall beforeSame wall covered with soft tan, lightly textured wallcovering . This material is an embossed vinyl replicating the look of a woven grasscloth . The texture and color doesn’t overpower , but is just enough to give the feeling of warm and cozy . Plain paint can’t do that. West and north walls before. Finished – but the color washed out for some reason … it’s really a peaceful tan .Close-up of the woven textured look . Manufacturer is Thibaut . Random means that this material has no pattern match at the seams . Because no wallpaper is cut off in order to match the pattern , there is very little waste , and you often get an extra strip out of each roll / bolt of paper. Like most textured wallpapers , be they made of natural materials like grasscloth or sisal , or a faux like this of embossed vinyl , it’s suggested that you reverse hang every other strip – in other words, Strip #1 is hung right side up, and Strip #2 is hung upside down, then Strip #3 is right side up, etc. This helps minimize shading and paneling between strips , by ensuring that the same edge of wallpaper is hung against itself . Do a Search here to read previous posts and get a clearer idea of what I’m talking about! This home is in the Heights neighborhood of Houston . installer
Before. Hurricane Ida (October 2021) took their New Orleans home and everything in it, so the homeowner relocated to a north Houston suburb to be closer to family and college friends. The home is brand new, and has grey-tan walls. While the homeowner “grows” into the house, acquires furnishings, and figures out her decorating approach, she wanted at least one room prettied up. She fell in love with this wallpaper pattern, and decided the powder room was the best place to showcase it. Pattern centered on the sink / faucet and light fixture. It will look symmetrical and super nice when the mirror is hung.William Morris innovated designs like this back in the 1860’s, and started the Art Nouveau and Arts & Craft movements, which carried on into the early 1900’s. I’ve hung a lot of patterns by him, and similar, in recent years, indicating an increased interest in this gorgeous, fluid, nature -centric style.The paper has a velvety feel, and the seams were invisible. It’s non-woven material, which is very strong and designed to strip off the wall easily and in one piece when you redecorate. It’s fairly water-resistant and somewhat more stain-resistant than more traditional wallpaper substrates. Apelviken by Midbec is a Scandinavian manufacturer. Yeah…. the instructions on the flip side were a lot of fun to read through! Interestingly, the labels listed the sequence in which the bolts were printed. Note that not all the bolts were in proper sequence. With a machine-printed product, sequence isn’t all that important because the color will print out very evenly.
The homeowner loved the new look, and said that having this one room decorated with some color and personality helped a lot to make the new house feel like a home. After the trauma she went through in recent months, it was an honor to help her new home become warm and welcoming.
Master bedroom before. White. Boring. After. Warm, classic, and a touch of French. Much better suited to this 1920 home in the Houston Heights. Headboard wall.The pattern fits perfectly in the header space over the doors. The dark area in the upper corner will lighten as the wallpaper dries. Close-up.I was very pleased with the seams on this product. They went together nicely, with no gaps or overlaps. And I was doubly happy that the paper did not shrink much as it dried, so no white wall peeping out from gaping seams. I love the slight texture of this raised ink surface print wallpaper. I’m not usually a fan of the Schumacher brand, but this product’s install went very well.
Cheery but not overwhelmingly bright, this “Parada” wallpaper pattern lightens this breakfast room while still keeping the feel warm and inviting.
I think the motifs look like those gummy “orange slices” candy with the sugar crystal sprinkles. 🙂
The manufacturer is Thibaut. While I usually love their products, this one was difficult to work with. It is a screen print, and is printed on a thick, stiff backing that sucked up all the paste before I could get strips to the wall. I experimented with several pasting techniques, and found that lightly sponging the back with water before pasting, and then booking the paper (folding pasted side to pasted side) and then placing in a plastic trash bag for few minutes, helped to both soften the material and prevent the paste from drying out.
I also rolled on a light coat of paste under where the seams would fall. This held the seams tighter to the wall. The material was still stiff and somewhat difficult to work into corners or trim around the detailed moldings.
The home is in the Heights neighborhood of Houston, and the interior designer is Stacie Cokinos of Cokinos Design.
The original dark paint was bold and beautiful. But the homeowners wanted something softer and textured. They listened to my “rant” about color variations in grasscloth (see link at right), and chose this embossed vinyl replica instead.
They couldn’t have chosen better!
We were worried about the usual very visible vertical seams in grasscloth, and how they would juxtapose with the vertical boards in the wainscoting at the bottom portion of the walls. The spacing between the boards did not sync at all with the width of the wallpaper. If the seams in the paper were visible and did not coordinate with the vertical elements below, it would have ended up a very visually confusing room.
Luckily, and very surprisingly, this material turned out to be wonderfully homogeneous, and the seams are virtually invisible.
What you do see is the is the very soft, muted texture and warm color that envelope the room. I like to say that this sort of pattern emulates a finely tailored man’s suit.
That last photo is distorted a bit, so ignore those wavy, swirly lines.
This wallcovering is by Warner, in their Textures VII, Grasscloth Resource book, on page 32, a lightly embossed (textured) vinyl on a scrim (woven fabric) backing, and is a random / reverse pattern match (meaning, there is no pattern to match).
It comes either 26″ wide or 52″/54″ wide. Lil’ ol’ me can’t wrangle that extra-wide stuff, so I asked the homeowners to buy the 26″ option.
This type of vinyl is way more resistant to dings and stains than most traditional wallpapers. The scrim backing also makes it easy to strip off the wall later, and with minimal damage to the wall. The embossing adds just a touch of texture.
Best of all, because it is man-made instead of a natural material, there is none of the displeasing shading and color variations that are so prevalent in real grasscloth.
The home is a relatively new build in the Heights neighborhood of Houston.
The headboard wall had been painted a darker brown than the other walls in this master bedroom … but the homeowner sought a more soothing and comforting feeling for her bedroom – which has become something of a sanctuary, during these days of COVID and stay at home.
Interior designer Kandi Palella, of Kandi Contemporary Design, found this warm, earthy, organic wallpaper pattern. Viewed up close, it has the look of a hand-woven blanket … It really makes this room feel snug and welcoming.
Kandi coordinated other elements of the room (not pictured). Like a rug in the exact same colors and with the same woven texture. And artwork that includes leaves in the same color, as well as the scratchy fabric-like texture. One thing you can see are leaves reiterated on the bedspread, that are almost identical to the pattern on the wall.
This wallpaper is a non-woven material, and I used the paste-the-wall installation method. The manufacturer is Chesapeake, by Brewster.
The home is in Porter, which is way north east Houston.
This dining room accent wall started out the typical suburban taupe/grey color, with even the ceiling painted the same color. The homeowner thought the room looked cold before.
Accentuating this focal wall with a special silk-look wallpaper really brought appeal to the room, and the warmth the homeower was seeking.
The wall will be finished with an oval mirror, and distressed sconces, which will tie in nicely with the weathered-look chandelier.
The remaining walls, as well as the area below the chair rail, will be painted. I suggested picking a color that compliments, rather than matches, the wallpaper color. This will enable the papered wall to stand out, with it’s mottled colors and warm feel.
The wall will then fade into the background, allowing the mirror, sconces, and buffet to take center stage.
This wallpaper is by Designer Wallpaper. It is a traditional paste-the-paper product, and was nice to work with. It went better when I pasted, booked, and then dipped the edges into water before bagging, which helped prevent the edges from drying.
The home is in Kingwood, a northeast suburb of Houston.
This is a recently-finished home in a brand new development out Hockley way – far northwest Houston. Like most new construction these days, everything started out white or vanilla.
But the homeowner – who is also an interior designer – likes things to feel both livelier and cozier. She has beautiful stained wooden furniture to warm things up, and she displays a number of treasured items and collectibles to add personality.
For the walls, she’s added color. Not hit-you-in-the-face brights, but comfortable colors like “Peanut Shell” paint on the great room walls, and this deep rust colored wallpaper in a paisley print in the adjoining open kitchen area.
The room looks much better in person than in these photos. And the wallpaper working its way around the white cabinets and pantry door was striking!
The wallpaper pattern is named Driskill and is by Thibaut, one of my favorite brands. Thibaut makes lots of types of paper, but this one has the feel that I call “satiny.” The paper is quite malleable, which was good because this room had wonky walls and rounded corners that can throw things out of plumb and out of square. It also resists shrinking, so even when I needed to twist or stretch it into position, it held tightly to the wall, so no worries about teeny gaps showing white at the seams.
The interior designer for this job is Leona Rossy Interiors.
This wall in the dining room of a very contemporary new home in the Spring Branch area of Houston “floats” in the middle of the room. This breath of smoke floating across the wall adds a distinctly ethereal feel.
The interior designer on this job is Neal LeBouef, of L Design Group, who was expertly assisted by Anthony Stransky. I love working for these guys. And homeowners love their creations, which are crisp, sleek, modern, a bit edgy, yet still warm and comfortable.
The smoke mural was custom made to fit the wall, and came from Murals Your Way https://www.muralsyourway.com/ , a member of the Wallcovering Installers Association (WIA). Their murals can be printed on various materials, and I chose the vinyl on an Osnaburg backing.
Each of the three panels was about 42″ wide, and they were meant to be overlapped and then double-cut (spliced) at the seams. Great care was taken to not get paste on either the surface of the mural or on the ceiling, and to not score the wall while splicing.
I have a specially made 2 1/2″ wide plastic tape that keeps paste off surfaces, and another special 2″ wide polystyrene plastic strip that protects the wall from cuts from the razor blade, and a specially made non-slip straightedge used as a guide while trimming. All of these were invented and made by fellow members of the WIA (Steve Boggess and Eunice Bokstrom). Probably boring for the average blog-reader, but exciting stuff for us paperhangers. These things really helped make this job turn out perfect.
Grasscloth adds a warm touch to the backs of bookshelves, texture without a lot of pattern, so it does not upstage the items displayed on the shelves. This is a light, neutral-colored option by Phillip Jeffries.
If I had hung this the normal way, with the reeds running horizontally, I would have had to place a seam smack down the center of the shelves. The homeowner agreed with me, that it would look better to run the reeds vertically, and eliminate that seam.
When she came home, she kept exclaiming, “I can’t believe how that little bit of texture and color really changes the whole room!”
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