Posts Tagged ‘pattern’

No Bungle In The Jungle – Hiding The Kill Point

December 26, 2018

When you hang wallpaper around a room, and your last strip meets up with where you started with your first strip (usually in a corner), the pattern will almost always end in a mis-match. When this can be hidden behind a door or other inconspicuous place, it’s no big deal.

But this powder room didn’t have an obscured corner – all four corners were 9′ high and very visible to anyone standing in the room. I didn’t want to kill (finish) the install in one of the corners – you would have 9’+ of chopped-in-half lions, monkeys, tucans, trees, and etc.

So I killed the pattern over the door. This way, you would have only 15″ of mis-matched design – and not many people are going to be looking up above the door, anyway.

In the top photo, you see the 11″ wide space I need to fill between the first strip on the left, and the last strip on the right. I could have just taken the next strip and cut it off vertically at the 11″ width. But if I had done that, you would see an abrupt break in the pattern.

Instead, I did a “weave.” This is where you use a scissors to cut along elements of the design, so they appear to logically mesh with the design motifs on the other strip.

If you study the area over the door, you notice that there are a few too many trees. But too many intact trees look a whole lot better than a few trees sliced in half at that final junction point.

This minor pattern discrepancy over the door allows for all four of the 9′ high corners to have their patterns match perfectly.

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Industrial Modern in the Power Room

December 8, 2018


This powder room in a 30-year old home in Sugarland got an update. Originally, the homeowner wanted to run the marble-look tile 1/3 up the wall as wainscoting. But the tile guys suggested she do a “waterfall wall” instead (tile floor to ceiling on one wall). I think this is the better option, and the wall looks stunning.

She found this lively and fun block pattern in a color that perfectly coordinates with the tile, as well as with the textured vinyl that I hung in the adjoining hall yesterday.

This paper is a lightly textured vinyl on a non-woven backing, and can be hung by pasting the paper or by pasting the wall. It was pretty nice to work with. The vinyl surface will resist splashes and stains better than other types of wallpaper.

This wallpaper pattern is by York, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Gold Metallic Greek Key Pattern in an Oak Forest Powder Room

November 22, 2018


This soft gold metallic-on-white background Greek key pattern doesn’t show up well in the photos but, boy, it really changed the room! Originally a bland tan with a thick wall texture, the powder room was large – but that’s about all it had going for it.

Unlike the other patterns chosen for this home, which are quite dramatic (see previous posts), this one is serene and fades into the background. But the white background combined with the shimmer of the metallic ink add a lot of brightness to the space.

The homeowner also did a great job of coordinating colors and themes in the wallpaper with the tiny mosaic squares of glass tile backsplash around the vanity.

This wallpaper pattern is by A Street Prints. It is a thick non-woven material, and will hold up a little better to splashes and little hands than a paper-paper. It is designed to strip off the wall easily when it’s time to redecorate. You are supposed to hang it via the paste-the-wall method, but I prefer to paste the paper. In fact, with the two rounded (bull-nosed) outside corners in the room, as well as a few other difficult features, I really needed the extra pliability that pasting the paper provides. It is prone to crease easily, so needed special care in handling.

Also, there were two full bolts / double rolls that had printing defects. See third photo. Although these defects were minor, with such a plain pattern, they did tend to be pretty noticeable. I’m glad I had enough paper to cut around them, and was able to get the room done without any jarring defects.

This paper was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

What a Sexy, Dramatic Wallpaper!

November 17, 2018


This newish home in the Garden Oaks neighborhood of Houston was plain-Jane and generic as they come, with every surface coated in tan. The cheery mother of three kids under age five wanted the home to reflect the youth and energy of the household. I am slowly transforming several spaces in this home. Keep posted!

This is the master bedroom. I say, there are not many people who have the guts to go this daring! The wallpaper pattern scale is large, the color is bold, and the design is avant-garde… It looks fantastic!

The design looks like chunks of agate that have been sliced into slivers. The color is that of malachite. It takes two strips of width for the whole pattern to play out – and that’s good, because this wall expanse is about 17′ wide.

This wallpaper pattern is by York Wall, and was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Adding Another Space – Yaay! … Another Homeowner Bitten by the Wallpar Bug

November 11, 2018


These homeowners were so thrilled with the two accent walls I did for them in their Montrose (Houston) townhome last week, that they had me come back today and use left overs to paper this art alcove.

Even though the project involved only two 5′ strips, it took me several hours … note the perfect symmetry and balance of the pattern, both side-to-side and top-to-bottom.

It all serves as a beautiful background for the art painting and silver service. And, since it’s the same pattern and color as used in two other areas of the house, it ties the various rooms in the home together.

This classic trellis pattern is by Thibaut Designs is well over a hundred years old.

1′ of Kill Point is Better Than 8′

October 21, 2018


When you hang wallpaper around a room, the last corner will result in a pattern mis-match, because the design on your final strip won’t match up with the design on the first strip, when the two meet up in the last corner. So I try to hide this “kill point” in an inconspicuous place, like behind a door.

But this powder room didn’t have any corners that could be hidden by a door – all of the corners were very visible. I didn’t want to end up with eight feet of a mis-matched pattern.

So I chose to kill the pattern over the door, where the mis-match would only be one foot high. But having the last strip meet the first strip with a straight seam would show an abrupt break in the design. Even if it were only one foot high, it would still jar the eye.

I knew that a pattern mis-match that followed the curves of the leafy motifs would be less visible. So I overlapped the last strip onto the first strip, and spliced the pieces together by cutting along the swirly pattern.

In the final picture, it looks like the pattern matches perfectly.

What A Fun Entry To Come Home To!

October 14, 2018


This entry is open to the living, dining, and kitchen areas of a neatly modernized home in the Briar Park neighborhood of Houston. It was originally white. Needless to say, it wasn’t very interesting.

The homeowner chose this “Larkspur” pattern in navy blue by Serena & Lily. Boy, does this ever change things! It adds a cherry welcome when you walk through the door.

But it also sets a fun tone for the whole rest of the home. All the furnishings in the rooms are pretty subdued, so this slightly wacky pattern really jazzes things up! There is a small amount of blue in the living room rug and in a few accessories, so the navy color of the wallpaper pulls all that together.

S & L is nice paper to work with.

Clean and Serene – A Small Geometric in a Powder Room

September 20, 2018


The color of this new wallpaper isn’t much different from the color it was painted originally. But the little bit of tone-on-tone pattern sure adds a lot of dimension and interest, while still maintaining a calm and serene feel.

The homeowner wanted paper on the ceiling, too. I usually don’t like pattern on the ceiling, but this one is so muted, I think it looks great.

The home is located in the Galleria / Tanglewood area of Houston. The paper is in the SureStrip line by York, in the Waverly design collection. It was nice to work with, and is thin and will hug the wall and stay nice and tight for years to come.

The paper was bought from my favorite source for good quality, product knowledge, expert service, and competitive price – Dorota Hartwig at Southwestern Paint on Bissonnet near Kirby. (713) 520-6262 or dorotasouthwestern@hotmail.com. She is great at helping you find just the perfect paper! Discuss your project and make an appointment before heading over to see her.

Keeping Wallpaper Lined Up Around a Window

August 28, 2018


Coming around a window can be tricky, because wallpaper likes to twist out of shape, windows can be off-plumb and / or not square, and other reasons, so it’s possible that the pattern can match above but not under the window, or the edges above and below the windows might not line up. Or everything can start going off-plumb.

In the first photo, you can (barely) see the vertical line of my laser level, which is helping me keep the left edges of the wallpaper strip lined up as the paper hangs over and then under the window. Next I hung the shorter strips above and under the window. I kept them “open” (did not trim the tops and bottoms), so I could “tweak” them if necessary.

In the second photo, I have positioned the next strip, again using my laser level to create a straight, plumb line on the left edge. This will ensure that subsequent strips will also hang plumb. I let this new strip hang a bit below the pattern match of the previous strip, so I could accommodate any rise or fall in the pattern; the section under the window was longer, so this is the area I wanted the best pattern match. By leaving the paper loose, I was able to match the pattern at the under the window, then pull the paper up to meet the strip over the window.

Sure enough, the pattern match was off a bit above the window. In addition, the strip on the top reached about 1/2″ further to the left than the strip under the window. This meant I was going to have a pattern mis-match, as well as an overlapped seam. But because I had not yet trimmed the top or bottom of that strip above the window, I was able to manipulate this strip to avoid these issues.

I took this strip and cut it vertically along a flower stem. The right half I aligned with the pattern match on the right. The left half was moved down to match the pattern on the full-length strip on the left, while also butting it up against this strip. This meant that I had a slight pattern mis-match in the middle of the cut strip, as well as an overlap.

All this was OK with me. The busy pattern easily disguised the slight pattern mis-match, as well as that 1/2″ overlap. In addition, it was way up high, over the window.

Standing back, you cannot notice any pattern mismatch or overlap. But what you do see is that the pattern runs perfectly across the top of the wall, and the subsequent strips are all and plumb and nicely butted together.

Dark Surface / White Substrate

August 21, 2018


Re yesterday’s post, because it was a dark pattern printed on a white substrate, I worried that some of the white backing might show at the seams. This is especially pertinent with thick papers and with papers that may shrink as they dry.

To help prevent any white from peeking out at the seams, I used a mud-hued artists’ pastel chalk to color the edges of the paper. In the top photo, you can just barely make out the line of muddy grey chalk along the right edge of the wallpaper.

This trick worked great. The seams pretty much melted together and disappeared. However, as you see in the second photo, there were a few sections where seams shrank and opened up just a tad – a half a tad. If the paper had a white background, you would never notice. But with a strongly-colored choice such as this one, you have to be prepared to see minute gaps in between the seams.