Oh, my! – I hung lots of these chintz florals, ” satin ” look (the design of the dark green at the bottom of the wall), and dark colors back in the ’90’s . Sure enough – this home was built and wallpapered in 1994. IIt’s still a good look, IMO, and the homeowner still likes it. But she’s just gotten tired of it. So – time for an update ! She also decided to eliminate the chair rail , so the new wallpaper will go ceiling to floor . Here you see some damage to the drywall where the chair rail molding was removed . What a change! Now the room’s look is quiet and fresh . The buffet , topped with a decorative mirror , will go on this wall . That’s why I centered the pattern in between the windows , so it will fall evenly on either side of the furnishings . I also plotted so that a full “Moroccan lantern” (that’s what this style of trellis pattern is called), would balance out between the crown molding and the window molding. There were several of these 12.5″ high areas all around the room, so this placement of whole “lantern” motifs gave the room a pleasing look. It also worked out that the lanterns were evenly placed and kept whole between the crown molding and the baseboard. See the second following photo to see what I’m talking about As a note – just this one window wall took me about five hours to measure , calculate , and hang . Getting the pattern to go over, around, and under the two windows , and still line up and match correctly , took some time and futzing. The material was thick and stiff , and a bit tricky to fit into corners and trim around the decorative window molding . In the foreground you see my work table area . The homeowner has let me put protective padding on her dining room table and then set my work table on that. This saves space and allows plenty of room for my ladder and other tools as I work around all four walls. So that I could center the pattern on this wall , I had to start hanging my first strip in the middle of the wall. I was lucky this time, that the pattern was centered exactly on the edge of the wallpaper roll . Sometimes (as in the one I did yesterday – see previous post ) the center of the design motif is a to the right or left of the edge of the wallpaper . This, naturally, means you’ve got to do more measuring and plotting and double-checking , to be sure the center of the design falls down the center of the wall . Back to the photo above … that dark block on the right side of my work table is my laser level. It’s shooting a perfectly plumb red line onto the wall. Here I’m lining up my first strip of paper butted against this red line . Switch topics … Back in 1994, the original installer did a very nice job of hanging the wallpaper. But … he didn’t prime the new drywall first. That lack of primer / protective layer means that the wallpaper will actually bond to the drywall. I tried, but was unable to get the existing wallpaper off . Eventually, you need to factor in time , damage to the wall , paste residue left on the wall, and take a different tac if called for. So I skim-floated over the seams , so they wouldn’t show under the new paper , and also floated over the damaged drywall where the chair rail had been removed . Sanded smooth , and then primed the patched areas as well as the original wallpaper, with Roman Ultra Prime Pro 977 . This stuff will adhere to the light acrylic (slick) surface of the original wallpaper, as well as protect it from moisture from my paste on the new wallpaper. ( Moisture could cause the underlying original wallpaper to expand , creating bubbles that will look bad, or loose areas that will pull away from the wall, creating a bubble or pocket.) My primer is also lightly pigmented, so it helps block out the dark color and busy pattern of the original wallpaper . This particular new wallpaper is quite opaque , but not all of them are, so a pigmented primer is important , IMO . Left corner of the buffet wall. Here you can see how the lantern motifs are placed between ceiling and floor. The background has a lightly mottled effect, that mimics grasscloth a bit, and also adds more depth and warmth than just a plain solid color . Been havin’ more than a fair share of defects lately, especially this week. This paper had on both front and back sides, incidences of these black flecks . They seemed to be maybe charcoal , so I wasn’t too worried about their black bleeding through to the surface , like ink or any oil-based substance will do. Most of them were embedded in the material itself, so could not be wiped off , nor dug out with a razor blade . Some I had to cut around and discard the affected paper. Others were so small as to not be noticeable once the paper was up on the wall and all the furniture and artwork was back in the room. There was also one 3′ section of wallpaper that had an odd streak or arc running across it. It wasn’t ink . It was more like some kind of compromise to the substrate . I noticed it was I was pasting the back of the paper . I turned it over and, sure enough, you could see it a little on the surface. (see photo in previous post) It’s the kind of thing that was subtle, but would catch your eye when looking at the wall from a distance . It was minor , but I discarded that strip . Good thing I have the homeowners purchase a little extra wallpaper . The manufacturer is Designer Wallcoverings , which is a good quality brand (aside from the printing defects I described earlier ). It was a non-woven / paste the wall material , which is pretty user-friendly . It will strip off the wall easily and in one piece when you redecorate . Stain-resistant , and ” breathable ” in humid conditions . The home is in the West University neighborhood of Houston . Dining room installer
This wallpaper is dry-strippable, which means that it is coming away from the wall with just a gentle tug, rather than needing water or a lot of time and various steps to remove it.
This is partly because of the type of paper and the paste used by the previous installer. But it has more to do with the fact that he hung the paper on the porous surface of a newly-floated (smoothed) wall, and didn’t bother to prime / seal the walls first.
In fact, the wallpaper was failing and coming away from the wall on its own, long before I arrived to replace it.
A simple primer, a few dollars, and about an hour’s time would have prevented this.
Yesterday’s post showed you the extremely heavy texture on the walls that needed to be smoothed before wallpaper can go up. In the first photo above, you see the walls after I applied the first coat of smoothing compound.
Once that had dried overnight, I sanded it. Since it started out so thick and uneven, it was impossible to sand it completely smooth, as you see in the second photo. Some paperhangers would hang on this, but I want the walls to be a perfectly smooth as possible, so no bumps show under the paper.
So floated the walls again, this time with a very light skim coat. It dried relatively quickly, and I sanded the walls a final time. The third photo shows how smooth they turned out.
A lot of work, some sore muscles, and SIX BOXES of joint compound!
The homeowners wanted a contemporary, textured look in their powder and master bathrooms, so hired a faux-finish company to create this striated look.
Unfortunately for all, they were not pleased with the look. They decided to go with wallpaper instead; one thing about wallpaper – you get a sample or look in a book and so pretty well know what the finished project will look like.
But, before the new wallpaper can go up, the walls need to be smoothed. This will eliminate ridges from showing under the new wallpaper, and will provide a smooth surface for the new wallpaper to grab onto.
So I “skim-coated,” or “floated” over the previous texture with joint compound (“mud”), let it dry, sanded it smooth, wiped dust off the surface with a damp sponge, and then primed with a clear penetrating sealer called Gardz (by Zinsser and available at Benjamin Moore paint stores). Now we have a good surface for the new wallpaper.
Note: The areas at the bottom of the second photo show some vertical lines – these are remnants of the striated surface below. The spaces between the ridges have been filled in with smoothing compound, and the whole surface is smooth. The scissors is there to give a reference as to scale.
A hole got punched into the Sheetrock, and the contractor put in a new piece of drywall, taped, and then floated with 20-minute joint compound. That was yesterday. Well, I got to work this morning, and the patch is still wet. (White is dry, around the edges, grey is wet, over the new patched in piece.)
Doesn’t make sense, as 20-minute mud is supposed to dry in … 20 minutes; even a deep patch would be dry overnight.
Anyway, I could not repair the wallpaper, because the patch was too wet to sand or seal with primer or hang paper on … too many potential problems.
We will hope it dries sometime soon, and I can go back and make their wall look a little nicer.
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