The homeowner bought this townhouse in central Houston 12 years ago and has always wanted to get rid of this really blah, ditsy small print in the commode room of her master bathroom . I know the design trend for the last several years has been white , grey , grayeige , minimalist , serene , clean , sparse ,,,, but there is nothing in this gal’s home that is remotely any of that … Her home is all about color , pattern , meaningful items prominently displayed – and lots of them! (Example: notice the fancy doorknob and the tassle hanging from it.) I really enjoyed working here, because that’s pretty much my decorating style , too.So here’s continuing that ” moody maximalism ” theme into the potty room. Note the cabinet and ceiling have been painted a coordinating color . Opposite corner . The room is REALLY tiny , and the door opens inward , so it was quite a bit of a challenge squeezing myself, my tools, and my ladder all in there. Close-up. The pattern is called Artemesia Absinthium , and is by Klaus Haapaniemi & Co in Finland . I don’t know who this Klaus guy is, and have never worked with his wallpaper before, but he must be half-high on psychedelics ,,, I would highly recommend a visit to his website and checking out the various fabric and wallpaper options . If you’re into maximalism and bold drama , that is! The material was a quite nice non-woven , and was easy to work with . I did stripe dark paint under where the seams would fall, in case of slight gaps showing the wall beneath . I was a little disappointed that there was some slight paneling / shading / difference in depth of color between some of the strips – but not too noticeable . Non-woven papers are designed to strip off the wall quickly and easily and with no / minimal damage to the wall when you redecorate . I do find it interesting that this pattern is so very similar in design and name to the very popular Artemis by House of Hackney , another good wallpaper manufacturer . Like I say, for every company making a cool pattern, there are others making their own versions / knock-offs .
Kinda bland, huh?Well, let me fix that for you! With just two colors and a simple, yet flowing design, this wallpaper pattern breathes life into this room – but doesn’t overwhelm. Pattern is nicely centered between the windows.This is another wall that also has two windows . I was able to center the pattern between these windows, too. Centering on two different walls in the same room is actually something of a feat – but that’s a story for another time. From a distance .This home has bull-nosed / rounded outside corners and edges, as well as the arch . Very tricky to get wallpaper trimmed to these areas neatly and evenly . See other posts for more info on this.Close up. The design has a weathered fabric texture sort of background . The copper colored foliage is lightly metallic , so has a slight shine – but only when viewed from certain angles , so it’s a subdued luster that’s added to the room . Note how the coppery color coordinates with the light fixtures / chandeliers . The wallpaper is by Graham & Brown , a good manufacturer with quality papers. The pattern is called Twining . This company makes nice non-woven papers , which have a polyester content which makes them stain-resistant and durable . They are also designed to strip off the wall easily and in one piece and with no damage to your walls when it’s time to redecorate . G&B ‘s materials are usually flexible and nice to work with – although this particular one did tend to drag and tear when being trimmed – even with a new blade. I usually paste the paper , but non-woven materials can also be installed by paste the wall . The home is in the Oak Forest / Garden Oaks / Heights neighborhood of Houston . This project took me three days, to smooth the textured walls , and then hang the paper around four walls , and trim around those pesky rounded edges and the arch .
Before. Good colors. But nothing inspiring. Done. Boy, this paper really visually pushed the walls away and made the room look larger ! Easy on the eye tone-on-tone pattern , lighter colors , and a teeny bit of gold sparkle .
Note the 5/8″ high strip of wallpaper under the medicine cabinet on the left.
Because those faucet handles sit up so high above the backsplash , it’s likely that when people reach for the handles, water will get splashed onto the wallpaper . To prevent splashed water from wicking up under the wallpaper – which could cause the paper to expand and curl away from the wall – I ran a bead of clear siliconized caulk along the top of the backsplash . The color is skewed in this shot, but you get an idea of the tropical foliage and pattern scale . Toile is a French word for a sort of pen and ink drawing in one color on a background that may be colored or may not be.Close-up , showing a truer color . Note the palm trees and the monkey . This material has a woven -look textured surface , and it mimics fabric . I almost felt like I was install ing linen , instead of wallpaper . The brand is Rasch , a company out of Germany . Their papers are consistently nice to work with. This one was unexpectedly thin and flexible . It’s textured vinyl on a non-woven substrate . The vinyl makes it durable and stain-resistant , and the NW makes it easy to remove later when you’re ready to redecorate . The seams are positively invisible. This powder room on the first floor just off the home office / study comes complete with a shower . Just for fun – one of the obstacles in this room was this rain shower head – sticking out right where I need to be on my ladder , and keeping me from reaching those walls . On top of that, the faucet handles also stuck out much further from the wall than most do. While priming the walls, as I was climbing down from the ladder , my clothing actually got entangled in the handles and – turned on the water ! Yes, I got a shower at work today ! The home is in the Woodland Heights neighborhood of Houston .
I love all things vintage , particularly the early 1900’s – 1940’s . So it was a thrill and an honor to help decorate this 1926 home in the Woodland Heights neighborhood of Houston . The homeowners revere their new abode , too, and carefully maintained the character of the home during the renovation, while still adding updates that facilitate life in a modern world . They also preserved many of the original features , and created a sort of ” shrine ” near the back door. This framed wallpaper sample is one of those.I love these old papers, and have a growing collection of my own. Back in the day, the ship-lapped walls were covered with cheesecloth – like fabric , which was tacked to the wood . The wallpaper was pasted and then applied over that. You can see some of that fabric peeking out at at the top of this sample . Just about every room had a border running around the top, below the ceiling , as seen in this example. This was stylish through many decades , so it’s difficult to tell what era this particular paper is from. To me, this looks like the 1950’s – but it could be as early as the 1920’s . Borders were still popular into the 1990’s , but wider. I’ve hung bunches of them! This ” history wall ” also included keys , mailbox parts , invoices written in fountain pen , hinges , and other cool old memorabilia .
Breakfast nook “before” is bright and airy – but washed out and uninspiring. The vertical tan lines are paint I’ve striped under where the seams will fall, to prevent the light colored primer from peeking through. “After” has warmth, life, and a cheery feel. With a little color contrast, now you can see the detailed woodwork and window molding. The paper has a bit of a tropical, thatched roof, Ernest Hemmingway, sort of feel. Note I’ve balanced / centered the pattern so it falls evenly and equally on either side of the window . Note how perfectly the motifs fill the space above the windows, as well as below the windows. It’s a minor thing that you don’t consciously notice, but it gives the room a grounded , balanced feeling . Another angle . The chandelier is a major feature in the room. I love the way the chunky beads repeat the color and theme of the white pattern in the wallpaper. Unlike most wallpapers that come in rolls of standard sizes , this material comes in continuous yardage on one huge (and HEAVY ) bolt . The height of the motifs perfectly fits the space between the window and the crown molding . No flower tops got chopped off in this room !There are five windows. This is the area between two of them, including an obtuse angle . It took a LONG time to get the paper around all five windows, keeping the pattern intact . Close-up showing the texture . This is a paperweave , which is similar to a grasscloth , as both are natural fibers and materials . Because this paper weave is woven, instead of having stiff, straight strands of grass crossing the wallpaper , it was a lot more flexible and workable than regular grasscloth .The space over the door molding was just 4 1/16″ high. The flower motif fit in here perfectly . You can see along the seam in the center of the photo , that some of the fibers may try to come off the backing , especially at seams and areas where you’ve cut into the material , such as trimming around window moldings and other obstacles . This is pretty minor . Overall, the seams are virtually invisible . One other thing I didn’t like about this paper is that, after the wallpaper was made, the color was applied to the front, like paint . This made the color subject to abrading or flaking off under even light rubbing . It would have been better IMO to have dyed the fibers and then sewn / glued them on to the paper backing . Then the color would go all the way through. Not a biggie – you just have to work slowly and carefully and gently. Oh, and you can’t get paste or water or fingerprints on the surface, either – because they can’t be washed off and can stain . The pattern is called Papavero and is by Casa Branca . The material has an unprinted selvedge edge that has to be trimmed off by hand, using a straightedge and razor blade . Takes a lot of extra time , and even more so because you have to press harder to get through the thick fibers than with a traditional wallpaper . A picture of my straightedge and razor blade . I’m trimming something else here (that will be blogged about later), but you get the idea . A really bad photo of a really perfect chandelier . It’s chunky , white , and the shape of the ‘beads’ repeat the flower motifs in the wallpaper. The windows will have Roman shades made of a somewhat coarse white linen type fabric , which will coordinate beautifully with the texture of the wallpaper . The home is in the Heights neighborhood of Houston .
Before. Primed and ready for wallpaper . Done. This image could be positioned so that the palm leaves push up from the floor , or, as in the photo , they hang down from the ceiling. This is a popular look right now, and very fitting to an accent / headboard wall in a bedroom . Done. The homeowner bought one mural from Russia before she and I consulted , so it would be difficult to get another. In addition, the mural images don’t continue from right to left, so you can’t place two murals next to each other and have palm leaves continue unbroken . The manufacturer’s picture on-line is misleading, too, because it’s been Photoshopped to look like it fills the whole wall with tropical fronds . As you can see, the actual mural is a lot narrower than the wall, plus shorter by about a foot and a half. The mural is placed slightly off-center on the wall , because the homeowner wanted it centered on the bed , which sits a little to the right of center . Plans are still incubating, but she’ll probably have wooden panels or trim placed on the wall flanking the mural as well as beneath it, to give a finished look. All in all, I think the room looks dreamy !Close-up .The material is vinyl and has a woven fabric – like texture . The mural came in four panels, each about 3′ wide by about 8.5′ high . Here I am laying them out so I can get measurements and to be sure they go up in the right sequence. There were a lot of these little black specks of a chalk – like substance on the back , and even some on one area of the front . Did I tell you this came from Russia ?! Sorry, no brand name, but this was thin and very flexible and pretty nice to work with . This is a popular design concept , and many companies are making similar patterns . Try RebelWalls.com , which is super quality and really good customer service, plus tons of designs and images to cover your walls .
While waiting for my order to be ready, I couldn’t help but notice problems …. Wallpaper starting to curl at the seams. Wallpaper twisting in corners as the building shifts and drywall moves. This is pretty common in Houston. Other signs of poorly maintained building and/or climate control issues. Seam curling back. I believe this to be a lower-end solid vinyl wallpaper on a gritty paper backing – one of my least preferred types. When the walls are not prepared correctly, and the paper is not hung properly, and when there is a lot of humidity (door left open, steam from kitchen getting into waiting area, A/C not running or turned off at night), humidity can enter into the seams and be wicked up by the paper backing. The paper expands and pushes away from the wall, causing the edges of the wallpaper to curl back. The next step is that the vinyl surface can actually delaminate (come apart) from the paper backing. This is pretty impossible to repair. At the very bottom, you can see the vinyl separating from the paper backing. The wallpaper has been wrapped around this outside corner, and a new piece of paper overlapped on top of it. When this is done, with vinyl material, you’re supposed to use special vinyl-over-vinyl ( VOV ) adhesive, because regular wallpaper paste isn’t formulated to adhere to vinyl / plastic . But even if the installer had used the correct adhesive, under humid conditions or with improper wall prep, the odds are that this wallpaper job will start to fail. Also note dirt along the ceiling, and along the chair rail in the previous photo. General lack of maintenance and I am really suspecting lack of climate control.The black smudges appear to be mildew coming from underneath the paper. Again, probably related to humidity. Vinyl wallpaper is a sheet of plastic, and moisture can be trapped behind it. That can be a breeding ground for mold and mildew. So why use vinyl wallpaper? Mainly because the surface is much more washable than most other types of wallpaper. In a business, washability is attractive. But these property owners chose a low-end vinyl product, most likely skipped proper wall prep such as a wallpaper primer, and have not provided a hospitable environment for the paper. There are other vinyl wallcoverings that would have held up better. For instance, vinyl on a scrim ( woven fabric ) backing, or the newer backing called non-woven , which has a 20% polyester content, and therefore less likely to wick up humidity.
Across the street from where I was working today (in the Houston Heights), this 1925 home was being renovated. I walked myself over to drop off a business card.
I gasped when I saw some vintage wallpaper in a trash pile on the soon-to-be living room floor. I love these old papers, and have a growing collection.
The guys working inside were friendly, and were happy to let me take some scraps. This chunk is from the original kitchen (which, after the home is expanded, will become the living room). It’s probably the most cheerful and animated pattern in my collection.
Back in those days, a loosely-woven fabric (often mistakenly referred to as cheesecloth or muslin) was tacked to the ship-lap walls, and the wallpaper was pasted and hung on top of that. The seams were overlapped.
The ink colors hold up amazingly well over the years. But that cloth backing, and the wallpaper itself, don’t fare as well.
This kitchen wallpaper easily separated from the cloth backing, and the old paper was delicate and brittle. Even with attentive handling, my piece split in two just walking a few yards to my van.
I got it home in one piece (well, really in two pieces). I hope to find a was to affix this to a secure backing, so it can be preserved.
I’m afraid that it won’t hold up to the moisture and stress of pasting, even using with old-fashioned wheat paste. And that spray adhesives might not hold, or may stain the old paper fibers.
I’ll figure something out. In the meantime, I feel very lucky to have this!
This small floral print was fashionable when it went up, 30+ years ago. But now it’s dated, and also some stains and dirt are showing. Time for an update!Old paper has been stripped off, the walls have been primed with my favorite Roman Pro 977 Ultra Prime, and ready for wallpaper. Done! An accent of grasscloth was used on one wall. I love the way the greens match, and everything coordinates with the paneling / wainscoting. Usually I place the pattern so a prominent design motif sits at the ceiling line. But in a room with wainscoting or chair rail, that horizontal mid point in the wall is more visible. So I plotted to have the bottom of the dark green, most visible flower land just above the top of the chair rail. It looks like it’s growing from the wood! The pattern also just happened to land nicely at the ceiling line, with no major design elements getting cut in half. The material has woven fabric look to it – but that’s just the printing. It’s actually a very flat paper. It was very thin, and reminded me of papers from decades ago. It hugs the wall very tightly. I liked it a lot. Exclusive WallcoveringsThe grasscloth accent wall. All four strips were reverse-hung, and hung in the sequence they came off the bolt. Yet you see a color difference (called paneling or shading ) between some strips. This is quite typical of natural products like grasscloth and sisal. Close up. Bad photo … the color is actually an attractive green. The material is more of a thin balsa wood about 1/2″ wide, rather than traditional grass or reeds. I feared it would be difficult to cut through, but it turned out to work very nicely. But it would not have been good in a room with corners or intricate details to trim around.
The home is in League City, a southern suburb of Houston.
I have worked for this couple in their charming 1929 bungalow in West University ( Houston ) several times since the 1990’s. They definitely are not people to go with the all-white or all-grey or minimalist trends that are popular today. These folks like COLOR!
The dining room walls were originally upholstered in a botanical print on blue (which the homeowner did himself, and did a mighty find job of, too). So the room never was bland white. 🙂 But now, 20 years later, they were ready for an update.
Their contractor removed the fabric and then skim-floated the walls smooth. Usually I have to go back and re-smooth the walls … but this guy did a really good job, and I was able to simply prime, and then hang the paper.
This is a vinyl product named ” Wild Silk ,” and is by Thibaut . It’s much more stain-resistant and durable than real fabric. Unlike real silk and other natural materials like grasscloth , this product has a pattern match. This means that you are not going to see each separate panel or visible seams, like you do with real silk. So the walls have a much more homogeneous and pleasing look.
The challenge lay with the old house and its un-plumb walls and un-level ceiling and window/door moldings. Since the ceiling was not level, if I hung the wallpaper true to plumb, then it would start “tracking” off-kilter at the ceiling line, and appear to be running either uphill or downhill. This effect was further complicated by the way the pattern ran along the window and door frames.
I decided to keep the pattern parallel to the ceiling molding line. This meant letting it go crooked along the door and window frames, if that’s how it turned out. The ceiling line was more visible and more important.
Since the pattern was tracking off-kilter, I used a razor blade and a straightedge to trim off a wedge-shaped chunk from one side of the wallpaper. This forced the pattern to move up (or down). After a few strips, I had tweaked it enough that the design was moving straight across under the crown molding.
Even though the strips were not hanging plumb, it looked wonderful along the ceiling line. This “silk” pattern was very accommodating of that. If it had been a design with a prominent motif that the eye wanted to see marching straight across the ceiling AND straight down along a door frame, it would have been much more difficult to pull off – maybe impossible.
Going around the window (no pic) was even more complicated. Because I was tweaking the three strips above the window to follow the crown molding, and also the three strips below the window – and you can’t guarantee that these will all adjust at the same rate. So getting the strip to the left of the window (no pic) to match up with the strips above AND below the window would be pretty impossible.
So I was extremely pleased when the pattern on all these strips did match up, within about 1/16″.
This is a vinyl material and was somewhat difficult to push tightly into edges and corners, and to cut through. I was glad that I didn’t have intricate decorative moldings to cut around. I used orange chalk to color the edges of the material, to keep the white substrate from showing at the seams.
I love the way the salmon color coordinates with the painted trim. Who paints door moldings orange??! THESE people do – and I highly applaud it! No boring all-white rooms in this house!
The look is bold, but surprisingly warm. The orange moldings against white walls would have been jolting. But with the salmon colored wallpaper, the whole effect is unified, inviting, and invigorating!
The Wallpaper Lady's Blog 