Focal wall before. With many patterns, the finished room looks better if the dominant features of the pattern can be centered . You may not consciously notice this, but the overall room just feels more cohesive and balanced . Here I’ve located the horizontal center of the wall , and placed the skinny tree running vertically down that line . Same thing on this section of wall, but I used the alternate tree figure, which is wider and filled the space better.
It’s kind of tricky finding the center of a design like this, because it’s not symmetrical and elements of it move to left and right , and some are wider than others. So it helps to be able to pull up a room-scale image on-line , or to lay a couple of rolls out next to each other on the floor and look at the pattern from a distance.
It was cool that this dining room had lots of individual spaces , separated by windows and doors .
And extra cool that these features reached up almost all the way to the ceiling. AND that the design was loose and flowing . That’s what allowed me to fiddle with the pattern and center the trees on each individual section of wall . Normally a pattern would have to match all the way around the room. But here you would never notice if a tree branch didn’t perfectly match the next tree branch way up 9′ high over the window that was only 2″ high .
On those short areas over the windows and doors, I overlapped the left and right strips a small amount, and then cut along one of the branches to disguise the mis-matched pattern.
Since there were two tree figures to the design , I varied what I placed in the center of each wall, to prevent every visual vignette from being the same.
It was fun plotting all this out and executing the layout . I love when my work environment is nice and quiet and I have the space and time to play around like this .
The pattern is called Luminous Branches and is by York . It’s a material made by a good brand .
The homeowners had this elegant wainscoting added to the bottom of their dining room when the house was built . But for seven years, the room was bland and boring . The new crystal chandelier adds glamor , but the room is still lacking .
Wallpaper to the rescue! Now there’s soft color and soft pattern . And a little gold shimmer !
I’m encouraging the homeowners to paint that band of wall under the tray ceiling a very soft aqua color, to meld with the misty feel of the wallpaper .
It’s a soft aqua color , but enough to stand out against the woodwork . Now you see the beautiful moldings and trim work . South wall beforeSouth wall doneI positioned the tree pattern to fall down the mid-point of this space between the two windows . This shot with the chandelier dimmer turned down allows you to see the pattern more fully.
This wallpaper pattern is called Luminous Branches and is by York , one of my favorite brands , in their Designer Series line. The material has a slight raised / embossed / textured effect. It’s a non-woven product, so is strong , durable , stain-resistant , and designed to strip off the wall easily and in one piece and with no damage to the wall when you redecorate later. Non-wovens can be hung by the paste the wall method , but I generally prefer to paste the paper . NW requires no booking / soaking time , so they install a little faster , with no worries about shrinking or gaps at the seams . In fact, the seams are near-invisible . The home is in the Braes Heights area of Houston
Dining room focal wall before. Same wall done, with dominant tree figure positioned down center of the wall. How was this achieved? Laying the paper out on my work table, to see the pattern. Determine this tree is more vertical and visible than the more spreading trees on either side.
It helps to access the pattern on-line, to see a full-scale , room-set photo. And also to roll the paper out on the floor.
Finding the center point of this tree.
The center of the pattern is 20 1/8″ from the left edge of the paper . Since the wallpaper is 27″ wide, this places the center at 6 7/8″ from the right edge of the strip. Hold on to that / those figures!
It helps to access the pattern on-line, to see a full-scale room-set photo. And also to roll the paper out on the floor.
Now we’re looking at the wall, and the calculations I’ve drawn on it.
At the left, I’ve marked the mid-point of the wall. The mid-point is 27″ from either side. Since the center of the tree is 6 7/8″ from the right side of the wallpaper, to the right I have marked 6 7/8″ over, which is where the right edge of the wallpaper should be placed. This will land the center of the tree motif at the center point of the wall. This also works out to 20 1/8″ from the left edge of the subsequent wallpaper strip.
6 7/8″ from the right edge of the strip on the left works out to 20 1/8″ from the left edge of the strip to be placed on the right.
Confused yet? We paperhanger s aren’t just slapping paper on the wall . There is a lot of math and plotting and engineering that goes into all this.
At least the way I do it. You can call me the Queen of Overthinking . 🙂
Trimming right-hand strip to 20 1/8″ wide.
Instead of placing the left-hand strip along a plumb line at the 20 1/8″ point on the wall, and then placing the next strip to the right of it, and having to trim against that window molding, I found it simpler to pre-trim the right-hand strip to 20 1/8 ” wide, and then I could simply butt this strip up against the window molding, eliminating the need to wipe paste off the molding, and also keeping the pattern straight along the molding. But there is also that 2″ high bit of space over the window. That’s why I’ve left that little tab of wallpaper you see at the upper right of this photo.
Here is that first strip in place. Maybe now if finally all makes sense. When I put that second strip next to it, the mid-point of that tree is going to be 6 7/8″ from the edge, and will fall right at the mid-point of the wall. Remember, that was at 27″ from both the right and the left window moldings. And here we are! Measured from the right.Measured from the left. Spot on!All that math and calculating for one 54″ wide x 5′ high wall!
But look at how nice it looks with that tree down the center of the wall. Especially with the brand new chandelier hung in the middle of the room. This will be the focal point of the room, as people walk into the home’s entry .
The pattern is called Luminous Branches , and is by York.
Note that this calculating and plotting could be achieved because this product is a non-woven / paste the wall material. This stuff does not expand when wet with paste . That means that you can take measurements and trim your wallpaper , without fear of it stretching beyond where you plotted for it to land on the wall.
Original wallcovering was a dark , rustic , textured (and outdated) torn and overlapped paper . Smoothed , prepped , primed , and ready for wallpaper . Done! Bright , fresh , and with visual movement from the swirly leaf pattern .Opposite side of vanity / countertop . Mirror shot showing wall behind the vanity / sink . Wall opposite the vanity / mirror . The pattern is called Priano .
The color is called Dusty Pink – it’s a very livable pink. This is very popular pattern , and I’ve hung it a bunch of times, in every colorway . It’s one of my favorites, too. I love the soft swirling foliage , and the simple two-color scheme . This makes it a very easy pattern to live with , whether it be one accent wall or a whole room . In fact, the pattern is so soft and un-intrusive that it makes a wonderful choice for papering all the walls in even a large room such as a bedroom or dining room (Search here to see the dining room I did in the soft blue version .)
Made by Serena & Lily
I like the quality of just about everything from this company. This is a paper wallpaper , and goes up nicely . Like most traditional wallpapers , this is installed by pasting the paper . The home is in the Champions Forest area of northwest Houston . installer paperhanger
The homeowner wanted the look of grasscloth, but didn’t want the stains that can happen when splashed with water or toiletries. Another displeasing feature of real grasscloth is the very visible seams , and the likelihood of color differences between panels (called paneling or shading ). So she opted for this textured vinyl version. She loves the look. It is a handsome room!Original 1990’s paper has been stripped off, Roman Pro 977 Ultra Prime wallpaper primer has been applied, and we’re now ready for paper!This material has a pattern that matches from strip to strip, so you don’t get the eye-jarring look of broken fibers at the seams , like with real grasscloth or other natural materials. Here’s a close-up, detailing the texture. About ¼ from the right is a seam – it’s barely noticeable . Opposite wall. For balance, I plotted that the seams fall at the same point on each wall – 18” from the mirror frameI’m getting ready to hang a strip that will knock against that mirror frame. To keep paste from slopping onto the molding , I’ve applied this thin, flexible blue plastic tape along the edge. This will keep paste off the molding while I trim that strip to fit against the molding. Once that trimming is done, I’ll remove the blue tape and then smooth the wallpaper back into place.Since this is a dark wallpaper, I worry about the light colored primer peeking out at the seams. This can happen because sometimes the factory hasn’t trimmed the edges perfectly straight , or the wall may have uneven areas or bows , or some papers shrink a tad when they dry . So here I’ve plotted where the seams will fall and have striped the area with diluted paint .I use bottles of craft paint from the hobby store (good old Texas Art Supply !), and apply with a scrap of sponge . And my trusty Gatorade bottle cap with water, to dip the sponge into to dilute the paint … you don’t want full strength paint under there. Wallpaper wants to adhere to a primer made for wallpaper – not paint designed to color Christmas ornaments. Another and probably more important trick is to color the edges of the wallpaper. This navy blue wallpaper was printed on a white stock / substrate , and it’s highly likely that the edges of that substrate will show at the seams . So, again back to Texas Art Supply (or a good hobby store) for chalk or pastel , which I run lightly along the edge from the back so as not to get any color onto the surface of the wallpaper . That little dark nub you see is my chalk… the stuff breaks easily. It’s important that you not get oil pastels or use any kind of ink marker, as these will leech into the wallpaper and stain it, leaving you with a nasty dark line down the seam . I really liked this product. It was flexible enough to wrap around a rounded / bull-nosed corner , but stiff enough to not warp . It’s on a non-woven substrate , which contains polyester , which makes it less likely to shrink . This stuff is also designed to strip off the wall easily and in one piece with no damage to your wall when you redecorate . Another advantage of non-wovens is that they can be pasted and hung immediately, with no booking or wait time. Although I generally prefer to paste the paper , you also have the option to paste the wall with this material. The non-woven backing won’t be sucking up humidity like the paper backings used years ago (or in modern lower-end products), so greatly reduced chance of seams coming loose if your teenager spends an hour steaming up the bathroom . The vinyl surface means that it will be resistant to stains from water , toothpaste , and little (and big!) hands . In addition, I liked that the material has a realistic grasscloth look, and a realistic texture , as well as a pattern that could be matched, which helps disguise the seams. I didn’t match the pattern in the corners, though, to avoid having the horizontal bands running around every wall of the room at the same height. Looks better to break it up a bit. Also gave me more flexibility in placement of seams. The brand is A Street Prints and is in their Scott Living line (as in the Scott Brothers of HGTV fame). The home is in the Champions Forest area of Houston . installer paperhanger
Like most of them, this toilet is set too close to the wall for my smoothing brush or hand to be able to reach behind and press the wallpaper against the wall . Don’t want the homeowner to have to hire a plumber to remove the tank , and then come back to reset it. $$ So here’s an improvised trick … I’m using a length of yardstick that will easily slip behind there. It’s long enough that I can grab either side and slide it behind the toilet tank , pressing it against the wall. BUT … the flat yardstick isn’t always able to push the wallpaper against the wall, because walls are never absolutely flat . So it helps to add some cushioning that will help fill that void. Here I’ve wrapped my microfiber rag around the wooden stick . This adds just enough thickness , while also being cushy enough to press into recessed areas. I unwrapped a bit, because the original attempt was a bit too thick to fit between the toilet tank and the wall. The wallpaper pattern is called Jamaica and is by Designer Wallpaper . I install ed this in a powder room in the Timbergrove neighborhood of the greater Heights area of Houston .
The homeowner wanted a tropical , jungle , palm , sorta wild look for her powder room . She unfortunately had not read my link (to the right) about the perils and misleading claims re peel & stick “wallpaper.” So she bought some and attempted to cover the walls in her powder room. First mistake was purchasing this stuff in the first place. Second was trying to hang over textured walls . Third was not having a properly smoothed , sealed and cured surface. Beyond that, just the concept of peel and stick material is a project doomed to fail. IMO Note wrinkles and warps in the material. Paper not adhering .More wrinkles and warps. Gap at seam over door .Paper looked good when she put it up, but seam split / opened within a short time . This is characteristic of P&S wallpaper , especially if the walls have not been prepped as spec’ed.So now the P&S has been removed , I’ll step in and skim-float the textured wall to smooth it , prime, and then we’ll be ready for wallpaper . REAL wallpaper !Done. No wrinkles , no warps , good adherence . She found a pattern that was very similar to her original choice , but more visually pleasing , I think, because it’s less “spiky.” A good idea of hers was to paint the sink / mirror wall , as this pattern on all four walls could have been overwhelming . This is a traditional wallpaper , install ed by pasting the paper . It’s good quality , seams were flat and invisible , and it was nice to work with. Close up. Closer-up.Just tossing in this photo of how I use a baby’s T-shirt to protect the toilet seat cover . I guess I forgot to take a photo of the label, but this is made by Designer Wallpaper . Pattern number is TA20004 . Oddly, when I Google this, I get pattern names of Jamaica and Tortuga . And also get the brand name Seabrook . Wallquest took over Seabrook, but leaving the old brand name on older patterns . My best suggestion here is, if you want this wallpaper pattern, contact Dorota at the Sherwin-Williams in the Rice Village of Houston (713) 529-6515 . She is the master at tracking down patterns and all things wallpaper. The home is in the Timbergrove / Heights neighborhood of Houston . installer
Arrrgh. Another boring all-white room. So much warmth and character – with a modern edge – added by wallpaper on just this one wall . I do think that this pattern on all four walls would have been a bit ‘enclosed’ feeling. So a single accent wall – which is visible from the entry – is the perfect choice.There is a definite Art Deco / 1930’s vibe to this pattern .The room has other gold features (plant stands, mirrors), so the metallic look of this pattern pulls all that together . The metallic areas are shiny , so it’s important that I spent the first day here smoothing the textured walls , because that texture would show under the new paper and look bad. This paper arrives nicely rolled up , with no creases in the inner part of the roll / bolt , and every inch was useable . Compare this to the problems and wasted material I’ve had with Rifle Paper recently – do a Search to read previous posts . The pattern is called Beau Gatsby and is by Graham & Brown , a company I like a lot. This is a non-woven material and is designed to strip off the wall easily and with no damage when you redecorate. Many of their NW papers are soft and flexible , but this one was rather crisp and stiff , which is a little more difficult to work with. I usually prefer to paste the paper , which makes it more supple . But today I decided to paste the wall , which is a fast and clean way to install wallpaper. The home is in the Timbergrove area of the Heights neighborhood in Houston .
At the end of the day, I take all my wet / pasted / trimmed scraps , and all my dry scraps (” waste ” from matching the pattern ) and roll them up into one neat bundle . A swipe of wallpaper paste on the last strip holds the whole thing together. Tuck under my arm and tote to the truck. Once home, into the trash it goes!
Here are two strips of wallpaper, dry on my work table, next to each other, plotting how they will be situated on the wall. But – whoops! – The pattern doesn’t match properly across the seam. The design on the right is a repeat of the design on the left. Here’s another section, and the pattern also repeats. Double image. Won’t look good on the wall.With the strips separated, you can see the mis-match a little better. Note the strip on the right should be moved a bit lower to get the correct pattern match. Still, the pattern has been mis-printed at the factory, so the match isn’t accurate . On this left edge of the strip on the right, note how thick the black vertical line is.Now on this same area of the pattern (same building and bricks) but from a different roll, note how thin is the black line on the left edge of the wallpaper Butting up strips against each other from these different rolls will result in either a really fat black line , or a really thin black line. Neither is what the pattern is supposed to be, and will be eye-jarring.Both these rolls are from the same Run , or Lot . Which means they were (supposedly) printed at the same time. So, theoretically, they should both be exactly the same. But here, you see, obviously, they are not. Obviously, some mis-steps at the factory with either printing or trimming . Or, someone slapped the wrong labels on the packaging . I’ve had suspicions of this happening with previous installation s. The pattern is reminiscent of New York City , and is called Brownstoner . In the EZ Papes line of pre-pasted material – which I usually like a lot. However, this is the second time in two months that I’ve encountered unacceptable issues with this material . See previous blog posts. In addition, this stuff bubbles / blisters . These usually dry flat as the wallpaper paste dries – but not always. The manufacturer is Flavor Paper . They have really innovative patterns , so a fun brand to explore. Note that I’m not fond of their vinyl material, and definitely not their peel & stick . The one I will work with is this pre-pasted EZ Papes option. Still, I wish they would get their quality control re printing , packaging , creased material , run / lot numbers , and suspected shipping out returned material as if it was new material. (Search to read previous post )Here’s a close-up so you can see how cute and fun this design is. I spent a lot of extra time to get this wallpaper up and looking good. Including plotting layout to avoid the double-image at the seams , overlapping some seams , tracking down bubbles and popping them with a razor blade and chasing the air out with my plastic smoother tool .
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