Focal wall before. With many patterns, the finished room looks better if the dominant features of the pattern can be centered . You may not consciously notice this, but the overall room just feels more cohesive and balanced . Here I’ve located the horizontal center of the wall , and placed the skinny tree running vertically down that line . Same thing on this section of wall, but I used the alternate tree figure, which is wider and filled the space better.
It’s kind of tricky finding the center of a design like this, because it’s not symmetrical and elements of it move to left and right , and some are wider than others. So it helps to be able to pull up a room-scale image on-line , or to lay a couple of rolls out next to each other on the floor and look at the pattern from a distance.
It was cool that this dining room had lots of individual spaces , separated by windows and doors .
And extra cool that these features reached up almost all the way to the ceiling. AND that the design was loose and flowing . That’s what allowed me to fiddle with the pattern and center the trees on each individual section of wall . Normally a pattern would have to match all the way around the room. But here you would never notice if a tree branch didn’t perfectly match the next tree branch way up 9′ high over the window that was only 2″ high .
On those short areas over the windows and doors, I overlapped the left and right strips a small amount, and then cut along one of the branches to disguise the mis-matched pattern.
Since there were two tree figures to the design , I varied what I placed in the center of each wall, to prevent every visual vignette from being the same.
It was fun plotting all this out and executing the layout . I love when my work environment is nice and quiet and I have the space and time to play around like this .
The pattern is called Luminous Branches and is by York . It’s a material made by a good brand .
The homeowners had this elegant wainscoting added to the bottom of their dining room when the house was built . But for seven years, the room was bland and boring . The new crystal chandelier adds glamor , but the room is still lacking .
Wallpaper to the rescue! Now there’s soft color and soft pattern . And a little gold shimmer !
I’m encouraging the homeowners to paint that band of wall under the tray ceiling a very soft aqua color, to meld with the misty feel of the wallpaper .
It’s a soft aqua color , but enough to stand out against the woodwork . Now you see the beautiful moldings and trim work . South wall beforeSouth wall doneI positioned the tree pattern to fall down the mid-point of this space between the two windows . This shot with the chandelier dimmer turned down allows you to see the pattern more fully.
This wallpaper pattern is called Luminous Branches and is by York , one of my favorite brands , in their Designer Series line. The material has a slight raised / embossed / textured effect. It’s a non-woven product, so is strong , durable , stain-resistant , and designed to strip off the wall easily and in one piece and with no damage to the wall when you redecorate later. Non-wovens can be hung by the paste the wall method , but I generally prefer to paste the paper . NW requires no booking / soaking time , so they install a little faster , with no worries about shrinking or gaps at the seams . In fact, the seams are near-invisible . The home is in the Braes Heights area of Houston
Dining room focal wall before. Same wall done, with dominant tree figure positioned down center of the wall. How was this achieved? Laying the paper out on my work table, to see the pattern. Determine this tree is more vertical and visible than the more spreading trees on either side.
It helps to access the pattern on-line, to see a full-scale , room-set photo. And also to roll the paper out on the floor.
Finding the center point of this tree.
The center of the pattern is 20 1/8″ from the left edge of the paper . Since the wallpaper is 27″ wide, this places the center at 6 7/8″ from the right edge of the strip. Hold on to that / those figures!
It helps to access the pattern on-line, to see a full-scale room-set photo. And also to roll the paper out on the floor.
Now we’re looking at the wall, and the calculations I’ve drawn on it.
At the left, I’ve marked the mid-point of the wall. The mid-point is 27″ from either side. Since the center of the tree is 6 7/8″ from the right side of the wallpaper, to the right I have marked 6 7/8″ over, which is where the right edge of the wallpaper should be placed. This will land the center of the tree motif at the center point of the wall. This also works out to 20 1/8″ from the left edge of the subsequent wallpaper strip.
6 7/8″ from the right edge of the strip on the left works out to 20 1/8″ from the left edge of the strip to be placed on the right.
Confused yet? We paperhanger s aren’t just slapping paper on the wall . There is a lot of math and plotting and engineering that goes into all this.
At least the way I do it. You can call me the Queen of Overthinking . 🙂
Trimming right-hand strip to 20 1/8″ wide.
Instead of placing the left-hand strip along a plumb line at the 20 1/8″ point on the wall, and then placing the next strip to the right of it, and having to trim against that window molding, I found it simpler to pre-trim the right-hand strip to 20 1/8 ” wide, and then I could simply butt this strip up against the window molding, eliminating the need to wipe paste off the molding, and also keeping the pattern straight along the molding. But there is also that 2″ high bit of space over the window. That’s why I’ve left that little tab of wallpaper you see at the upper right of this photo.
Here is that first strip in place. Maybe now if finally all makes sense. When I put that second strip next to it, the mid-point of that tree is going to be 6 7/8″ from the edge, and will fall right at the mid-point of the wall. Remember, that was at 27″ from both the right and the left window moldings. And here we are! Measured from the right.Measured from the left. Spot on!All that math and calculating for one 54″ wide x 5′ high wall!
But look at how nice it looks with that tree down the center of the wall. Especially with the brand new chandelier hung in the middle of the room. This will be the focal point of the room, as people walk into the home’s entry .
The pattern is called Luminous Branches , and is by York.
Note that this calculating and plotting could be achieved because this product is a non-woven / paste the wall material. This stuff does not expand when wet with paste . That means that you can take measurements and trim your wallpaper , without fear of it stretching beyond where you plotted for it to land on the wall.
Oh, boy – more boring white walls . Now brightened with soft blue color and lightly shining / metallic gold trees . The gold branches and trunks have a raised texture . The manufacturer is York , one of my favorite brands. The pattern is called Luminous Branches , and is similar to their Shimmering Foliage pattern , which is bolder and is in the Candice Olson line . This wallpaper is a non-woven material , and can be installed by the paste the wall method – but I usually prefer to paste the paper , especially in a powder room with pedestal sink and toilet and other objects to trim around and slip paper behind . N-W papers are minimum 20% polyester , and thus are strong and durable and more resistant to stains than traditional paper wallpapers . When the surface is prepped properly and the paper is hung properly, N-Ws are designed to strip off the wall easily and in one piece and with minimal damage to the wall when it’s time to redecorate . They’re also easier to install and more DIY-friendly . The home is in the Memorial Villages area of west Houston .
If you’re hanging wallpaper around a room with four walls and four corners , virtually always when that last strip of paper meets up with the first strip you hung some hours ago, you’ll have a mis-match of the pattern . That’s why we try to tuck this in an inconspicuous place like a 1′ high corner above or behind a door. But sometimes you don’t have a hidden corner , and all four corners are highly visible and run the full height of the wall. In these cases, it looks much better for the pattern to match floor to ceiling , as you see in this photo. But you have to put the kill point somewhere!In these cases, a more logical and less noticeable location for the mis-match is the shorter area over the door – where nobody is going to be spending much time looking at, anyway. My first strip is on the left, and the rest of the powder room has been papered, and I’m working my way from the right to meet up with that strip on the left. Here it is going into place. I’ve matched the pattern on this new strip to the strip on the left . The strip is too wide, and is overlapping the strip on the right. And, as expected, the pattern doesn’t match up on the right. As an aside, that blue plastic tape you see at the top of the strip of wallpaper is to keep paste off the ceiling. Once I’ve trimmed that excess paper off, I’ll remove the tape , and the ceiling will be nice and clean – no paste residue to wipe off or worry that it will be visible or damage the paint / cause flaking . Here I’ve trimmed that short strip at ceiling and above the door trim. As you can see, it’s overlapping the strip on the right, leaving a bump, and plus, the pattern doesn’t match . To be honest, with this busy pattern and this short area up over a door , this 1′ of mismatch isn’t going to be very noticeable. But I wanted to make it look better. I’m going to splice these two strips together. In the photo above, the left strip is overlapping the strip on the right. I don’t like the way the pattern is lining up. A splice will leave branches cut off, and will be noticeable.So here I’ve reversed things and have overlapped the strip on the right on top of the strip on the left . Now the pattern gives a better option for a splice . I like that there is a curved vertical tree trunk that I can cut along. This will help disguise the splice. So now to do the splice, I have push hard enough on my blade to cut through two strips of paper. But it’s important to not score the wall surface beneath. When the wallpaper paste dries and the paper shrinks a tad, it will put tension on the wall surface . If that underlying surface is not unstable or not sound, due to being cut into, or dust is another factor , that tension can cause the wall surface to pull apart , and the wallpaper can come away from the wall. Actually, it’s not the wallpaper coming away – it’s the layers of the wall pulling apart. So I use these thin flexible polystyrene plastic strips under where the splice will be. You can’t cut through them!Here I’ve pulled the two strips of wallpaper away from the wall and am positioning the plastic strip under where the splice will take place. Next, I’ll smooth the two wallpaper strips back into place, with the right one overlapping the one on the left.I like to hold a single edge razor blade in my fingers , but you can use a blade holder or trim knife , too. Here I’ve free-handed my cut , trimming along the vertical tree trunk at the top , then straight down through blank area, then through some branches, and finally at the bottom again trimming along a curved vertical tree branch. Now I’m removing the excess from the left side of the trim / splice . Lifting the strip on the right so I can remove the excess piece that was trimmed off on the right.Now removing the polystyrene strip. Using my plastic smoother to gently press the two trimmed strips of wallpaper into place. Here it is all done. Trimming along the vertical branch at the top has helped disguise the splice. The bottom area doesn’t match 100% perfectly, but I’m OK with that. I’ll work on smoothing out that teensy overlap and the seam will be nice and flat. All done! The wallpaper pattern is called Luminous Branches and is by York . It’s non-woven / paste the wall material , and very nice to work with, durable , stain resistant , and will strip off the wall easily and with no damage when you redecorate . If you’re interested in the source for the splicing / double cutting strips , or the thin blue tape to keep paste off the ceiling, please email me at wallpaperlady@att.net
Tnis is a niche over some built-in storage , just to the left of the accent wall I blogged about yesterday. Here it’s been primed with Roman Pro 977 Ultra Prime wallpaper primer , and I’ve striped dark paint under where the seams of this black paper will fall.Done. An oval mirror will be hung in the center of this space. The pattern is in the Ronald Redding line by York , and is a non-woven material that is easy to install , and that will strip off the wall easily and in one piece with no damage to your wall when you redecorate . The home is in the Meyerland area of Houston .
Accent wall below staircase in a sitting area of a living room in a Meyerland ( Houston ) home that was flooded during Hurricane Harvey in 2017. It took five years for the homeowners to raise and restore the home, and settle in. They are waiting for the wallpaper before choosing furnishings for this room. But the colors of the wallpaper meld beautifully with decor in other areas, such as the family room on the other side of this wall , which has colors of cream , tan , and dark grey in furniture , flooring , and accessories .The pattern is called Bird and Blossom Chinoiserie (a term that refers to Chinese / Asian style decorating ). Its in the Ronald Redding line by York. It’s a non-woven material that can be installed by either paste the wall or paste the paper methods. It will strip off the wall easily when you want to redecorate later.
Very disappointed to find these creases on the inner portion of all bolts of this wallpaper. I had to throw away at least 3′ from each double roll bolt . This is a non-woven material . Different manufacturers make different types of NW. This one is what I call thick and spongy , and it creases easily , and you have to be careful when installing . But, really, you wouldn’t expect it to come from the factory this way!Nope, you don’t want that on your wall !Here’s the back side. It’s severe enough that the paper is unusable and I had to discard many square feet – a good reason to always purchase extra !Straight from the factory , you can see that the paper won’t conform to the tight inner area of the bolt, and this is where the creases start. The brand is Rifle Paper , made by York . I’ve had this problem a couple of times before, and some of my colleagues have posted the same on our Wallcovering Installers Association Facebook page.
Please see yesterday’s post for the “before” photo. Here’s the master bedroom suite all finished. There’s a dramatic feature / accent wall behind the headboard with Rifle Paper ‘s beloved Peacock pattern . On the remaining three walls is Rifle Paper ‘s Garden Party Trellis . RiRight side of the room. The homeowner is a single gal , and she wanted her master bedroom to be a relaxing retreat , but with a distinct feminine edge . Well – here you’ve got it!! Left side of the room. Look here, and at the photo above, and you’ll see how nice this uniformity looks. It was tricky! See subsequent blog post for info on how I did this. Window wall – which took me five hours, BTW! She’s going to add window treatments that will be feminine – but the exact choice remains to be unveiled.I pulled some tricks to get the flowers centered down the middle of the window columns. See a following post to see how I did this. Pattern nicely centered on closet wall.
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Another nicely centered section of wall. Close-up. This pattern is just fun. I like to say that it looks like the flowers are smiling . Closer-up. The homeowner loved the ” column ” look of the vertical pattern . The pattern is called Garden Party Trellis , and is a companion to the very popular original Garden Party made by this company Rifle Paper . Which is made by York. Many Rifle Papers are printed on the non-woven / paste the wall material, which has many advantages – stain-resistant, dimensionally-stable , strong, strips off the wall easily and in one piece when you redecorate later. But this turned out to be a traditional paper type wallpaper – still good stuff, but a different material that calls for different installation techniques and time frame. I will note that the website stated that this was a nonwoven substrate . I encountered this conflicting information several times lately, so, despite what the on-line specs say, be prepared for any type of install scenario. This is a new home in the Rice Military area of Houston.
Accent wall before, textured wall has been smoothed , primed , and is ready for wallpaper . Hot air balloons , pastel colors , works for boy or girl , and will grow with the child as he/she ages . Here is the bold white child’s headboard that will be placed against the wall . Coordinates beautifully with the other three walls , which are painted a dusky pink . The wallpaper is by Caitlin Wilson , and is made by York . It’s in the Sure Strip line, which is a thin , pre-pasted material that is water-activated and easy to hang / install . It’s also designed to strip off the wall easily and in one piece when you redecorate . I like this stuff a lot. The home is in the West U area of Houston .
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