Tall Windows Allow Innovative Pattern Placement

Focal wall before. With many patterns, the finished room looks better if the dominant features of the pattern can be centered .
You may not consciously notice this, but the overall room just feels more cohesive and balanced .

Here I’ve located the horizontal center of the wall , and placed the skinny tree running vertically down that line .

Same thing on this section of wall, but I used the alternate tree figure, which is wider and filled the space better.

It’s kind of tricky finding the center of a design like this, because it’s not symmetrical and elements of it move to left and right , and some are wider than others. So it helps to be able to pull up a room-scale image on-line , or to lay a couple of rolls out next to each other on the floor and look at the pattern from a distance.

It was cool that this dining room had lots of individual spaces , separated by windows and doors .

And extra cool that these features reached up almost all the way to the ceiling. AND that the design was loose and flowing . That’s what allowed me to fiddle with the pattern and center the trees on each individual section of wall . Normally a pattern would have to match all the way around the room. But here you would never notice if a tree branch didn’t perfectly match the next tree branch way up 9′ high over the window that was only 2″ high .

On those short areas over the windows and doors, I overlapped the left and right strips a small amount, and then cut along one of the branches to disguise the mis-matched pattern.

Since there were two tree figures to the design , I varied what I placed in the center of each wall, to prevent every visual vignette from being the same.

It was fun plotting all this out and executing the layout . I love when my work environment is nice and quiet and I have the space and time to play around like this .

The pattern is called Luminous Branches and is by York . It’s a material made by a good brand .

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Luminous Branches Breathe Life Into Dining Room

Before

The homeowners had this elegant wainscoting added to the bottom of their dining room when the house was built . But for seven years, the room was bland and boring . The new crystal chandelier adds glamor , but the room is still lacking .

Wallpaper to the rescue!

Now there’s soft color and soft pattern . And a little gold shimmer !

I’m encouraging the homeowners to paint that band of wall under the tray ceiling a very soft aqua color, to meld with the misty feel of the wallpaper .

It’s a soft aqua color , but enough to stand out against the woodwork . Now you see the beautiful moldings and trim work .

South wall before

South wall done

I positioned the tree pattern to fall down the mid-point of this space between the two windows .

This shot with the chandelier dimmer turned down allows you to see the pattern more fully.

This wallpaper pattern is called Luminous Branches and is by York , one of my favorite brands , in their Designer Series line.
The material has a slight raised / embossed / textured effect. It’s a non-woven product, so is strong , durable , stain-resistant , and designed to strip off the wall easily and in one piece and with no damage to the wall when you redecorate later.
Non-wovens can be hung by the paste the wall method , but I generally prefer to paste the paper . NW requires no booking / soaking time , so they install a little faster , with no worries about shrinking or gaps at the seams . In fact, the seams are near-invisible .
The home is in the Braes Heights area of Houston

Phillip Jeffries Flight in Blue Heron in Heights Dining Room

Before shot of dining room in a beautifully restored and enlarged 1925 bungalow in the Heights neighborhood of Houston.
Just below dead center of photo, under the stairs – my helper couldn’t be less interested!

Swooping heron , and powerful , roiling, turbulent clouds .

This is a manila hemp product , which is similar to grasscloth , and has a texture d surface . As with most natural materials , the seams are always a bit visible .

The walls in this home were smooth , so no call for skim-floating or sanding … Just a primer was needed . My favorite primer for wallpaper is Roman Pro 977 Ultra Prime .

This wallpaper comes in panels , and is custom made to order . All of the panels are rolled up into one long bolt , and you have to separate them, as you see here. AND keep them in the correct order / sequence ,

I was lucky that this house had a lot of open floor space , where I could roll out the panels to verify pattern match, panel sequence , and get accurate measurements.
Note that, like many high-end brands, this wallpaper comes with an unprinted selvedge edge , that has to be trimmed off by hand . Once I get the edges trimmed off , the birds you see in the photo above will match perfectly .

I trim against this Big Blue straightedge , and hold a single edge razor blade in my hand .

Sorry, I don’t know how to flip this photo. WordPress used to be easy to work … but some years back they came up with this ” New Editor ” which is, to be honest, a nightmare, and costs me a lot of time every evening.
End of rant. Here is a mock-up provided by the manufacturer , that shows the mural as a six- panel set , including pattern layout and dimensions of each panel .

Here are my drawings from when I first consult ed with the homeowner and we plotted out how the paper was to be install ed. Phillip Jeffries is expensive stuff!
Normally, with a mural , a full-height panel is required for even the 6″ high areas over the door ways. See photo below. This means that you’re paying for a lot – a LOT – of wallpaper that gets cut off and thrown into the trash.
But, since the panels are about 2′ taller than the walls , we figured that the part cut off the bottom of each strip could be used for the areas over the doorways (see next photo) , as well as above and below the windows (see last photo).
This will take no small amount of math and engineering , and the couple will have to live with some paneling / shading , and color variations between strips . But that’s typical of grasscloth type products , anyway. Accepting a few color differences will save this couple a few – thousand – dollars. Yes, I told you that PJ was expensive stuff!
And I’m up for the challenge !

Here’s the one area I’ve done so far, using scraps discarded from the bottoms to piece in over the top of the entryway . This area is only 6″ high , so color variations won’t be very noticeable . Still, it really turned out well.

Getting a similarly pleasing look on this wall , with heights over and under the windows being much higher than 6″ , will be tomorrow’s challenge. Stay tuned!

Kill Point Over Door

aaHere’s what this flowing viny wallpaper pattern looks like in this dining room in the Garden Oaks / Oak Forest neighborhood of Houston . The bottom 1/3 of the wall is block paneling / wainscoting , so the wallpaper on just the area above is not overwhelming .
A kill point is the place in a room where your last strip of wallpaper meets up with the first strip you hung . this virtually always results in a pattern mis-match . So we try to hide that in an inconspicuous place, such as in a corner behind a door .
In this room, all of the corners are very visible . A mismatched corner of 7′ high would be very noticeable .

So in this room, I was able to cleverly disguise the mis-match in a much shorter area, over a door . This is only 6″ high . Here my first strip is on the left, and my last strip is on the right, with two short strips needed to bridge that gap .

Here the strip on the right has been put into place.

Here’s the piece that will butt up against the strip on the left. Eeek! It’s 1/2″ too narrow to cover the gap. Also, as you can see, there is an obvious pattern mis-match at that seam on the right.

look at this tree branch . I’m going to use that to my advantage.

Here I’ve taken another piece and have matched the pattern on the right side. Note that it’s not matching on th left.

Here I am, back to that strip we saw a few photos ago, that will match with the strip on the left. Remember tha tree branch I pointed out? Here I’ve trimmed the wallpaper vertically along that tree branch .

Here I’m putting it into place, butting it up against the strip on the left, and overlapping the strip on the right. But that’s going to leave a vertical ridge under this strip, where the strip underneath it ends on the left.

But you won’t notice that overlap if it runs under a design motif . Here I’m using a pencil to trace the outline of that tree branch, bringing it in so that the tree branch will overlap just 1/8″ – 1/4″ over the strip on the right.
Note that since the surface of this paper is vinyl , and wallpaper paste doesn’t always adhere well to slick plastic , I’ve used a special border paste or vinyl over vinyl or seam repair adhesive just on this small 1/8″ overlapped area .

Strip on the right trimmed to conform to the curves of the tree branch.

Tree branch piece being put into place.

Tree branch strip trimmed and finished.

SDone and viewed from below. OK, so the pattern doesn’t match 100% perfectly the way the designer intended. Some of the motifs are closer together than they “should” be. From here, who the heck is going to notice?! This looks pretty darned good – and it looks way better than having a 7′ long mis-match in a very visible corner .

The pattern is called Twining and is by Graham & Brown . It has a very light texture , and also a slight
metallic sheen on the branches . It’s a non-woven / paste the wall material , and will strip off the wall easily and in one piece when it’s time to redecorate . I like their papers a lot .
You can purchase G&B from Dorota at the Sherwin-Williams in the Rice Village . Call first, as hours vary. (713) 529-6515 .
Here’s another cool thing … Go back to that first photo. Since I started hanging paper by centering the pattern between the two windows on the wall to the right (not visible in the photo), by the time I worked my way around to the wall between the windows you see in front of you, the pattern was not going to be centered in between the windows. I thought it would look better if it was balanced symmetrically. So I positioned the dominant part of the tree branches in between the windows. And then I used the same overlap-and-disguise trick over the window on the right.

Subtle Colors , Gentle Movement in Dining Room

Kinda bland, huh?

Well, let me fix that for you!
With just two colors and a simple, yet flowing design, this wallpaper pattern breathes life into this room – but doesn’t overwhelm.
Pattern is nicely centered between the windows.

This is another wall that also has two windows . I was able to center the pattern between these windows, too. Centering on two different walls in the same room is actually something of a feat – but that’s a story for another time.

From a distance .

This home has bull-nosed / rounded outside corners and edges, as well as the arch . Very tricky to get wallpaper trimmed to these areas neatly and evenly . See other posts for more info on this.

Close up. The design has a weathered fabric texture sort of background . The copper colored foliage is lightly metallic , so has a slight shine – but only when viewed from certain angles , so it’s a subdued luster that’s added to the room .
Note how the coppery color coordinates with the light fixtures / chandeliers .

The wallpaper is by Graham & Brown , a good manufacturer with quality papers. The pattern is called Twining . This company makes nice non-woven papers , which have a polyester content which makes them stain-resistant and durable . They are also designed to strip off the wall easily and in one piece and with no damage to your walls when it’s time to redecorate . G&B ‘s materials are usually flexible and nice to work with – although this particular one did tend to drag and tear when being trimmed – even with a new blade. I usually paste the paper , but non-woven materials can also be installed by paste the wall .
The home is in the Oak Forest / Garden Oaks / Heights neighborhood of Houston .
This project took me three days, to smooth the textured walls , and then hang the paper around four walls , and trim around those pesky rounded edges and the arch .

Do Not Calculate for Wallpaper Based on Square Footage

Calculating for wallpaper is not about square feet. Square feet works for paint, where you can use every bit of paint in the can to spread around the room. Not so for wallpaper.
You also have to factor in the amount of waste. Waste has to do with trimming at ceiling and floor, trimming around windows and doors and vanities and etc. And with matching the pattern.
This pattern has a 30” pattern repeat.  That means, depending on the height of your wall, you can lose nearly 3’ just to match one strip to the next.  In this photo, you can see 2’ length being cut off.  All that gets tossed into the trash.

This wallpaper is nearly 2’ wide.  That 2’ wide x 2’ long lost to match each strip = nearly 4 square feet lost to the scrap pile – for each strip. 
Here’s a look at the scrap pile.
Multiply that by 20 strips needed to get around the room. !

Here’s more. All this is going in the trash.
So, please, before purchasing your wallpaper, please let the installer measure and calculate how much you need.   I prefer to / insist on measuring in person, but some of my colleagues will calculate from your measurements, drawings and photos.
The pattern is called Frutto Proibito and is by Cole & Son .

Very Pretty Bird Pattern in Garnet and Gray

Pretty birds , nicely spaced branches , and lovely colors for this master bedroom in the Heights neighborhood of Houston .

This accent / headboard wall is even prettier from a distance .

Here’s the wall before. The other three walls are painted a complementary grey .

From a distance. I’ve got one more strip to hang , on the far right.

Close up . The background is silver with a little gloss to it, but not so much as to be glitzy or garish . I mean, a guy sleeps here, too. So it’s gotta be a bit subdued .

This wallpaper is made by Graham & Brown.  G&B is a good quality , mid-price range company. Like most of their papers, this is a non-woven / paste the wall material .  Much of G&B’s paper is thin and flexible .  But this particular pattern came on a thick and stiff substrate .  N-W’s contain a minimum 20% polyester content, and I suspect this has a higher percentage .  The stuff is somewhat akin to fiberglass .  Look closely at the bottom of the photo, and you can see the fibers .  This makes it good, and easy for DIY ‘ers , on simple installations like accent walls / feature walls .  But it can be trickier when you have to trim around obstacles like windows , decorative moldings , vanities , toilets , and the like.  
Non-woven wallpapers are designed to strip off the wall easily and in one piece when it’s time to redecorate , with minimal or no damage to your wall (assuming proper prep was done before installation ).  A much better choice than peel & stick . 

Vinyl Faux Grasscloth in Guest Bathroom

Before. Walls primed and ready for wallpaper .

Vanity area done. This blue , brown , and metallic gold material has the warm look and texture of real grasscloth, but is much more water- and stain-resistant and consistent in color . It also has a pattern that can be matched , so the seams are much less visible than with real grass . Note that some of the lines you’re seeing in the photo are cast by the light fixture .

Going around these arched windows took a while!

Toilet wall without lights off.

With lights on, you see the true colors more accurately. Note the light fixture casting vertical stripes on the wall .

Like many thick, textured vinyl products, the edges curl back just a teeny bit, due to how the material is trimmed at the factory. Believe it or not, run your finger over this seam and you’ll feel that it’s perfectly flat. In fact, this look is typical with real grasscloth, because the edges tend to fray up a bit. From two feet away, you don’t notice any of this.

This material mimics the look and texture of real grasscloth .

Another wall, along the shower . One nice thing about grasscloth is that, since you don’t need to match pattern motifs, you don’t have to paper walls in sequence or order. We were a little tight on material on this job, so I hung my full length walls first, then went back and hung the shorter walls. This helped me plan usage – how many strips needed and how many strips I could get out of each roll / bolt of paper .

Made by York , one of my favorite manufacturers.

Bright Botanical for Home Office Accent Wall

The windows look out into a green yard,

so the verdant , playful design frames the view perfectly.
The bull-nosed edges on the sides and top of the windows are really tricky to wrap wallpaper around, BTW.
Skim-floating / skim-coating the textured wall to smooth it, along with the puffy wallpaper, added enough thickness to the wall that the blinds on the right would not fit into their brackets. A window covering company can easily trim those down.

Arrrgh! Moving from left to right, the last strip ended up 1/2″ from the corner. That meant that I had to cut a narrow strip and work it into place. Trickier than it sounds.
Note that this required an entire 10′ long strip, to get that 1/2″ wide piece. Always order a little extra!

el like I’m stepping back into the ’70’s !

This ” House Plants ” design is buy MissPrint , a British company. It’s on a non-woven / paste the wall substrate , which is more durable and stain-resistant than traditional papers. And it’s designed to strip off the wall easily and in one piece when you redecorate .
The home is in the Eastwood neighborhood of Houston .
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From Dark and Dated to Light and Livable

Oh, my! – I hung lots of these chintz florals, ” satin ” look (the design of the dark green at the bottom of the wall), and dark colors back in the ’90’s . Sure enough – this home was built and wallpapered in 1994.
IIt’s still a good look, IMO, and the homeowner still likes it. But she’s just gotten tired of it. So – time for an update !
She also decided to eliminate the chair rail , so the new wallpaper will go ceiling to floor . Here you see some damage to the drywall where the chair rail molding was removed .

What a change! Now the room’s look is quiet and fresh .
The buffet , topped with a decorative mirror , will go on this wall . That’s why I centered the pattern in between the windows , so it will fall evenly on either side of the furnishings .
I also plotted so that a full “Moroccan lantern” (that’s what this style of trellis pattern is called), would balance out between the crown molding and the window molding. There were several of these 12.5″ high areas all around the room, so this placement of whole “lantern” motifs gave the room a pleasing look.
It also worked out that the lanterns were evenly placed and kept whole between the crown molding and the baseboard. See the second following photo to see what I’m talking about
As a note – just this one window wall took me about five hours to measure , calculate , and hang . Getting the pattern to go over, around, and under the two windows , and still line up and match correctly , took some time and futzing. The material was thick and stiff , and a bit tricky to fit into corners and trim around the decorative window molding .
In the foreground you see my work table area . The homeowner has let me put protective padding on her dining room table and then set my work table on that. This saves space and allows plenty of room for my ladder and other tools as I work around all four walls.

So that I could center the pattern on this wall , I had to start hanging my first strip in the middle of the wall. I was lucky this time, that the pattern was centered exactly on the edge of the wallpaper roll . Sometimes (as in the one I did yesterday – see previous post ) the center of the design motif is a to the right or left of the edge of the wallpaper . This, naturally, means you’ve got to do more measuring and plotting and double-checking , to be sure the center of the design falls down the center of the wall .
Back to the photo above … that dark block on the right side of my work table is my laser level. It’s shooting a perfectly plumb red line onto the wall. Here I’m lining up my first strip of paper butted against this red line .
Switch topics … Back in 1994, the original installer did a very nice job of hanging the wallpaper. But … he didn’t prime the new drywall first. That lack of primer / protective layer means that the wallpaper will actually bond to the drywall. I tried, but was unable to get the existing wallpaper off . Eventually, you need to factor in time , damage to the wall , paste residue left on the wall, and take a different tac if called for.
So I skim-floated over the seams , so they wouldn’t show under the new paper , and also floated over the damaged drywall where the chair rail had been removed . Sanded smooth , and then primed the patched areas as well as the original wallpaper, with Roman Ultra Prime Pro 977 . This stuff will adhere to the light acrylic (slick) surface of the original wallpaper, as well as protect it from moisture from my paste on the new wallpaper. ( Moisture could cause the underlying original wallpaper to expand , creating bubbles that will look bad, or loose areas that will pull away from the wall, creating a bubble or pocket.)
My primer is also lightly pigmented, so it helps block out the dark color and busy pattern of the original wallpaper . This particular new wallpaper is quite opaque , but not all of them are, so a pigmented primer is important , IMO .

Left corner of the buffet wall. Here you can see how the lantern motifs are placed between ceiling and floor.

The background has a lightly mottled effect, that mimics grasscloth a bit, and also adds more depth and warmth than just a plain solid color .

Been havin’ more than a fair share of defects lately, especially this week. This paper had on both front and back sides, incidences of these black flecks . They seemed to be maybe charcoal , so I wasn’t too worried about their black bleeding through to the surface , like ink or any oil-based substance will do.
Most of them were embedded in the material itself, so could not be wiped off , nor dug out with a razor blade . Some I had to cut around and discard the affected paper. Others were so small as to not be noticeable once the paper was up on the wall and all the furniture and artwork was back in the room.
There was also one 3′ section of wallpaper that had an odd streak or arc running across it. It wasn’t ink . It was more like some kind of compromise to the substrate . I noticed it was I was pasting the back of the paper . I turned it over and, sure enough, you could see it a little on the surface. (see photo in previous post) It’s the kind of thing that was subtle, but would catch your eye when looking at the wall from a distance . It was minor , but I discarded that strip . Good thing I have the homeowners purchase a little extra wallpaper .

The manufacturer is Designer Wallcoverings , which is a good quality brand (aside from the printing defects I described earlier ). It was a non-woven / paste the wall material , which is pretty user-friendly . It will strip off the wall easily and in one piece when you redecorate . Stain-resistant , and ” breathable ” in humid conditions .
The home is in the West University neighborhood of Houston . Dining room installer