Dining room before. This bungalow in the Woodland Heights neighborhood of Houston is very true to the Arts & Crafts / Craftsman period. This style featured straight , clean lines , nature , and muted colors that mimicked those found in nature . The homeowner is a retired woodworker / carpenter and did much of the millwork you see here. Done. The teal green is actually a little more muted than the photo shows. From another angle. Close-up. This wallpaper pattern is called Fir Tree . A frieze is a wide wallpaper border , usually run around the middle or top of a room . The manufacturer is Bradbury & Bradbury . They specialize in period-inspired patterns from past eras, such as Victorian , Arts & Crafts , Oriental , Modern Age / Mid Century Modern , and more. Bradbury prints on stock that’s about 28″ wide, and this border is about 13″ wide. So Bradbury prints two borders side-by-side , and then you need to use a straightedge and razor blade to cut them apart .Although the border came about 13″ wide, the space between the beams was only about 11.5″ . So we were going to lose about 2″ . I consulted with the homeowner. He really wanted to see the copper metallic pine cones. We also felt the trunks of the trees were important design elements . We decided that the pattern could afford to lose more from the top , which would permit more of the tree trunks to show, all the while preserving those pine cones. Here I am trimming 2″ off the top, so the overall height of the frieze is now 12″ . That will fill the space between the beams, and also allow a little bit to tuck down below the bottom beam (there is a gap between the wall and that beam). The room was really dark , the wallpaper was dark , and my straightedge was casting a shadow where I needed to trim. So I grabbed my Big Larry flashlight from my toolbox and was able to see where to trim. Bradbury uses inks that are quite delicate , and can be scratched or marred simply by brushing with my smoother brush , or my plastic trapezoid squeege smoother tool . Metal – like a trim guide or scissors – will also leave marks on it . Here I’ve wrapped tools in microfiber towels and baby socks , to soften contact with the wallpaper . Bradbury inks and substrates can be finicky, and it’s important to use the paste recommended by the company for the particular colorway that you’re hanging . In this case, I had to use clay – based paste . The inks and substrate aren’t always compatible , so when you add wet paste to the back , it can cause the substrate to absorb moisture and swell , while the inks on the surface are holding tight. This will result in wrinkles , warps , and bubbles on the surface . We call this quilting or waffling . One trick is to lightly sponge clean water onto the inked surface. This will allow the surface to absorb moisture and expand hopefully at the same rate as the backing , hopefully eliminating wrinkles and bubbles . On this install , I still had problems with uneven expansion . And with the paper drying out before I could get an entire strip up on the wall. So, while I was pasting the back, I also sprinkled a little water on the back and mixed it in with the paste . This did seem to even out moisture , and also help the material remain moist and workable during the installation . In addition, I also had trouble with the edges of the paper drying out before I could get a full strip up on the wall. Part of this was because it’s winter time and the furnace was blowing hot air into the room and drying out the paper. My counter-attack was, again, to sprinkle a little water onto the back, to hydrate the material more. Also, once I had pasted a strip and rolled it up (see below), I dipped the edges into about 1/8″ of clean water. And then wrapped the pasted material in a plastic trash bag and allowed to book for a few minutes before hanging . This is standard procedure with wallpaper. Actually, what worked better was to paste, book, bag, and then just before hanging to dip the ends into water. This seemed to keep everything wet and workable better and longer. Despite all this, some small bubbles did remain in the paper. As the paper dried, though, they flattened out. When you book a strip of wallpaper, customarily you fold the top 1/3 down and the bottom 2/3 up. This keeps paste from smearing all over everything, and makes each strip shorter and easier to handle. And allows you to get the top section of the pattern lined up with that on the previous strip , before unfolding the bottom section and working that against the wall. But it’s a little different handling a narrower border that’s maybe 12′-15′ long. What I do to make this manageable is to book the material in accordion pleats . See photo. Then I can unfold just a small section, work it into place, and then move along the strip, smoothing just a small section at a time against the wall. Actually, with this install, I positioned my sections against the wall temporarily, to get the whole 15′ strip up there. And then went back and smoothed each section against the wall, working out bubbles and warps , and ensuring that the frieze was pressed tightly against the wall at both top and bottom . There were four strips around the top of this dining room. On each strip I used a different install method. By the time I was done, I had learned how the material wanted to be treated. The homeowners are in love with this period-authentic look for their vintage bungalow. The husband said it was like Christmas, because they had waited for so long to have this room completed, and now it’s finally finished and beautiful!
Re previous post … This accent wall is in the butler’s pantry , and ends at the corner that turns into the main kitchen area. Since this corner was visible from the great room / family room , I plotted the lay-out so the full motif would fall at that corner . In other words, I butted the right edge of the wallpaper up against the corner of that wall . This left a vertical gold line running the height of the wall. A good stopping point for the eye. Just perfect! But … the paper came with a teeny bit of black next to that gold line. So there was about 1/16″ of black showing to the right of that vertical gold line. (Sorry, no pic) I thought it was so minor that it wouldn’t be a big deal. But, once that strip got up on the wall, I thought that black edge caught your eye . It bugged the heck out of me! So I took straightedge and razor blade and trimmed off that miniscule bit of black. No we have a crisp gold line against the corner.As the wallpaper hung from right to left, at the final corner, naturally, the pattern didn’t fall exactly along one of the vertical gold lines. For one thing, walls are always wonky . Also, that last section of black trapezoids were less than their full width. But only by about a half an inch. I had measured ahead of time and knew this, and I felt 1/2″ shorter box wouldn’t bother anybody. But I did think I could make that left edge look crisper , and also wanted it to match the edge on the right side of the wall. So I took a bit of scrap wallpaper (like what you see lying on the floor on the left), and again my straightedge and razor blade, and trimmed off one of those gold lines. This is about 1/8″ wide . Next, I pasted it over that left edge, as seen in the photo. Here is the left edge finished. Nice and sharp , and more ” finished ” than just a black box ending at the wall. Speaking of black blocks … those on the far left are a bit narrower than the ones on the rest of the strips. But, seriously – who cares, and who notices?? What you do notice is the gold strip neatly trimming off the wall corner . This geometric pattern is in the Jaclyn Smith line by Trend Fabrics . It’s a nice non-woven , paste the wall material , and is durable and stain-resistant . Also, it will strip off the wall easily and with little / no damage to the wall when it’s time to redecorate . The install was in a home in the Woodland Heights neighborhood of Houston .
” Floating ” accent wall between kitchen and dining room . The homeowners originally considered a mural for this area . But with help from the wallpaper sales guy, they landed on this. Both husband and wife love this. The black color plays beautifully off the black cabinets in the kitchen , butler’s pantry , and mud room . The gold geometric lines keep everything lively . The specs say this is is a 25″ pattern repeat. But from looking at it, you’d think it was much shorter … the narrow lines match up with the narrow lines, and the fat sections line up with fat sections. Maybe 4″ repeat. But – not. I’ve hung this before, so I was already aware that those lines and sections are not all the same distance apart. It’s essential that you lay your strips next to each other and make sure you’ve got the pattern match correct. Because if not, you could end up with tiny 1/8″ mis-matches across the seams between some of those gold lines . This is a Jaclyn Smith design by Trend . It’s a paste-the-wall / non-woven material , and is strong and durable , and resistant to stains and tears . Flexible and easy to install . Will strip off the wall easily and in one piece when you redecorate . It has a raised ink / lightly textured surface . The wallpaper was purchased from Calico / Calico Corners on W. Alabama in Houston , with the expert knowledge and interior design assistance of Ron Dillon , whom I’ve known for about 25 years . The home is in the Woodland Heights neighborhood of Houston.
Painted walls in this new-build in the Woodland Heights neighborhood of Houston have been primed with Roman Pro 977 Ultra Prime wallpaper primer . DoneJust the area above the wainscoting / chair rail was papered . Obstacles to trim around included six doors – with a total of TWELVE corners of decorative molding to trim around. In addition, there were EIGHT terminations of wood ceiling beams , also with uneven edges , to trim around. Absolutely NO information came with the wallpaper . No run number , no installation instructions , no nuttin’. Confoundingly, the company’s website was malfunctioning, and pop-ups prevented me from getting information , or even from seeing what the pattern looked like on a large wall . So here I am rolling the paper out on the floor , to get a scope of the pattern and layout . Note the unprinted selvedge edge , which I’ll have to trim off using a straightedge and a razor blade. See previous posts (do a Search) to learn more about this.The pattern is called Kanoko and the manufacturer is Relativity Textiles . This material was VERY difficult to work with. More about that in a future post.
You’ve got to look at this close-up, to notice the antelope and flames / foliage . You gotta make a decision … The light sconces (they are currently removed, but you can see the electrical boxes where they will be placed) were centered on the vanity top, but the faucet was off-center by about an inch. So I chose to center / balance the pattern on the sconces and countertop. The mirror will be hung between the two light fixtures, so we’ll end up with a pleasing, balanced look. The faucet isn’t exactly in the middle of the design motif, but no biggie – there’s going to be a mirror there, anyway.
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Corner going around shower. Note the window looking into the shower. Although the website specs said this is a pre-trimmed non-woven material , that was incorrect. Turns out it had an unprinted selvedge edge that had to be trimmed off by hand . Here I’m using my straightedge and razor blade to remove this selvedge. This takes precision and a LOT of time . The manufacturer usually provides trim guides to help you know where to cut. But it’s usually better to trim to the pattern – determine an element in the design motif that will meet up with the corresponding motif on the opposite side of the strip when the strips are hung on the wall, and use that as your guide . Be sure to trim off the trim guide marks, or they will show on the wall. The pattern is called Arabian Nights and is by Relativity Textiles . I’ve never worked with this brand before. I was not pleased . In addition to the incorrect information about the pre-trimmed paper , the mfgr’s specs said this was printed on a non-woven substrate . It was not. It wasn’t even printed on standard wallpaper stock . Instead, it was a pulp material – This is a sort of old-fashioned wallpaper , and is very brittle and prone to tearing and dragging (your trimming knife or razor blade will get snagged and you’ll end up with a ” chewed ” jagged cut, instead of a crisp cut . It also tears easily. It also has no coating, so it’s not stain-resistant … Not good in a busy household with a 3-year old toddler , or anyone splashing water or soap or air freshener . It was also difficult to hang . Applying wet paste to the backing causes the substrate to absorb moisture and expand at a different rate from the ink on the surface. So you end up with wrinkles , waffling , and quilting . Sponging a light bit of water on the front before pasting helps even out the moisture differential and ease installation . I’ve never before encountered a pulp that had this type of ink on the surface. One clue for this bad stuff is when you open the package and it smells like moth balls . Once I figured out how to work with it, , it went OK – although tedious . The seams did look very nice. BUT … all this effort would have been unnecessary and the finished room would be more durable if the mfgr had printed on a non-woven substrate (as their on-line specs stated) and had used standard inks instead of this weird , smelly , high-end stuff. In fact, the material would have cost the homeowners a whole lot less $ if it had been normal ink on a non-woven backing . The home is in the Woodland Heights neighborhood of Houston . installer
Just about every wall and surface in this home is white . This super fun , super colorful pattern really energizes the little girl’s room / nursery . Before, with my tinted- blue wallpaper primer Roman Pro 977 Ultra Prime applied.I love contrasting the colorful wallpaper to the plain “before” look. Red flowers centered under the window , so it will look nice falling around the crib . Close-up .The manufacturer is the popular Rifle Paper , made by York . I love this brand – but beware of printing defects , which have been popping up more and more these last few years. Also, Rifle Paper is usually a DIY-friendly non-woven or paste the wall material . So I was surprised today to find this is a traditional paste the paper product . Actually, I’ve had a good handful of RPs lately that were paste the paper . These two materials call for completely different installation methods. The PTP takes more time and equipment , too. The home is in the Woodland Heights neighborhood of Houston .
We wallpaper hangers / installers like to have a nice straight ceiling line . Meaning, that the same pattern motif will show up at the same height on the wall on every strip . For instance, the top of the sailboat will touch the bottom of the crown molding all the way around the room. But in old houses, poorly-built houses, or just plain old wonky houses (which are most homes in Houston! ), you can’t count on ceilings and floors being level , nor on walls being perfectly plumb . When I used my level to check the ceiling in this 1926 home in the Woodland Heights neighborhood , I admit – I laughed out loud! When a surface is level, the air bubble will be in the middle of the two black lines . It’s common for the bubble to be a little “off.” But this one isn’t even trying to be in the middle. Meaning – the ceiling is nowhere near level. The ceiling line is moving up and / or down as it moves across the room. The discrepancy can be as much as an inch or even more from one end of the room to the other. Meaning, there is no way that that sailboat is going to be just below the ceiling on every strip. Luckily, this particular wallpaper pattern was such that you aren’t going to notice much. The other thing is, most people who live in older homes, or homes with shifting foundations , or even new homes , understand that walls and floors rearrange themselves over time . So they’re understanding if sailboats drift down the ceiling line , or if patterns don’t match absolutely perfectly in the corners.
Original tile in this 1926 home goes beautifully with the colors in this globe-trotting wallpaper . I positioned the pattern to try to get the most names and maps within the area between the tile and ceiling .The paper turned out to have a complicated multiple drop pattern match . Basically, in a nutshell, most of the time, with a straight match , a particular pattern motif (the word ” Bangkok ” for instance) will appear at the same height , such as the top of the wall , on every strip . Or, with a drop match , it’s at the top of the wall every other strip . These are the two typical pattern match types. But with a multiple drop match , the pattern will fall down and down across the wall further and further , and finally appear back at the top of the wall on the fourth , or, sometimes, more, strip. That’s why in this shot, you see the bottom half of the city names cut off by the tile, instead of the full name. And the pattern match is different if you’re moving from left to right, or from right to left . It’s a real head-scratcher to figure out – and you had better notice it before you start cutting strips, or you could end up running short of paper . It also eats up a lot of paper. I always measure to have a little extra , but in this case, we ended up with just barely enough to finish the 2-room bathroom . City Maps is by Rifle Paper , which is made by York , generally a good company – although starting to have lots of printing defects – which we did experience on this installation. Also, usually, Rifle Paper is an easy non-woven / paste-the-wall material . This time, second time in a month, it was printed on traditional paper. Another surprise that added time to this job , since after pasting , each piece had to be booked and then set in a plastic bag for a few minutes to absorb the paste , expand , and relax . Best to have this occur in the bag, rather than put it immediately on the wall – which would result in wrinkles and bubbles. But it does slow the process down. This home is in the Woodland Heights neighborhood of Houston .
The crib will go on this wall. Originally it was textured grey paint , as you see on either side . Here is the wall after I’ve skim-floated / skim-coated it, sanded smooth , and primed with a wallpaper primer called Roman Pro 977 Ultra Prime . I have them put a little blue tint in it, so I can see where I’ve rolled it on. This wallpaper comes in one continuous roll ordered by the yard , as you see on my table , as opposed to double roll bolts as most brands are packaged. This cute pattern is called Thatcher . It looks like a simple repetitive pattern , but it was actually fairly complicated . Not all those starburst motifs , and especially not the fan shaped lines around them, are the same. Looks hand painted with a paintbrush . The paper has a clay coated surface , which give it a beautiful matt finish. It’s lovely stuff to work with – seams melt away like butter , and trim lines are spot-on. (Many companies’ are not.) This brand’s papers come with an unprinted selvedge edge that has to be trimmed off by hand. You use a straightedge and single edge razor blade , and follow the manufacturer’s trim guide lines , to remove the selvedge. Today trimming this one bolt to do one wall took a full hour. The brand is Pepper Home . The home is in the Woodland Heights area of Houston . installer
I hung this wallpaper about 10 years ago. It’s a main bathroom in a 1920’s home in the Woodland Heights neighborhood of Houston. The home has been remodeled including updated HVAC systems , but surely still suffering from issues of humidity and air circulation. At some point, the very edges of the wallpaper started curling back at the seams. This is more pronounced at the upper portions of the wall than at the chair rail. Meaning, humidity from showering is rising into the air, collecting under the ceiling, and working its way into the seams. Once humidity gets into the backing of the wallpaper, it can cause the backing to expand. When that happens, the paper has to go somewhere. So it pushes itself away from the wall. Hence the curling that you see here. What’s odd to me is that this happened with a paper that’s on a non-woven backing. Non-wovens are 20% polyester, so pretty resistant to moisture and humidity. I’m guessing that this company used less than the industry standard of 20% polyester. The material was super thin and flexible, which is unlike most non-wovens I’ve worked with. I was able to make this look pretty good again. I used a putty knife to gently lift the compromised edges away from the wall, and then I worked some of my regular wallpaper paste back behind there. (no super glue or heavy duty paste or contact cement ) Then I used my heat gun – set on Low – to gently warm up the vinyl surface of the wallpaper . The heat gun served several purposes … It helped speed the drying of the paste , so it got tacky and held more quickly and firmly. The heat gun also ” melted ” the vinyl surface a wee bit, so it would curl back in the opposite direction. I used a 3″ stiff metal putty knife to push the two edges of wallpaper back down to the wall. The metal knife heated up, too, and helped to get the vinyl to conform. Using the heat gun and the metal putty knife also helped the two edges from the two strips to meet up together … sort of like two mountain big horn sheep butting their heads together . Butted together this way is better than one lying on top of the other. I was really pleased with how well this worked. Sorry – no pics!The brand is Super Fresco Easy .
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