Oh, my! – I hung lots of these chintz florals, ” satin ” look (the design of the dark green at the bottom of the wall), and dark colors back in the ’90’s . Sure enough – this home was built and wallpapered in 1994. IIt’s still a good look, IMO, and the homeowner still likes it. But she’s just gotten tired of it. So – time for an update ! She also decided to eliminate the chair rail , so the new wallpaper will go ceiling to floor . Here you see some damage to the drywall where the chair rail molding was removed . What a change! Now the room’s look is quiet and fresh . The buffet , topped with a decorative mirror , will go on this wall . That’s why I centered the pattern in between the windows , so it will fall evenly on either side of the furnishings . I also plotted so that a full “Moroccan lantern” (that’s what this style of trellis pattern is called), would balance out between the crown molding and the window molding. There were several of these 12.5″ high areas all around the room, so this placement of whole “lantern” motifs gave the room a pleasing look. It also worked out that the lanterns were evenly placed and kept whole between the crown molding and the baseboard. See the second following photo to see what I’m talking about As a note – just this one window wall took me about five hours to measure , calculate , and hang . Getting the pattern to go over, around, and under the two windows , and still line up and match correctly , took some time and futzing. The material was thick and stiff , and a bit tricky to fit into corners and trim around the decorative window molding . In the foreground you see my work table area . The homeowner has let me put protective padding on her dining room table and then set my work table on that. This saves space and allows plenty of room for my ladder and other tools as I work around all four walls. So that I could center the pattern on this wall , I had to start hanging my first strip in the middle of the wall. I was lucky this time, that the pattern was centered exactly on the edge of the wallpaper roll . Sometimes (as in the one I did yesterday – see previous post ) the center of the design motif is a to the right or left of the edge of the wallpaper . This, naturally, means you’ve got to do more measuring and plotting and double-checking , to be sure the center of the design falls down the center of the wall . Back to the photo above … that dark block on the right side of my work table is my laser level. It’s shooting a perfectly plumb red line onto the wall. Here I’m lining up my first strip of paper butted against this red line . Switch topics … Back in 1994, the original installer did a very nice job of hanging the wallpaper. But … he didn’t prime the new drywall first. That lack of primer / protective layer means that the wallpaper will actually bond to the drywall. I tried, but was unable to get the existing wallpaper off . Eventually, you need to factor in time , damage to the wall , paste residue left on the wall, and take a different tac if called for. So I skim-floated over the seams , so they wouldn’t show under the new paper , and also floated over the damaged drywall where the chair rail had been removed . Sanded smooth , and then primed the patched areas as well as the original wallpaper, with Roman Ultra Prime Pro 977 . This stuff will adhere to the light acrylic (slick) surface of the original wallpaper, as well as protect it from moisture from my paste on the new wallpaper. ( Moisture could cause the underlying original wallpaper to expand , creating bubbles that will look bad, or loose areas that will pull away from the wall, creating a bubble or pocket.) My primer is also lightly pigmented, so it helps block out the dark color and busy pattern of the original wallpaper . This particular new wallpaper is quite opaque , but not all of them are, so a pigmented primer is important , IMO . Left corner of the buffet wall. Here you can see how the lantern motifs are placed between ceiling and floor. The background has a lightly mottled effect, that mimics grasscloth a bit, and also adds more depth and warmth than just a plain solid color . Been havin’ more than a fair share of defects lately, especially this week. This paper had on both front and back sides, incidences of these black flecks . They seemed to be maybe charcoal , so I wasn’t too worried about their black bleeding through to the surface , like ink or any oil-based substance will do. Most of them were embedded in the material itself, so could not be wiped off , nor dug out with a razor blade . Some I had to cut around and discard the affected paper. Others were so small as to not be noticeable once the paper was up on the wall and all the furniture and artwork was back in the room. There was also one 3′ section of wallpaper that had an odd streak or arc running across it. It wasn’t ink . It was more like some kind of compromise to the substrate . I noticed it was I was pasting the back of the paper . I turned it over and, sure enough, you could see it a little on the surface. (see photo in previous post) It’s the kind of thing that was subtle, but would catch your eye when looking at the wall from a distance . It was minor , but I discarded that strip . Good thing I have the homeowners purchase a little extra wallpaper . The manufacturer is Designer Wallcoverings , which is a good quality brand (aside from the printing defects I described earlier ). It was a non-woven / paste the wall material , which is pretty user-friendly . It will strip off the wall easily and in one piece when you redecorate . Stain-resistant , and ” breathable ” in humid conditions . The home is in the West University neighborhood of Houston . Dining room installer
The artwork and hanger have been removed, but this wall anchor remains in the drywall . It will leave a bump under the new wallpaper . I removed it from the wall. That left a hole that will leave an indention under the new paper . Here I’ve collected a bit of joint compound (we call it mud ), a plaster -like substance that’s used for installing drywall , as well as for patching holes and smoothing textured walls (called skim-floating or skim-coating )Here it is applied over the hole.To speed the drying process, I use my heat gun . Using a sanding sponge to smooth it.Wiping dust off with a damp sponge . Important, because neither primer nor wallpaper paste will adhere to dust . After this dried , I primed over this area and the whole wall with wallpaper primer . I like Roman Pro 977 Ultra Prime . Now the wall is ready for wallpaper, with no worries that bumps or dips will show through .
Originally simply painted a rather dull and lackluster sorta orange, the homeowner chose this pattern to both brighten the entryway and make it feel welcoming. Entry door wall primed and ready for wallpaper. I love the columns on either side. The black door and molding really stand out against the wallpaper. The mom / grandmother described this as “elegantly soft.” There will be artwork hanging on the walls, so it was important that the wallpaper pattern not overwhelm or take center stage. This Willow Boughs pattern will form a perfect backdrop for other focal points.Close up.Closer up, showing the light textured surface of this material.The designer is William Morris , dating back to the late 1800’s and early 1900’s and the Art Nouveau and Arts & Crafts period. Morris & Co. is the manufacturer. Morris makes two types of wallpaper – non-woven and the traditional British pulp . It’s important that this homeowner took my advice and selected the non-woven option. NW is much easier to work with. But also, since it has a high polyester content, it’s designed to strip off the wall easily when it’s time to redecorate . It also is stronger and more stain-resistant than most other types of wallpaper . That’s good, because this family has three little kiddies running around! The home is in the Braes Heights neighborhood of Houston . installer
Before, primed and ready for wallpaper. For various reasons, removing these mounting brackets for the light sconces would have created more problems than it solved, so I left them in place and worked carefully around them. The difficulty is that the sconces are exactly the same size as the mounting plates, so it’s difficult to trim around these plates that jut out from the wall and still get the paper close enough that no gaps show around the base of the light fixtures. When possible, it’s much easier to remove them and put the paper behind them. I chose to center the design on my first strip in between those two sconces, rather than on the faucet. Good thing this is a small and busy pattern, because neither the mirror nor the sink faucet were centered between the sconces. But no one’s gonna notice. If you look in the middle of the photo, you’ll see the vertical red line of my laser level. I’m using this as a guide to place the motifs down the center of the space. Here’s a shot of my laser level. Less than $100 at Lowe’s maybe eight years ago.Finished sink wall. The hooks are for the large, white framed mirror.Window corner next to the toilet. The mint green paint on the woodwork next to the light blue wallpaper print ties this room in beautifully with the other rooms on the first floor of this house. The colors also coordinate beautifully with some artwork in the dining room just steps away.The pattern is called Aboreta and is by Thibaut , one of my favorite brands. It’s a traditional paste-the-paper material , and was nice to work with. Thin and breathable and should hold up nicely in a humid bathroom. This was purchased from my favorite source for wallpaper and for help in finding what you’re looking for – Dorota at the Sherwin-Williams on University in the Rice Village . Her hours vary, so call before you head over.
Here’s the colorful abstract painting / collage that will hang on the textured wallpaper I hung yesterday. See previous post. This piece of art is going to make the whole room!
Here’s an accent wall in a home office. Textured wall has been smoothed, primed, and is ready for wallpaper. Finished. Sorry – the bright light coming in the windows makes for a dark, crappy photo. But the wall looks really good!This gives you an idea of the realistic pattern and texture. A bright piece of artwork will hang on this wall between the windows. Close up of texture.Manufacturer is Super Fresco Easy from Australia. Pattern is Crocodile This non-woven material is thin, strong, flexible, and a joy to work with. In addition, it’s designed to strip off the wall easily and in one piece when you redecorate.
Old, dated and dingy paper has been stripped off, walls are primed, and now ready for wallpaper. Done. Palm leaves accent wall on the left looks out into a landscaped courtyard. The quieter paper on the right going on three walls.Close up of the accent wall. The paper has a light sheen. By Fine Decor. A non-woven material / paste the wall installation method (I usually prefer to paste the paper).Bright pastel colors, and an easy-to-live with design that sort of fades into the background, giving a textured look. This is a good choice when you want the items in the room (furnishings, artwork) to take center stage, and the wallpaper simply provides a soft backdrop.Close up.A Street Prints, a very good brand. This is also non-woven, paste-the-wall wallpaper.
This room adjoins the master bath I blogged about on Nov. 12. Scroll down and see how beautifully the papers in all three areas coordinate, both in color and in theme.
Gradually, through my blog posts, you will see how five rooms in this home were updated and “cheered up” by the new colors and patterns.
This home is in League City, a south suburb of Houston.
Once the new wallpaper is up, this homeowner wants to rehang her artwork, mirrors, and curtains in the same spots they were originally. So she has left the hangers and nails in place, and marked which ones she wants to keep.
When I put up the new paper, I will be able to put the hangers back in their proper spots, and she can hang her items where they belong.
Note that it’s important to not write on the walls with ink or marker – it will bleed through and stain the wallpaper. So pencil or sticky notes are perfect.
The original all-white walls didn’t do much to make this play room for young kids feel fun. Mom chose “Feather” by Serena & Lily to pump it up a couple of notches!
In the close-up photo, you can see the irregular lines of this design, as well as the hand-painted, watercolor-y look. The material has a slight “raised ink” texture.
You might think the pattern is a little busy now, but once the furniture is back in place and the artwork goes up, the room will feel more balanced.
The homeowners also commented that the pattern on the walls makes the room feel bigger and less “lost” than with the all-white look.
The home is in the Braes Heights neighborhood of southwest inner Loop Houston. The wallpaper is called “Feather” and is by Serena & Lily – one of my favorite brands.
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